{{Short description|none}} {{Use dmy dates|date=December 2025}} {{Use Indian English|date=December 2025}} {{AI-generated|date=March 2026|partial=y|reason=[https://en.wikipedia.org/w/index.php?title=Marathi_cinema&diff=1248439596&oldid=1246701989 these 2024 additions]; note WP:AISIGNS in superficial analyses, header case formatting, vocab distro typical of 2024 LLM output, etc}} {{Infobox cinema market | name = Marathi cinema | image = File:India film clapperboard (variant).svg | image_size = | alt = | caption = | screens = Approximately 610 in Maharashtra state of India<ref>{{cite web |title=STATEWISE NUMBER OF SINGLE SCREENS |url=http://www.filmfed.org/singlescreen.html |publisher=Film Federation of India |access-date=21 April 2014}}</ref> | screens_per_capita = | distributors = {{br separated entries|Aatpat Production|Rasika Productions|Dreaming 24/7 Productions|Almonds Creations|Everest Entertainment|Pickle Entertainment and Media|AP Communications|Swarali Films Creation|Six Sense Film Production|Mulakshar Productions|Planet Marathi}} | produced_year = 2022 | produced_ref = <ref>{{cite news |title=List of featurefilms Certified in 2022 |url=https://cbfcindia.gov.in/cbfcAdmin/assets/pdf/CC_Issued_2022.pdf}}</ref> | produced_total = 120 (Theatrical) | produced_fictional = | produced_animated = | produced_documentary = | admissions_year =2023 | admissions_ref = | admissions_total =2 crore<ref>{{Cite web |title=The Ormax Media Box Office Report: 2023 |url=https://www.ormaxmedia.com/data/library/TheOrmaxBoxOfficeReport-2023.pdf |journal=Ormax Media}}</ref> | admissions_per_capita = | admissions_national = | box_office_year = 2023 | box_office_ref = <ref>{{cite news |url=https://www.bollywoodhungama.com/news/box-office-special-features/box-office-2023-punjabi-films-grossed-rs-235-crores-marathi-films-grossed-rs-201-crores-bengali-films-grossed-rs-66-crores-2023/ |title=Box Office 2023: Punjabi films grossed Rs. 235 crores, Marathi films grossed Rs. 201 crores, Bengali films grossed Rs. 66 crores in 2023|agency=Hungama Digital Media Entertainment |date=2 February 2023 | work=Bollywood Hungama |access-date=2 February 2023 }}</ref> | box_office_total = <!-- ${{Format price| }} --> | box_office_national = India: {{INRConvert|201|c}}<!-- ${{Format price| }} --> }} '''Marathi cinema''' is the segment of Indian cinema dedicated to the production of motion pictures in the Marathi language, widely spoken in the state of Maharashtra. Based out of Mumbai, it is the oldest film industry in India and a leader in filmmaking in the Indian film industry.<ref name="Goldsmith" />
''Raja Harishchandra'', directed by Dadasaheb Phalke and released in 1913, was the first Marathi-language film ever made, and was also India's first full-length feature film. The claim is disputed and some claim that Dadasaheb Torne's ''Shree Pundalik'' (1912) was the first film made in Maharashtra.<ref name="The Pioneer">{{cite web |last=Raghavendara |first=MK |date=5 May 2012 |title=What a journey |url=http://www.dailypioneer.com/home/online-channel/top-story/62942-what-a-journey.html}}</ref><ref name="Maharashtratimes" /><ref name=":0">{{Cite web |title=Dadasaheb Torne, not Dadasaheb Phalke, was pioneer of Indian Cinema |url=https://www.dnaindia.com/pune/report-dadasaheb-torne-not-dadasaheb-phalke-was-pioneer-of-indian-cinema-1826721 |website=DNA India}}</ref> The first Marathi talkie film was ''Ayodhyecha Raja'',<ref>{{cite web |title=Films of Prabhat Film Company |url=http://www.prabhatfilm.com/films.htm |url-status=dead |archive-url=https://web.archive.org/web/20120722170023/http://www.prabhatfilm.com/films.htm |archive-date=22 July 2012 |access-date=12 June 2007}}</ref> released in 1932, one year after ''Alam Ara'', the first Hindi talkie film. All Marathi films until then were silent films with intertitles. ''Pinjara'' (1972), directed by V. Shantaram, was first colour film in Marathi cinema.<ref name=":1">{{Cite web |date=23 May 2022 |title=Why Marathi... |url=https://www.outlookindia.com/culture-society/why-marathi-cinema-has-lost-its-sheen-news-198042 |website=Outlook}}</ref>
Kolhapur was a centre for film production during the 20th century, though currently, a majority of films are made in Mumbai.<ref name="Goldsmith" /> During Marathi cinema's infancy between the 1910s and 1930s, which only had silent films, the majority of films were made on Hindu mythological subjects. Later during the 1970s, films were made on rural stories. Between the 1980s and 1990s, comedy and thriller films started to flourish. Since the turn of the millennium, there have been films based on social subjects and biographical dramas. Although the industry is much smaller than Hindi cinema, also based in Mumbai, Marathi cinema has been declared tax-exempt by the Government of Maharashtra, and has been experiencing growth in recent years.
== History == {{Further|Category:Lists of Marathi films by year|label1=List of Marathi films by released year}}
=== Origins: 1913–1925 === [[File:PundalikAd.jpg|thumb|left|Advertisement in the ''Times of India'' of 25 May 1912 announcing the screening of the first feature film of India, ''Pundalik'', by Dadasaheb Torne|239x239px]] thumb|189x189px|left|''Raja Harishchandra'' (1913) Marathi cinema is the oldest film industry in India.<ref name="Goldsmith">{{Cite book|last1=Goldsmith|first1=Melissa U. D.|url=https://books.google.com/books?id=_TP3DAAAQBAJ&q=Marathi%20film%20%22oldest%22&pg=PR26|title=The Encyclopedia of Musicians and Bands on Film|last2=Willson|first2=Paige A.|last3=Fonseca|first3=Anthony J.|date=2016-10-07|publisher=Rowman & Littlefield|isbn=978-1-4422-6987-3|location=Lanham, Maryland|pages=XXVI|language=en}}</ref> Dadasaheb Phalke is widely considered a pioneer and the founder of Marathi cinema and, to a greater extent, the cinema of India.<ref>{{cite web |url=https://timesofindia.indiatimes.com/entertainment/malayalam/movies/did-you-know/did-you-know-adoor-gopalakrishnan-was-once-conferred-with-the-dadasaheb-phalke-award/articleshow/81830521.cms|title=Did you know Adoor Gopalakrishnan was once conferred with the Dadasaheb Phalke Award? |publisher=Times of India |date=1 April 2021}}</ref> He brought the revolution of motion pictures to India with his first indigenously made film, ''Raja Harishchandra,'' released in 1913.
