School of Paris

{{Short description|Early 20th century group of artists}} {{About|the 20th century School of Paris|the medieval manuscript illuminators|School of Paris (Middle Ages)}} {{redirect|Paris School|the school of thought in security studies|Paris School (security studies)}} {{Infobox art movement |name = School of Paris |image = Ecole de paris 001.jpg |caption = {{small|André Warnod, ''Les Berceaux de la jeune peinture,'' 1925. Cover illustration by Amedeo Modigliani}} |country = France, Israel, United States |majorfigures= Marc Chagall, Chaïm Soutine, Yitzhak Frenkel, Jules Pascin, Amedeo Modigliani |yearsactive=1900–1940|influences=Salon du Champs-de-Mars, Vienna Secession, Munich Secession|influenced=New York School}}

The '''School of Paris''' ({{langx|fr|École de Paris}}, {{IPA|fr|ekɔl də paʁi|pron}}) refers to the French and émigré artists who worked in Paris in the first half of the 20th century.<ref name="WP" /> Never a single art movement or institution, the term "School of Paris" refers instead to the primacy of Paris as the centre of Western art between 1900 and 1940.<ref name="Tate" />

Artists of Jewish origin always figured prominently in the School of Paris.<ref name=":0">{{Cite web |title=ALBERTINE {{!}} Jewish Artists of the School of Paris 1905-1939 |url=https://www.albertine.com/events/jewish-artists-of-the-school-of-paris-1905-1939/ |access-date=2026-03-31 |website=ALBERTINE |language=en}}</ref> Before 1917, Jews faced restrictions in mobility within the Pale of Settlement and strict quotas or outright bans from studying art in the Russian Empire's most illustrious art schools in St. Petersburg and Moscow.<ref>{{Cite web |date=2017-11-16 |title=How the Russian Revolution changed the lives of Jewish artists |url=https://www.wgbh.org/news/2017-11-16/how-the-russian-revolution-changed-the-lives-of-jewish-artists |access-date=2026-03-31 |website=GBH |language=en}}</ref> So many got their start in Odesa, Vilnius, Kyiv, and Munich before moving to Paris for reasons that included artistic ambition, a desire to escape the pogroms of the Russian Empire, and the hope that the exoneration of Dreyfus in 1906 was "a sign that eventually the state would in fact side with justice and inclusion."<ref>{{Cite web |title=The YIVO Encyclopedia of Jews in Eastern Europe |url=https://encyclopedia.yivo.org/article/1717 |access-date=2026-03-31 |website=encyclopedia.yivo.org}}</ref><ref>{{Cite news |last=Rayman |first=Noah |title=The History of Jews in France in 6 Key Moments |url=https://time.com/3669544/history-jews-in-france/ |archive-url=http://web.archive.org/web/20250325065229/https://time.com/3669544/history-jews-in-france/ |archive-date=2025-03-25 |access-date=2026-03-31 |work=TIME |language=en}}</ref> In the 1930s and 1940s, many of these artists immigrated to the United States and Israel where they went on to heavily influence modern art.<ref name=":0" />

Art critic André Warnod first coined ''École de Paris'' to describe the mainly Jewish group of immigrant artists that included Jules Pascin, Yitzhak Frenkel, Chaïm Soutine, Marc Chagall and others in 1925.<ref name=":1">André Warnod, ''Les Berceaux de la jeune peinture: Montmartre, Montparnasse'', l'École de Paris, Edition Albin Michel, 1925</ref> But it was always an elastic classification, encompassing a loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse.<ref name="Heilbrunn">{{cite web|title=School of Paris |url=https://www.metmuseum.org/toah/hd/scpa/hd_scpa.htm |work=Heilbrunn Timeline of Art History|publisher=The Metropolitan Museum of Art |access-date=July 16, 2014 }}</ref> Before World War I, it was also applied to artists involved in the many collaborations and overlapping new art movements, between Post-Impressionists and Pointillism and Orphism, Fauvism and Cubism in the well-established art scene in Montmartre.<ref>{{Cite web |title=Paris School of Art {{!}} Encyclopedia.com |url=https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/paris-school-art |access-date=2026-03-31 |website=www.encyclopedia.com}}</ref>

In its broader sense, the group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian, and associated French artists, such as Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. In its more narrow sense, it described Chagall and Modigliani as prominent members of the early school, and Picasso and Matisse as its twin pre-war leaders (''chefs d'école'').<ref name="Tate">{{cite web |title=Glossary of art terms: School of Paris |url=http://www.tate.org.uk/learn/online-resources/glossary/s/school-of-paris |publisher=Tate Gallery |access-date=July 16, 2014 |archive-date=July 26, 2014 |archive-url=https://web.archive.org/web/20140726194915/http://www.tate.org.uk/learn/online-resources/glossary/s/school-of-paris |url-status=live }}</ref> By the 1920s, Montparnasse had become a centre of the avant-garde, so the name was also used to refer to that group. After World War II, the name was also applied to a group of abstract artists and a group of émigré classical composers.<ref>{{Cite web |date=2020-05-08 |title=The Evolution of the School of Paris |url=https://www.sothebys.com/en/articles/the-evolution-of-the-school-of-paris |access-date=2026-03-31 |website=Sothebys.com |language=en}}</ref><ref name="Korabelʹnikova2008" />

