Lindsay Howard

{{Short description|American curator}} {{for|the American sportsman|Lindsay C. Howard}} {{Infobox person | name = Lindsay Howard | image = Lindsay Howard.jpg | image_size = 220 | caption = | birth_date = | education = | alma_mater = Bennington College | occupation = Curator | movement = Net Art, Digital Art, Post-Internet | website = {{URL|lindsayhoward.net}} }} '''Lindsay Howard''' is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.<ref>{{Cite web|last=Binlot|first=Ann|date=2014-12-04|title=What Not to Miss at Miami's Satellite Art Fairs|url=https://tmagazine.blogs.nytimes.com/2014/12/04/miami-satellite-art-fairs-nada-pulse-untitled-scope-select/|access-date=2019-08-05|website=T Magazine|language=en-US}}</ref>

Her exhibitions focus on social dynamics and aesthetics within online communities, as well as transparency, hacktivism, and collaborations between artists and technologists.<ref>{{Cite web|title=Surf clubs - Monoskop|url=https://monoskop.org/Surf_clubs|access-date=2019-08-05|website=monoskop.org}}</ref><ref>{{Cite web|date=2013-03-08|title=The Way We Share: Transparency in Curatorial Practice|url=https://hyperallergic.com/66581/the-way-we-share-transparency-in-curatorial-practice/|access-date=2019-08-05|website=Hyperallergic|language=en-US}}</ref><ref>{{Cite web|last=Digicult|first=Redazione|title=The F.A.T Manual: release and book launch at MU, Eindhoven • Digicult {{!}} Digital Art, Design and Culture|url=http://digicult.it/news/the-f-a-t-manual-release-and-book-launch-at-mu-eindhoven/|access-date=2019-08-05|website=Digicult {{!}} Digital Art, Design and Culture|date=7 November 2013 |language=en}}</ref><ref name="says">{{Cite web|url=http://magazine.art21.org/2017/10/26/inventing-the-future-art-and-technology/|title=Inventing the Future: Art and Technology|last=says|first=Michelle|website=Art21 Magazine|date=26 October 2017 |language=en-US|access-date=2019-08-05}}</ref>

== Education == Howard completed her bachelor's degree in Literature at Bennington College in Bennington, Vermont.<ref>{{Cite web|title=On the Rise {{!}} Bennington College|url=https://www.bennington.edu/bennington-network/outsized-impact/rise|access-date=2019-08-05|website=www.bennington.edu}}</ref><ref>{{Cite web|url=https://www.benningtonbanner.com/stories/bennington-college-artist-in-residence-jacqueline-mabey-presents-feminist-pedagogy-exhibit,109027|title=Bennington College artist-in-residence Jacqueline Mabey presents feminist pedagogy exhibit|website=The Bennington Banner|date=29 April 2016 |language=en|access-date=2019-08-05}}</ref>

