{{short description|American artist}} {{Infobox person | name = Susan Mastrangelo | image = | alt = | caption = | other_names = | birth_name = | birth_date = 1951 | birth_place = New York City, New York, US | death_date = | death_place = | nationality = | education = Boston University, Kansas City Art Institute, New York Studio School | known_for = Painting, sculpture, installation art, collage, printmaking | notable_works = | style = | movement = | spouse = | awards = Pollock-Krasner Foundation, Elizabeth Foundation for the Arts | elected = | patrons = | memorials = | website = [https://www.susanmastrangelo.com/ Susan Mastrangelo] }} thumb|right|upright=1.2|Susan Mastrangelo, ''Shining Lights'', knitting, recycled fabric, upholstery cord, acrylic paint on wood panel, 60" x 48", 2020.
'''Susan Mastrangelo''' (born 1951) is an American visual artist and educator whose artwork has included mixed-media paintings, sculpture, installations and printmaking.<ref name="Schwabsky22">Schwabsky, Barry. [https://www.artforum.com/print/reviews/202201/susan-mastrangelo-87558 "Susan Mastrangelo,"] ''Artforum'', January 2022. Retrieved June 13, 2023.</ref><ref name="Johnson00">Johnson, Ken. [https://www.nytimes.com/2000/08/04/arts/art-guide.html?searchResultPosition=4 "Susan Mastrangelo and Jenny Scobel/ Cynthia Carlson/ Barbara Westermann,"] ''The New York Times'', August 4, 2003. Retrieved June 13,, 2023.</ref><ref name="Butler15">Butler Sharon. [https://twocoatsofpaint.com/2015/09/images-susan-mastrangelo.html "Images: Susan Mastrangelo,"] ''Two Coats of Paint'', September 26, 2015. Retrieved June 13, 2023.</ref> Her earlier work centered on sculpture and installations, most commonly expressive, sculpted heads and flat, stylized groupings of figures that ranged freely between representation and abstraction.<ref name="Avery00">Avery, Susan. "Head Trip," ''New York Magazine'', April 17, 2000.</ref><ref name="Nadelman06">Nadelman, Cynthia. Review, ''American Ceramics'', July 2006.</ref><ref name="Fintz03">Fintz, Jeanette. "Departures, Arrivals & Pitstops," ''The Artful Mind'', February 2003.</ref> Critics suggest that since 2015, her paintings, collages and monoprints have embraced immediacy, organic abstract form, and diverse materials including knitting, upholstery cord, recycled patterned fabrics and paint.<ref name="Yaniv21">Yaniv, Etty. [https://artspiel.org/susan-mastrangelo-at-490-atlantic/ "Susan Mastrangelo at 490 Atlantic,"] ''Art Spiel'', October 3, 2021. Retrieved June 13, 2023.</ref><ref name="Nelson22">Nelson, Jennifer. [https://www.thewoventalepress.net/2022/07/13/painting-with-fabric-and-knits/ "Painting With Fabric and Knits: Interview with Susan Mastrangelo,"] ''The Woven Tale Press'', July 13, 2022. Retrieved June 13, 2023.</ref><ref name="Schwabsky22"/>
Mastrangelo has been recognized with awards from the Pollock-Krasner Foundation and New York Studio School, and as a visiting artist and scholar by the American Academy in Rome.<ref name="PKF">Pollock-Krasner Foundation. [https://www.pkf-imagecollection.org/artist/Susan_Mastrangelo/?list_url=%2Fartists%3Fsort%3DKO%26page%3D6%26letter%3DM Susan Mastrangelo], Artists. Retrieved June 13, 2023.</ref><ref name="Corona21">Corona, Sarah. [https://artspiel.org/mercedes-matter-awards-show-at-margalit-startup-city/ "Mercedes Matter Awards, Margalit Startup City,"] ''Art Spiel'', February 8, 2021. Retrieved June 13, 2023.</ref><ref name="Carey21">Carey, Brainard. [https://museumofnonvisibleart.com/interviews/susan-mastrangelo/ "Susan Mastrangelo,"] WYBCX Yale Radio, October 20, 2021. Retrieved June 13, 2023.</ref> She is based in Brooklyn and Catskill, New York.<ref name="Kirkpatrick20">Kirkpatrick, Catherine. [https://artspiel.org/artists-on-coping-susan-mastrangelo/ "Artists on Coping: Susan Mastrangelo,"] ''Art Spiel'', June 25, 2020. Retrieved June 13, 2023.</ref>