== La Ruche == {{See also|La Ruche (residence)}} Many École de Paris artists lived in the iconic La Ruche, a complex of studio apartments and other facilities in Montparnasse on the Left Bank, at 2 Passage Dantzig, built by a successful sculptor, Alfred Boucher, who wanted to develop a creative hub where struggling artists could live, work and interact.<ref name= Shock>{{Cite book|last=Meisler|first=Stanley|title=Shocking Paris: Soutine, Chagall and the Outsiders of Montparnasse|publisher=Palgrave Macmillan|year=2015|isbn=978-1-137-27880-7}}</ref> Built from materials dismantled from the Medoc Wine Pavilion from the 1900 Paris World's Fair, it comprised 50 modest studios with large windows that let in a lot of light, with nearby buildings providing 50 more studios for the overflow of artists.<ref name= Shock/> Boucher called the complex La Ruche — French for "beehive" — because he wanted the artists to work like bees in a beehive; he dedicated a large room in the complex where the poorer artists could draw a model that he paid for, and included a small theater space for plays and concerts.<ref name= Shock/><ref name= XM>Muratova, X. (1979). Paris. The Burlington Magazine, 121(912), 198-198. Retrieved May 4, 2021.</ref>

La Ruche opened in 1902, with the blessing of the French government. It was often the first destination of émigré artists who arrived in Paris eager to join the art scene and find affordable housing.<ref name="Shock" /> Living and working in close quarters, many artists forged lasting friendships, e.g., Chaïm Soutine with Modigliani, Chagall and poet Blaise Cendrars, and influenced each other's work.<ref name="Shock" /><ref>Blood, A. (2011). "Chagall and his circle: Philadelphia". ''The Burlington Magazine'', 153(1301), 558-559. Retrieved May 4, 2021</ref> Artists who lived and worked in La Ruche include Amedeo Modigliani, Yitzhak Frenkel, Diego Rivera, Tsuguharu Foujita, Jacob, Soutine, Michel Kikoine, Moïse Kisling, Pinchus Krémègne, Ossip Zadkine, Jules Pascin, Marc Chagall, Amshey Nurenberg, Jacques Lipchitz, and more.<ref name="Shock" /><ref name="XM" />

==After World War I== The term "School of Paris," which André Warnod had used innocently to refer to the many foreign-born artists who had migrated to Paris, soon gained currency, often as a derogatory label by critics who saw the foreign artists — many of whom were Jewish — as a threat to the purity of French art.<ref name=":1" /><ref name="Alley">Alley, Ronald. "Ecole de Paris." ''Grove Art Online. Oxford Art Online''. Oxford University Press. Web.</ref> Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism" (also meant disparagingly), called immigrant artists unwashed "Slavs disguised as representatives of French art".<ref name=MM /> Waldemar George, himself a French Jew, in 1931 lamented that the term "allows any artist to pretend he is French ... it refers to French tradition but instead annihilates it."<ref name=Tauber>{{cite book |page=86 |author=Romy Golan |chapter=The École Francaise vs the École de Paris: The Debate about the Status of Jewish Artists in Paris between the Wars |title=Jewish Dimensions in Modern Visual Culture: Anti-Semitism, Assimilation, Affirmation |editor1=Rose-Carol Washton Long |editor2=Matthew Baigell |editor3= Milly Heyd |publisher=UPNE |date=2010 |series=Tauber Institute for the Study of European Jewry series |via=Google Books |isbn=978-1584657958 |url=https://books.google.com/books?id=4OIqCtHgOxIC}}</ref> {{Multiple image | direction = vertical | image1 = DufyRaoul RegattaAtCowes.jpg | align = left | image2 = Sonia Delaunay, Rythme, 1938.jpg | caption2 = Sonia Delaunay, ''Rythme,'' 1938. | caption1 = [Raoul Dufy], ''Regatta at Cowes,'' 1934, Washington D.C., National Gallery of Art. | width = 200px }} School of Paris artists were progressively marginalised. Beginning in 1935, articles about Chagall no longer appeared in art publications (apart from those published for Jewish audiences) and, by June 1940, when the Vichy government took power, School of Paris artists could no longer exhibit in Paris at all.<ref name="Tauber" />

The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miró, Constantin Brâncuși, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, the Lithuanian Jacques Lipchitz and Arbit Blatas, who documented some of the greatest representatives of the School of Paris in his oeuvre, the Polish artists Marek Szwarc and Morice Lipsi and others such as Russian-born prince Alexis Arapoff.<ref>{{Cite web |url=http://www.bc.edu/libraries/about/exhibits/burns/arapoff.html |title=Boston College University Libraries |access-date=2017-04-03 |archive-date=2011-07-19 |archive-url=https://web.archive.org/web/20110719143924/http://www.bc.edu/libraries/about/exhibits/burns/arapoff.html |url-status=dead }}</ref>

A significant subset, the Jewish artists, came to be known as the "Jewish School of Paris" or the "School of Montparnasse."<ref name="Roditi_1968">Roditi, Eduard (1968). "The School of Paris". ''European Judaism: A Journal for the New Europe'', '''3'''(2), 13–20.</ref> The "core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism."<ref name=WP /> One account points to the 1924 Salon des Indépendants, which decided to separate the works of French-born artists from those by immigrants; in response, critic {{Interlanguage link|Roger Allard|fr|Roger Allard}} referred to them as the School of Paris.<ref name=WP /><ref name=LA>[http://www.latimes.com/entertainment/arts/la-et-cm-ca-shocking-paris-exerpt-20150503-story.html Stanley Meisner, ''Albert Barnes and his pursuit of non-French art in Paris''] {{Webarchive|url=https://web.archive.org/web/20171114040730/http://www.latimes.com/entertainment/arts/la-et-cm-ca-shocking-paris-exerpt-20150503-story.html |date=2017-11-14 }}, Los Angeles Times, May 1, 2015</ref> Jewish members of the group included Emmanuel Mané-Katz, Abraham Mintchine, Chaïm Soutine, Adolphe Féder, Marc Chagall, Yitzhak Frenkel Frenel, Moïse Kisling, Maxa Nordau and Shimshon Holzman.<ref>{{cite encyclopedia | encyclopedia=Encyclopedia of the Jewish Diaspora: Origins, Experiences, and Culture |last1=Schechter |first1=Ronald|last2=Zirkin|first2=Shoshanna|article=Jews in France|publisher=ABC-CLIO | url=https://books.google.com/books?id=NoPZu79hqaEC&pg=RA1-PA829|access-date=December 22, 2016 | editor=M. Avrum Ehrlich| year=2009| volume=3|location=Santa Barbara, CA | isbn=9781851098736|pages=820–831; here: 829}}</ref>