== Career == Howard started her career by founding the exhibition program at 319 Scholes, an organization and collective of artists, curators, writers, hackers, coders, and activists based in Brooklyn, New York.<ref>{{Cite web|title=20 Art World Power Players You Need to Know|url=https://www.complex.com/style/2015/01/20-art-world-power-players-you-need-to-know/|access-date=2019-08-05|website=Complex|language=en}}</ref><ref>{{Cite web|date=2012-12-28|title=10 Pivotal Moments for Digital Art in 2012|url=https://hyperallergic.com/62648/10-pivotal-moments-for-digital-art-in-2012/|access-date=2019-08-05|website=Hyperallergic|language=en-US}}</ref><ref>{{Cite web|title=An Interview with READ/WRITE Curators Caitlin Denny and Parker Ito|url=http://rhizome.org/editorial/2011/mar/16/internet-surfing-prime-interview-readwrite-curator/|access-date=2019-08-05|website=Rhizome|date=16 March 2011 |language=en}}</ref><ref>{{Cite web|title="Big Reality" at 319 Scholes|url=https://www.artforum.com/picks/big-reality-30541|access-date=2019-08-05|website=www.artforum.com|date=22 March 2012 |language=en-US}}</ref><ref>{{Cite web|date=2012-12-31|title=10 pivotal moments for digital art in 2012|url=https://www.salon.com/2012/12/31/10_pivotal_moments_for_digital_art_in_2012/|access-date=2019-08-05|website=Salon|language=en}}</ref><ref>{{Cite web|title=Recap and Highlights from Art Hack Day at 319 Scholes|url=https://www.core77.com//posts/21692/Recap-and-Highlights-from-Art-Hack-Day-at-319-Scholes|access-date=2019-08-05|website=Core77|language=en}}</ref><ref name=":1">{{Cite web|title=Art Hack Day|url=https://techcrunch.com/2012/02/01/art-hack-day/|access-date=2019-08-05|website=TechCrunch|date=February 2012 |language=en-US}}</ref> 319 Scholes focused on digital arts and interdisciplinary explorations of networked culture, especially the role of technology in everyday life, and promoted a “new era of openness and transparency in curatorial practice.”<ref>{{Cite web|date=2011-10-25|title=Plugging Art into the Environment|url=https://hyperallergic.com/39019/ecologias-correlativas-319-scholes/|access-date=2019-08-05|website=Hyperallergic|language=en-US}}</ref><ref name="hyperallergic.com">{{Cite web|url=https://hyperallergic.com/66581/the-way-we-share-transparency-in-curatorial-practice/|title=The Way We Share: Transparency in Curatorial Practice|date=2013-03-08|website=Hyperallergic|language=en-US|access-date=2019-08-05}}</ref> The exhibitions, workshops, and screenings at 319 Scholes contributed to the Net Art and Post-Internet Art movements.<ref>{{Cite journal|last=Chan|first=Jennifer|title=Notes on Post-Internet|url=https://www.academia.edu/7508373|journal=You Are Here: Art After the Internet|date=January 2014 |language=en}}</ref>

Howard's first exhibition was ''DUMP.FM IRL'' which showcased work created by users of DUMP.FM, an image-based chat room for real-time communication co-founded by artist Ryder Ripps.<ref>{{Cite web|title=Affiliated Researchers {{!}} INTERVIEW {{!}} Lindsay Howard, Temporary Highs|url=http://networkcultures.org/affiliatedresearchers/2016/07/25/interview-lindsay-howard-temporary-highs/|access-date=2019-08-05|website=networkcultures.org}}</ref><ref>{{Cite web|last=jonCates|date=2017-02-19|title=DigitalAnalog, Aram Bartholl and New Media Art IRL — jonCates (2011)|url=https://medium.com/@joncates/digital-analog-aram-bartholl-and-new-media-art-irl-joncates-2011-da6795d7edd6|access-date=2019-08-05|website=Medium|language=en}}</ref> Of the exhibition, critic Paddy Johnson wrote: “The collective picture formed was that of a unique community of makers, each using a lexicon of stock images, internet slang and animated gifs. This is the new art we've been waiting to see for the last 30 years.”<ref>{{Cite web|url=http://www.thelmagazine.com/2010/12/the-10-best-exhibitions-of-2010-and-the-3-worst/|title=The 10 Best Exhibitions of 2010, and the 3 Worst|date=2010-12-22|website=The L Magazine|language=en-US|access-date=2019-08-05}}</ref> Johnson named the exhibition one of the “10 Best Exhibitions of 2010.”<ref>{{Cite web|url=http://www.thelmagazine.com/2010/12/the-10-best-exhibitions-of-2010-and-the-3-worst/|title=The 10 Best Exhibitions of 2010, and the 3 Worst|date=2010-12-22|website=The L Magazine|language=en-US|access-date=2019-08-05}}</ref>

