Tincture (heraldry)

{{short description|Metal, colour, or fur used in heraldic design}} {{distinguish|text=the herbal liquid also known as Tincture}} {{Redirect|Argent|3=Argent (disambiguation)}}[[File:Tinctures (metals and colours).svg|thumb|The metals and common colours of heraldry. One system of hatching is shown at right.]] '''Tinctures''' are the colours, metals, and furs used in heraldry. There are nine tinctures in common use: two metals, five colours, and two furs. The metals are ''or'' (gold or yellow) and ''argent'' (silver or white); the colours ''gules'' (red), ''azure'' (blue), ''vert'' (green), ''sable'' (black), and ''purpure'' (purple); and the furs ''ermine'', which is derived from the winter fur of a stoat, and ''vair'', which is derived from the fur of a red squirrel. The use of other tinctures varies depending on the time period and heraldic tradition in question. {{Heraldic achievement}} Where the tinctures are not depicted in full colour, they may be represented using one of several systems of hatching, in which each tincture is assigned a distinct pattern; or tricking, in which each tincture is designated by a letter or abbreviation.<ref name="Woodcock and Robinson 51–55">{{harvp|Woodcock|Robinson|1990|pp=51–55}}</ref>

Historically, particularly between the fifteenth and seventeenth centuries, the tinctures were sometimes associated with the planets, precious stones, virtues, and elements. However, in contemporary heraldry they are not assigned any particular meaning.<ref name="Woodcock and Robinson 51–55"/>

==Development and history== The use of tinctures dates back to the formative period of European heraldry in the twelfth and thirteenth centuries. The range of tinctures and the manner of depicting and describing them has evolved over time, as new variations and practices have developed. The earliest surviving coloured heraldic illustrations, from the mid-thirteenth century, show the use of the two metals, five colours, and two furs. Since that time, the great majority of heraldic art has employed these nine tinctures.<ref name="Neubecker 86–87">{{harvp|Neubecker|1977|pp=86–87}}</ref><ref>{{harvp|Slater|2003|p=72}}</ref>

The distinction between colours and metals is not made in many medieval heraldic treatises, including the Anglo-Norman ''De Heraudie'', which has been dated to between 1280 and 1300 or 1341–45, the Italian ''Tractatus de Insigniis et Armis'', published in 1358, the ''Tractatus de Armis'', which dates from shortly after 1394, or the mid-fifteenth century ''Bradfer-Lawrence Roll''. In addition, while ''De Heraudie'' and the ''Bradfer-Lawrence'' list the seven common metals and colours of contemporary heraldry, the ''Tractatus de Insigniis'' combines red and purple and omits green, and the ''Tractatus de Armis'' omits purple.<ref name="Woodcock and Robinson 51–55"/>

A fourteenth-century English treatise, possibly by the same author as the ''Tractatus de Armis'', does make the distinction between colours and metals and lists the seven in contemporary use in addition to the colour ''tawny'', which it states is used only in France and the Holy Roman Empire. The ''Accedence of Armory'', written by Gerard Legh in 1562, also distinguishes between colours and metals, listing the seven in contemporary use as well as ''proper'', the natural colour of any animal, bird, or herb. Legh rejects ''tawny'' as non-existent and ''sanguine'' or ''murrey'', a reddish-brown tincture, as a mistake for ''purpure''.<ref name="Woodcock and Robinson 51–55"/>

The tinctures are not standardised, with any shade being acceptable so long as it cannot be confused with another tincture.<ref name="Woodcock and Robinson 50">{{harvp|Woodcock|Robinson|1990|pp=50}}</ref> ''Purpure'', in particular, has been depicted in a range of shades; many grants by the Tudor officer of arms Thomas Wriothesley, for example, use for ''purpure'' a reddish-purple shade which would now be described as ''murrey''.<ref name="Woodcock and Robinson 51–55"/>

Over time, variations on these basic tinctures were developed, particularly with respect to the furs. Authorities differ as to whether these variations should be considered separate tinctures, or merely varieties of existing ones. Two additional colours appeared, and were generally accepted by heraldic writers, although they remained scarce, and were eventually termed ''stains'', from the belief that they were used to signify some dishonour on the part of the bearer.<ref name="Woodward 60–61">{{harvp|Woodward|Burnett|1892|pp=60–61}}</ref> Other colours have appeared occasionally since the eighteenth century, especially in continental heraldry, but their use is infrequent, and they have never been regarded as particularly heraldic, or numbered among the tinctures that form the basis of heraldic design.<ref>{{harvp|Woodward|Burnett|1892|pp=61–62}}; {{harvp|Fox-Davies|1909|p=74}}</ref>

===Frequency and national variants=== thumb|A diagram of various tinctures in heraldry. First row: metals; second row: colours; third row: stains; fourth row: non-traditional tinctures The frequency with which different tinctures have been used over time has been much observed, but little studied. There are some general trends of note, both with respect to the passage of time, and noted preferences from one region to another.

In medieval heraldry, ''gules'' was by far the most common tincture, followed by the metals ''argent'' and ''or'', at least one of which necessarily appeared on the majority of arms (see below). Among the colours, ''sable'' was the second most common, followed by ''azure.'' ''Vert'', although present from the formative period of heraldic design, was relatively scarce.<ref>{{harvp|Neubecker|1977|pp=86–87}}; {{harvp|Pastoureau|1997|p=83}}</ref> Over time, the popularity of ''azure'' increased above that of ''sable'', while ''gules'', still the most common, became less dominant. A survey of French arms granted during the seventeenth century reveals a distinct split between the trends for the arms granted to nobles and commoners. Among nobles, ''gules'' remained the most common tincture, closely followed by ''or'', then by ''argent'' and ''azure'' at nearly equal levels; ''sable'' was a very distant fifth choice, while ''vert'' remained scarce. Among commoners, ''azure'' was easily the most common tincture, followed by ''or'', and only then by ''gules'', ''argent'', and ''sable'', which was used more by commoners than among the nobility; ''vert'', however, was even scarcer in common arms.<ref>{{harvp|Pastoureau|1997|p=83}}</ref> ''Purpure'' is so scarce in French heraldry that some authorities do not regard it as a "real heraldic tincture".<ref>{{harvp|Pastoureau|1997|p=45}}</ref>

On the whole, French heraldry is known for its use of ''azure'' and ''or'', while English heraldry is characterised by heavy use of ''gules'' and ''argent'', and unlike French heraldry, it has always made regular use of ''vert'', and occasional, if not extensive, use of ''purpure''.