The artists of the Jewish School of Paris were stylistically diverse. Some, like Louis Marcoussis, worked in a Cubist style, but most tended toward expression of mood rather than an emphasis on formal structure.<ref name="Roditi_1968"/> Their paintings often feature thickly brushed or troweled impasto. The Musée d'Art et d'Histoire du Judaïsme has works from School of Paris artists including Pascin, Kikoine, Soutine, Mintchine, Orloff and Lipschitz.<ref>Jarrasse, Dominique, ''Guide du patrimoine juif parisien'', éditions Parigramme, 2003, pages 213-225</ref>

== Jewish School of Paris == {{French art history}} === France === Artists of Jewish origin had a marked influence in the École de Paris. Paris, the capital of the art world, attracted Jewish artists from Eastern Europe, some fleeing persecution, discrimination and pogroms. Many of these artists settled in Montparnasse.<ref name= enc>{{Cite web |title=Paris School of Art |url=https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/paris-school-art |access-date=2023-11-19 |website=www.encyclopedia.com}}</ref> Several Jewish painters were notable in the movement; these include Marc Chagall and Jules Pascin, the expressionists Chaïm Soutine and Isaac Frenkel Frenel as well as Amedeo Modigliani and Abraham Mintchine.<ref name= NN>{{Cite book |last=Nieszawer |first=Nadine |title=Histoire des artistes juifs de l'École de Paris / Stories of Jewish Artists of the School of Paris |year=2020 |isbn=979-8633355567 |location=France |lang=fr}}</ref><ref>{{Cite web |date=2019-01-02 |title=Alexandre FRENEL |url=https://ecoledeparis.org/alexandre-frenel/ |access-date=2023-11-19 |website=Bureau d'art Ecole de Paris |lang=en-US |archive-date=2023-12-07 |archive-url=https://web.archive.org/web/20231207133505/https://ecoledeparis.org/alexandre-frenel/ |url-status= live}}</ref><ref>{{Cite web |date=2019-01-02 |title=Marc CHAGALL |url=https://ecoledeparis.org/marc-chagall/ |access-date=2023-11-19 |website=Bureau d'art Ecole de Paris |lang=en-US |archive-date=2023-11-19 |archive-url=https://web.archive.org/web/20231119123226/https://ecoledeparis.org/marc-chagall/ |url-status= live}}</ref> Many Jewish artists were known for depicting Jewish themes in their work, and some artists' paintings were imbued with heavy emotional tones. Frenkel described the artists as "members of the minority characterized by restlessness whose expressionism is therefore extreme in its emotionalism".<ref>{{Cite book |last=Barzel |first=Amnon |title=Frenel Isaac Alexander |publisher=Masada |year=1974 |location=Israel |pages=14 |lang=en}}</ref>

The term {{lang|fr|l'École de Paris}} coined by the art critic André Warnod in 1925 in the magazine ''Comœdia'', was intended by Warnod to negate xenophobic attitudes towards the foreign artists, many of whom were Eastern European Jews.<ref name="K">{{Cite magazine |last= Fogel |first= Macha |last2= Salmona |first2= Paul |title=The Jewish painters of l'École de Paris-from the Holocaust to today |date=2021-11-25 |magazine= K.: Jews, Europe, the XXIst century |lang=en-US |quote="l'École de Paris is a term coined by the art critic Andr�� Warnod in 1925, in the magazine ''Comœdia'', to define the group formed by foreign painters in Paris. The École de Paris does not designate a movement or a school in the academic sense of the term, but a historical fact. In Warnod's mind this term was intended to counter a latent xenophobia rather than to establish a theoretical approach. |url=https://k-larevue.com/en/the-jewish-painters-of-lecole-de-paris-from-the-holocaust-to-today/ |access-date=2023-11-19 |archive-date=2023-11-11 |archive-url=https://web.archive.org/web/20231111095805/https://k-larevue.com/en/the-jewish-painters-of-lecole-de-paris-from-the-holocaust-to-today/ |url-status= live}}</ref> Louis Vauxcelles, a prolific critic of Jewish painters, wrote several monographs for the publisher Le Triangle. In a 1931 monograph, he wrote: "like a swarm of locusts, an invasion of Jewish colorists fell on Paris — on the Paris of Montparnasse. The causes of this exodus: the Russian revolution, and all that it brought with it of misery, pogroms, exactions, persecutions; the unfortunate young artists take refuge here, attracted by the influence of contemporary French art.... They will constitute [an element of] what the young critic will call the School of Paris. Many talents are to be considered in this crowd of what is nowadays sometimes referred to as outsider art or ''métèque'' art.<ref name="K" />

Following the Nazi occupation of France, several prominent Jewish artists died during the Holocaust,<ref>{{Cite news |date=6 July 2021 |title=Les peintres juifs de " l'École de Paris " imposent leur génie au MahJ |lang=fr |work=Times of Israel |url=https://fr.timesofisrael.com/les-peintres-juifs-de-lecole-de-paris-imposent-leur-genie-au-mahj/ |archive-date=28 October 2023 |access-date=19 November 2023 |archive-url=https://web.archive.org/web/20231028084608/https://fr.timesofisrael.com/les-peintres-juifs-de-lecole-de-paris-imposent-leur-genie-au-mahj/ |url-status=live }}</ref> leading to the dwindling of the Jewish School of Paris. Others managed to leave or fled Europe, mostly to Mandate Palestine or the US.<ref name= NN/><ref name= enc/>