Howard curated ''Paddles ON!''<ref>{{Cite web|url=https://www.phillips.com/press/2013/NY-Paddles-On!-Oct-2013|title=PHILLIPS : Press|website=www.phillips.com|access-date=2019-08-05}}</ref> at Phillips,<ref name="ReferenceA">{{Cite web|url=https://hyperallergic.com/87247/will-an-auction-help-convince-people-theres-a-market-for-new-media-art/|title=Will an Auction Help Convince People There's a Market for New Media Art?|date=2013-10-09|website=Hyperallergic|language=en-US|access-date=2019-08-06}}</ref> the inaugural digital art sales at a major international auction house.<ref>{{Cite web|url=http://dirty-mag.com/v2/?p=16191|title=PADDLES ON!: PHILLIPS'S FIRST DIGITAL ART AUCTION {{!}} Dirty Magazine|language=en-US|access-date=2019-08-05}}</ref> The auctions focused on artists who have pioneered innovative monetization models that reflect the democratic values of the internet generation.<ref name="ReferenceA"/><ref>{{Cite web|url=http://animalnewyork.com/2013/this-digital-art-is-up-for-auction-at-phillips/|title=This Digital Art Is Up for Auction at Phillips!|date=2013-09-24|website=ANIMAL|access-date=2019-08-05}}</ref> ''Paddles ON!'' featured the first art website to ever be auctioned:<ref>{{Cite web|url=https://www.npr.org/sections/alltechconsidered/2013/10/29/241645097/when-the-internet-is-your-canvas-you-paint-in-zeros-and-ones|title=If The Internet Is Your Canvas, You Paint In Zeros And Ones|website=NPR.org|date=3 November 2013 |language=en|access-date=2019-08-05|last1=Siner |first1=Emily }}</ref> digital artist Rafaël Rozendaal's ''ifnoyes.com'', which sold for $3,500 using the Art Website Sales Contract.<ref name="Thayer">{{Cite web|url=https://www.forbes.com/sites/katherynthayer/2013/10/22/going-once-going-twice-phillips-puts-gifs-on-auction/|title=Going Once, Going Twice: Phillips And Tumblr Put GIFs On Auction|last=Thayer|first=Katheryn|website=Forbes|language=en|access-date=2019-08-06}}</ref><ref>{{Cite web|url=http://www.artwebsitesalescontract.com/|title=art website sales contract .com by rafaël rozendaal, 2011|website=www.artwebsitesalescontract.com|access-date=2019-08-06}}</ref> Artist Petra Cortright used a view-based algorithm to price her video work, which resulted in her 24-second YouTube film selling for $3,200.<ref>{{Cite web|url=https://www.dazeddigital.com/artsandculture/article/17433/1/phillips-tumblr-digital-art-auction-curator-interview|title=How to sell a GIF|last=Dazed|date=2013-10-02|website=Dazed|language=en|access-date=2019-08-06}}</ref><ref>{{Cite web|url=https://www.theverge.com/2013/10/17/4844814/would-you-pay-2000-for-a-gif|title=Would you pay $2,000 for a GIF?|last=Osberg|first=Molly|date=2013-10-17|website=The Verge|access-date=2019-08-06}}</ref> Artist Molly Soda sold a YouTube webcam performance for $1,500.<ref name="Thayer"/><ref>{{Cite web|url=https://www.metrotimes.com/detroit/an-interview-with-molly-soda/Content?oid=2201986|title=An interview with Molly Soda|website=Detroit Metro Times|language=en|access-date=2019-08-06}}</ref><ref>{{Cite web|url=https://www.theverge.com/2013/10/17/4844814/would-you-pay-2000-for-a-gif|title=Would you pay $2,000 for a GIF?|last=Osberg|first=Molly|date=2013-10-17|website=The Verge|access-date=2019-08-05}}</ref> The New York Times wrote: “Digital art has become an accepted part of every biennial and international art fair, but the form is still the punk rock of the art world."<ref>{{Cite web|url=https://tmagazine.blogs.nytimes.com/2013/11/08/on-view-for-petra-cortright-the-web-is-the-ultimate-canvas/|title=For Petra Cortright, the Web Is the Ultimate Canvas|last=Williams|first=Maxwell|date=2013-11-08|website=T Magazine|language=en-US|access-date=2019-08-05}}</ref>