==Early life and career== Mastrangelo was born in 1951 in New York City, and raised there and in Washington DC.<ref name="Butler15"/><ref name="Ragdale">Ragdale Foundation. [https://www.ragdale.org/residents/susan-mastrangelo Susan Mastrangelo] Residents. Retrieved June 13, 2023.</ref> She received formal training in painting (e.g., still lifes, figurative compositions, landscapes) at the New York Studio School (1973) and Kansas City Art Institute, receiving a BFA from the former in 1974.<ref name="Nelson22"/><ref name="Glueck90">Glueck, Grace. [https://www.nytimes.com/1990/09/24/arts/art-school-still-needy-is-thanking-its-champion.html?searchResultPosition=3 "Art School, Still Needy, Is Thanking Its Champion,"] ''The New York Times'', September 24, 1990. Retrieved June 13, 2023.</ref><ref name="Ragdale"/> She earned an MFA from Boston University in 1977, studying under Philip Guston, who encouraged a more personal and emotional, rather than formal, approach.<ref name="Carey21"/><ref name="Ragdale"/><ref name="Nelson22"/> After relocating to New York City, Mastrangelo appeared in exhibitions at A.I.R. Gallery, Art in General, Art Resources, and the Islip Art Museum, among others, in her first professional decades.<ref name="Lewis87">Lewis, Jo Ann. "Hybrids," ''The Washington Post'', January 31, 1987.</ref><ref name="Johnson00"/><ref name="TaftArts">Taft Arts. [https://www.taftschool.org/arts/mark-w-potter-gallery/past-exhibitions/2009-10-act-one-susan-mastrangelo "Act One: Susan Mastrangelo,"] Exhibitions, 2009. Retrieved June 13, 2023.</ref><ref name="Cyphers90">Cyphers, Peggy. "Susan Mastrangelo," ''Arts Magazine'', 1990.</ref>
In addition to her artmaking, Mastrangelo taught at the Buckley School in New York City from 1991 to 2017, and chaired its art department from 2000 to 2017.<ref name="Kirkpatrick20"/><ref name="Ragdale"/> She also taught at Fisher College in Boston.
==Work and reception== ===Early work and exhibitions=== Mastrangelo focused on the human figure in her early career.<ref name="Nelson22"/><ref name="Schwabsky22"/><ref name="Fintz03"/> The work in her first two decades ranged from paintings of faceless, stylized people—often marching single-file through her compositions of the 1980s—to wood and plaster figurative sculptures whose stiff, restrained gestures conveyed a muted emotional quality.<ref name="Fintz03"/> In the early 1990s, these sculptures evolved into a larger-than-life-sized series of long, narrow, mainly abstract totem pieces made of wood, wax, lead, steel and paint.<ref name="Fintz03"/><ref name="PKF"/>
thumb|right|upright=1.4|Susan Mastrangelo, ''Head Shot'', clay and sculpey, 2" x 2" each head, 2003–06. Selection from wall installation of 350 heads. Beginning in 1997, Mastrangelo turned from large sculpture to small, expressive modeled and painted heads.<ref name="Rosenberg19">Rosenberg, Von Imme. "Wire, Papier, New York," ''Passauer Neue Press'', June 7, 2019.</ref><ref name="Avery00"/> Between 1999 and 2006, she often exhibited them posted directly to walls in large groupings or grids (some numbering up to 350) that reviewers described as cross-sections or ethnographic-like presentations of human expression.<ref name="Braff99">Braff, Phyllis. [https://www.nytimes.com/1999/02/21/nyregion/art-reviews-works-on-paper-with-a-difference.html?searchResultPosition=2 "Take Out, Eat In,"] ''The New York Times'', February 21, 1999. Retrieved June 13, 2023.</ref><ref name="Lombardi03">Lombardi, D. Dominick. [https://www.nytimes.com/2003/02/16/nyregion/art-reviews-keeping-it-simple-in-color-and-form.html?searchResultPosition=1 "Keeping it Simple With Color and Form,"] ''The New York Times'', February 16, 2003. Retrieved June 13, 2023.</ref><ref name="Wei03">Wei, Lilly. "According with Nadelman," ''ARTnews'', October 2003.