=== Israel === {{main|Visual arts in Israel}}

Jewish art in Mandate Palestine was dominatly inspired by the École de Paris between the 1920s and 1940s, with French art continuing to strongly influence Israeli art for the following decades.<ref name= Ox>{{Cite book |last1=Turner |first1=Michael |chapter=Israel |title=Oxford Art Online |year=2003 |last2=Bohm-Duchen |first2=Monica |last3=Manor |first3=Dalia |last4=Blair |first4=Sheila S. |last5=Bloom |first5=Jonathan M. |last6=Koffler |first6=Lia |isbn=9781884446054 |doi=10.1093/gao/9781884446054.article.T042514}}</ref> This phenomenon began with the return of École de Paris Isaac Frenkel Frenel to Mandatory Palestine in 1925 and his opening of the Histadrut Art Studio.<ref name= Hecht>{{Cite book |last=Hecht Museum |title=After the School Of Paris |year=2013 |isbn=9789655350272 |location=Israel |lang=en, he}}</ref><ref name= CwO>{{Cite web |date=2011-01-01 |title=יצחק פרנקל: "חיבור ללא עצמים" |trans-title= Frenkel: "Connection without objects" |url=https://gideonofrat.wordpress.com/2011/01/01/%d7%99%d7%a6%d7%97%d7%a7-%d7%a4%d7%a8%d7%a0%d7%a7%d7%9c-%d7%97%d7%99%d7%91%d7%95%d7%a8-%d7%9c%d7%9c%d7%90-%d7%a2%d7%a6%d7%9e%d7%99%d7%9d/ |access-date=2023-10-28 |website=המחסן של גדעון עפרת |lang=he-IL |archive-date=2023-11-02 |archive-url=https://web.archive.org/web/20231102121455/https://gideonofrat.wordpress.com/2011/01/01/%d7%99%d7%a6%d7%97%d7%a7-%d7%a4%d7%a8%d7%a0%d7%a7%d7%9c-%d7%97%d7%99%d7%91%d7%95%d7%a8-%d7%9c%d7%9c%d7%90-%d7%a2%d7%a6%d7%9e%d7%99%d7%9d/ |url-status=live }}</ref> His students were encouraged to continue their studies in Paris, and upon their return to Pre-Independence Israel amplified the influence of the Jewish artists of the School of Paris they encountered.<ref name= Hecht/><ref name= CwO/><ref name= Ox/>

These artists, centered in Montparnasse in Paris and in Tel Aviv and Safed in Israel, tended to portray humanity and the emotion evoked through human facial expression.<ref>{{Cite book |last=Lurie |first=Aya |title=Treasured in the Heart: Haim Gliksberg's Portraits |year=2005 |isbn=978-9657161234 |location=Tel Aviv}}</ref> Furthermore, as is characteristic of Jewish Parisian Expressionism, the art was dramatic and even tragic, perhaps in connection to the suffering of the Jewish soul.<ref>{{Cite book |last=Ofrat |first=Gideon |title=The Birth of Secular Art from the Zionist Spirit |publisher=Carmel |year=2012 |location=Jerusalem |pages=234 |lang=he}}</ref> During the 1930s several such painters would paint scenes in the Land of Israel in an Impressionist style and a Parisian light, greyer and dimmer compared to the powerful Mediterranean sun.<ref>{{Cite book |last=Ofrat |first=Gideon |title=Eretz Israeli Painting in the 1930s: between Tel Aviv and Paris |pages=186–187}}</ref><ref>{{Cite web |last=Manor |first=Dalia |date=2018-12-03 |title=Between Paris and Tel Aviv: Jewish art in 1930s Eretz Yisrael |via=academia.edu |url=https://www.academia.edu/38057236}} Lecture for Miami FIU, Global Jewish Studies Program, 3 Dec. 2018.</ref>

==== Artists Quarter of Safed ==== {{main|Artists Quarter of Safed}}

Safed, a city in the mountains of Galilee and one of the four holy cities of Judaism, was a centre of École de Paris artists during the mid- and late 20th century. Artists were attracted there by the romantic and mystical qualities of the Kabbalistic mountain city. The artists' quarter, founded in 1949, was formed at first by Moshe Castel, Shimshon Holzman, Yitzhak Frenkel and other artists, many of them influenced by, or part of, the School of Paris.<ref name= Hecht/><ref name= GB>{{Cite book |last=Ballas |first=Gila |title=The Artists of the 1920s and Cubism |location=Israel}}</ref>{{dubious |reason= No such book exists. The title was given in very poor English ("The Artists' of the 1920 and Cubism"). No details (actual title, page, year, publisher, location, ISBN, online access etc.) Probably a Hebrew-language work, impossible to identify. |date= December 2025}}<ref name= GO>{{Cite book |last=Ofrat |first=Gideon |title=The Golden Age of Painting in Safed |publisher=Sifriat HaPoalim |year=1987 |location=Tel Aviv |lang=he}}</ref> Though not united by a common artistic trope, it was a clear bastion of École de Paris in the country.<ref name= GB/><ref name= GO/>

The painters of the community who were influenced by the Ecole de Paris attempted to express or reflect the mystics of Safed (Tzfat in Hebrew). Painting with colors that reflect the dynamism and spirituality of the ancient city, painting the fiery or serene sunsets over Mount Meron.<ref>{{Cite book |last=Ofrat |first=Gideon |title=The Art and Artists of Safed |pages=89–90 |lang=he}}</ref> Marc Chagall would walk the streets and paint portraits of religious children.<ref name= FFM2>{{Cite web |title=Frenkel Frenel Museum |url=https://www.frenkel-frenel.org/The_official_Isaac_Frenkel-Frenel_web_site/Welcome.html |access-date=9 August 2019 |website=www.frenkel-frenel.org |archive-date=26 November 2020 |archive-url=https://web.archive.org/web/20201126202039/http://frenkel-frenel.org/The_official_Isaac_Frenkel-Frenel_web_site/Welcome.html |url-status=live }}</ref> Several of these artists would commute between Safed and Paris.<ref name= FFM2/><ref name= GB/><ref name= GO/>