Howard is a founding member of Deep Lab, "cyberfeminist research" project,<ref>{{Cite web|last=Tanriverdi|first=Hakan|date=2015-03-11|title=Your Private Data Isn't Yours — Maybe It Never Was|url=https://medium.com/matter/your-private-data-isnt-yours-maybe-it-never-was-3006a676be99|access-date=2019-08-06|website=Medium|language=en}}</ref> along with Addie Wagenknecht, Kate Crawford, Claire L. Evans, Simone Browne, and Jillian York.<ref>{{Cite web|last=Syfret|first=Wendy|date=2015-07-20|title=exploring feminist hacktivism with deep lab|url=https://i-d.co/article/exploring-feminist-hacktivism-with-deep-lab/|access-date=2019-08-06|website=I-D|language=en-AU}}</ref><ref>{{Cite web|last=Pearson|first=Jordan|date=2015-01-12|title=The All-Women Hacker Collective Making Art About the Post-Snowden Age|url=https://www.vice.com/en/article/the-all-women-hacker-collective-making-art-about-the-post-snowden-age/|access-date=2019-08-06|website=Vice|language=en-US}}</ref><ref>{{Cite web|title=Lena Henke|url=https://www.artforum.com/print/201504/lena-henke-50733|access-date=2019-08-06|website=www.artforum.com|date=April 2015 |language=en-US}}</ref><ref>{{Cite web|title=Deep Lab|url=http://topicalcream.info/editorial/deep-lab-2/|access-date=2019-08-06|website=Topical Cream|language=en-US|archive-date=2019-08-06|archive-url=https://web.archive.org/web/20190806102320/http://topicalcream.info/editorial/deep-lab-2/|url-status=dead}}</ref> She curated an exhibition of Deep Lab's work and a series of public programming at the New Museum in 2015.<ref name=":0">{{Cite web|date=2015-02-03|title=Cyberfeminists Go Deep on Big Data, Privacy, and Surveillance|url=https://hyperallergic.com/173513/cyberfeminists-go-deep-on-big-data-privacy-and-surveillance/|access-date=2019-08-06|website=Hyperallergic|language=en-US}}</ref><ref>{{Cite web|title=Drone Painting Performance|url=http://www.newmuseum.org/ideascity/view/drone-painting-performance|access-date=2019-08-06|website=www.newmuseum.org|language=en}}</ref><ref>{{Cite web|title=DeepLab: experiencias ciberfeministas artísticas antivigilancia|url=https://antivigilancia.org/es/2015/07/deeplab/|access-date=2019-08-06|website=Oficina Antivigilância — Coding Rights|language=es-ES}}</ref>

Howard established an online commissioning program<ref name="observer.com">{{Cite web|url=https://observer.com/2016/02/curating-internet-art-online-and-irl/|title=Curating Internet Art, Online and IRL|date=2016-02-25|website=Observer|language=en|access-date=2019-08-06}}</ref><ref>{{Cite web|url=https://i-d.co/article/newhive-is-the-new-platform-for-post-internet-art/|title=newhive is the new platform for post internet art|last=Harrad|first=Tom|date=2015-04-29|website=I-D|language=en-US|access-date=2019-08-05}}</ref> where she worked with artists Shia Labeouf,<ref>{{Cite news|url=https://www.theguardian.com/film/2015/nov/10/shia-labeouf-allmymovies-project-movies-back-to-back|title=Shia LaBeouf to watch all his films back to back for #allmymovies project|last=Smith|first=Nigel M.|date=2015-11-10|work=The Guardian|access-date=2019-08-05|language=en-GB|issn=0261-3077}}</ref> Sougwen Chung,<ref>{{Cite web|url=https://www.newinc.org/archive/sougwen-chung-wins-excellence-award-njztl|title=Sougwen Chung Wins Excellence Award for her Drawing Robot, D.O.U.G._1|website=NEW INC|date=7 December 2015 |language=en-US|access-date=2019-08-06}}</ref> Eilis McDonald,<ref>{{Cite web|url=https://visualartistsireland.com/looking-a-pigeon-in-the-eye-on-a-window-ledge|title=Looking a Pigeon in the Eye on a Window Ledge|last=Steenson|first=Chris|date=2016-04-28|website=The Visual Artists' News Sheet Online|language=en-GB|access-date=2019-08-05}}</ref> Alexandra Gorczynski,<ref>{{Cite web|url=https://www.fastcompany.com/3039441/at-art-basel-a-collector-just-bought-this-url-for-5000|title=At Art Basel, A Collector Just Bought This URL For $5,000|last=Gayomali|first=Chris|date=2014-12-05|website=Fast Company|language=en-US|access-date=2019-08-05}}</ref> Morehshin Allahyari,<ref>{{Cite web|url=http://www.morehshin.com/tag/everything-in-between/|title=Morehshin Allahyari|website=Morehshin Allahyari|access-date=2019-08-05}}</ref> and Jacob Ciocci.<ref>{{Cite web|url=https://hyperallergic.com/170279/some-notes-on-new-expressions-by-jacob-ciocci/|title=Some Notes on "New Expressions," by Jacob Ciocci|date=2014-12-24|website=Hyperallergic|language=en-US|access-date=2019-08-05}}</ref>