German heraldry is known for its extensive use of ''or'' and ''sable''.<ref name="Neubecker 86–87"/> German and Nordic heraldry rarely make use of ''purpure'' or ''ermine'', except in mantling, pavilions, and the lining of crowns and caps.<ref>{{harvp|von Volborth|1981|p=10}}</ref> In fact, furs occur infrequently in German and Nordic heraldry.<ref>Chrisopher von Warnstedt, "The Heraldic Provinces of Europe", in ''The Coat of Arms'', vol. XI, no. 84 (October 1970), pp. 128–130.</ref>

== Tinctures == {| class="wikitable" |+ {{anchor|tinctures_table}} Heraldic tinctures (excluding furs) ! colspan="2" | Class ! colspan="2" | Metals ! colspan="5" | Colours ! colspan="3" | Stains |- ! colspan="2" | Name | Argent | Or | Gules | Sable | Azure | Vert | Purpure | Murrey | Sanguine | Tenné |- style="height:30px" ! colspan="2" | Tincture | style="background:white" | | style="background:gold" | | style="background:red" | | style="background:black" | | style="background:blue" | | style="background:green" | | style="background:purple" | | style="background:#8b004b" title="#8b004b"| | style="background:FireBrick" | | style="background:#c67000" title="#c67000"| |- ! colspan="2" | Non-heraldic equivalent | Silver/White | Gold/Yellow | Red | Black | Blue | Green | Purple | Mulberry | Blood red | Tawny |- ! rowspan="2" | Monochromatic designations ! Hatching | style="background:white" | | style="{{Hatching colors|Or}}" | | style="{{Hatching colors|Gules}}" | | style="{{Hatching colors|Sable}}" | | style="{{Hatching colors|Azure}}" | | style="{{Hatching colors|Vert}}" | | style="{{Hatching colors|Purpure}}" | | style="{{Hatching colors|Murrey}}" | | style="{{Hatching colors|Sanguine}}" | | style="{{Hatching colors|Tenné}}" | |- ! Tricking {{abbr|abbr.|abbreviation}} | ar. | o. | gu. | s., sa. | az., bl., b. | vt., v. | purp., pu., p. | m. | ♌︎ | ♌︎ |} thumb|Table of the tinctures and furs The colours and patterns of the heraldic palette are divided into three groups, usually known as ''metals'', ''colours'', and ''furs''.

=== Metals === The metals are '''''or''''' and '''''argent''''', representing gold and silver, respectively, although in practice they are often depicted as yellow and white.<ref name="CGH 70"/><ref name="Woodward 60"/>

'''''Or''''' (Ger. ''{{lang|de|Gelb}}'', ''{{lang|de|Gold}}'', or ''{{lang|de|golden}}'')<ref name="Neubecker Leonhard">{{harvp|Neubecker|1977|pp=86–87}}; {{harvp|Leonhard|1976|pp=128, 129}}</ref> derives its name from the French ''or'', "gold". It may be depicted using either yellow or metallic gold, at the artist's discretion; "yellow" has no separate existence in heraldry, and is never used to represent any tincture other than or.<ref name="CGH 70"/>

'''''Argent''''' (Ger. ''{{lang|de|Weiß}}'', ''{{lang|de|Weiss}}'', ''{{lang|de|Silber}}'', or ''{{lang|de|silbern}}'')<ref name="Neubecker Leonhard"/> is similarly derived from the French ''argent'', "silver". Although sometimes depicted as metallic silver or faint grey, it is more often represented by white, in part because of the tendency for silver paint to oxidize and darken over time,{{efn-lr|At one point, aluminum paint was used for argent, as it was more resistant to oxidation; but its effect also faded with age.}} and in part because of the pleasing effect of white against a contrasting colour.<ref name="CGH 70"/> Notwithstanding the widespread use of white for ''argent'', the heraldist Arthur Charles Fox-Davies suggested the existence of white as a distinct heraldic colour.<ref>{{harvp|Fox-Davies|1909|pp=70–71}}</ref> The blazon of the coat of arms of Pope Leo XIV is also notable for its rare distinction between the metal ''argent'' and the colour "white".

====Other metals==== Very rarely, other metals are distinguished, as ''copper'' in Cypriot and Canadian heraldry and ''buff'' (from buff leather) in American military heraldry.

=== Colours === The five common colours in heraldry are ''gules'', or red; ''sable'', or black; ''azure'', or blue; ''vert'', or green; and ''purpure'', or purple.

'''''Gules''''' (Fr. ''{{lang|fr|gueules}}'', Ger. ''{{lang|de|Rot}}'')<ref name="Woodward Neubecker"/> is of uncertain derivation; outside of the heraldic context, the modern French word refers to the mouth of an animal.<ref>''The New Cassell's French Dictionary'', Denis Gerard ''et al.'', (editors), Funk & Wagnalls Company, Inc., New York (1962).</ref>

'''''Sable''''' (Ger. ''{{lang|de|Schwarz}}'')<ref name="Neubecker 86–87"/> is named for a type of marten, known for its dark, luxuriant fur.{{efn-lr|Despite the origin of the name, sable is always regarded as a colour, rather than a fur.}}

'''''Azure''''' (Fr. ''{{lang|fr|azur}}'' or ''{{lang|fr|bleu}}'', Ger. ''{{lang|de|Blau}}'')<ref name="Woodward Neubecker"/> comes through the Arabic ''lāzaward'', from the Persian ''lāžavard'' both referring to the blue mineral lapis lazuli, used to produce blue pigments.

'''''Vert''''' (Fr. ''{{lang|fr|vert}}'' or ''{{lang|fr|sinople}}'', Ger. ''{{lang|de|Grün}}'')<ref name="Woodward Neubecker"/> is from Latin ''viridis'', "green". The alternative name in French, ''sinople'', is derived from the ancient city of Sinope in Asia Minor (Turkey), which was famous for its pigments.

'''''Purpure''''' (Fr. ''{{lang|fr|purpure}} or {{lang|fr|pourpre}}'', Ger. ''{{lang|de|Purpur}}'')<ref name="Woodward Neubecker">{{harvp|Woodward|Burnett|1892|p=60}}; {{harvp|Neubecker|1977|pp=86–87}}</ref> is from Latin ''purpura'', in turn from Greek ''porphyra'', the dye known as Tyrian purple. This expensive dye, known from antiquity, produced a much redder purple than the modern heraldic colour; and in fact earlier depictions of purpure are far redder than recent ones. As a heraldic colour, purpure may have originated as a variation of gules.

====Stains==== Three more tinctures were eventually acknowledged by most heraldic authorities: ''sanguine'', a blood red, ''murrey'', a dark red or mulberry colour; and ''tenné'', an orange or dark yellow to brownish colour. These were termed "stains" by some of the more influential heraldic writers and supposed to represent some sort of dishonour on the part of the bearer, but there is no evidence that they were ever used for this purpose and they probably originated as variations on existing colours.<ref name="Woodward 60–61"/><ref>{{harvp|Fox-Davies|1909|pp=70–74}}</ref> Nevertheless, the belief that they represented stains upon the honour of an armiger prevented them from being widely used, and it is only in recent times that they have begun to appear on a regular basis.<ref name="CoA Official Site">[http://www.college-of-arms.gov.uk/ College of Arms official website] {{Webarchive|url=https://web.archive.org/web/20191116000701/https://www.college-of-arms.gov.uk/ |date=2019-11-16 }}, accessed 3 March 2016.</ref>

'''''Sanguine''''' from the Latin {{lang|la|sanguineus}}, "blood red", one the so-called "stains" in British armory, is a dark blood red between gules and purpure in hue.<ref name="Woodward 60"/> It probably originated as a mere variation of red and may in fact represent the original hue of ''purpure'', which is now treated as a much bluer colour than when it first appeared in heraldry. It was long shunned in the belief that it represented some dishonour on the part of the bearer.{{efn-lr|A rare exception of sanguine in older heraldry, cited by Woodward and Burnett, was the arms of the Clayhills of Invergowrie: ''per bend sanguine and vert, two greyhounds courant bendways argent''.}}

'''''Murrey''''', from the Greek {{Transliteration|el|morum}}, "mulberry", it has found some use in the twentieth and twenty-first centuries.{{efn-lr|For instance, the arms of Lewes Old Grammar School, granted October 25, 2012: ''Murrey within an Orle of eight Crosses crosslet Argent a Lion rampant Or holding in the forepaws a Book bound Azure the spine and the edges of the pages Gold'' and those of Woolf, granted October 2, 2015: ''Murrey a Snow Wolf's Head erased proper on a Chief Argent a Boar's Head coped at the neck between two Fleurs de Lys Azure.''}}<ref name="CoA Official Site"/> Murrey is also the official colour of the Order of the Bath ribbon.