Although the film had Marathi and English intertitles, it is considered a Marathi film by IFFI and NIFD,{{Clarify|reason=It was a silent film, there was no dailogues in it.|date=August 2023}} citing that, while filming, Phalke had employed a full Marathi crew, including actors.<ref>{{cite web |url=http://in.news.yahoo.com/48/20100209/1251/ten-marathi-cinema-can-surpass-hindi-cin.html |title=Marathi cinema can surpass Hindi cinema |publisher=Yahoo |access-date=2 December 2010 |url-status=dead |archive-url=https://web.archive.org/web/20100212155541/http://in.news.yahoo.com/48/20100209/1251/ten-marathi-cinema-can-surpass-hindi-cin.html |archive-date=12 February 2010}}</ref>
Some claim that the first ever Marathi movie was ''Shree Pundalik,'' directed by Dadasaheb Torne, and related on 18 May 1912 at Coronation Cinematograph, Bombay.<ref name="Maharashtratimes">{{cite web |last=Kadam |first=Kumar |date=24 April 2012 |url=http://author.blogs.maharashtratimes.com/kokan/entry/%E0%A4%A6-%E0%A4%A6-%E0%A4%B8-%E0%A4%B9-%E0%A4%AC |archive-url=https://web.archive.org/web/20131008190417/http://author.blogs.maharashtratimes.com/kokan/entry/%E0%A4%A6-%E0%A4%A6-%E0%A4%B8-%E0%A4%B9-%E0%A4%AC |url-status=dead |archive-date=8 October 2013 |title=दादासाहेब तोरणेंचे विस्मरण नको!}}</ref> However, some dispute this, claiming that it is not considered the first Marathi film as it was allegedly a recording of a then popular theater play. The cameraman who filmed that movie, Jonson, was a British national; it was processed in London; and the negative also remained in the United Kingdom.<ref name=":0" /> Kolhapur was a centre of film production in the twentieth century. Maharashtra Film Company's ''Sairandhri ''(1920), starring Balasaheb Pawar, Kamala Devi and Zunzarrao Pawar, was the first Indian film to cast women artists.<ref>{{Cite web |last=Lab |first=The Heritage |date=2021-10-04 |title=Kalamaharshi Baburao Painter of Kolhapur was the first Indian filmmaker to cast women in his films |url=https://www.theheritagelab.in/kalamaharshi-baburao-painter-kolhapur/ |access-date=2024-09-19 |website=The Heritage Lab |language=en}}</ref> ''Sairandhri'' became the first Indian film to face censorship by the British Government.<ref>{{Cite web |last=Karelia |first=Gopi |date=2020-06-15 |title=This Forgotten Pioneer Made India's First Indigenous Film Camera From Scratch! |url=https://thebetterindia.com/229912/baburao-painter-india-first-camera-film-history-censorship-shooting-silent-movies-india-gop94/ |access-date=2024-09-19 |website=The Better India |language=en-US}}</ref> Because of his special interest in sets, costume design and painting, he chose episodes from Maratha history for interpreting in the new medium and specialized in the historical genre.<ref>{{cite web |url=http://www.cinemaofmalayalam.net/his_indian_cinema2.html |title=History of Regional cinema |publisher=Cinemaofmalayalam |access-date=2 December 2010 |archive-url=https://web.archive.org/web/20040306164951/http://www.cinemaofmalayalam.net/his_indian_cinema2.html |archive-date=6 March 2004 |url-status=dead }}</ref> Baburao Painter made many silent movies till 1930, including ''Surekha Haran'' (1921), for which he brought the best camera of the time, manufactured by Bell & Howell, and ''Savkari Pash'' (Indian Shylock) in 1925, a social film based on a short story by Narayan Hari Apte. Baburao was not particularly keen on the talkies, for he believed that they would destroy the visual culture so painfully evolved over the years.<ref>{{cite web |url=http://www.upperstall.com/people/baburao-painter |title=Baburoa Painter |publisher=Upperstall |access-date=2 December 2010}}</ref>
=== The Transition to Sound: Early Talkies === ''Ayodhyecha Raja'' (1932), directed by V. Shantaram was the first talkie of Maharashtra and also the first double version talkie of Indian cinema; prior to it, all the movies were silent films with Marathi and English intertitles. It was released one year after the first sound film of the nation, ''Alam Ara'' (1931), and five years after the first Hollywood sound film, ''The Jazz Singer'' (1927), which is the first sound film made in the world.<ref>{{Cite web |title=First Indian talkie was realised in this day... |url=https://www.indiatoday.in/amp/education-today/gk-current-affairs/story/silent-films-311163-2016-03-14&ved=2ahUKEwj1heOJ18KAAxU_amwGHar8DawQFnoECCwQAQ&usg=AOvVaw1cq3fGpOj-V_oaO8yjj0sh |website=India Today}}</ref><ref>{{Cite web |date=1977|title=A Brief History of Marathi Cinema |url=https://www.academia.edu/38044223 |website=www.acadmia.edu}}</ref> Bhalji Pendharkar's ''Shyam Sundar'' was the first talkie to be made in Pune and apparently the first Indian film with a continuious run of more than 25 weeks at West End (present Naaz Talkies, Mumbai).
As cinema grew in the Union of India, major production houses rose, and one of them was again a company owned wholly by Maharashtrians, the Prabhat Film Company. Prabhat's ''Sant Tukaram'' (1936) was the first Indian work to win the Best Film Award at the Venice Film Festival in 1937.<ref>{{cite news |url=https://timesofindia.indiatimes.com/city/mumbai/Marathi-cinema-Waiting-to-exhale/articleshow/866747.cms |archive-url=https://web.archive.org/web/20121017080307/http://articles.timesofindia.indiatimes.com/2004-09-28/mumbai/27162503_1_marathi-cinema-marathi-film-industry-film-makers |url-status=live |archive-date=17 October 2012 |first1=Niel |last1=Pate |work=The Times of India |title=Marathi cinema: Waiting to exhale |date=28 September 2004}}</ref> In 1954, at the very first edition of the National Awards, ''Shyamchi Aai'' won the first President's Gold Medal for Cinema. It was directed by Acharya P. K. Atre, and it was an adaptation of the eponymous novel by Sane Guruji.<ref name="timesofindia.indiatimes.com">{{cite news |url=https://timesofindia.indiatimes.com/city/mumbai/Marathi-cinema-gets-a-shot-in-the-arm/articleshow/831206.cms |archive-url=https://web.archive.org/web/20120119073451/http://articles.timesofindia.indiatimes.com/2004-08-29/mumbai/27169092_1_marathi-cinema-marathi-films-shanta-gokhale |url-status=live |archive-date=19 January 2012 |first1=Mukta |last1=Rajadhyaksha |work=The Times of India |title=Marathi cinema gets a shot in the arm |date=29 August 2004}}</ref> Marathi cinema was in its full bloom by this time with the advent of greats like V. Shantaram, Master Vinayak, Bhalji Pendharkar and Acharya Atre, followed by Raja Paranjpe, Dinkar D. Patil, G. D. Madgulkar, Sudhir Phadke and Raja Thakur.
=== Golden Age: The Flourishing (1960s–1980s) === {{Multiple image | total_width = 178 | align = right | direction = horizontal | background color = #FFFAF0 | width = 86 | caption_align = left | image_style = | image_gap = 2 | image1 = NiluPhuleSquare300px.jpg | width1 = 103 | alt1 = | link1 = | caption1 = Nilu Phule, a legendary actor of the 1970s–1980s, achieved fame for playing villain roles with natural acting. }} The 1960s saw the emergence of directors such as V. Shantaram and Anant Mane, who made Marathi films based on the folk art form Tamasha. Mane's ''Sawaal Majha Aika!'' (1964), marked his third Best Feature Film Award win and featured many popular songs.<ref>{{Cite web |date=2012-02-25 |title=Directorate of Film Festival |url=http://iffi.nic.in/Dff2011/Frm12thNFAAward.aspx |archive-url=https://web.archive.org/web/20120225220334/http://iffi.nic.in/Dff2011/Frm12thNFAAward.aspx |url-status=dead |archive-date=2012-02-25 |access-date=2024-09-23 }}</ref> Shantaram's ''Pinjra'' (1972) was a major hit, becoming one of the biggest commercial successes of its time, and ran for an impressive 134 weeks in Pune. It was also the first Marathi film to be made in color.<ref name=":2" /><ref name=":1" />
Directors like Datta Dharmadhikari and Rajdutt later gained popularity for their traditional family dramas. Noteworthy films from this period include the family drama ''Manini'' (1961), the historical fiction ''Mohityanchi Manjula'' (1963) by Bhalji Pendharkar and the drama ''Aamhi Jato Amuchya Gava'' (1968), which took six years to make, was a big success upon release, while the comedy ''Pandu Havaldar'' (1975) brought Ashok Saraf into recognition.<ref>{{Cite web |last=कुलकर्णी |first=धनंजय |date=2023-04-10 |title=Marathi Movie : अभिजात मराठी चित्रपट 'आम्ही जातो आमुच्या गावा...' |url=https://kalakrutimedia.com/classic-marathi-movie-aamhi-jato-amucha-gao-marathi-info/ |access-date=2024-09-23 |website=Kalakruti Media |language=en-US}}</ref>
By the early 1970s, Dada Kondke captured audiences with his distinct style of ribald humor, often incorporating sexual innuendo. His first film in this genre, ''Songadya'' (1971), was loosely inspired by Tamasha and featured a seductive heroine, a bumbling yet innocent hero, and dialogue filled with innuendo and sexual puns. Kondke's films, blending humor with social and political satire, became cult classics.<ref name=":4"/> Around the same time, Jabbar Patel's ''Samna'' (1974) marked a pivotal shift in Marathi cinema, offering a profound critique of systemic corruption and social inequities, further broadening the scope of the industry.