==Musicians== In the same period, the School of Paris name was also extended to an informal association of classical composers, émigrés from Central and Eastern Europe to who met at the Café Du Dôme in Montparnasse. They included Alexandre Tansman, Alexander Tcherepnin, Bohuslav Martinů and Tibor Harsányi. Unlike Les Six, another group of Montparnasse musicians at this time, the musical School of Paris was a loosely-knit group that did not adhere to any particular stylistic orientation.<ref name="Korabelʹnikova2008">{{cite book |last=Korabelʹnikova |first=Li͡udmila Zinovʹevna |title=Alexander Tcherepnin: The Saga of a Russian Emigré Composer |publisher=Indiana University Press |year=2008 |isbn=978-0-253-34938-5 |pages=65–70 |chapter=European Destiny: The Paris School |chapter-url=https://books.google.com/books?id=NDogeYXFS9MC&pg=PA67}}</ref>

==After World War II== In the aftermath of the war, "nationalistic and anti-Semitic attitudes were discredited, and the term took on a more general use denoting both foreign and French artists in Paris".<ref name="Alley" /> But although the "Jewish problem" trope continued to surface in public discourse, art critics ceased making ethnic distinctions in using the term. While in the early 20th century French art critics contrasted The School of Paris and the École de France, after World War II the question was School of Paris vs School of New York.<ref name="postwar">[https://books.google.com/books?id=GTa8AAAAIAAJ Malcolm Gee, ''Between Paris and New York: Critical constructions of 'Englishness', c. 1945 - 1960''], Art Criticism Since 1900, Manchester University Press, 1993, p. 180. {{ISBN|0719037840}}</ref>

=== New School of Paris === Post-World War II (''Après-guerre''), the term "New School of Paris" or École de Paris III often referred to tachisme, and lyrical abstraction, a European parallel to American Abstract Expressionism. These artists include again foreign ones and are also related to CoBrA.<ref>{{Cite journal |last= Aubert |first= Nathalie |title= 'Cobra after Cobra' and the Alba Congress: From Revolutionary Avant-Garde To Situationist Experiment |date= March 2006 |journal= Third Text |volume= 20 |issue= 2 |pages= 259–267 |lang=en |url-access= subscription |url= https://doi.org/10.1080/09528820600590959 |access-date=2015-09-14}}</ref> Important proponents were Jean Dubuffet, Jean Fautrier, Pierre Soulages, Nicolas de Staël, Hans Hartung, Wols, Serge Poliakoff, Bram van Velde, Max Ernst, Simon Hantaï, Gérard Schneider, Maria Helena Vieira da Silva, Zao Wou-Ki, Chu Teh-Chun, Georges Mathieu, André Masson, Jean Degottex, Pierre Tal-Coat, Jean Messagier, Alfred Manessier, Jean Le Moal, Olivier Debré, Zoran Mušič, Jean-Michel Coulon and Fahrelnissa Zeid, among others. Many of their exhibitions took place at the Galerie de France in Paris, and then at the Salon de Mai where a group of them exhibited until the 1970s.

In 1996, UNESCO organized the 50th anniversary of the School of Paris (1954-1975), bringing together "100 painters of the New School of Paris." Notable artists included Arthur Aeschbacher, Jean Bazaine, Leonardo Cremonini, Olivier Debré, Chu Teh-Chun, Jean Piaubert, Jean Cortot, Zao Wou-ki, François Baron-Renouard, among others. This grand exhibition featured a hundred painters from 28 different countries at the UNESCO Headquarters in Paris. The exhibition's curators were the art critics Henry Galy-Carles and Lydia Harambourg.<ref>{{Cite journal |date=1996 |title=Museum International: Artist's Museums |url=https://unesdoc.unesco.org/ark:/48223/pf0000105079.:~:text=O%20UNESCO%201996%2012MI%20usel%20im%20Man%C3%A9%2DKatz,artists%20active%20in%20the%20School%20of%20Paris. |journal=No 191 |volume=XLVIII |issue=3 |pages=65 |via=unesdoc.unesco.org/ark}}</ref>

== Art critics == Art critics and renowned writers have written prefaces, books, and articles regarding the painters of the School of Paris, notably in periodicals such as Libération, Le Figaro, Le Peintre, Combat, Les Lettres françaises, Les Nouvelles littéraires. Among these writers and critiques were Waldermar George, Georges-Emmanuel Clancier, Jean-Paul Crespelle, Arthur Conte, Robert Beauvais, Jean Lescure, Jean Cassou, Bernard Dorival, André Warnod, Jean-Pierre Pietri, George Besson, Georges Boudaille, Jean-Albert Cartier, Jean Chabanon, Raymond Cogniat, Guy Dornand, Jean Bouret, Raymond Charmet, Florent Fels, Georges Charensol, Frank Elgar, Roger Van Gindertael, Georges Limbour, Marcel Zahar.