'''''Tenné''''' or '''''tenny''''' or '''''tawny''''', from Latin {{lang|la|tannare}}, "to tan". It is most often depicted as orange, but sometimes as tawny yellow or brown. In earlier times it was occasionally used in continental heraldry, but in England largely confined to livery.<ref name="Woodward 60–61"/><ref>{{harvp|Fox-Davies|1909|p=73}}</ref>

====Other colours==== In specific contexts, additional other colours are sometimes distinguished. Some examples include {{lang|fr|bleu celeste}} (sky blue), {{lang|fr|brunâtre}} (brownish), {{lang|fr|cendrée}} (ashen grey), and {{lang|fr|carnation}} (flesh) in Continental heraldry; {{lang|fr|rose}} (pink) in Canadian heraldry; ''orange'' in Dutch heraldry; and ''ochre'' in South African heraldry. Barnes, England, was granted a coat of arms in 1932 that distinguished its crossed oars as specifically ''dark blue'' and ''light blue'' to represent the specific colours of the Oxford and Cambridge teams in the Boat Race.

===Furs=== [[File:Solemn kanunnik brugge.jpg|thumb|Canons from the chapter of Bruges, solemn winterdress in fur]] The use of heraldic furs alongside the metals and colours dates to the beginning of the art. In this earliest period, there were only two furs, ermine and vair.{{efn-lr|Although ''sable'' is also named after the dark pelt of a type of marten, it has always been regarded as a colour, rather than a fur.}} Ermine represents the fur of the stoat, a type of weasel, in its white winter coat, when it is called an ermine. Vair represents the winter coat of the red squirrel, which is blue-grey above and white below. These furs were commonly used to line the cloaks and robes of the nobility. Both ermine and vair give the appearance of being a combination of metal and colour, but in heraldic convention they are considered a separate class of tincture that is neither metal nor colour. Over time, several variations of ermine and vair have appeared, together with three additional furs typically encountered in continental heraldry, known as ''plumeté'', ''papelonné'', and ''kürsch'', the origins of which are more mysterious, but which probably began as variations of vair.<ref name="Woodward Ermine" >{{harvp|Woodward|Burnett|1892|pp=63, 68–74}}; {{harvp|Fox-Davies|1909|pp=77–85}}</ref>

====Ermine==== {{Main|Ermine (heraldry)}} thumb|right|Ermine Ermine (Fr. ''{{lang|fr|hermine}}'', Ger. ''{{lang|de|hermelin}}'') is normally depicted as a white field powdered with black spots, known as "ermine spots", representing the ermine's black tail. The use of white instead of silver is normal, even when silver is available, since this is how the fur naturally appears; but occasionally silver is used to depict ermine.<ref name="Woodward Ermine"/> There is considerable variation in the shape of ermine spots; in the oldest depictions, they were drawn realistically, as long, tapering points; in modern times they are typically drawn as arrowheads, usually topped by three small dots.

====Vair==== {{Main|Vair}} thumb|right|250px|Vair inverted Vair (Ger. ''{{lang|de|Feh}}'') derives its name from Latin ''{{lang|la|varius}}'', "variegated". It is usually depicted as a series of alternating shapes, conventionally known as panes or "vair bells", of argent and azure, arranged in horizontal rows, so that the panes of one tincture form the upper part of the row, while those of the opposite tincture are on the bottom. Succeeding rows are staggered, so that the bases of the panes making up each row are opposite those of the other tincture in the rows above and below. As with ermine, the argent panes may be depicted as either white or silver; silver is used more often with vair than with ermine, but the natural fur is white.<ref name="Woodward Vair">{{harvp|Woodward|Burnett|1892|pp=68–71}}</ref><ref name="CGH 79–83">{{harvp|Fox-Davies|1909|pp=79–83}}</ref>

When the pattern of vair is used with other colours, the field is termed ''vairé'' or ''vairy''{{efn-lr|Sometimes, in older authorities, ''varry'' or ''verry''.}} of the tinctures used. Normally vairé consists of one metal and one colour, although ermine or one of its variants is sometimes used, with an ermine spot appearing in each pane of that tincture. Vairé of four colours (Ger. ''{{lang|de|Buntfeh}}'', "gay-coloured" or "checked vair") is also known, usually consisting of two metals and two colours.<ref name="Woodward Vair"/><ref name="CGH 79–83"/>

Several variant shapes exist, of which the most common is known as ''potent''{{efn-lr|Occasionally, ''varry cuppy''.}} (Ger. ''{{lang|de|Sturzkrückenfeh}}'', "upside-down crutch vair"). In this form, the familiar "vair bell" is replaced by a T-shaped figure, known as a "potent" due to its resemblance to a crutch. Other furs sometimes encountered in continental heraldry, which are thought to be derived from vair, include ''plumeté'' or ''plumetty'' and ''papelonné'' or ''papellony''. In ''plumeté'', the panes are depicted as feathers; in ''papelonné'' they are depicted as scales, resembling those of a butterfly's wings (whence the name is derived). These can be modified with the colour, arrangement, and size variants of vair, though those variants are much less common. In German heraldry there is also a fur known as ''Kürsch'', or "vair bellies", consisting of panes depicted hairy and brown.<ref name="Woodward Vair"/><ref name="CGH 79–83"/> Here the phrase "vair bellies" may be a misnomer, as the belly of the red squirrel is always white, although its summer coat is indeed reddish brown.

<gallery class="center"> Coa Illustration Tincture Vairy potent.svg|''Potent'' Blason de la ville de Mérignies (59) Nord-France.svg|''Plumeté or and sable'' Blason Maison de Châteaubriant (ancien).svg|''Gules, papelonné or'' Kursch.gif|''Kürsch'' </gallery>

===Other tinctures=== Several other tinctures are occasionally encountered, usually in continental heraldry:

*'''Cendrée''', or "ash-colour"{{efn-lr|Aschau of Bavaria: ''Cendrée, a mount of three coupeaux in base, or''. Gwilt of South Wales: ''Argent, a lion rampant sable, the head, paws, and half of the tail ash colour''.}} *'''Brunâtre''' (Ger. ''{{lang|de|Braun}}''), or brown, occasionally used in German heraldry in place of ''purpure''{{efn-lr|Mieroszewsky of Silesia: ''de Brunâtre, a cross patée argent supporting a raven rising sable, and holding in its beak a horse-shoe proper, its points towards the chief''.}} *'''Bleu-céleste''' or '''bleu de ciel''', a sky blue colour intended to be lighter than ''azure''{{efn-lr|Cinti (now Cini) of Florence: ''Per pale azure and bleu-celeste an estoile counter changed''.}} *'''Amaranth''' or '''columbine''', a strong violet-red, found in at least one grant of arms to a Bohemian knight in 1701 *'''Eisen-farbe''', or iron-colour, found in German heraldry. It's used exclusively for small metallic details on charges or the helmet, in accordance with German heraldic conventions. *'''Carnation''', often used in French heraldry as the colour of white human skin *'''Orange''', rarely used other than in Catalan, South African, French municipal and American military heraldry

The heraldic scholar A. C. Fox-Davies proposed that, in some circumstances, ''white'' should be considered a heraldic colour, distinct from ''argent''. In a number of instances, a label or collar blazoned as "white" rather than "argent" appears on a supporter blazoned argent ''or'' or. The use of "white" in place of "argent" would be consistent with the Victorian practice of heraldic blazon that discouraged repeating the name of a tincture in describing a coat of arms, but if it were merely intended as a synonym of "argent", this placement would clearly violate the rule against placing metal on metal or colour on colour (see below). This difficulty is avoided if "white" is considered a colour in this particular instance, rather than a synonym of "argent".<ref>{{harvp|Fox-Davies|1909|pp=70–72}}</ref> This interpretation has neither been accepted nor refuted by any heraldic authority, but a counter-argument is that the labels are not intended to represent a heraldic tincture, but are in fact white labels proper.