By this time, Marathi cinema largely gravitated towards either Tamasha-based films or traditional family dramas, alongside Kondke's signature comedies.<ref>{{cite journal |last1=Kale |first1=Pramod |title=Ideas, Ideals and the Market: A Study of Marathi Films |journal=Economic and Political Weekly |date=1979 |volume=14 |issue=35 |pages=1511–1520 |jstor=4367902}}</ref>
=== The Rise of Comedy and Star Power (mid 1980s–1990s) === {{multiple image | align = right | image1 = MaheshKothare.jpg | width1 = 120 | alt1 = | caption1 = | image2 = SachinPilgaonkar.jpg | width2 = 90 | alt2 = | caption2 = | footer = In 1980s directors Mahesh Kothare (left) and Sachin Pilgaonkar (right) emerged as successful directors by directing mainly comedy-thriller and comedy genre films respectively. }}
The mid-1980s saw two comedy heroes raised to stardom, Ashok Saraf and Laxmikant Berde, become popular superstars. In the mid 1980s Mahesh Kothare and Sachin Pilgaonkar made many box-office hit films. Kothare used to make action-comedy-thriller genre movies, while Pilgaonkar used to make mainly comedy movies. Pilgaonkar made hit classics such as buddy films ''Gammat Jammat'' (1987), ''Ashi Hi Banwa Banwi'' (1988), the latter becoming one of the highest-grossing Marathi films of its time, earning ₹3 crores. He also directed the supernatural revenge drama ''Bhutacha'' ''Bhau'' (1989), feel good movie ''Aayatya Gharat Gharoba'' (1991), ''Aamchya Sarkhe Aamhich'' (1990)'',<ref>{{Cite web |title='Aaytya... |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/photofeatures/ashok-sarafs-films-that-you-must-watch/Aayatya-Gharat-Gharoba/photostory/63500753.cms |archive-url=https://web.archive.org/web/20210610004220/https://timesofindia.indiatimes.com/entertainment/marathi/movies/photofeatures/ashok-sarafs-films-that-you-must-watch/Aayatya-Gharat-Gharoba/photostory/63500753.cms |url-status=dead |archive-date=10 June 2021 |website=Times of India |access-date=22 April 2024 }}</ref>''<ref>{{Cite web |title=Aam... |url=https://tv.apple.com/us/movie/aamchya-sarkhe-aamhich/umc.cmc.7l331ksfjt6wghiatylpoke5&ved=2ahUKEwj1jZfS7MWAAxXkbGwGHbOxDp04ChAWegQIBxAB&usg=AOvVaw3eiC2DYvukPbskM5jFerFT |website=Appl tv}}</ref> and around the same time Kothare made hit films ''Dhoom Dhadaka'' (1985)'','' ''Dhadakebaaz'' (1990), ''De'' ''Danadan'' (1987), and horror-thriller ''Zapatlela'' (1993), which was an unofficial remake of Hollywood cult classic slasher film ''Child's'' ''Play'' (1988).<ref>{{Cite web |title=Marathi films inspired by Hollywood. |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/photofeatures/marathi-films-inspired-by-hollywood/photostory/36716116.cms |archive-url=https://web.archive.org/web/20211201133315/https://timesofindia.indiatimes.com/entertainment/marathi/movies/photofeatures/marathi-films-inspired-by-hollywood/photostory/36716116.cms |url-status=dead |archive-date=1 December 2021 |website=Times of India |access-date=22 April 2024 }}</ref> He introduced technological advancements, such as the fact that he was the first director who filmed his movie in CinemaScope, used chroma key technique and did wire-flying in ''Dhadakebaaz,'' used puppetry in ''Zapatlela,'' he filmed ''Zapatlela's'' sequel in 3D format, probably this film was the first ever ''sequel film'' made in Marathi cinema, and ventured into film genres such as horror comedy, thriller, and fantacy.<ref>{{Cite news |title=M |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/news/staroftheweek-mahesh-kothare-my-journey-will-give-insights-into-how-to-face-adversities/articleshow/97277561.cms |website=Times of India|date=24 January 2023 }}</ref> Both Kothare and Pilgaonkar acted and directed their respective films; latter even sang many songs for his movies. Other directors also made entertaining movies during this period, including ''Bin Kamacha Navra'' (1984), ''Amhi Doghe Raja Rani'' (1986), ''Kalat Nakalat'' (1989), ''Chaukat Raja'' (1991), ''Ek Hota Vidushak'' (1992) and ''Sawat Mazi Ladki'' (1993)''.''<ref>{{Cite web |title=Bin... |url=https://www.rottentomatoes.com/m/bin_kamacha_navra&ved=2ahUKEwidipey8MWAAxViS2wGHZqZBIUQFnoECBUQAQ&usg=AOvVaw2esEkAiBOUHRq0B7QnjQ-d |website=Rotten Tomatoes}}</ref> Following the significant success of ''Maherchi Sadi'' (1991), starring Alka Kubal, which grossed a record ₹12 crores and became a landmark in Marathi cinema, the industry experienced a wave of family drama films. This surge saw filmmakers exploring relatable themes centered around family dynamics, societal values, and emotional narratives, further solidifying the family drama genre's popularity in Marathi cinema.<ref>{{Cite web |last=अडसूळ |first=नीलेश |date=2022-09-18 |title='माहेरची साडी'नं 31 वर्षांपूर्वी बॉक्स ऑफिसवर केला होता राडा, आजही रडतात बायका.. |url=https://www.esakal.com/manoranjan/maherchi-sadi-movie-complete-31-years-release-date-cast-alka-kubal-ramesh-bhatkar-vikram-gokhle-usha-nadkarni-ajinkya-deo-ashalata-nsa95 |access-date=2024-09-19 |website=Marathi News Esakal |language=mr}}</ref>
=== Challenges and Change: The Decline (mid 1990s–2000s) === While the theatre of Maharashtra earned recognition at the national level, the cinema failed to make a mark. A major reason was the proximity to the production centre of Hindi cinema, which encroached on the identity of Marathi cinema. Other reasons include the shortage of cinema halls for distribution due to poor marketing, a lack of money magnets, a vibrant theatre scene, and the emergence of private television. It also lacked the powerful lobby at the national level, unlike South Indian cinema, because the state encouraged Hindi cinema for profit mainly; the regional film industrial advantage being soaked up by Hindi cinema.<ref name="timesofindia.indiatimes.com"/>
In the mid-2000s, Marathi cinema explored a range of compelling themes through films that resonated with audiences. ''Not Only Mrs. Raut'' (2003) highlighted women's struggles against exploitation, while ''Aga Bai Arrecha!'' (2004) humorously depicted a man's frustration with city life and his ability to hear women's thoughts. ''Saatchya Aat Gharat'' (2004) tackled the serious issue of sexual assault, and ''Dombivli Fast'' (2005) followed a middle-class man's fight against corruption and injustice. ''Uttarayan'' (2004) told a touching story of elderly love, ''Jatra: Hyalagaad Re Tyalagaad'' (2006) revitalized the comedy genre, and ''Saade Maade Teen'' (2007) became a cult classic. Made on a modest budget of ₹1 crore, the film earned ₹3 crore at the box office, making it one of the highest-grossing Marathi films of its time.<ref name=":3">{{Cite news |date=2008-01-26 |title=Marathi films gross over Rs 100 cr, a whopping 42% growth |url=https://economictimes.indiatimes.com/business-of-bollywood/marathi-films-gross-over-rs-100-cr-a-whopping-42-growth/articleshow/2733103.cms |access-date=2024-09-20 |work=The Economic Times |issn=0013-0389}}</ref> In 2007, the Marathi film industry achieved a turnover of ₹100 crore, marking a 42% growth.<ref name=":3" /> Despite the success of these films, it was ''Shwaas'' that truly put Marathi cinema on the national map. Winning the Golden Lotus National Award and becoming India's official entry for the Academy Awards, it marked a turning point and symbolized the industry's potential for global recognition. It won the President's Medal for best film, beating Bollywood's prolific output with quality.<ref>{{cite web |url=http://www.rediff.com/movies/2004/sep/24shwas.htm |title=Shwaas is India's Official Entry to Oscars |access-date=12 June 2007}}</ref> ''Shwaas'' was the second Marathi film to win the President's Medal after ''Shyamchi Aai'' (1950).