In 2016, Howard released a body of research called ''Temporary Highs'',<ref name="observer.com"/><ref>{{Cite web|url=https://bitforms.art/exhibitions/temp-highs/temp-highs-press-release|title=bitforms gallery » Temporary HighsJune 2 – July 31, 2016|language=en-US|access-date=2019-08-05}}</ref> which looks at how the structure of the internet enables reward-seeking behavior in a compulsive cycle of oversharing and consumption.<ref name="oberlin.edu">{{Cite web|url=https://www.oberlin.edu/events/lindsay-howard-lecture-temporary-highs|title=Lindsay Howard: Lecture on Temporary Highs|date=2017-02-26|website=Oberlin College and Conservatory|language=en|access-date=2019-08-05}}</ref> Howard's writings examine the pleasure and anxiety of immediate gratification, as well as the constant search for validation, understanding, and connection.<ref>{{Cite web|url=http://networkcultures.org/affiliatedresearchers/2016/07/25/interview-lindsay-howard-temporary-highs/|title=Affiliated Researchers {{!}} INTERVIEW {{!}} Lindsay Howard, Temporary Highs|website=networkcultures.org|access-date=2019-08-05}}</ref> She presented ''Temporary Highs'' at SAIC,<ref>{{Cite web|url=https://blogs.saic.edu/cate/on-lindsay-howard-and-temporary-highs/|title=Conversations at the Edge (CATE)|date=12 October 2016 |language=en|access-date=2019-08-05}}</ref> Oberlin College & Conservatory,<ref name="oberlin.edu"/> and PNCA.<ref>{{Cite web|url=https://cal.pnca.edu/e/1877|title=PNCA : Events : Temporary Highs Screening|website=cal.pnca.edu|access-date=2019-08-05}}</ref>

In 2017, the New Museum invited Howard to produce the 50th anniversary of Experiments in Art and Technology program with Nokia Bell Labs.<ref name="says"/> Howard worked with artists Sougwen Chung<ref>{{Cite web|url=https://www.bell-labs.com/var/articles/discussion-sougwen-chung-about-human-robotic-collaborations/|title=Nokia Bell Labs: A discussion with Sougwen Chung about human-robotic collaborations|website=www.bell-labs.com|date=4 May 2018 |language=en|access-date=2019-08-06}}</ref> and Lisa Park<ref>{{Cite web|url=https://www.bell-labs.com/var/articles/discussion-lisa-park-inner-states-and-heart-human-communication/|title=Nokia Bell Labs: A discussion with Lisa Park on inner states and the heart of human communication|website=www.bell-labs.com|date=10 May 2018 |language=en|access-date=2019-08-06}}</ref> as they collaborated with engineers to create large-scale art installations using Bell Labs' Motion Engine, which offers a way to visually analyze complex natural and manmade systems, as well as Bell Labs' advanced research into sensor technology.<ref>{{Cite magazine|url=https://www.wired.com/story/bell-labs-eat-only-human-mana-contemporary/|title=What Artists Can Teach Us About Making Technology More Human|magazine=Wired|access-date=2019-08-06|language=en|issn=1059-1028}}</ref><ref>{{Cite web|url=https://www.manacontemporary.com/exhibition/onlyhuman/|title=Only Human|website=Mana Contemporary|language=en-US|access-date=2019-08-06}}</ref>

