{{short description|Women's fashion accessory}} thumb|Portrait attributed to William Segar, c. 1595, showing a lady holding a zibellino A '''zibellino''', '''flea-fur''' or '''fur tippet''' is a women's fashion accessory popular in the later 15th and 16th centuries. A zibellino, from the Italian word for "sable", is the pelt of a sable or marten worn draped at the neck or hanging at the waist, or carried in the hand. The plural is ''zibellini''. Some zibellini were fitted with faces and paws of goldsmith's work with jeweled eyes and pearl earrings, while unadorned furs were also fashionable.<ref>Payne, Blanche: ''History of Costume from the Ancient Egyptians to the Twentieth Century'', Harper & Row, 1965, p. 294, 321</ref><ref name="Med2">Sherrill, Tawny: "Fleas, Furs, and Fashions: ''Zibellini'' as Luxury Accessories of the Renaissance", in Robin Netherton and Gale R. Owen-Crocker, editors, ''Medieval Clothing and Textiles'', Volume 2, p. 121-150</ref><ref>Diana Scarisbrick, ''Tudor and Jacobean Jewellery'', p. 99-100</ref>
==History== left|thumb|Angelica Agliardi De Nicolinis holding an unadorned zibellino, c. 1560s [[File:Italian - Marten's Head - Walters 571982 - Profile.jpg|thumb|left|Jewelled head for a zibellino, Italy, ca. 1550–59 (Walters Art Museum)]] [[File:Flohpelzchen, Hans Mielich.jpg|thumb|right|Zibellino belonging to Anna of Austria drawn by Hans Muelich]] The earliest surviving mention of a marten pelt to be worn as neck ornament occurs in an inventory of Charles the Bold, Duke of Burgundy, dated 1467, but the fashion was widespread in Northern Italy by the 1490s.<ref name="Med2" /> Eleonora de Toledo owned at least four; the weasel was an early modern talisman for fertility and Eleonora was applauded as ''La Fecondissima'' ("most fertile") for the number of her children.<ref>''Talisman'': Jacqueline Marie Musacchio, "Weasels and pregnancy in Renaissance Italy", ''Renaissance Studies'' '''15'''.2 (June 2001:172-87); ''Fecondissima'': Caroline P. Murphy, ''Murder of a Medici Princes'' 2008:69ff</ref> Eleonora's daughter Isabella de' Medici appears with a ''zibellino'' in a portrait by a member of Bronzino's studio painted at the time of her marriage in 1558 to Paolo Giordano Orsini.<ref>Caroline P. Murphy, ''Murder of a Medici Princess'' 2008:69ff (illustrated).</ref>
The style spread to the north and west. The traditional costume historian's term for this accessory, '''flea-fur''', is from the German ''Flohpelz'', coined by Wendelin Boeheim in 1894, who was the first to suggest that the furs were intended to attract fleas away from the body of the wearer.<ref name="Med2" /> There is no historical evidence to support this claim. Italians simply called these accessories "zibellini", their word for sables and speakers of other languages called them "martens", "sables" or "ermines" in their native tongues.<ref name="Med2" />
The fashion for carrying zibellini died out in the first years of the 17th century, although fox, mink and other pelts were worn in similar fashion in the 19th and 20th century.<ref>Hawes, Elizabeth, ''Fashion is Spinach'', New York, Random House, 1938</ref>
==England and Scotland== The jewelled gold heads and feet of zibellini were detailed in several royal inventories. The Edinburgh goldsmith John Mosman made a marten's head and feet from Scottish gold for Mary of Guise in December 1539.<ref>James Balfour Paul, ''Accounts of the Treasurer'', vol. 7 (Edinburgh, 1907), p. 265: Agnes Strickland, ''Lives of the Queens of Scotland: Mary of Lorraine'', 1 (Edinburgh: Blackwood, 1850), p. 382.</ref> Her daughter, Mary, Queen of Scots, brought fur pieces on her return to Scotland from France in 1561; one of her zibellini had a head of jet,<ref name="Med2" /> and one of rock crystal.<ref>Anna Somers Cocks and Charles Truman, ''Renaissance jewels, gold boxes, and objets de vertu: the Thyssen-Bornemisza Collection'' (London: Philip Wilson, 1984), 70.</ref><ref>Alison Rosie, "A Queen's Jewel Box: The 1566 Inventory of Mary Queen of Scots' Jewels", ''Royal Studies Journal'', 12:1 (2025), pp. 61–63.</ref> Mary had zibellini of marten, sable, and ermine fur.<ref>Alexandre Labanoff, ''Lettres de Marie Stuart'', 7 (London, 1844), 259.</ref> In 1580, Mary, Queen of Scots, wrote to France for a marten fur and a gold marten's head set with precious stones for a christening gift for Gilbert Talbot's daughter Mary.<ref>John Daniel Leader, ''Mary Queen of Scots in Captivity'' (Sheffield, 1880), p. 444: Labanoff, ''Lettres de Marie Stuart'', 5, p. 166.</ref>