Other exceptional colours have occasionally appeared during the twentieth and twenty-first centuries:

The arms of the Jewish Autonomous Region in Russia have a field of ''aquamarine''.

The Canadian Heraldic Authority granted arms containing ''rose'' as a colour in 1997.{{efn-lr|Arms of Kim Campbell, 19th Prime Minister of Canada: ''Or the universal symbol for a woman pendant from its crosspiece a pair of scales Rose and in base three bars wavy Azure on a canton the mark of the Prime Ministership of Canada''.}} In 2002, the Authority granted arms including ''copper'', treated as a metal, to the municipality of Whitehorse, Yukon.

''Ochre'', both red and yellow, appears in South African heraldry; the national coat of arms, adopted in 2000, includes ''red ochre'', while (possibly yellow but more likely red) ochre appears in the arms of the University of Transkei.<ref>{{cite web |url=http://www.crwflags.com/fotw/flags/za)coa.html |title=South Africa – Coat of Arms |publisher=Crwflags.com |access-date=2009-04-16 |archive-date=2020-09-07 |archive-url=https://web.archive.org/web/20200907094249/https://www.crwflags.com/fotw/Flags/za)coa.html |url-status=live }}</ref><ref>{{cite web |archive-url=https://web.archive.org/web/20040603201208/http://uk.geocities.com/wapenskild/uni/Unitra.html |archive-date=June 3, 2004 |url=http://uk.geocities.com/wapenskild/uni/Unitra.html |title=Armoria academica – University of Transkei |author=Mike Oettle |website=geocities.com/wapenskild}}</ref>

In the United States, heraldry is not governed by any official authority; but the United States Army, which makes extensive use of heraldry, does have its own authority, the United States Army Institute of Heraldry. The armorial designs of the Institute of Heraldry include a number of novel tinctures, including ''buff'' (employed variously as either a metal or a colour),<ref>{{cite web|title = 11th Transportation Battalion Insignia Page, The Institute of Heraldry|url=http://www.tioh.hqda.pentagon.mil/Trans/11TransportationBattalion.htm|access-date=2007-08-14 |archive-url = https://web.archive.org/web/20061230082906/http://www.tioh.hqda.pentagon.mil/Trans/11TransportationBattalion.htm |archive-date = December 30, 2006}}</ref> and ''horizon blue''.<ref>{{cite web|url=http://www.tioh.hqda.pentagon.mil/QM/190QuartermasterBattalion.htm |title=190th Quartermaster Battalion Insignia Page |publisher=United States Army Institute of Heraldry |access-date=2009-04-16 |archive-url = https://web.archive.org/web/20080517150124/http://www.tioh.hqda.pentagon.mil/QM/190QuartermasterBattalion.htm |archive-date = May 17, 2008}}</ref> ''Silver gray'' has appeared in the heraldry of both the Army and the Air Force.<ref>{{cite web|url=http://www.tioh.hqda.pentagon.mil/Numeric_Misc/1SpaceBattalion.htm |title=1st Space Battalion |publisher=United States Army Institute of Heraldry |access-date=2009-04-16 |archive-url = https://web.archive.org/web/20080724111958/http://www.tioh.hqda.pentagon.mil/Numeric_Misc/1SpaceBattalion.htm |archive-date = July 24, 2008}}</ref><ref>{{cite web |url=http://www.ascho.wpafb.af.mil/88th%20ABW%20Emblem.htm |title=88th ABW Emblem |publisher=Aeronautical Systems Center History Office |access-date=2009-04-16 |url-status=dead |archive-url=https://web.archive.org/web/20100609020036/http://www.ascho.wpafb.af.mil/88th%20ABW%20Emblem.htm |archive-date=2010-06-09 }}</ref> ''Bronze'' appears as a colour in the arms of the Special Troops Battalion of the 2nd Brigade, 1st Cavalry Division.<ref>{{cite web|url=http://heraldrysociety.us/forum/viewtopic.php?t=541 |title=American Heraldry Society forum |url-status=dead |archive-url=https://web.archive.org/web/20060208135825/http://heraldrysociety.us/forum/viewtopic.php?t=541 |archive-date=February 8, 2006 }}</ref> There seems to be some confusion about the colour ''crimson'', as in some cases it is treated as a separate tincture, while in others it is used to specify the shade of gules to be employed by the artist.<ref>{{cite web|url=http://www.tioh.hqda.pentagon.mil/Ord/15OrdnanceBattalion.htm |title=15th Ordnance Battalion |publisher=United States Army Institute of Heraldry |access-date=2009-04-16 |archive-url = https://web.archive.org/web/20080622035410/http://www.tioh.hqda.pentagon.mil/Ord/15OrdnanceBattalion.htm |archive-date = June 22, 2008}}</ref> Similar issue exists about a blue-green colour referred to as ''teal''<ref>{{cite web|url=https://tioh.army.mil/Catalog/Heraldry.aspx?HeraldryId=19180&CategoryId=10953 |title=MOISE'S E. MOLINA HIGH SCHOOL JROTC, DALLAS, TX |publisher=United States Army Institute of Heraldry |access-date= }}</ref><ref>{{cite web|url=https://tioh.army.mil/Catalog/Heraldry.aspx?HeraldryId=6708&CategoryId=3772 |title=648TH MANEUVER ENHANCEMENT BRIGADE |publisher=United States Army Institute of Heraldry |access-date= }}</ref><ref>{{cite web|url=https://tioh.army.mil/Catalog/Heraldry.aspx?HeraldryId=7845&CategoryId=4365 |title=SPECIAL TROOPS BATTALION, 1ST BRIGADE, 1ST CAVALRY DIVISION |publisher=United States Army Institute of Heraldry |access-date= }}</ref> or ''turquoise''<ref>{{cite web|url=https://tioh.army.mil/Catalog/Heraldry.aspx?HeraldryId=17762&CategoryId=10138 |archive-url=https://web.archive.org/web/20240913185413/https://tioh.army.mil/Catalog/Heraldry.aspx?HeraldryId=17762&CategoryId=10138 |url-status=dead |archive-date=September 13, 2024 |title=PINON HIGH SCHOOL JROTC, PINON, AZ |publisher=United States Army Institute of Heraldry |access-date= }}</ref><ref>{{cite web|url=https://tioh.army.mil/Catalog/Heraldry.aspx?HeraldryId=14769&CategoryId=8830 |archive-url=https://web.archive.org/web/20240913171058/https://tioh.army.mil/Catalog/Heraldry.aspx?HeraldryId=14769&CategoryId=8830 |url-status=dead |archive-date=September 13, 2024 |title=MARIANAS BONINS COMMAND |publisher=United States Army Institute of Heraldry |access-date= }}</ref> which is either treated separate or as a specific shade of azure or céleste. Differing from most heraldic practice, the Institute of Heraldry often specifies the exact shades to be used in depicting various arms.

Buff is also used by the Canadian Heraldic Authority, who treat it as a colour.