In 2009, ''Harishchandrachi Factory'' (with a budget of Rs. 6 crore) told the struggle of Dadasaheb Phalke in making ''Raja Harishchandra'' (1913), directed by theatre-veteran Paresh Mokashi. It was selected as India's official entry to the Academy Award in the Best Foreign Language Film category, making it the second Marathi film, after ''Shwaas'', to receive this honour.<ref>[https://web.archive.org/web/20120321053045/http://articles.timesofindia.indiatimes.com/2009-09-20/india/28076656_1_marathi-film-paresh-mokashi-foreign-film-category 'Harishchandrachi Factory' India's entry for Oscars] Indian Express, PTI 20 September 2009.</ref><ref>[http://www.expressindia.com/latest-news/harishchandrachi-factory-to-tell-story-behind-making-of-indias-first-feature-film/304892/ Harishchandrachi Factory to tell story behind making of India's first feature film] {{webarchive|url=https://web.archive.org/web/20120930065757/http://www.expressindia.com/latest-news/harishchandrachi-factory-to-tell-story-behind-making-of-indias-first-feature-film/304892/ |date=30 September 2012 }}, ''Indian Express'', Express News Service, 3 May 2008.</ref><ref>[http://www.ptinews.com/news/291828_-Harishchandrachi-factory--India-s-entry-for-Oscars 'Harishchandrachi factory' India's entry for Oscars]{{dead link|date=June 2017 |bot=InternetArchiveBot |fix-attempted=yes }} Press Trust of India, 20 September 2009.</ref>
Road film ''De Dhakka'' (2008), satire film ''Nishani Dava Anghatha'' (2009) based on failure of government of India's adult education program, political satire ''Gallit'' ''Gondhal Dillit Mujra'' (2009), film raising state's farmar's issue, rampant corruption in government officials, satire ''Jau Tithe Khau'' (2007), ''Kaydyach Bola'' (2005) and the social drama ''Jogwa'' (2009) made impacts on the audience's mind during this period.<ref name=":2">{{Cite web |title=Now .... |url=https://punemirror.com/entertainment/film-reviews/NOW-SHOWING-A-disappointing-%25E2%2580%2598dhakka%25E2%2580%2599/cid8205490.htm&ved=2ahUKEwir-uqi78SAAxVqV2wGHeIFDek4ChAWegQICxAB&usg=AOvVaw34YDfibywOkpsp63e-EuSZ |website=Pune Mirror}}</ref>
=== Revitalization: The Resurgence in the 2010s ===
Since the beginning of the new decade in 2010, Marathi cinema has witnessed a remarkable resurgence with the release of several contemporary artistic films, including ''Vihir'' (2009), ''Deool'' (2011), ''Mala Aai Vhhaychy!'' (2011), ''Fandry'' (2013), ''Ek Hazarachi Note'' (2014), ''Elizabeth Ekadashi'' (2014), ''Ventilator'' (2016), and ''Mulshi Pattern'' (2018), which have collectively given a new direction to Marathi films. Noteworthy films such as ''Natarang'' (2010), ''Shikshanachya Aaicha Gho'' (2010), Kaksparsh (2012), ''Duniyadari'' (2013), ''Lai Bhaari'' (2014), ''Timepass'' (2014), ''Katyar Kaljat Ghusali'' (2015), and ''Natsamrat'' (2016) achieved both commercial success and critical acclaim.<ref>{{Cite web |last=Bureau |first=BestMediaInfo |title=Who disrupted the entertainment space of the Marathi Manoos – cinema or television? |url=https://bestmediainfo.com/2016/04/who-disrupted-the-entertainment-space-of-the-marathi-manoos-cinema-or-television |access-date=2024-09-22 |website=bestmediainfo.com |language=en}}</ref><ref>{{Cite web |date=2015-07-03 |title=Why Marathi film industry is on a roll |url=https://www.mid-day.com/entertainment/regional-indian-cinema-news/article/why-marathi-film-industry-is-on-a-roll-16339188 |access-date=2024-09-22 |website=Mid-day |language=en}}</ref> The latter became the first Marathi film to cross the ₹50 crore (approximately $7.8 million) mark during its theatrical run.<ref name=":5" /> During this decade, several films sparked controversies, including ''Zenda'' (2010), Lalbaug Parel (2010), ''Mee Shivajiraje Bhosale Boltoy'' (2010), ''Sanngto Aika'' (2014), ''Nude'' (2018), and ''Dashakriya'' (2017), which ignited discussions by touching upon sensitive issues like caste, religion, politics, and societal norms.<ref>{{Cite news |date=2020-01-22 |title=Avadhoot Gupte on 10 years of 'Zenda': THIS 'Zenda' is priceless |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/news/avadhoot-gupte-on-10-years-of-zenda-this-zenda-is-priceless/articleshow/73517356.cms |access-date=2024-09-22 |work=The Times of India |issn=0971-8257}}</ref>
The decade also marked the rise of biographical films such as ''Mee Sindhutai Sapkal'' (2010), ''Balgandharva'' (2011), ''Dr. Prakash Baba Amte'' (2014), ''Lokmanya: Ek Yugpurush'' (2015), ''Ekk Albela'' (2016), ''Ani... Dr. Kashinath Ghanekar'' (2018), and ''Anandi Gopal'' (2019). Moreover, the adult comedy genre gained prominence with films like ''No Entry Pudhe Dhoka Aahey'' (2012), ''Takatak'' (2019), and ''Boyz'' (2017). The superhero genre was introduced with ''Baji'', the first film of its kind in Marathi cinema. In the late 2010s, historical films began to gain attraction, particularly through the works of director Digpal Lanjekar, who created a series titled ''Shri Shivraj Ashtak'', focusing on the Maratha Empire.
''Deool,'' directed by Umesh Vinayak Kulkarni, made history by becoming the third Marathi film to win the National Film Award for Best Feature Film, following ''Shyaamchi Aai'' and ''Shwaas''.<ref>{{Cite web |date=2012-03-10 |title=59th National Film Awards: Winners List |url=http://entertainment.in.msn.com/bollywood/article.aspx?cp-documentid=5906670 |archive-url=https://web.archive.org/web/20120310054510/http://entertainment.in.msn.com/bollywood/article.aspx?cp-documentid=5906670 |url-status=dead |archive-date=2012-03-10 |access-date=2024-09-22 }}</ref> Its sequel, ''Deool Band'' (2015), also garnered significant attention from audiences. Acclaimed director Dr. Jabbar Patel emphasized the transformative nature of contemporary Marathi cinema, stating, "The kind of Marathi cinema that is being made today is very fresh and different. This is thanks to directors and writers getting exposed to world cinema via television and film festivals. They are coming up with new storylines and innovative concepts." With the outstanding contributions from various producers and directors within the Mumbai film industry, Marathi cinema notably outshone other Indian film industries, in box office collections and critical appreciation during the first quarter of 2010.<ref>{{Cite news |date=2024-08-16 |title=Marathi cinema's tech revolution: How animation and VFX are reshaping the process of filmmaking |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/news/game-changing-role-of-animation-and-vfx-in-marathi-cinema/articleshow/112383335.cms |access-date=2024-09-22 |work=The Times of India |issn=0971-8257}}</ref>
The landmark film ''Sairat'' (2016), a romantic drama directed by Nagraj Manjule and starring Rinku Rajguru and Akash Thosar, emerged as a game-changer, becoming the biggest weekend opener for a Marathi film and breaking records previously held by ''Natsamrat''.<ref>{{Cite web |date=2016-05-12 |title='Sairat' box office collections create 'history' with earnings of Rs 41.11 crore |url=https://www.financialexpress.com/photos/lifestyle-gallery/253599/sairat-box-office-collections-movie-creates-history-with-collection-of-rs-41-11-crore/ |access-date=2024-09-22 |website=Financialexpress |language=en}}</ref> ''Sairat'' was the first Marathi film to gross over ₹100 crore (approximately $16 million) worldwide, solidifying its status as a cultural phenomenon.<ref>{{Cite web |last=Mehta |first=Ankita |date=2016-06-09 |title=Box office collection: After creating records worldwide, 'Sairat' to release in Chennai and Kerala |url=https://www.ibtimes.co.in/box-office-collection-after-creating-records-worldwide-sairat-release-chennai-kerala-681970 |access-date=2024-09-22 |website=www.ibtimes.co.in |language=en}}</ref> The decade saw directors such as Nagraj Manjule, Ravi Jadhav, Satish Rajwade, Aditya Sarpotdar and Sanjay Jadhav making significant contributions to the industry.<ref>{{Cite web |date=2018-04-22 |title=Made in Marathi |url=https://www.financialexpress.com/life/entertainment-made-in-marathi-1141162/ |access-date=2024-09-22 |website=Financialexpress |language=en}}</ref>