</ref><ref name="Avery00"/> The heads were quickly jabbed and pinched out of clay, yet contained surprising specificity, including details such as dreadlocks, glasses, braids and bows.<ref name="Braff99"/><ref name="Wei03"/><ref name="Fintz03"/><ref name="Gilbert06">Gilbert, Debora. "Even cowgirls get an exhibit," ''The Daily Mail'', August 4, 2006.</ref> On an individual level, critics noted them for their lumpy humor and unnerving emotional impact, while describing the effect ''en masse'' as both macabre and communal.<ref name="Naves03">Naves, Mario. [https://observer.com/2003/07/a-collection-of-oddities-nadelmans-quirky-kin/ "A Collection of Oddities: Nadelman's Quirky Kin,"] ''The New York Observer'', July 7, 2003. Retrieved June 13, 2023.</ref><ref name="Fintz03"/><ref name="Lombardi03"/><ref name="Seligman03">Seligman, Tina. "Vision Festival 2003," ''Magazine Art'', Summer–Fall 2003.</ref> For the 2003, New York Vision Festival, Mastrangelo created an installation of large-scale, highly hung heads constructed out of plaster, wood, paint, burlap, hemp, wire and resin that reviewer Tina Seligman likened to departed souls or an ancient Greek chorus "silently echoing despair, anger, strength and resilience."<ref name="Seligman03"/> She also collaborated with poet Geoffrey O'Brien on an exhibition and book, ''Heads in Limbo'' (2011), in which he supplemented her heads with poignant, self-mocking and wise caption-verses.<ref name="Fintz03"/><ref name="OBrien11">O'Brien, Geoffrey, Susan Mastrangelo and Barry Schwabsky. ''Heads in Limbo'', New York: Blurb, 2011.</ref> In 2019, after turning to other work for more than a decade, she returned to the heads in installations at the City-Museum of Neuötting and Schauraum K3 in Germany.<ref name="Resch19">Resch, Michaela. "Take the art off the pedestal," ''Passauer Neue Press'', May 2019.</ref><ref name="Rosenberg19"/>
Between 2009 and 2019, Mastrangelo produced collages, reliefs and installations depicting silhouetted women in motion or carrying out daily routines, which served as metaphors, variously, of the human condition, past struggles, contemporary living and the vibrancy of New York pedestrian life.<ref name="Butler15"/><ref name="TaftArts"/><ref name="Feder17">Feder, Carrie. [https://www.newyorkalmanack.com/2017/06/suffrage-centennial-exhibit-at-athens-cultural-center-asap/ "Suffrage Centennial Exhibit at Athens Cultural Center,"] ''New York Almanack'', June 29, 2017. Retrieved June 13, 2023.</ref><ref name="MH12">Melville House. [https://www.mhpbooks.com/events/the-42-letter-name-new-work-by-robert-kirschbaum/ "Gallery Show: Motion Pictures,"] Events, 2012. Retrieved June 13, 2023.</ref> Taking a range of forms—flat, freestanding fiberglass and fabric figures, drawings on mylar or hanging scrim, linocut prints<ref name="Butler15"/><ref name="TaftArts"/><ref name="MH12"/>—this work included the exhibitions "Slice of Life" (Taft School, 2009) and "Motion Pictures" (2012, Melville House), a collaboration with poet Albert Mobilio;<ref name="TaftArts"/><ref name="MH12"/> ''Indomitable'' (2017), an installation for the show "A Declaration of Sentiments," honoring the centennial of women's suffrage in New York;<ref name="Feder17"/> and ''Pulse'' (2019), a colorful, upbeat site-specific installation for the Sloan Kettering Brooklyn Infusion Center.<ref name="Nelson22"/>
===Mixed media paintings and monoprints (2015–present)=== Mastrangelo's later work has taken an increasingly abstract direction. In a series of barely figurative collages—some presented in The Painting Center show "Ulterior Motif" (2015)—she adhered shapes of brightly patterned fabrics to fiberglass scrim, offering a glimpse of the Pattern and Decoration movement's influence on her work (e.g., ''Standing Alone'' and ''Destination Freedom'', both 2016).<ref name="Butler15"/><ref name="TPC15">The Painting Center. [https://www.thepaintingcenter.org/color-matters-1 "Ulterior Motif,"] Color Matters, 2015. Retrieved June 13, 2023.</ref> Her monoprints exhibit a similar impulse, featuring simple organic shapes made with mylar templates that overlap through multiple printings to create a sense of immediacy and spiraling, urban energy and color (e.g., ''Breaking Barriers #7'', 2020).<ref name="Rosenberg19"/><ref name="Nelson22"/>