=== F.A.T. === From 2012-2013, Howard was the Curatorial Fellow at Eyebeam Art & Technology Center. While at Eyebeam, Howard curated ''F.A.T. Gold: Five Years of Free Art & Technology,''<ref>{{Cite web|title=F.A.T. GOLD|url=https://www.eyebeam.org/events/f-a-t-gold/|access-date=2019-08-05|website=Eyebeam}}</ref> a retrospective of F.A.T. Lab, an organization that's “part artist collective, part hacktivist cell, and part Silicon Valley think tank."<ref name="Chen">{{Cite web|last=Chen|first=Adrian|title=Crashing Through Manhattan In The Fake Google Driverless Car|url=http://gawker.com/crashing-through-manhattan-in-the-fake-google-driverles-478133301|access-date=2019-08-05|website=Gawker|language=en}}</ref> The exhibition presented works from the collective's history as well as new commissions, such as ''Ideas Worth Spreading'' by Evan Roth and 3D printed artworks.<ref>{{Cite web|title=3 Excellent Uses of 3D Printing from Eyebeam's 'F.A.T. Gold' Exhibition|url=http://rhizome.org/editorial/2013/apr/18/3-excellent-uses-3d-printer-eyebeams-ft-gold-exhib/|access-date=2019-08-05|website=Rhizome|date=18 April 2013 |language=en}}</ref> F.A.T. Lab members, including Addie Wagenknecht, Chris Poole (or 'moot'), Geraldine Juárez, Jamie Wilkinson, Jonah Peretti, Becky Stern, and Golan Levin, convened during the exhibition for talks, workshops, and to produce new works.<ref>{{Cite web|last=Holmes|first=Kevin|date=2012-10-16|title=F.A.T. Lab Retrospective: Five Years Of Thug Life, Pop Culture, And R&D|url=https://www.vice.com/en/article/fat-lab-retrospective-five-years-of-thug-life-pop-culture-and-rd/|access-date=2019-08-05|website=Creators|language=en-US}}</ref> As part of the opening, graffiti artist KATSU tagged Eyebeam's façade with a fire extinguisher, accidentally splashing some of the pigment on Paula Cooper Gallery<ref>{{Cite web|date=2013-04-01|title=FAT Lab's KATSU Graffities Paula Cooper Gallery (Inadvertently)|url=https://hyperallergic.com/67992/fat-labs-katsu-graffities-paula-cooper-gallery-inadvertently/|access-date=2019-08-05|website=Hyperallergic|language=en-US}}</ref> which was “a perfect example of F.A.T.’s IRL trolling practices.”<ref>{{Cite web|date=2013-04-19|title=The Almost Anonymous of the Digital Art World|url=https://hyperallergic.com/69252/the-almost-anonymous-of-the-digital-art-world/|access-date=2019-08-05|website=Hyperallergic|language=en-US}}</ref> During ''F.A.T. Gold: Five Years of Free Art & Technology,'' Howard and the artists took journalist Adrian Chen for a ride in a fake Google driverless car.<ref name="Chen"/> The exhibition led cyberpunk author Bruce Sterling to ask, "Why aren’t these violently compassionate art-hackers all in jail?"<ref>{{Cite magazine|last=Sterling|first=Bruce|date=2015-05-20|title=F.A.T. Gold|language=en-US|magazine=Wired|url=https://www.wired.com/beyond-the-beyond/2015/05/f-t-gold/|access-date=2019-08-05|issn=1059-1028}}</ref> ''F.A.T. Gold: Five Years of Free Art & Technology'' subsequently toured to MU Eindhoven in the Netherlands and Gray Area Foundation for the Arts, where Howard curated a portrait of former Google Chairman Eric Schmidt made out of poop.<ref>{{Cite web|title=MU {{!}} F.A.T. GOLD Europe|url=http://www.mu.nl/en/exhibitions/fat-gold-europe|access-date=2019-08-05|website=www.mu.nl}}</ref><ref name=":2">{{Cite web|title=An Interview With A Drone Painter Who Made A Poop Portrait of Eric Schmidt|url=https://techcrunch.com/2015/05/21/fat-lab/|access-date=2019-08-05|website=TechCrunch|date=21 May 2015 |language=en-US}}</ref><ref>{{Cite web|title=We talked to the guy who made a painting of Google's Eric Schmidt out of poop to find out why|url=http://finance.yahoo.com/news/talked-guy-made-painting-googles-171651971.html|access-date=2019-08-05|website=finance.yahoo.com|date=25 May 2015 |language=en-US}}</ref> F.A.T. Lab went to San Francisco to "celebrate the victory of government and commercial hegemony over the internet and the total loss of personal freedom and privacy"; the group disbanded in 2015.<ref>{{Cite web|last=says|first=Me|title=We Lost {{!}} F.A.T.|url=http://fffff.at/we-lost/|access-date=2019-08-06|website=fffff.at|date=August 2015 |language=en-US}}</ref><ref>{{Cite web|title=fffffarewell.at …….. {{!}} F.A.T.|url=http://fffff.at/byebye/|access-date=2019-08-06|website=fffff.at|date=August 2015 |language=en-US}}</ref><ref name=":2" />