=== The New Wave and challenges (2020s–present) === The COVID-19 pandemic had a profound impact on the Marathi film industry, as it did on cinema worldwide. With theaters closing and production halting, many films scheduled for release were postponed, leading to significant financial losses for filmmakers and production houses.<ref>{{Cite news |date=2021-04-10 |title=Bali, Jhimma and Godavari release dates postponed following stricter COVID guidelines |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/news/bali-jhimma-and-godavari-release-dates-deferred-following-stricter-covid-guidelines/articleshow/82000198.cms |access-date=2024-09-22 |work=The Times of India |issn=0971-8257}}</ref> Approximately 110 Marathi language films remained unreleased due to the pandemic. The pandemic forced the industry to adapt rapidly, embracing digital platforms for film releases, which allowed filmmakers to reach audiences. Films like ''Well Done Baby'' (2021) and ''The Disciple'' (2021) were released straight on streaming platforms.<ref>{{Cite web |date=2021-03-31 |title=Marathi film Well Done Baby to stream on OTT from this date |url=https://www.mid-day.com/entertainment/regional-indian-cinema-news/article/marathi-film-well-done-baby-to-stream-on-ott-from-this-date-23166162 |access-date=2024-09-22 |website=Mid-day |language=en}}</ref><ref>{{Cite web |last=Entertainment |first=Quint |date=2021-03-30 |title=Award-Winning Film 'The Disciple' Gets Netflix Release Date |url=https://www.thequint.com/entertainment/hot-on-web/chaitanya-tamhane-award-winning-film-the-disciple-gets-netflix-release-date |access-date=2024-09-22 |website=TheQuint |language=en}}</ref> Additionally, ''Picasso'', directed by Abhijeet Mohan Warang, was the first Marathi film to have a direct digital release.<ref>{{Cite web |title=Picasso: Amazon Prime Announces World Premiere Of First-Ever Direct To Stream Marathi Film {{!}} SpotboyE |url=https://www.spotboye.com/marathi/marathi-news/picasso-amazon-prime-announces-world-premiere-of-first-ever-direct-to-stream-marathi-film/604f4cf3568a65758699b5e3 |access-date=2024-09-22 |website=www.spotboye.com |language=en}}</ref> It also marked the first time a Marathi film documented ''Dashavatara'', an early form of folk theatre, in its original style.<ref>{{Cite web |date=2019-09-25 |title=Picasso becomes the first Marathi film to document 'Dashavatra' in its original format |url=https://www.mumbailive.com/en/marathi-film/trailer-of-picasso-marathi-film-to-document-dashavatra-starring-prasad-oak-40051 |access-date=2024-09-22 |website=Mumbai Live |language=en}}</ref>
As theaters reopened, the industry shifted its focus toward innovative storytelling and a variety of genres. The ensemble film ''Jhimma'' became the first to release in theaters post-pandemic, achieving significant success by running for 50 days, ultimately grossing over ₹14.07 crore.<ref>{{Cite news |date=2022-06-22 |title=Marathi film Jhimma set for its World TV Premiere on June 30 |url=https://timesofindia.indiatimes.com/tv/news/marathi/marathi-film-jhimma-set-for-its-world-tv-premiere-on-june-30/articleshow/92391893.cms |access-date=2024-09-22 |work=The Times of India |issn=0971-8257}}</ref><ref>{{Cite web |last=team |first=abp majha web |date=2022-01-07 |title='झिम्मा'चे रेकॉर्डब्रेक अर्धशतक! पन्नास दिवसात बॉक्स ऑफिसवर कोट्यवधींची कमाई |url=https://marathi.abplive.com/entertainment/jhimma-box-office-collection-jhimma-crossed-50-days-in-theaters-1023825 |access-date=2024-09-22 |website=marathi.abplive.com |language=mr}}</ref> The following year 2022, is considered as one of the most successful year as many films were hit. The year highlighted a diverse range of genres, including the zombie comedy ''Zombivli'', the historical action ''Pawankhind'', the musical romantic ''Chandramukhi'', the thriller ''Y'', and the accidental drama ''Ananya''.<ref>{{Cite news |title=Best Marathi Movies of 2022 |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/top-20-best-marathi-movies-of-2022 |access-date=2024-09-22 |work=The Times of India |issn=0971-8257}}</ref> The year concluded with Ritesh Deshmukh's blockbuster film ''Ved'', which grossed ₹75 crore (approximately $9.0 million), making it one of the highest-grossing Marathi films of all time.<ref>{{Cite web |date=2023-02-18 |title=रितेश देशमुखच्या 'वेड'मुळे मराठी चित्रपटसृष्टीची मान उंचावली, ५० दिवसांनंतर चित्रपटगृहांमध्ये चित्रपट कायम, आतापर्यंत कमावले इतके कोटी {{!}} riteish deshmukh and genelia deshmukh ved marathi movie box office collection after 50 days release see details |url=https://www.loksatta.com/manoranjan/marathi-cinema/riteish-deshmukh-and-genelia-deshmukh-ved-marathi-movie-box-office-collection-after-50-days-release-see-details-kmd-95-3470108/ |access-date=2024-09-22 |website=Loksatta |language=mr}}</ref> Additionally, ''Pondicherry'' became the first Marathi film to be entirely shot on smartphone,<ref>{{Cite news |last=Sudevan |first=Praveen |date=2022-03-07 |title=Pondicherry on an iPhone: How Marathi filmmaker Sachin Kundalkar captured the town and its characters |url=https://www.thehindu.com/entertainment/movies/pondicherry-sachin-kundalkar-sai-tamhankar/article65144129.ece |access-date=2024-09-22 |work=The Hindu |language=en-IN |issn=0971-751X}}</ref> while ''Har Har Mahadev'' made history as the first Marathi film to be released in Telugu, Tamil, and Kannada languages.<ref>{{Cite web |date=2022-06-06 |title='Har Har Mahadev' Becomes The First Marathi Film To Release In Various Languages |url=https://www.outlookindia.com/art-entertainment/-har-har-mahadev-becomes-the-first-marathi-film-to-release-in-various-languages-news-200660 |access-date=2024-09-22 |website=Outlook India |language=en}}</ref> Throughout the decade, the industry continued to produce biographical, comedy, drama, and historical films, but woman-centric films reached new heights. Notably, Kedar Shinde's ''Baipan Bhaari Deva'', centered around six elderly sisters, became the second highest-grossing Marathi film of all time, grossing over ₹92 crore and making history as the first female-centric movie to achieve such success.<ref>{{Cite web |date=2023-07-07 |title=मराठी मूवी 'बाईपण भारी देवा' की ताबड़तोड़ कमाई, बॉक्स ऑफिस पर तोड़े रिकॉर्ड |url=https://www.aajtak.in/entertainment/news/story/marathi-film-baipan-bhari-deva-box-office-collection-on-fire-breaking-records-satyaprem-ki-katha-business-tmovh-1731002-2023-07-07 |access-date=2024-09-22 |website=आज तक |language=hi}}</ref><ref name=":6">{{cite web |title=Sthal, Sabar Bonda: Marathi cinema finds global spotlight at festivals |url=https://www.bbc.com/news/articles/ckgnqpgy1yko |website=www.bbc.com |date=28 May 2025}}</ref> In 2024, ''Nach Ga Ghuma'' became the highest-grossing Marathi film of the year.<ref>{{Cite web |date=2024-06-21 |title=Nach Ga Ghuma OTT Release :'नाच गं घुमा' सिनेमा ओटीटी प्लॅटफॉर्मवर झाला रिलीज, कुठे बघता येईल जाणून घ्या |url=https://marathi.timesnownews.com/entertainment/mukta-barve-and-namrata-sambherao-nach-ga-ghuma-marathi-movie-released-on-ott-platform-amazon-prime-article-111165810 |access-date=2026-02-28 |website=Times Now Marathi |language=mr}}</ref>