==Selected artists==

*Constantin Brâncuși. Romanian-born sculptor, considered a pioneer of modernism.<ref name=Tate /> Arrived in Paris in 1904. *Bernard Cathelin<ref>{{Cite web|title=Bernard Cathelin Biography|url=http://www.buschlenmowatt.com/artists/bernard-cathelin|archive-url=https://web.archive.org/web/20121118064433/http://www.buschlenmowatt.com/artists/bernard-cathelin|archive-date=2012-11-18|url-status=live}}</ref> *{{ill|Pierre Palué|fr}} (1920-2005), French painter, recognized as part of the New School of Paris<ref>{{Cite web |title=Pierre PALUE |url=https://artenseine.com/pierre-palue/ |access-date=2024-06-22 |website=Art en Seine |lang=fr-FR}}</ref> *Marc Chagall. Lived in Paris from 1910 to 1914<ref name="met">{{cite web|url=https://www.metmuseum.org/toah/hd/scpa/hd_scpa.htm|title=School of Paris|date=October 2004|access-date=November 13, 2017|publisher=Metropolitan Museum of Art|author=James Voorhies|archive-date=December 16, 2023|archive-url=https://web.archive.org/web/20231216230420/https://www.metmuseum.org/toah/hd/scpa/hd_scpa.htm|url-status=live}}</ref> then again after his exile from the Soviet Union in 1923; Jewish; was arrested in Marseilles by the Vichy government but escaped to the US with help from Alfred H. Barr Jr., director of the Museum of Modern Art, and collectors Louise and Walter Arensberg, among others<ref name="phil" /> *Émilie Charmy, French painter, who was exhibited by the Parisian dealer and collector Berthe Weill *Giorgio de Chirico, an Italian who showed the first signs of magical realism later highlighted in Surrealist works, lived in Paris 1911–1915 and again in the 1920s<ref name=met/> *Jean-Michel Coulon, French painter, had the particularity of having kept his work almost secret over his lifetime *Geoffroy Dauvergne, French Painter, Sculpter and Mosaic artist.<ref>{{Cite web | title = Au collège de Tinténiac, la fresque de Geoffroy Dauvergne va être restaurée | website = Ouest-France | url = https://www.ouest-france.fr/bretagne/saint-malo-35400/au-college-de-tinteniac-la-fresque-de-geoffroy-dauvergne-va-etre-restauree-502397 | access-date = 2026-03-15 | language = fr }}</ref> *Robert Delaunay, French painter, co-founder of Orphism with his wife Sonia *Sonia Delaunay,<ref name=NYTshows /> wife of Robert, born Sarah Stern in Ukraine<ref name=MM /> *Isaac Dobrinsky<ref name="Roditi_1968"/> *Jean Dubuffet<ref name=MoMa>{{cite web|url=https://www.moma.org/calendar/exhibitions/2838|title=The School of Paris: Paintings from the Florence May Schoenborn and Samuel A. Marx Collection|date=1965|publisher=Museum of Modern Art|access-date=November 12, 2017}}</ref> *François Zdenek Eberl, a naturalised French painter, a Catholic born in Prague *Tsuguharu Foujita, Japanese-French painter *Boris Borvine Frenkel a Jewish painter from Poland  *Yitzhak Frenkel Frenel, father of modern Israeli art, Jewish, Israeli French artist. Sent his students to learn in Paris. Carried the influence of the School Of Paris to pre-independence Israel which up to that point was dominated by Orientalism.<ref>{{Cite web |title=Schule von Paris – Wikipedia – Enzyklopädie |url=https://wiki.edu.vn/wiki15/2020/12/21/schule-von-paris-wikipedia/amp/ |access-date=2023-03-09 |website=wiki.edu.vn |lang=de-DE |archive-date=2022-12-26 |archive-url=https://web.archive.org/web/20221226005748/https://wiki.edu.vn/wiki15/2020/12/21/schule-von-paris-wikipedia/amp/ |url-status=dead }}</ref><ref>{{Cite web |title=1883 {{!}} Encyclopedia of the Founders and Builders of Israel |url=https://www.tidhar.tourolib.org/tidhar/view/4/1883 |access-date=2023-04-06 |website=www.tidhar.tourolib.org |archive-date=2023-10-29 |archive-url=https://web.archive.org/web/20231029212800/https://www.tidhar.tourolib.org/tidhar/view/4/1883 |url-status=live }}</ref><ref>{{Cite web |title=Abstract Alexander Frenel Frenkel was the first abstract painter in Israel. He learned his art from Paris in the twenties. When he exhibited at the "salon des independants" in 1924 in Paris, Mondrian acquired two of his paintings for an English collectionor. |url=https://www.frenkel-frenel.org/The_official_Isaac_Frenkel-Frenel_web_site/Abstract.html |access-date=2023-03-11 |website=www.frenkel-frenel.org |archive-date=2023-03-11 |archive-url=https://web.archive.org/web/20230311115455/https://www.frenkel-frenel.org/The_official_Isaac_Frenkel-Frenel_web_site/Abstract.html |url-status=live }}</ref><ref>{{Cite news |date=January 1954 |title=Famous Israel artist in Cape Town |work=The South African Jewish Chronicle}}</ref><ref>{{Cite news |last=Keehanski |first=Mendel |date=March 1951 |title=Pioneer of Art in Israel |work=The Pioneer Woman |publication-place=USA |quote=Frenkel may be considered the grand old man of modern painting in Israel in spite of the fact he is only about fifty.}}</ref> *Leopold Gottlieb, Polish paintier<ref name="Roditi_1968"/> *Philippe Hosiasson, a Jewish painter born in Odessa, associated with the Ballets Russes  *Max Jacob *Wassily Kandinsky,<ref name=Tate /> Russian abstract artist, arrived in 1933 *Georges Kars, Czech painter<ref name="Roditi_1968"/> *Moïse Kisling,<ref name=WP /> lived at La Ruche<ref name=phil>{{cite web|title=The School of Paris|publisher=Philadelphia Museum of Art|date=2017|url=http://www.philamuseum.org/exhibitions/401.html?page=4}}</ref> *Jesekiel David Kirszenbaum, Polish Jewish artist<ref>{{Cite web |title=Jesekiel David Kirszenbaum (1900–1954). Student of the Bauhaus |url=https://www.porta-polonica.de/en/atlas-of-remembrance-places/jesekiel-david-kirszenbaum-1900-1954-student-bauhaus |access-date=2025-04-09 |website=www.porta-polonica.de |lang=en}}</ref> *Pinchus Krémègne<ref name=WP /> Jewish artist *Michel Kikoine, Jewish artist, born in Belarus *Jacques Lipchitz, lived at La Ruche;<ref name=phil /> Jewish cubist sculptor; took refuge from the Germans in the US<ref name=MM /> *Morice Lipsi, Jewish sculptor of Polish origin *Jacob Macznik (1905–1945), born in Poland, arrived in Paris in 1928, died at the hands of the Nazis 1945.