In 2020, while in seclusion due to the COVID-19 pandemic, Mastrangelo turned to knitting—initially for comfort, but eventually in extensions of her collage works.<ref name="Nelson22"/><ref name="Yaniv21"/> She created vivid, visceral rectangular paintings in which materials such as yarn, upholstery cord and fabric took the leading role over paint.<ref name="Schwabsky22"/><ref name="Yaniv21"/<ref name="Wilkin20">Wilkin, Karen. [https://hudsonreview.com/2020/11/at-the-galleries-40/#.ZEBBwR1OlYd "At the Galleries,"] ''The Hudson Review'', November 2020. Retrieved June 13, 2023.</ref> Working intuitively, she "drew" on wood panels with upholstery cording of various weights using the energy of robust, sinuous lines to dictate the rhythms, biomorphic shapes and voids of the compositions (e.g., ''Shining Lights'', 2021).<ref name="Schwabsky22"/><ref name="Yaniv21"/><ref name="Mobilio21">Mobilio, Albert. "Susan Mastrangelo," in ''Safe At Home: Susan Mastrangelo'', 2021.</ref> Over these drawings, she painted and collaged with patterned fabrics and meshes, developing a dense, complex pictorial vocabulary with ''trompe l'oeil'', shadowing, depth and textural effects.<ref name="Schwabsky22"/><ref name="Yaniv21"/> In an ''Artforum'' review of the solo show, "Safe At Home" (2021, 490 Atlantic), Barry Schwabsky wrote of this work, "These meshes expand, contract, twist and overlap, lending the compositions their delicious convolutions. More than a hundred years after the fact, Mastrangelo shows there’s still inspiration to be drawn from, of all things, Synthetic Cubism."<ref name="Schwabsky22"/>
==Recognition== Mastrangelo has received awards and grants from the New York Studio School (Mercedes Matter Award, 2020), Elizabeth Foundation for the Arts (2000–05) and Pollock-Krasner Foundation (1990, 1987).<ref name="Corona21"/><ref name="EFA">The Elizabeth Foundation for the Arts. [https://www.studios-efanyc.org/alumni: Alumni], EFA Studio Program. Retrieved June 13, 2023.</ref><ref name="PKF"/> She has been selected as a visiting artist or artist-in-residence at the American Academy in Rome, Civitella Ranieri Foundation (Italy), Ragdale Foundation, Triangle Workshop, Tyrone Guthrie Centre (Ireland), Virginia Center for the Creative Arts, and Yaddo.<ref name="CRF">Civitella Ranieri. "Civitella Ranieri Foundation 2015 Group 2 Newsletter," July 27, 2015.</ref><ref name="Ragdale"/><ref name="TaftArts"/><ref name="Triangle">Triangle Arts. [https://www.triangleartsnyc.org/alumni Alumni List], Workshop 1991 – Pine Plains, NY. Retrieved June 13, 2023.</ref><ref name="Nelson22"/><ref name="Yaddo">Yaddo. [https://yaddo.org/all-residents/visual/ Visual Artists]. Retrieved June 13, 2023.</ref>
== References ==
{{reflist}}
== External links == *[https://www.susanmastrangelo.com/ Susan Mastrangelo] official website *[https://www.thewoventalepress.net/2022/07/13/painting-with-fabric-and-knits/ Susan Mastrangelo Interview], ''The Woven Press'' *[https://museumofnonvisibleart.com/interviews/susan-mastrangelo/ Susan Mastrangelo], interview, WYBCX Yale Radio *[https://www.youtube.com/watch?v=9BgPv3_urjc Susan Mastrangelo], ''The Large Glass'', Episode 98
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{{DEFAULTSORT:Mastrangelo, Susan}} Category:21st-century American women painters Category:21st-century American painters Category:American women sculptors Category:Boston University alumni Category:Kansas City Art Institute alumni Category:Artists from New York City Category:1951 births Category:Living people