thumb|300x300px|Marathi film attendance statistics (2015–2025) In 2025, the industry witnessed a drastic decline in ticket sales due to the absence of successful franchise releases. ''Dashavatar'' was the only film to gross around ₹30 crore.<ref>{{Cite web |last=Shekhar |first=Roshni |title=The Film That Topped The Box Office |url=https://www.rediff.com/movies/report/the-film-that-topped-the-box-office/20251017.htm |access-date=2026-02-28 |website=Rediff |language=en}}</ref><ref>{{Cite web |date=2025-10-16 |title=The India Box Office Report: September 2025 |url=https://www.ormaxmedia.com/insights/stories/the-india-box-office-report-september-2025.html |access-date=2026-02-28 |website=Ormax Media Pvt. Ltd. |language=en}}</ref> The industry recorded approximately 70 lakh footfalls, the lowest in the last decade (excluding the COVID-19 period).<ref>{{Cite web |date=2026-01-31 |title=Gujarati Cinema hits GOD MODE in 2025 with HISTORIC 188% growth; Marathi Cinema sinks to its LOWEST box office in over a decade 2025 |url=https://www.bollywoodhungama.com/news/features/gujarati-cinema-hits-god-mode-2025-historic-188-growth-marathi-cinema-sinks-lowest-box-office-decade/ |access-date=2026-02-28 |website=Bollywood Hungama |language=en}}</ref> Despite this, ''Sthal'' and ''Sabar Bonda'' received critical acclamation.<ref name=":6" /><ref>{{Cite news |date=2025-02-03 |title=Rohan Kanawade on Sundance win: Recognition for ‘Sabar Bonda’ is a victory for Marathi cinema |url=https://www.thehindu.com/entertainment/movies/rohan-kanawade-sundance-win-sabar-bonda-victory-for-marathi-cinema/article69175633.ece |access-date=2026-03-01 |work=The Hindu |language=en-IN |issn=0971-751X}}</ref>
==Notable personalities == In the early days of Marathi cinema, theater experience was essential for actors. Dadasaheb Phalke, regarded as the father of Indian cinema, laid the foundation with his pioneering film ''Raja Harishchandra'' in 1913. During this period, acting styles in Marathi films were heavily influenced by stage performances.<ref name="mid-day.com">{{Cite web |date=2015-05-02 |title=Raja Harishchandra: Indian cinema was born this day 106 years ago |url=https://www.mid-day.com/entertainment/regional-indian-cinema-news/article/-raja-harishchandra---indian-cinema-was-born-this-day-105-years-ago-16181165 |access-date= |website=Mid-day |language=en}}</ref>
With the advent of sound in the 1930s, a shift toward more naturalistic acting emerged in Marathi cinema, although traces of the theatrical style remained. V. Shantaram, a prominent actor-director of the era, introduced a more refined approach to acting.<ref>{{Cite web |date=2009-09-23 |title=Remembering the pioneer |url=http://www.screenindia.com/old/20001208/falis.htm |archive-url=https://web.archive.org/web/20090923154918/http://www.screenindia.com/old/20001208/falis.htm |url-status=dead |archive-date=2009-09-23 |access-date= }}</ref> Renowned actors of this time included Shanta Apte, Durga Khote, Lalita Pawar, Meenakshi Shirodkar, Shobhna Samarth, Chandrakant Mandare, Shahu Modak, Master Vinayak, and Baburao Pendharkar.<ref>{{Cite book |last=Thoraval |first=Yves |url=https://books.google.com/books?id=-OpkAAAAMAAJ |title=The Cinemas of India |date=2000 |publisher=Macmillan India |isbn=978-0-333-93410-4 |language=en}}</ref>
Following India's independence, Marathi filmmakers began to focus on mythology and pressing social issues such as caste discrimination, women's rights, and the struggles of rural populations. The 1950s and 1960s are often considered the golden era of Marathi cinema, with filmmakers like V. Shantaram, Bhalji Pendharkar, Anant Mane, Raja Paranjape, and Raja Thakur creating impactful works.<ref>{{Cite web |title=The Golden Era of Marathi Cinema |url=https://pib.gov.in/PressReleaseIframePage.aspx?PRID=1707828}}</ref> Notable actors of this period included Sulochana Latkar, Sandhya, Hansa Wadkar, Usha Kiran, Chandrakant Gokhale, Raja Gosavi, Suryakant Mandhare, and Ramesh Deo. Rising to fame in the late 1950s, Jayshree Gadkar became one of the most influential actresses of the 1960s after her memorable performance in ''Sangtye Aika''.<ref>{{Cite book |last=Jayshree |first=Gadkar |url=https://books.google.com/books?id=rC5LMwEACAAJ |title=Ashi Me Jayshree |date=1986 |publisher=Rohan, Pune |language=en}}</ref> In recognition of Marathi cinema, the Maharashtra government launched the annual Maharashtra State Film Awards, with ''Prapanch'' being the first film to win the Best Film award. Anant Mane is also credited for sustaining Marathi cinema with his groundbreaking work on Tamasha films.<ref>{{Cite news |date=2015-09-02 |title=3-day film fest in Kolhapur marks Mane's birth centenary |url=https://timesofindia.indiatimes.com/city/kolhapur/3-day-film-fest-in-kolhapur-marks-manes-birth-centenary/articleshow/48767784.cms |access-date= |work=The Times of India |issn=0971-8257}}</ref>
The 1970s saw the rise of Dada Kondke, who became a leading figure by producing and directing hit films like ''Songadya'', ''Ekta Jeev Sadashiv'', ''Andhala Marto Dola'', ''Pandu Havaldar'', ''Tumcha Aamcha Jamala'', ''Ram Ram Gangaram'', ''Bot Lavin Tithe Gudgulya'', ''Aali Angavar'', and ''Hyoch Navra Pahije''. He holds a Guinness World Record for delivering nine silver jubilee hits at the box office.<ref>{{Cite news |date=2013-02-20 |title=Dada Kondke in the Guiness Book of World Records |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/did-you-know/dada-kondke-in-the-guiness-book-of-world-records/articleshow/14404624.cms |access-date= |work=The Times of India |issn=0971-8257}}</ref> This decade also introduced notable actors such as Smita Patil, Usha Chavan, Usha Naik, Asha Kale, Anjana Mumtaz, Nilu Phule, Kashinath Ghanekar, Shriram Lagoo, Ravindra Mahajani, and Vikram Gokhale.<ref>{{Cite web |date=2023-05-06 |title=A look at the then and now pictures of the veteran Marathi actors |url=https://timesofindia.indiatimes.com/tv/news/marathi/from-asha-kale-to-rohini-hattangady-a-look-at-the-then-and-now-pictures-of-the-veteran-marathi-actresses/photostory/100033063.cms |access-date= |website=The Times of India |language=en}}</ref>
The 1980s were dominated by Ashok Saraf and Laxmikant Berde, who were regarded as the superstars of Marathi cinema.<ref>{{Cite web |date=2024-02-28 |title='काम संपल्यानंतर सगळे घरी जातात पण लक्ष्या...', लक्ष्मीकांत बेर्डे यांच्या स्वभावाबद्दल सांगताना अशोक सराफ भावूक |url=https://www.tv9marathi.com/entertainment/ashok-saraf-is-emotional-while-talking-about-laxmikant-berde-and-friendship-1151885.html |access-date= |website=TV9 Marathi |language=mr}}</ref> Ashok Saraf featured in over 300 films, portraying a variety of leading roles, while Sachin gained widespread recognition for his film ''Ashi Hi Banwa Banwi'', which became the first Marathi movie to gross 30 million at the box office.<ref>{{Cite web |title=तुफान गाजलेल्या 'बनवाबनवी'चं तेव्हाचं तिकीट किती होतं ठाऊक आहे का? लागलेले हाउसफुलचे बोर्ड |url=https://marathi.indiatimes.com/entertainment/entertainment-news/bollywood-news/know-the-ashi-hi-banvabanvi-movie-ticket-rate-in-1988/articleshow/98250009.cms |access-date= |website=Maharashtra Times |language=mr}}</ref> Mahesh Kothare is also credited for introducing the first cinemascope film, ''Dhadakebaaz'', in 1990.<ref name="The Times of India">{{Cite news |date=2013-03-31 |title=Dhadakebaaz was first cinemascope film |url=https://timesofindia.indiatimes.com/entertainment/marathi/movies/did-you-know/dhadakebaaz-was-first-cinemascope-film/articleshow/14082310.cms |access-date= |work=The Times of India |issn=0971-8257}}</ref> Other notable personalities from the 1980s and 1990s include Nana Patekar, Ajinkya Deo, Nitish Bharadwaj, Prashant Damle, Ramesh Bhatkar, Sachin Khedekar, Ranjana, Varsha Usgaonkar, Nivedita Joshi, Supriya Pilgaonkar, Ashwini Bhave, Priya Berde, Alka Kubal, Sonali Kulkarni, Neena Kulkarni, and Mrinal Kulkarni.