<ref>{{cite web |url=http://www.macznik.org |title = Macznik}}</ref><ref>Peintres Juifs A Paris: École de Paris, Nadine Nieszawer et al., Éditions Denoël, Paris, 2000</ref> A young and highly regarded member of the École de Paris in the 1930s, prior to its decimation by the Reich.<ref>Undzere Farpainikte Kinstler, Hersh Fenster, Imprimerie Abècé. 1951</ref> *Louis Marcoussis, had a studio in Montparnasse<ref name=phil /> *Zygmunt Menkes, a Polish-Jewish painter who later moved to the U.S.<ref>{{Cite web |last=Kossowska |first=Irena |date=December 2001 |title=Zygmunt (Sigmund) Menkes |url=https://culture.pl/en/artist/zygmunt-sigmund-menkes |access-date=2023-12-05 |website=Culture.pl |lang=en |archive-date=2022-01-09 |archive-url=https://web.archive.org/web/20220109090008/https://culture.pl/en/artist/zygmunt-sigmund-menkes |url-status=live }}</ref> *Adolphe MIlich, born and trained in Poland and Germany, arrived in Paris 1920, had a studio in Montparnasse *Abraham Mintchine<ref name="Roditi_1968"/> lived in Paris from 1926, then intermittently from 1930 after René Gimpel encouraged him to discover the south of France. Died in 1931 *Yervand Kochar *Amedeo Modigliani, Jewish Italian artist, arrived in Paris in 1906,<ref name=met/> lived at La Ruche<ref name=phil /> *Piet Mondrian, a Dutch abstract artist, moved to Paris in 1920<ref name=Tate /> *Elie Nadelman, lived in Paris for ten years<ref name=NYTshows>[http://mobile.nytimes.com/2000/03/10/arts/art-review-jewish-artists-who-made-paris-their-exuberant-garret.html John Russell, Art Review: ''Jewish Artists Who Made Paris Their Exuberant Garret'', New York Times, March 10, 2000]</ref> *Amshey Nurenberg, born in Elisavetgrad (Ukraine) in 1887, arrived in Paris in 1910, lived at La Ruche<ref name="Nurenberg 2010">{{cite book |last=Nurenberg |first=Amsheĭ |title=Odessa — Parizh — Moskva. Vospominaniya khudozhnika |trans-title=Odessa — Paris — Moscow. Memoirs of an artist |publisher=Mosty kulʹtury Gesharim |publication-place=Moskva Jerusalim |year=2010 |isbn=9785932732892 |oclc=635864735 |lang=ru}}</ref> *Chana Orloff, Jewish portrait sculptor worked in Montparnasse<ref name=phil /><ref name=NYTshows /><ref name=TF>{{cite journal|title=Chana Orloff: A modern Jewish woman sculptor of the School of Paris |author=PJ Birnbaum|date=2016|journal=Journal of Modern Jewish Studies |volume=15|issue=1,2016|page=65|doi=10.1080/14725886.2015.1120430|s2cid=151740210}}</ref> *Jules Pascin,<ref name=WP>[https://www.washingtonpost.com/opinions/the-immigrants-who-were-school-of-paris-artists-in-early-20th-century/2015/06/19/72819912-c8ca-11e4-a199-6cb5e63819d2_story.html Wendy Smith, ''The immigrants who were 'School of Paris' artists in early 20th century''] {{Webarchive|url=https://web.archive.org/web/20171114093455/https://www.washingtonpost.com/opinions/the-immigrants-who-were-school-of-paris-artists-in-early-20th-century/2015/06/19/72819912-c8ca-11e4-a199-6cb5e63819d2_story.html |date=2017-11-14 }}, Washington Post, June 19, 2015</ref> Bulgarian-born Jew<ref name=MM>{{cite web|url=http://mobile.nytimes.com/2015/06/28/books/review/montmartre-montparnasse.html|title=Montmartre/Montparnasse |author=Deborah Solomon|author-link=Deborah Solomon|date=June 25, 2015|access-date=November 12, 2017|publisher=New York Times Review of Books}}</ref> *Zinaida Serebriakova, Russian painter, arrived in Paris in 1905 *Chaïm Soutine, Jewish artist, born in a shtetl near Minsk,<ref name=MM /> was unable to get a US visa when the German Army invaded, and lived in hiding under the occupation until he died in 1943 at age 50. Soutine, a friend of Modigliani, arrived in Paris in 1913<ref name=met/> and lived at La Ruche<ref name=phil /> *Avigdor Stematsky, Israeli, student of Isaac Frenkel, especially notable in his later abstract and cubist art *{{Interlanguage link|Kostia Terechkovitch|fr}} was born in Russia and arrived in Paris in 1920, where he was part of the Montparnasse émigré group.  *Maurice Utrillo *Aleksander Vardi, Estonian painter, arrived in Paris in 1925 *Kuno Veeber, Estonian artist, arrived in Paris in 1924<ref>[https://www.ohtuleht.ee/21168/naitused Õhtuleht] ''Näitused'' 9 May 1998. Retrieved 27 August 2018.</ref> *Max Weber, German artist, arrived in Paris in 1905<ref name=NYTshows /> *Ossip Zadkine,<ref name=WP /> born in Belarus and lived at La Ruche<ref name=phil /> *{{Interlanguage link|Faïbich-Schraga Zarfin|fr}}, born in Belarus, friend of Soutine *{{Interlanguage link|Alexandre Zinoview|fr}} born in 1889 in Russia, died in France in 1977. Arrived in Paris in 1908. Volunteered for the French Foreign Legion in World War I, became a naturalised French citizen in 1938 * Fahrelnissa Zeid * Michel Adlen (1898-1980), born a Ukrainian Jew in the Russian Empire, moved to Paris in 1923<ref>Lilac Gallery, New York. "Michel Adlen." [https://www.lilacgallerynyc.com/michel-adlen lilacgallerynyc.com].</ref>