====Proper==== A charge that is coloured as it naturally appears is blazoned ''proper'' (Fr. ''{{lang|fr|propre}}''), or "the colour of nature".<ref name="Woodward 62">{{harvp|Woodward|Burnett|1892|p=62}}</ref><ref name="CGH 74–76">{{harvp|Fox-Davies|1909|pp=74–76}}</ref> Strictly speaking, ''proper'' is not a tincture in itself, and if, as is sometimes the case, a charge is meant to be depicted in particular colours that are not apparent from the word "proper" alone, they may be specified in whatever detail is necessary.{{efn-lr|For example, ''a dapple-grey horse proper, the mane and tail sable, and both hind feet white''.}}<ref name="Woodward 62"/><ref name="CGH 74–76"/> Certain charges are considered "proper" when portrayed with particular colours, even though a range of different colours is found in nature; for instance, a popinjay ''proper'' is green, even though wild parrots occur in a variety of colours. In some cases, a charge depicted in a particular set of colours may be referred to as "proper", even though it consists entirely of heraldic tinctures; a rose ''proper'', whether red or white, is barbed ''vert'' and seeded ''or''.<ref>{{harvp|Franklyn|1968|p=68}}</ref>

The most extensive use of non-heraldic colours is probably associated with "landscape heraldry", a common feature of British and German armory during the latter part of the eighteenth century, and the early part of the nineteenth. Although rarely used for the field itself, landscapes were often granted as augmentations, typically depicting a fortress successfully captured or defended, or a particular ship, or a battle in which the armiger to whom the augmentation was granted was involved. Such landscapes, usually appearing on a chief, might be blazoned with great particularity as to the things portrayed and the colours used to portray them. Officially, these landscapes appeared on a field of argent, but it was common, and perhaps expected, for the artist to add further details, such as the sky and clouds, by which the field might be wholly obscured. The use of landscapes in heraldry fell out of fashion during the Victorian era, when heraldic scholars and artists began looking to earlier and simpler periods of armorial design for inspiration.<ref>{{harvp|Fox-Davies|1909|pp=87–88}}</ref>

==Terminology== In the English-speaking world, heraldic terminology is based largely on that of British armory, which in turn is based on Norman French. With respect to the heraldic tinctures, French heraldry, which is often cited by heraldic authors, uses similar terminology. However, German heraldry, also highly influential, uses a different vocabulary; it calls the colours by their everyday names.{{efn-lr|The Spanish and Dutch languages, in common with English, also use heraldic terminology derived from Norman French; while Portuguese, Italian, Swedish, Polish and Czech, like German, use everyday names for the colours.}}

In its original sense, ''tincture'' refers only to the group conventionally referred to as "colours".<ref name="CGH 70">{{harvp|Fox-Davies|1909|p=70}}</ref> But as the word "colour" seems inapplicable to the heraldic furs, and no other term clearly encompasses all three classes, the word "tincture" has come to be used in this broader sense, while "colour" has acquired the more restricted sense originally given to "tincture".<ref name="Woodward 60">{{harvp|Woodward|Burnett|1892|p=60}}</ref> Thus, when consulting various heraldic authorities, care must be taken to determine which meaning each term is given.

==Designations== ===Artistic liberties=== In most heraldic tradition, the various metals and colours have no fixed appearance, hue, or shade. The heraldic artist is free to choose a lighter or darker blue or green, a deeper or brighter red; to choose between depicting ''or'' with yellow or any of various gold paints, to depict ''argent'' as white or silver.<ref>{{harvp|Pastoureau|1997|p=46}}</ref> Recently the College of Arms explained, "there are no fixed shades for heraldic colours. If the official description of a coat of arms gives its tinctures as Gules (red), Azure (blue) and Argent (white or silver) then, as long as the blue is not too light and the red not too orange, purple or pink, it is up to the artists to decide which particular shades they think are appropriate."<ref name="CoA Official Site"/>

===In blazoning=== {{Main|Blazon}} Most heraldic authors do not capitalise the names of the various tinctures, although a few do (sometimes inconsistently), and some who do not capitalise the other tinctures recommend capitalising ''or'' in order to avoid confusion with the conjunction.

However, there are relatively few occasions in which the conjunction "or" would appear in the blazon of a coat of arms, and if properly worded, which meaning is intended should be readily apparent from the context.<ref name="Neubecker 86–87"/><ref>{{harvp|Boutell|Aveling|1890|pp=11–16}}; {{harvp|Woodward|Burnett|1892|pp=60–64}}; {{harvp|Fox-Davies|1909|pp=70–87}}; {{harvp|Franklyn|1968|p=21}}; {{harvp|Slater|2003| pp=72–73}}; {{harvp|Pastoureau|1997|pp=45–49}}</ref> Another convention has been to capitalise only the first word or the first tincture appearing in the blazon, but no other words.<ref>{{harvp|Fox-Davies|1909|p= 104}}</ref> In the elaborate calligraphy appearing on most grants of arms, all of the tinctures are capitalised, as indeed are the names of the charges, but this is purely a matter of decorative style, and in no way does the manner of capitalization used in the original grant affect how the arms may be described on other occasions.

A long-standing heraldic tradition has been to avoid repeating the names of tinctures multiple times in any given blazon. If it is possible to mention multiple charges of the same tincture at once, followed by the name of the tincture, then this problem is avoided, but when it is impossible to combine elements of the same tincture in this manner, more creative descriptions may be used. For example, instead of "gules, on a fess or between three chess-rooks argent, a lion passant gules, armed and langued argent", one might say, "gules, on a fess or between three chess-rooks argent, a lion passant ''of the field'', armed and langued ''of the third''." Similar phrases include "of the last" and "of the like". Alternately, descriptions such as "gold" and "silver" might be substituted for "or" and "argent" on a subsequent occurrence. Another rule of blazon relating to tinctures suggests the placing of a comma after each occurrence of a tincture.<ref>{{harvp|Fox-Davies|1909|pp= 101–102, 104}}</ref>

In recent years, the College of Arms has regularly dispensed with many of these practices, believing them to cause confusion, and in new grants of arms, the names of tinctures are repeated on each instance that they occur. The names of all tinctures and charges are capitalised, although the word "proper", indicating the colour of nature, is not, and internal commas are entirely omitted.

====Rule of tincture==== {{Main|Rule of tincture}} The first so-called "rule" of heraldry is the '''rule of tincture''': ''metal should not be placed upon metal, nor colour upon colour'', for the sake of contrast.

The main duty of a heraldic device is to be recognised, and the dark colours or light metals are supposed to be too difficult to distinguish if they are placed on top of other dark or light colours, particularly in poor light. Though this is the practical genesis of the rule, the rule is technical and appearance is not used in determining whether arms conform to the rule. Another reason sometimes given to justify this rule is that it was difficult to paint enamel colours over other enamel colours, or with metal over metal.{{Citation needed|date=January 2010}}

This "rule" has at times been followed so pedantically that arms that violate it were called {{lang|fr|armes fausses}} "false arms" or {{lang|fr|armes à enquérir}} "arms of enquiry"; any violation was presumed to be intentional, to the point that one was supposed to enquire how it came to pass. One of the most famous {{lang|fr|armes à enquérir}} was the shield of the Kingdom of Jerusalem, which had gold crosses on silver. This use of white and gold together is also seen on the arms of the King of Jerusalem, the flag and arms of the Vatican, and the bishop's mitre in the arms of Andorra. These uses of gold on silver indicate the exceptional holy and special status of these coats of arms. An example of "colour on colour" is the arms of Albania, with its sable two-headed eagle on a gules field.