=== Additional curation ===

* ''New Theories in VR'', New Lab<ref>{{Cite web|url=https://technical.ly/brooklyn/2017/10/11/brooklyns-tech-scene-showed-new-labs-one-year-anniversary/|title=Brooklyn's tech scene showed out for New Lab's one-year anniversary|last=contributor|first=April Joyner /|date=2017-10-11|website=Technical.ly Brooklyn|language=en|access-date=2019-08-05}}</ref> * ''The Barn Show: Unquestionable Optimism'', Johannes Vogt Gallery, 2016<ref>{{Cite web|url=https://www.hamptons.com/Community/Community-News/24720/Out-And-About/For-The-Cause/24594/The-Arts/In-the-Galleries/23639/The-Arts/In-the-Galleries/23622/Celebrate-Optimism-At-Johannes-Vogt-Gallerys.html#.XUhj7i2ZM_V|title=Celebrate Optimism At Johannes Vogt Gallery's Third Annual Hamptons "The Barn Show" {{!}} Community {{!}} Community News/24720/Out And About/For The Cause/24594/The Arts/In the Galleries/23639/The Arts/In the Galleries|website=www.hamptons.com|access-date=2019-08-05}}</ref> * Pattern Recognition, Dazed & Confused Magazine<ref>{{Citation|last=Menkman|first=Roͬͬ͠͠͡͠͠͠͠͠͠͠͠sͬͬ͠͠͠͠͠͠͠͠͠aͬͬ͠͠͠͠͠͠͠|title=Dazed and Confused|date=2013-03-02|url=https://www.flickr.com/photos/r00s/8520846485/|access-date=2019-08-05}}</ref> * ''Eyebeam Resurfaces: The Future of the Digital Archive,'' Eyebeam<ref>{{Cite web|url=https://www.eyebeam.org/events/eyebeam-resurfaces-the-future-of-the-digital-archive/|title=Eyebeam Resurfaces: The Future of the Digital Archive|website=Eyebeam|access-date=2019-08-05}}</ref> * ''C.R.E.A.M.,'' Art Micro Patronage<ref>{{Cite web|url=http://artmicropatronage.org/exhibition/C.R.E.A.M-Lindsay-Howard|title=C.R.E.A.M. curated by Lindsay Howard|last=Wise|first=Oliver|website=Art Micro Patronage|language=en|access-date=2019-08-05}}</ref> * ''WALLPAPERS: Sara Ludy and Nicolas Sassoon,'' 319 Scholes<ref>{{Cite web|url=http://rhizome.org/editorial/2011/jul/18/wallpapers-review/|title=Review: WALLPAPERS by Sara Ludy and Nicolas Sassoon|website=Rhizome|date=18 July 2011 |language=en|access-date=2019-08-05}}</ref> * ''Awareness of Everything,'' Internet Garage<ref>{{Cite web|url=http://speedshow.net/awareness-of-everything/|title=AWARENESS OF EVERYTHING » SPEED SHOW|language=en-US|access-date=2019-08-05}}</ref> * ''Art Hack Day: God Mode,'' 319 Scholes<ref>{{Cite web|url=http://arthackday.net/events/god-mode|title=Art Hack Day - God Mode|website=ART HACK DAY|access-date=2019-08-05}}</ref> * ''Blip Festival Gallery,'' Eyebeam<ref>{{Cite web|url=http://rhizome.org/editorial/2011/may/23/blipfest-2011/|title=Blipfest 2011|website=Rhizome|date=23 May 2011 |language=en|access-date=2019-08-05}}</ref> * ''Getting Closer,'' Fe Arts Gallery<ref>{{Cite web|url=https://www.pghcitypaper.com/pittsburgh/zero-one-togetherness-fe-gallery-explores-intimacy-in-the-digital-age/Content?oid=1381021|title=Zero, One, Togetherness: Fe Gallery explores intimacy in the digital age|last=Hopper|first=Justin|website=Pittsburgh City Paper|language=en|access-date=2019-08-05}}</ref> * ''Alexandra Gorczynski and Duncan Malashock,'' 319 Scholes