In England, when Lady Jane Grey was at the Tower of London in 1553, she had a "sable skin, with a head of gold, muffled, garnished and set with four emeralds, four turquoises, six rubies, two diamonds and five pearls; four feet of gold, each set with a turquoise, the tongue being a ruby". Another sable skin used by Jane Grey had a clock or watch attached.<ref>''HMC Calendar of Manuscripts of the Marquess of Salisbury'', vol. 1 (London, 1883), pp. 128–9.</ref> Both sable skins had belonged to the wives of Henry VIII.<ref>David Starkey, ''Inventory of Henry VIII'' (London, 1998), pp. 256 no. 11536, 430 no. 17535.</ref> Anne Herbert, Countess of Pembroke, sister of Catherine Parr, owned a "sabelles heade" set with 21 diamonds and a ruby in its mouth.<ref>''Princely Magnificence: Court Jewels of the Renaissance'' (London, 1980), p. 132.</ref> Elizabeth I of England received a "Sable Skynne the hed and fourre featte of gold fully furnished with Dyamondes and Rubyes" as a New Year's Gift from the Earl of Leicester in 1585.<ref>Janet Arnold, ''Queen Elizabeth's Wardrobe Unlock'd'' (Maney, 1988), pp. 192, 327.</ref><ref>Elizabeth Goldring, Faith Eales, Elizabeth Clarke, Jayne Elisabeth Archer, ''John Nichols's Progresses and Public Processions of Queen Elizabeth: 1579-1595'', vol. 3 (Oxford, 2014), p. 206.</ref>
Frances Sidney, Countess of Sussex holds a jewelled gold marten's head and fur in her 1570s portrait at Sidney Sussex College, Cambridge.<ref>Karen Hearn, ''Dynasties'' (London, 1995), p. 95.</ref> In 1578 Margaret Douglas, Countess of Lennox bequeathed a sable with a gold head set with diamonds to Arbella Stuart.<ref>Elizabeth Cooper, ''The Life and Letters of Lady Arabella Stuart'', vol. 1 (London, 1886), p. 49 (as a "table"): ''Calendar State Papers Domestic, 1581–1590'', p. 661: TNA SP 12/231 f.176.</ref> In 1606, Anne of Denmark owned "a sable head of gold with a collar or muzzle enamelled, garnished with diamonds, rubies, emeralds, and sapphires, with four feet, in each foot a small stone, and a ring in the mouth with a pearl", possibly inherited from Elizabeth or Mary, Queen of Scots.<ref>Diana Scarisbrick, 'Anne of Denmark's Jewellery Inventory', ''Archaeologia'', 109 (Torquay, 1991), p. 207 no. 152, modernised here.</ref>
Bess of Hardwick sent an ermine to the Countess of Shrewsbury in July 1607, which had been a gift to her. The Countess described the zibellino as lifelike in her thank-you letter: 'with humble thanks for your Ladyship's "fayre and wellwrought Armen", which Godwilling I will keep as a great jewel both in respect of your Ladyship and her from whom your Ladyship had it, There can be nothing wrought in metal with more life'.<ref>Alison Wiggins, ''Bess of Hardwick's Letters'' (Routledge, 2017), 183–4: Linda Levy Peck, ''Court Patronage and Corruption in Early Stuart England'' (London, 1990), 70, citing Folger Shakespeare Library, X.d.428 (118), modernised here.</ref>
==Gallery== <gallery mode=packed heights=200> Image:Bernardino Luini Lady with a Flea Fur.jpg|Italy, 1515 File:Paolo Veronese - Portrait of Countess Livia da Porto Thiene and her Daughter Deidamia - Walters 37541.jpg|Italy, 1552. File:Portrait of Bianca Ponzoni Anguissola, by Sofonisba Anguissola.jpg|Italy 1557 File:Isabella de' Medici 02.jpg|Isabella de' Medici, Italy, 1558 Image:Clouet Claude de Chateaubrun.jpg|France, mid-16th century File:Portrait of a Lady in Black with a Fur.jpg|probably England, mid-16th century File:Frances Sydney Countess of Sussex.jpg|Frances Sidney, Countess of Sussex, England, ca. 1570-75 Image:Isabel de Valois2..jpg|Elisabeth of Valois, Spain, 1560s </gallery>
==See also== *Tippet
==Notes== <references />
==References== *Arnold, Janet, ''Queen Elizabeth's Wardrobe Unlock'd'', W S Maney and Son Ltd, Leeds 1988. {{ISBN|0-901286-20-6}} *Hawes, Elizabeth, ''Fashion is Spinach'', New York, Random House, 1938 *Netherton, Robin, and Gale R. Owen-Crocker, editors, ''Medieval Clothing and Textiles'', Volume 2, Woodbridge, Suffolk, UK, and Rochester, NY, the Boydell Press, 2006, {{ISBN|1-84383-203-8}} * Payne, Blanche, ''History of Costume from the Ancient Egyptians to the Twentieth Century'', Harper & Row, 1965. No ISBN for this edition; {{ASIN|B0006BMNFS}} *Scarisbrick, Diana, ''Tudor and Jacobean Jewellery'', London, Tate Publishing, 1995, {{ISBN|1-85437-158-4}}
==External links== {{commons category}} * [http://www.larsdatter.com/zibellini.htm Zibellini (aka "Flea Furs") in 16th Century Portraits] * [http://www.thewalters.org/works_of_art/itemdetails.aspx?aid=15 Gold and jewelled marten's head from the Walters Art Museum, Baltimore] *[https://web.archive.org/web/20090211021719/http://geocities.com/curvess2000/muff_in_sixteenth_century_dress.htm The Muff in Sixteenth Century Dress, From Fleas to Fancy]
Category:Fashion accessories Category:Fur Category:History of Western fashion