The "rule of tincture" has had an influence reaching far beyond heraldry. It has been applied to the design of flags, so that the flag of Saxe-Weimar-Eisenach was modified to conform to the rule.<ref>{{cite web |url=https://www.fotw.info/flags/de_sn-we.html |title=Grand Duchy of Saxe-Weimar-Eisenach 1813–1918 (Germany) |publisher=Flags of the World |access-date=2022-12-11 |archive-date=2022-12-11 |archive-url=https://web.archive.org/web/20221211074314/https://www.fotw.info/flags/de_sn-we.html |url-status=live }}</ref>

====Counterchanging==== When a charge or group of charges is placed across a division line, variation, or ordinary, it may be ''counterchanged'' (Fr. ''{{lang|fr|contre-changé}}'', but modern ''{{lang|fr|de l'un en l'autre}}'', Ger. ''{{lang|de|verwechselte Farben}}'' or ''{{lang|de|verschränkte Farben}}''), meaning that the charges are divided the same way as the field upon which they rest, with the colours reversed.<ref>{{harvp|Elvin|1889|p=[https://archive.org/stream/dictionaryofhera00elvi#page/35/mode/1up 35]}}</ref><ref>Panckoucke, ''Le grand vocabulaire françois'' (1768), [https://books.google.com/books?id=iQN1Kwsm-LIC&pg=PA556&lpg=PA556 p. 556].</ref>

[[File:Wappen Behnsdorf.png|thumb|upright=0.7|Arms of Behnsdorf: "per pale Argent and Vert a tilia eradicated counterchanged"]] In the municipal arms of Behnsdorf, Saxony-Anhalt, seen here, the field is divided with the left half white (argent) and the right half green (vert), and the counterchanged tree is green where it lies on the white part of the field, and white where it lies on the green part.

thumb|left|upright=0.5|The flag of MarylandThe flag of Maryland is another example of counterchanging. The only U.S. state flag to be directly based on English heraldry, it is the arms of George Calvert, 1st Baron Baltimore, who founded the colony of Maryland in 1632. In the 1st and 4th quarters, the field is divided into six vertical bands of gold (or) and black (sable) with a diagonal band (a bend) in which the colours are reversed (i.e., the bend is counterchanged). The 2nd and 3rd quarters are themselves quartered between white (argent) and red (gules) with a counterchanged cross bottony that is red where it lies on the white part of the field and white where it lies on the red part of the field.

Counterchanging is rare in early heraldry; early examples from German heraldry are found in the late fifteenth-century Wernigerode Armorial;<ref>''Wernigeroder Wappenbuch'', pp. 202, 238, 239, 318.</ref> it becomes more frequently applied from the seventeenth century onward, especially with the substantial number of newly created coats of arms, of which some notable examples include Baron Baltimore (1624), Nightingale baronets (1628), Barrett-Lennard baronets (1801), Verney baronets (1818), and Baron Alvingham (1929).

In Scottish heraldry, charges are sometimes blazoned as counterchanged of different colours from the field{{snd}}for instance, ''per fess gules and azure, a sun in splendour counterchanged or and of the first.'' A more typical blazon for this would be ''per fess gules and azure, a sun in splendour per fess or and of the first''.

The term ''countercoloured'' is sometimes used in place of ''counterchanged''. The arms of the Fenwick baronets were originally blazoned as ''silver, a chief gules with six martlets countercoloured''. In this case, three martlets argent rest on a chief gules, while three martlets gules rest on the argent field. Some heraldic authorities regard the use of this term as erroneous.<ref>{{harvp|Parker|Gough|1894|p=139}}</ref>

<gallery widths="180" heights="150" perrow="5" caption="Examples of counterchanging"> File:Coat of arms of Gateshead Metropolitan Borough Council.png|Arms of the Gateshead Metropolitan Borough Council: ''Or a Chief Azure overall five Pallets counterchanged.'' File:Balfour of Albury Lodge.svg|Arms of Balfour, baronets of Albury Lodge. File:Coat of arms of Sir Richard Pole, KG.png| Arms of Sir Richard Pole. ''Per pale or and sable, a saltire engrailed counterchanged'' File:Arms of Knollys, Viscount Knollys.svg|Arms of the Viscounts Knollys ''Per pale gules and argent on a chevron three roses counterchanged barbed and seeded proper'' File:Coat of arms of Air Chief Marshal Stuart William Peach, Baron Peach, KG, GBE, KCB, DL.png|Arms of Lord Peach ''Per fess Or and Azure the Sword of Mercy erect pommel in base Proper between four Stafford Knots all counterchanged.'' File:Yerburgh arms.svg|Arms of Baron Alvingham ''Per pale argent and azure, on a chevron between three chaplets of roses counterchanged'' </gallery>

===Monochromatic presentation=== ====Hatching==== {{Main|Hatching (heraldry)}} [[File:Zangrius kaart arceringg.jpg|thumb|140px|Hatching guide by Jan Baptist Zangrius, 1600]] During the first half of the seventeenth century, the proliferation of the printing press coupled with the persistence of difficulties in and expense of colour printing prompted the development of a number of systems of hatching for the purpose of depicting heraldic designs without the use of colour. Intended chiefly for printing and engraving, the system which eventually gained widespread acceptance was that of Silvestro de Petra Sancta, a Jesuit priest and heraldic scholar, originally published in 1638.<ref>{{harvp|Woodward|Burnett|1892|pp=63–64}}</ref>

In Petra Sancta's method, illustrated in the table above, a separate hatching represents each metal and colour, while the furs are treated as combinations of metal and colour. Argent is represented by a plain field, while or is represented by a field strewn with dots. Gules is represented by vertical lines, azure by horizontal lines, and sable by a combination of horizontal and vertical lines. Diagonal lines running from dexter chief to sinister base represent vert, while purpure is the reverse, represented by diagonal lines running from sinister chief to dexter base. Sanguine is represented by diagonal lines running in each direction, while tenné is represented by a combination of horizontal lines and diagonal lines running from sinister chief to dexter base.<ref name="CGH 75–76">{{harvp|Fox-Davies|1909|pp=75–76}}</ref>

Nine additional hatchings, published by Marcus Vulson de la Colombière in 1639, were intended to represent other colours, although none of them correspond with regular heraldic tinctures, and they have never been used in British armory. A combination of vertical lines with diagonal lines running from dexter chief to sinister base represents brown; blood red is represented by vertical lines combined with diagonal lines running from sinister chief to dexter base; earth-colour by horizontal and vertical lines combined with diagonal lines running from dexter chief to sinister base; iron-grey by diagonal lines running in each direction (the same as sanguine in Petra Sancta's system); water-colour by broken horizontal lines; flesh-colour by broken vertical lines; ashen-grey by a combination of broken horizontal and broken diagonal lines; orange by broken vertical lines interspersed with dots; and the colour of nature by zig-zag lines running from dexter chief to sinister base.<ref name="CGH 75–76"/>

====Tricking==== {{Main|Tricking}} thumb|140px|left|Tricked arms of John Browne of Spexhall, Suffolk (1591) Another method of depicting tinctures on monchrome depictions of arms is to label them using letter or abbreviations, a practice known as "tricking". The arms are drawn in outline, and the tinctures written in abbreviated form. In English heraldry, the abbreviations are ''O'' or ''or'' for ''or''; ''A'', ''ar'', or ''arg'' for ''argent'', ''G'' or ''gu'' for ''gules''; ''S'' or ''sa'' for ''sable''; ''Az'' or ''B'' for ''azure'' (''B'' for "blue" being used in older trickings to avoid confusion between ''ar'' and ''az''); ''Vt'' for ''vert'', ''Purp'' for ''purpure'', and ''Pr'' for ''proper''. Although most records of the College of Arms are in colour, the practice of tricking is used in all other cases, even after the widespread adoption of hatching for printing and engraving arms.<ref name="Neubecker 86–87"/><ref>{{harvp|Fox-Davies|1909|p=77}}</ref>