== Bibliography ==

* ''Room for Space: an interview with Nicholas O'Brien'', Keen On Magazine (July 2018)<ref>{{Cite web|url=http://gamestudies.keenonmag.com/p3904697/|title=issue n° 7 — keen on Game Studies — Interview with Nicholas O'Brien|website=issue n° 7 — keen on Game Studies|access-date=2019-08-05}}</ref> * ''Petra Cortright on having the confidence to create anything you want,'' The Creative Independent (May 2018)<ref>{{Cite web|url=https://thecreativeindependent.com/people/visual-artist-petra-cortright-on-having-the-confidence-to-create-anything-you-want/|title=Petra Cortright on having the confidence to create anything you want|website=thecreativeindependent.com|access-date=2019-08-05}}</ref> * ''Inventing the Future: Art and Technology,'' Art21 (October 2017)<ref name="says"/> * ''The Presentation of Self: Interview with LaTurbo Avedon,'' Keen On Magazine (October 2017)<ref>{{Cite web|url=http://posthumanbodies.keenonmag.com/p2847886/|title=issue n° 5 — keen on posthuman bodies. — LaTurbo Avedon|website=issue n° 5 — keen on posthuman bodies.|access-date=2019-08-05}}</ref> * ''A Prankster-Turned-Painter Leaves Self-Sabotage Behind,'' Hyperallergic (November 2016)<ref>{{Cite web|url=https://hyperallergic.com/337628/a-prankster-turned-painter-leaves-self-sabotage-behind/|title=A Prankster-Turned-Painter Leaves Self-Sabotage Behind|date=2016-11-15|website=Hyperallergic|language=en-US|access-date=2019-08-05}}</ref> * ''Alternative Paradise: Marc Horowitz,'' Keen On Magazine (November 2016)<ref>{{Cite web|url=http://tropicalpunch.keenonmag.com/p1962893/|title=issue n°4 — keen on tropical punch. keen on magazine is the award-winning avantgarde art magazine, based in Vienna — Marc Horowitz|website=issue n°4 — keen on tropical punch. keen on magazine is the award-winning avantgarde art magazine, based in Vienna|access-date=2019-08-05}}</ref> * ''Leaders of the New Media Pack,'' CULTURED Magazine (February 2016)<ref>{{Cite web|url=http://www.culturedmag.com/new-media-pack/|title=New Media Pack|website=CULTURED Magazine}}</ref> * ''Artist Profile: Heather Phillipson,'' Rhizome (July 2014)<ref>{{Cite web|url=http://rhizome.org/editorial/2014/jul/29/artist-profile-heather-phillipson/|title=Artist Profile: Heather Phillipson|website=Rhizome|date=29 July 2014 |language=en|access-date=2019-08-05}}</ref> * ''Artist Profile: Michael Manning,'' Rhizome (April 2014)<ref>{{Cite web|url=http://rhizome.org/editorial/2014/apr/16/artist-profile-michael-manning/|title=Artist Profile: Michael Manning|website=Rhizome|date=16 April 2014 |language=en|access-date=2019-08-05}}</ref> * ''The Way We Share: Transparency in Curatorial Practice'', Hyperallergic (March 2013)<ref name="hyperallergic.com"/> * ''Awareness of Everything, Aram Bartholl: Speed Book'' published by Gestalten (January 2012)

== See also ==

* Internet art * Post Internet *Free Art and Technology Lab

==References== {{Reflist|30em}}

==External links== * {{Official website|lindsayhoward.net}}

{{DEFAULTSORT:Howard, Lindsay}} Category:Living people Category:American art curators Category:American women curators Category:Bennington College alumni Category:Year of birth missing (living people) Category:21st-century American women