In more recent times, actors like Upendra Limaye, Girish Kulkarni, Vikram Gokhale and Dilip Prabhavalkar have garnered critical acclaim, with receiving the National Film Award for acting.<ref>{{Cite web |title=56th National Film Awards |url=https://dff.nic.in/images/Documents/46_56thNfacatalogue%20-%20.pdf |archive-url=https://web.archive.org/web/20181209212537/https://dff.nic.in/images/Documents/46_56thNfacatalogue%20-%20.pdf |url-status=dead |archive-date=2018-12-09 }}</ref> Contemporary figures such as Nagraj Manjule, Ashutosh Gowariker, Makarand Deshpande, Atul Kulkarni, Mahesh Manjrekar, Ashok Saraf, Laxmikant Berde, Sayaji Shinde, Sadashiv Amrapurkar, Siddharth Jadhav, Shreyas Talpade, Shivaji Satam, Mrunal Thakur, Radhika Apte, Sai Tamhankar, Urmila Matondkar, Sonali Bendre, Amruta Khanvilkar, Renuka Shahane, Sharvari, Rohini Hattangadi and Reema Lagoo have achieved national recognition for their contributions to cinema.<ref>{{Cite web |date=2022-07-20 |title=Nana Patekar to Shreyas Talpade, Marathi Stars Who Also Made Their Name in Bollywood |url=https://www.news18.com/news/movies/nana-patekar-to-shreyas-talpade-marathi-stars-who-also-made-their-name-in-bollywood-5590663.html |access-date= |website=News18 |language=en}}</ref>
== Studios == Phalke Films Company is considered the first production house in Indian cinema, as the pioneering feature film ''Raja Harishchandra'' was produced under its banner. Other notable films produced by the company include ''Satyavan Savitri'' (1914) and ''Lanka Dahan'' (1917). After the success of ''Lanka Dahan'', several prominent figures, including Bal Gangadhar Tilak, Ratanji Tata, and actress Fatma Begum, approached Phalke with offers to convert the company into a limited company, but he declined.<ref>{{Cite book |last=Vāṭave |first=Bāpū |url=https://books.google.com/books?id=zTZnAAAAMAAJ |title=Dadasaheb Phalke, the Father of Indian Cinema |date=2004 |publisher=National Book Trust |isbn=978-81-237-4319-6 |language=en}}</ref> However, Phalke eventually accepted a partnership with Waman Apte, Laxman Phatak, Mayashankar Bhatt, Madhavji Jesingh, and Gokuldas Damodar, leading to the company's conversion into "Hindustan Cinema Films Company". The first film produced under this new venture was ''Shri Krishna Janma''.
In 1917, Baburao Mistry, popularly known as Baburao Painter, founded the Maharashtra Film Company with the support of the Maharaja of Kolhapur. His first significant historical film, ''Sairandhri'' (1920), was well-received. Although the studio initially focused on silent films, it closed its doors in 1930 following the advent of sound. Members such as Vishnupant Damle, Sheikh Fattelal, and V. Shantaram had left in 1929 to establish Prabhat Film Company.<ref>{{Cite web |date=2015-06-03 |title=Baburao Painter |url=https://upperstall.com/profile/baburao-painter/ |access-date=2024-09-23 |website=Upperstall.com |language=en-US}}</ref> By 1932, eight Marathi films had been released, three of which were by Prabhat Film Company, which went on to dominate the industry with 18 films in the following decade—more than any other studio in the pre-independence era. Prabhat's first major hit was Shantaram's ''Amrit Manthan'' (1934).<ref>{{Cite web |title=Films of Prabhat Film Company |url=http://prabhatfilm.com/films.htm |access-date=25 January 2021 |website=prabhatfilm.com }}{{Dead link|date=August 2025 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> In 1933, Prabhat Film Company undertook the ambitious project of making ''Sairandhri'' the first color film in Indian cinema, processing it at UFA Studios in Germany, but the results were unsatisfactory. After Prabhat shifted its operations to Pune, Shahu Maharaj of Kolhapur helped found Kolhapur Cinestone in collaboration with the Pendharkar brothers and Master Vinayak. Shahu Maharaj aimed to establish Kolhapur as the "Hollywood of Marathi Cinema". However, the studio produced only three films and closed after the failure of Phalke's ''Gangavataran'' (1937).
In the early 1940s, Shantaram founded his own production house, Rajkamal Kalamandir, which later produced notable films such as ''Lokshahir Ram Joshi'' (1947) and ''Pinjra'' (1972), both the films based on Tamasha genre.<ref>{{Cite web |title=Lokshahir Ramjoshi (1947) |url=https://indiancine.ma/ETO/info |access-date=2024-09-23 |website=Indiancine.ma}}</ref> During this period, many producers ventured into filmmaking under their own banners, with notable examples including Anant Mane's Chetana Pictures and Dada Kondke's Sadicha Chitra, the latter featuring Kondke himself in leading roles. However, despite the number of films being produced during this era, few production houses managed to establish a lasting name in the industry. In the mid-1980s, Mahesh Kothare founded his production house, Jenma Films, under which he produced and directed more than ten successful films, later founding its spin-off, Kothare Vision, in 2008.<ref>{{Cite web |title=Unlisted Shares - Pre IPO Share Price, List of Unlisted Companies |url=https://economictimes.indiatimes.com/company |access-date=2024-09-29 |website=The Economic Times |language=en}}</ref> Around the same time, Shantaram's son also ventured into production, establishing V. Shantaram Productions, further extending the family's legacy in Marathi cinema. Under this banner, he delivered superhit films like ''Balache Baap Brahmachari'' and ''Ashi Hi Banwa Banwi'', which became classics in Marathi film history.<ref>{{Cite web |title=Balache Baap Brahmachari (1989) |url=https://indiancine.ma/ADNL/info |access-date=2024-09-29 |website=Indiancine.ma}}</ref> This era also marked the rise of two influential female producers, Uma Bhende and Smita Talwalkar, who made their mark with their production houses, Shri Prasad Chitra and Asmita Chitra, respectively, contributing significantly to the industry's growth.
== Landmark films == {| class="wikitable" width="100%" |- !Year !Title !Director !Notes !{{abbr|Ref.|References}} |- |1913 |''Raja Harishchandra'' | Dadasaheb Phalke | First Indian feature film. |<ref name="mid-day.com"/> |- |1932 |''Ayodhyecha Raja'' | V. Shantaram | First talkie in Marathi directed by V. Shantaram. |<ref>{{Cite web |date=2013-05-15 |title=We were lucky that we could save Ayodhyecha Raja: Anil Damle |url=https://indianexpress.com/article/cities/pune/we-were-lucky-that-we-could-save-ayodhyecha-raja-anil-damle/ |access-date= |website=The Indian Express |language=en}}</ref> |- |1932 |''Shyam Sundar'' |Bhalji Pendharkar |First Indian film to have theatrical run of more than twenty-five weeks in Bombay. |<ref>{{Cite book |last1=Gokulsing |first1=K. |url=https://books.google.com/books?id=QwGgF-rDucEC&q=Phalke&pg=PT127 |title=Routledge Handbook of Indian Cinemas |last2=Dissanayake |first2=Wimal |date=2013-04-17 |publisher=Routledge |isbn=978-1-136-77291-7 |language=en}}</ref> |- |1936 |''Sant Tukaram'' |Vishnupant Govind Damle |First Indian film to receive international recognition. |<ref>{{Cite book |last1=Banerjee |first1=Shampa |url=https://books.google.com/books?id=zX4GY37rG8kC&q=Tukaram+%22film+festival%22&pg=PA160 |title=One Hundred Indian Feature Films: An Annotated Filmography |last2=Srivastava |first2=Anil |date=1988 |publisher=Taylor & Francis |isbn=978-0-8240-9483-6 |language=en}}</ref> |- |1937 |''Kunku'' |V. Shantaram |First superhit at the Marathi box office. |<ref>{{Cite book |last=Joshi |first=Lalit Mohan |url=https://books.google.com/books?id=xsEuVL1aGE0C&pg=PA163 |title=Bollywood: Popular Indian Cinema |date=2002 |publisher=Lucky Dissanayake |isbn=978-0-9537032-2-7 |language=en}}</ref> |- |1954 |''Shyamchi Aai'' |Pralhad Keshav Atre |First Indian film to win a National Film Award for Best Feature Film. |<ref>{{Cite web |title=1st National Film Awards |url=http://dff.nic.in/2011/1st_nff_1954.pdf |archive-url=https://web.archive.org/web/20111004085504/http://dff.nic.in/2011/1st_nff_1954.pdf |url-status=dead |archive-date=2011-10-04 }}</ref> |- |1959 |''Sangtye Aika'' |Anant Mane |First golden jubilee at the Marathi box office |<ref name=":4">{{Cite book |last1=Gokulsing |first1=K. |url=https://books.google.com/books?id=QwGgF-rDucEC&dq=sangte+aika&pg=PT127 |title=Routledge Handbook of Indian Cinemas |last2=Dissanayake |first2=Wimal |date=2013-04-17 |publisher=Routledge |isbn=978-1-136-77291-7 |language=en}}</ref> |- |1962 |''Prapanch'' |Madhukar Pathak |First film to win Maharashtra State Film Award for Best Film. |<ref name=":4" /> |- | 1964 |''Pathlaag'' |Raja Paranjape |First crime thriller film in Marathi. | |- |1965 |''Sadhi Mansa'' |Bhalji Pendharkar |First neo realistic film in Marathi. |<ref>{{Cite book |last=सुधीर वासुदेव नांदगावकर |first=चैतन्य कुंटे |url=https://archive.org/details/20190823_20190823_0935 |title=शिल्पकार चरित्रकोश खंड ७ – चित्रपट, संगीत |date=2014}}</ref> |- |1972 |''Pinjara'' |V. Shantaram |First colour film in Marathi using Eastmancolor. |<ref>{{Cite web |date=2016-04-01 |title=V Shantaram's 1972 Marathi classic Pinjra still draws huge crowds |url=https://www.mid-day.com/mumbai/mumbai-news/article/v-shantaram-s-1972-marathi-classic-pinjra-still-draws-huge-crowds-17093192 |access-date= |website=Mid-day |language=en}}</ref> |- |1976 |''Ha Khel Sawalyancha'' |Vasant Joglekar |First horror film in Marathi. |<ref>{{Cite web |title=हा खेळ सावल्यांचा |url=https://www.marathifilmdata.com/chitrapat/ha-khel-savalyancha/ |access-date= |website=मराठी चित्रपट सूची |language=en-US}}</ref> |- |1977 |''Bala Gau Kashi Angai'' |Kamlakar Torne |First film to be shot outdoors. | |- |1982 |''Umbartha'' |Jabbar Patel |First Marathi film to show LGBTQ community. |<ref>{{Cite web |title=Marathi Film "Umbartha", Through The Queer Lens. |url=https://gaysifamily.com/culture/marathi-film-umbartha-through-the-queer-lens/ |access-date= |website=Gaysi |language=en-US}}</ref> |- |1988 |''Ashi Hi Banwa Banwi'' | Sachin | First Marathi film to gross over ₹3 crore at the box office. |<ref>{{Cite web |date=2021-09-24 |title=33 Years of 'Ashi Hi Banwa Banwi': Iconic Marathi Comedy Still Rules People's Hearts |url=https://www.news18.com/news/movies/33-years-of-ashi-hi-banwa-banwi-iconic-marathi-comedy-still-rules-peoples-hearts-4240769.html |access-date= |website=News18 |language=en}}</ref><ref>{{Cite web |title=तुफान गाजलेल्या 'बनवाबनवी'चं तेव्हाचं तिकीट किती होतं ठाऊक आहे का? लागलेले हाउसफुलचे बोर्ड |url=https://marathi.indiatimes.com/entertainment/entertainment-news/bollywood-news/know-the-ashi-hi-banvabanvi-movie-ticket-rate-in-1988/articleshow/98250009.cms |access-date=2025-03-02 |website=Maharashtra Times |language=mr}}</ref> |- |1989 |''Thartharat'' | rowspan="2" |Mahesh Kothare |First action Marathi film. |<ref>{{Cite web |date=2014-08-19 |title=Thartharat makes silver jubilee at the box office |url=https://www.loksatta.com/manoranjan/thartharat-marathi-movie-silver-jubilee-year-791742/ |access-date= |website=Loksatta |language=mr}}</ref> |- |1990 |''Dhadakebaaz'' |First cinemascope Marathi film. |<ref name="The Times of India" /> |- |1991 |''Maherchi Sadi'' |Vijay Kondke | First Marathi film to gross ₹12 crore at the box office. |<ref>{{Cite web |date=2018-11-26 |title=आयाबायांना रडवणारा "माहेरची साडी" १२ कोटींचा मानकरी ठरला होता. |url=https://bolbhidu.com/interesting-facts-about-maherchi-sadi/ |access-date= |language=en-US}}</ref> |- |1993 |''Zapatlela'' | rowspan="2" |Mahesh Kothare |First puppetry Marathi film. |<ref>{{Cite web |date=2022-04-11 |title=Possessed Dolls: The movies which gives us creep |url=https://www.outlookindia.com/national/possessed-dolls-photos-191027 |access-date= |website=Outlook India |language=en}}</ref> |- |2000 |''Chimani Pakhar'' |First Dolby Digital Marathi film. |<ref>{{Cite book |last=Srinivas |first=Dr Manjula |url=https://books.google.com/books?id=77fvEAAAQBAJ&q=dhadakebaaz |title=Undergraduate Research in Mass Media UgRIMM 2021 |date=2022-04-21 |publisher=Shineeks Publishers |isbn=978-1-63278-934-1 |language=en}}</ref> |- | rowspan="2" |2004 |''Shwaas'' |Sandeep Sawant |First Marathi film submitted as India's official entry to the Oscars for consideration in the Best Foreign Language Film category. |<ref>{{Cite web |title=Shwaas aims for an oscar |url=https://www.tribuneindia.com/2004/20041114/spectrum/main5.htm |website=Tribune India}}</ref> |- |''Pachhadlela'' | rowspan="2" |Mahesh Kothare |First Marathi film to use computer generated effects. | |- |2007 |''Zabardast'' |First science fiction Marathi film. | |- |2012 |''Kaksparsh'' |Mahesh Manjrekar |First Marathi film to get a home video release in Blu-ray format. | |- |2013 | ''Zapatlela 2'' | Mahesh Kothare |First 3D Marathi film. |<ref>{{Cite web |title=तंत्रज्ञानाने झपाटलेला... |url=https://marathi.indiatimes.com/entertainment/movie-reviews/zapatlela-2-review/moviereview/20486450.cms |access-date=2024-09-20 |website=Maharashtra Times |language=mr}}</ref> |- |2015 |''Baji'' |Nikhil Mahajan |First superhero film of Marathi. | |- | rowspan="2" |2016 |''Natsamrat'' |Mahesh Manjrekar |First Marathi film to gross ₹50 crores at the box office. |<ref name=":5">{{Cite web |date=2017-06-21 |title=Reclaiming the box office |url=https://frontline.thehindu.com/arts-and-culture/cinema/reclaiming-the-box-office/article9730470.ece |access-date=2024-09-20 |website=Frontline |language=en}}</ref> |- |''Sairat'' |Nagraj Manjule | First Marathi film to gross ₹100 crores at the box office. |<ref>{{Cite web |date=2018-04-22 |title=Made in Marathi |url=https://www.financialexpress.com/life/entertainment-made-in-marathi-1141162/ |access-date= |website=Financialexpress |language=en}}</ref> |- | rowspan="2" |2022 |''Har Har Mahadev'' |Abhijeet Deshpande |First Marathi pan-Indian film. |<ref>{{Cite web |date=2022-06-06 |title='Har Har Mahadev' Becomes The First Marathi Film To Release In Various Languages |url=https://www.outlookindia.com/art-entertainment/-har-har-mahadev-becomes-the-first-marathi-film-to-release-in-various-languages-news-200660 |access-date=2025-03-02 |website=Outlook India |language=en}}</ref> |- |''Pondicherry'' |Sachin Kundalkar | First feature film shot entirely on a mobile phone camera. |<ref>{{Cite web |last=BKD |date=2022-02-17 |title='Pondicherry', a film shot entirely on smartphone releases on February 25 in theatres! |url=https://www.nationalheraldindia.com/films/pondicherry-a-film-shot-entirely-on-smartphone-releases-on-february-25-in-theatres |access-date= |website=National Herald |language=en}}</ref> |}
==Awards== *Maharashtra State Film Awards *Filmfare Awards Marathi *Zee Chitra Gaurav Puraskar *Fakt Marathi Cine Sanman *Maharashtracha Favourite Kon? *National Film Awards *Sakal Premier Awards *Pune International Film Festival *Maharashtra Times Sanman Awards *Lokmat Sakhi Awards *Pravah Picture Awards
==Further reading== * ''Marathi Cinema: In Retrospect'', by Sanjit Narwekar. Maharashtra Film, Stage & Cultural Development Corp., 1995.
==See also== {{Portal|India|Film}} *List of Marathi films *List of Marathi film actresses *List of Marathi film actors *List of highest-grossing Marathi films
==References== {{reflist}}
{{Maharashtra}} {{Cinema of India}} {{World cinema}} {{Film lists by country}} {{Indian film list}} {{Authority control}}
Category:Marathi cinema Category:Indian film industries