French heraldry also uses tricking to depict heraldic tinctures, using ''O'' for {{lang|fr|or}}, ''A'' for {{lang|fr|argent}}'', G'' for {{lang|fr|gules}}, ''S'' for {{lang|fr|sable}}, ''B'' for {{lang|fr|bleu}}, ''V'' for {{lang|fr|vert}}, ''P'' for {{lang|fr|purpure}} or {{lang|fr|pourpre}}; and ''Pr'' for {{lang|fr|propre}}.<ref name="Neubecker 86–87"/>

In German heraldry, ''G'' is used for {{lang|de|gelb}} (yellow or gold)'', W'' for {{lang|de|weiss}} (white or silver), ''R'' for {{lang|de|rot}} (red), ''S'' for {{lang|de|schwarz}} (black)'', B'' for {{lang|de|blau}} (blue), ''Gr'' or a shape like an upright leaf for {{lang|de|grün}} (green), and ''Br'' for {{lang|de|braun}} (purple). These abbreviations may be either capitalized or lowercase.<ref name="Neubecker 86–87"/>

===Poetic representation=== {{More citations needed section|date=October 2019}} Heraldry has been influenced by allegorical and astrological views,{{citation needed|reason=This claim needs a reliable source|date=January 2015}} including the idea of sympathies and antipathies among stars, minerals, animals, plants, and people.{{Citation needed|date=March 2020}} Some tinctures were considered to represent astrological symbols.{{citation needed|reason=This claim needs a reliable source|date=January 2015}} {| class="wikitable" |+One system of poetic attributions to the tinctures ! colspan="2" |Name |Argent |Or |Gules |Sable |Azure |Vert |Purpure |Murrey |Sanguine |Tenné |- ! rowspan="2" | Poetic designations ! Heavenly body | Moon, ☾ | Sun, ☉ | Mars, ♂ | Saturn, ♄ | Jupiter, ♃ | Venus, ♀ | Mercury, ☿ | Dragon's Tail, ☋ | Dragon's Tail, ☋ | Dragon's Head, ☊ |- ! Jewel | Pearl | Topaz | Ruby | Diamond | Sapphire | Emerald | Amethyst | Sardonyx | Sardonyx | Jacinth |}The lore of sympathies originated with the Babylonians, who saw gems and rare minerals as the concentrates of cosmic powers. {{citation needed|reason=This claim needs a reliable source|date=January 2015}} Later, Pliny the Elder's Natural History organised nature according to a system of sympathies and antipathies among species and other elements of the natural world.<ref>{{Cite book|last=Holmes|first=Brooke|title=Knowledge, text and practice in ancient technical writing|publisher=Cambridge University Press|others=Formisano, Marco, Eijk, Ph. J. van der (Philip J.)|year=2017|isbn=978-1-316-77045-0|location=Cambridge|pages=236–251|oclc=982288043}}</ref> This doctrine influenced medieval medicine, pharmacy, alchemy and also heraldry. During the 1350s, the work of Bartolo de Sassoferrato (1313/1314–1357) linked Or to the sun, Azure to the element air, and Gules to the element fire.{{full citation needed |date=September 2019}} Honoré Bonet, a heraldist from Provence, declared in his work ''Arbre des Batailles'' (1387) that the metal gold (Or) is the noblest in the world because, due to its very nature, it is bright and shining and full of virtues.{{full citation needed |date=September 2019}} During the late medieval period and Renaissance, there was an occasional practice of blazoning tinctures by gemstones, or by references to the seven classical "planets" (including the sun and the moon).<ref>{{harvp|Fox-Davies|1909|p=77}}; {{harvp|Parker|Gough|1894|loc=[https://archive.org/details/aglossarytermsu08parkgoog/page/n617 p.573, "Tincture"]}}; {{harvp|Pimbley|1908|loc=[https://archive.org/details/pimbleysdiction00pimbgoog/page/n74 p. 62,"Tincture"]}}</ref>

The work of Bonet influenced the 15th century Burgundian heraldist Jean Courtois (d. 1436), also known as the Sicily Herald. In his work ''Le Blason des Couleurs'' (1414), Courtois developed a heraldic system consisting of the tinctures, planets and carbuncles, together with the virtues, metals, months, the zodiac, and weekdays.{{citation needed|date=March 2020}} His main contribution was the development of a gemstone-planetary blazon that related colour to gemstone to planet: ''or'', topaz, the sun; ''argent'', pearl, the moon; ''gules'', ruby, Mars; ''sable'', diamond, Saturn; ''azure'', sapphire, Jupiter; ''vert'', emerald, Venus; ''purpure'', amethyst, Mercury; ''tenné'', jacinth, dragon's head (ascending lunar node); ''sanguine/murrey'', sardonyx, dragon's tail (descending lunar node).

The dragon's head (also called Anabibazon in astronomy and astrology) and dragon's tail (also called Catabibazon) were in use from ancient times.{{citation needed |date=September 2019}} In heraldry the dragon's head symbolises a light colour (tenné), and dragon's tail symbolises a dark colour (sanguine). In alchemy the dragon's head is the materia prima that is subjected to transmutation to produce the philosopher's stone.<ref>{{Cite book|last1=Jung|first1=Emma|title=The grail legend|url=https://archive.org/details/graillegend00jung|url-access=registration|last2=von Franz|first2=Marie-Luise|publisher=Princeton University Press|year=1998|isbn=0-691-00237-1|edition=2nd|location=Princeton, N.J.|pages=[https://archive.org/details/graillegend00jung/page/110 110]|oclc=39256214}}</ref> During the process of transmutation the light-coloured starting material is transformed to a darker and more reddish one.

In astrology the dragon's head is connected to good luck, while the dragon's tail is unlucky. These links indicate that heraldry in the 15th century was strongly under the influence of magical views and alchemistic ideas, which were in turn connected to the lore of sympathies between colours, planets, gemstones, metals, virtues etc.{{Efn-lr|The odd terminology of colours used by Heraldus Britannus, as mentioned by Spener, can partly reflect the view of alchemy: aurum–cytrine, argentum–aspre, rubeus–coccine, caeruleus– veneto, Niger–mauro, viridis–prasino, and purpureus–oiscy.{{full citation needed |date=September 2019}}}}

The work of Jean Courtois was distributed in manuscripts and later in one of the first books printed in French. During the Tudor and Stuart dynasties in England (1485–1702), it appeared in heraldry manuals. In his book ''Traité du blason'' (1465), Clément Prinsault deals with the relation of colours to the virtues, the seven planets, the 12 celestial signs, gemstones, weekdays, the three elements etc.{{full citation needed |date=September 2019}} This book is among the earliest writings on heraldry available today.

The English historian and heraldist Sir Henry Spelman (1564–1641) used the symbols of the planets to designate tinctures in his 1654 book ''Aspilogia''.{{full citation needed |date=September 2019}} Sir John Ferne (d. 1609) enumerates 14 different methods of blazon: 1. by colours; 2. by planets; 3. by precious stones; 4. by virtues; 5. by celestial signs; 6. by the months of the year; 7. by the days of the week; 8. by the ages of man; 9. by flowers; 10. by the elements; 11. by the seasons of the year; 12. by the complexions of man; 13. by numbers; and 14. by metals.{{full citation needed |date=September 2019}}

As well as the main tinctures, tricking abbreviations for other tinctures such as Proper – ppr, pp, Ermine – er etc. existed in English and some other languages during the Renaissance. To designate carnation (carnea tinctura), the zodiac sign of Leo was used in reverse (10px). German heraldry used trefoil to designate colours other than the seven main tinctures ("{{lang|la|qui ultimus color alibi signo trifolii ♣ pinguitur}}"). Spener (1717. p. 113){{full citation needed |date=September 2019}} also linked tenné and sanguine to the zodiac sign of Leo ({{emoji presentation|♌|text}}) . Rudolphi{{Citation needed|date=March 2020}} also refers to trefoil (♣) as a designation of colour vert, usually connected with Venus. He also assigned specific variants of astrological signs for dragon's head and dragon's tail (☊ ☋), derived from the sign for Leo, to the tinctures orange and carnation, respectively.<ref>J. A. Rudolphi: ''Heraldica Curiosa''. Nürnberg, 1698. 96. l.</ref>

Ultimately, a system of nine tinctures was developed, with dukes, earls, and barons having their arms blazoned by gemstones, and princes, kings and emperors having arms blazoned by the planets. The Austrian troubadour and herald Peter Suchenwirt ({{c.}} 1320 – 1395) used gemstones to designate the tinctures even earlier ({{c.}} 1355) in the coat of arms of the Hungarian king Louis the Great (1342–1382).{{efn-lr|"I wish I was so ingenious and sage to praise the brilliance of his arms, held by him in honour, according to my volition! His escutcheon is not disfigured by any flaws; it beams a silvery colour, and is divided in two equal parts. One field gleams in the light colour of pearls and rubies, and is polished for radiant, and there lie in the horizontal direction eight picked fesses; another field of blue celeste is redundantly graced by domed golden fleurs-de-lis that stood by the arms many times with their plentiful rays, which are very pleasant to see. The helmet's top decorates a richly decked golden crown with a lot of shining gemstones, smoothed to lustrous; from the crown standing off two ostrich feathers and between them to be seen the ermine neck of the ostrich; his eyes sparkling from the rubies towards the enemy, his bill is golden, in which he beautifully holds a handsomely curved horseshoe-shaped charge made of gold. His head is being richly crowned by gold."<ref>{{cite journal|first=Jakab |last=Bleyer |title={{lang|hu|Beheim Mihály élete és művei a magyar történelem szempontjából}} |trans-title=The life and works of Michael Beheim from the aspect of Hungarian history |journal=Századok |year=1899 |pages=808–809 |issn=0039-8098 |language=hu}}</ref> This poem is an evidence that in the past there really existed some coat of arms made of gemstones.}} Konrad von Würzburg ({{c.}} 1230 – 1287) also mentioned coats of arms made of gemstones in his poem ''Turnier von Nantheiz'' ({{c.}} 1258), for example describing the arms of the king of England as an escutcheon covered with Arabian gold with leopards made of rubies (lines 310–320).{{full citation needed |date=September 2019}}{{efn-lr|"{{lang|gmh|smaragden und karvunkel [Karfunkelsteine],/ jachande [Hyazinthsteine] und crisolîten [Krisolithen],/ die wurden bi den zîten/ getengelt ûz den schilten.}}" Rough translation: "emeralds and carbunkles,/ jacinth and cryolites,/ these were in that time/ mixed upon the shield."}}

==Footnotes== {{notelist-lr}}

==References== {{reflist|30em}}

==Bibliography== *{{cite book |last1=Boutell |first1=Charles |first2=S. T. |last2=Aveling |year=1890 |url=https://archive.org/details/heraldryancientm00boutrich |title=Heraldry, Ancient and Modern: Including Boutell's Heraldry |location=London |publisher=Frederick Warne |oclc=6102523 |via=Internet Archive }} *{{cite book |last=Elvin |first=Charles Norton |title=A dictionary of heraldry |url=https://archive.org/details/dictionaryofhera00elvi |year=1889 |location=London |publisher=Kent and Co. |via=Internet Archive |oclc=919809145 }} * {{cite book |author-link=Arthur Charles Fox-Davies |last=Fox-Davies |first=Arthur Charles |year=1904 |title=The Art of Heraldry: An Encyclopædia of Armory |location=London |publisher=Benjamin Blom |lccn=68056481 |title-link=The Art of Heraldry: An Encyclopædia of Armory }} * {{cite book |author-link=Arthur Charles Fox-Davies |last=Fox-Davies |first=Arthur Charles |year=1909 |url=https://archive.org/details/completeguidetoh00foxdrich |title=A Complete Guide to Heraldry |location=New York |publisher=Dodge Publishing |lccn=09023803 |via=Internet Archive }} * {{cite book |first=Julian |last=Franklyn |title=Heraldry |url=https://archive.org/details/heraldry0000fran |url-access=registration |publisher=A. S. Barnes and Company |location=Cranbury, NJ |year=1968 |isbn=9780498066832 }} *{{cite book |first1=James |last1=Parker |first2=Henry |last2=Gough |title=A glossary of terms used in heraldry |year=1894 |url=https://archive.org/details/aglossarytermsu08parkgoog |location=London |publisher=James Parker |lccn=77094021 |via=Internet Archive }} *{{cite book |last=Leonhard |first=Walter |title=Das große Buch der Wappenkunst |trans-title=The big book of heraldry |publisher=Callway-Verlag |location=Munich |year=1976 |language=de }} * {{cite book |last=Neubecker |first=Ottfried |year=1977 |title=Heraldry: Sources, Symbols and Meaning |location=London |publisher=Macdonald and Jane's |isbn=9780354044936 |oclc=852003621 }} *{{cite book |last=Pastoureau |first=Michel |author-link=Michel Pastoureau |url=https://books.google.com/books?id=hmZ5QgAACAAJ |title=Heraldry: An Introduction to a Noble Tradition |series=Abrams Discoveries |publisher=Harry N. Abrams |year=1997 |isbn=9780810928305 }} * {{cite book |last=Pimbley |first=Arthur Francis |title=Pimbley's Dictionary of Heraldry: An Authoritative Guide to the Terminology of Heraldry |year=1908 |publisher=Pimbley |url=https://archive.org/details/pimbleysdiction00pimbgoog |lccn=08029181 |via=Internet Archive }} *{{cite book |first=Stephen |last=Slater |title=The Complete Book of Heraldry |publisher=Hermes House |location=New York |year=2003 |isbn=9781843098249 }} * {{cite book |last=von Volborth |first=Carl-Alexander |year=1981 |title=Heraldry: Customs, Rules and Styles |location=Dorset |publisher=Blandford Press |isbn=0-7137-0940-5 |lccn=81670212 }} *{{cite book |last1=Woodward |first1=John |first2=George |last2=Burnett |year=1892 |url=https://archive.org/details/treatiseonherald00wooduoft |title=A treatise on heraldry, British and foreign: with English and French glossaries |orig-year=1884 |location=Edinburgh |publisher=W. & A. B. Johnson |lccn=02020303 |via=Internet Archive }} *{{cite book |last1=Woodcock |first1=Thomas |author-link1= Thomas Woodcock (officer of arms) |first2=John Martin |last2=Robinson |author-link2= John Martin Robinson |year=1990 |title=The Oxford Guide to Heraldry |location=Oxford, New York, Edinburgh, Toronto |publisher=Oxford University Press|url=https://archive.org/details/oxfordguidetoher0000wood_z1c5 |isbn= 0192852248}}

==External links== {{Wiktionary|tincture}} {{Wiktionary category|type=with definitions|category=Heraldic tincture}}

*{{Commons category-inline|Heraldic tinctures}}

Category:Heraldic tinctures Category:Color in culture Category:Heraldry