===Associated with artists=== *Albert C. Barnes, whose buying trip to Paris gave many School of Paris artists their first break<ref name=WP /> *Waldemar George, unfriendly art critic<ref name=WP /> *Peggy Guggenheim, art dealer, art collector *Paul Guillaume, art dealer introduced to de Chirico by Apollinaire<ref name=why>Robert Jenson, ''Why the School of Paris Is Not French'', Purdue University, Artl@s Bulletin, 2013</ref> *Jonas Netter, an art collector<ref name=WP /> *Madeline and Marcellin Castaing, collectors<ref name=WP /> *André Warnod, a friendly art critic<ref name=WP /> *Léopold Zborowski, art dealer, represented Modigliani and Soutine<ref name=WP />

==Gallery== <gallery widths="180" heights="180"> File:Jean Metzinger, c.1906, Femme au Chapeau (Woman with a Hat), oil on canvas, 44.8 x 36.8 cm, Korban Art Foundation..jpg|Jean Metzinger, ''Femme au Chapeau (Woman with a Hat)'', c.1906, oil on canvas, 44.8 x 36.8 cm, Korban Art Foundation File:Marc Chagall, 1912, still-life (Nature morte), oil on canvas, private collection.jpg|Marc Chagall, ''Still-life (Nature morte)'', 1912, oil on canvas, private collection File:Robert Delaunay - Simultaneous Contrasts-Sun and Moon - 1912.jpg|Robert Delaunay, ''Simultaneous Contrasts: Sun and Moon'', 1912–13, oil on canvas, The Museum of Modern Art, New York City File:Moïse Kisling, 1913, Nu sur un divan noir, oil on canvas, 97 x 130 cm, published in Montjolie, 1914.jpg|Moïse Kisling, ''Nu sur un divan noir'', 1913, oil on canvas, 97 x 130 cm File:Amedeo Modigliani 036.jpg|Amedeo Modigliani, ''Portrait of Chaïm Soutine'', 1916 File:Amedeo Modigliani - Jacques and Berthe Lipchitz - Google Art Project.jpg|Amedeo Modigliani, ''Jacques and Berthe Lipchitz'', 1916 File:Jacques Lipchitz, 1920, Portrait of Jean Cocteau.jpg|Jacques Lipchitz, ''Portrait of Jean Cocteau'', 1920 File:Paysage de Céret, Chaïm Soutine (1919) - Musée d'art et d'histoire du Judaïsme.jpg|Chaïm Soutine, ''Céret Landscape'', c. 1920, oil on canvas, 55 x 65 cm, Musée d'Art et d'Histoire du Judaïsme File:Abraham Mintchine - Portrait of the Artist as a Harlequin 1931.jpg|Abraham Mintchine, ''Portrait of the artist as a Harlequin,'' oil on canvas, c.1931, 72.5x50cm, Tate gallery </gallery>

== See also == {{columns-list|colwidth=22em| * Informalism * Art Deco * ''Années folles'' * Yitzhak Frenkel * Gertrude Stein * Ernest Hemingway * Marcel Proust * Marc Chagall * Michel Kikoine * Amedeo Modigliani }}

==References== {{Reflist}}

== Further reading == * {{cite book|title=Shocking Paris: Soutine, Chagall and the Outsiders of Montparnasse|author=Stanley Meisler|publisher=Palgrave Macmillan|year=2015}} * {{cite book|author=West, Shearer|title=The Bullfinch Guide to Art|location=UK|publisher=Bloomsbury Publishing|year=1996|isbn=978-0-8212-2137-2|url-access=registration|url=https://archive.org/details/bulfinchguidetoa0000west}} * {{cite book|author=Nieszawer, Nadine|title = Peintres Juifs à Paris 1905-1939|location=Paris | publisher= Denoel|year =2000|isbn=978-2-207-25142-3 |lang=fr}} * ''Painters in Paris: 1895-1950'', Metropolitan Museum of Art, New York, 2000 * ''Paris in New York: French Jewish Artists in Private Collections'', Jewish Museum, New York, 2000 * ''Windows on the City: The School of Paris, 1900–1945'', Guggenheim Museum, Bilbao, 2016 * ''The Circle of Montparnasse, Jewish Artists in Paris 1905-1945, From Eastern Europe to Paris and Beyond'', exhibition catalogue Jewish Museum New York, 1985 * ''[http://www.lairarts.com/news/enriched-by-otherness-impact-of-the-ecole-de-paris Enriched by Otherness: Impact of the Ecole de Paris]'', written in French by Juliette Gaufreteau, Sorbonne University, translation by Lily Pouydebasque, University College of London. Article available on [http://www.lairarts.com/ L'AiR Arts] Association website.

== External links == {{Commons category|École de Paris}} * {{in lang|fr|en}} [http://www.ecoledeparis.org?lang=en Nadine Nieszawer's website, dedicated to the School of Paris 1905-1939] (includes many biographies) * [https://web.archive.org/web/20110707165526/http://www.arteseleccion.com/movimientos-en/escuela-paris-1 The Second Spanish School of Paris] * [https://web.archive.org/web/20110726013153/http://ecole-de-paris.org/ecole-de-paris.html Website for Jewish art of the School of Paris circle] * {{usurped|1=[https://web.archive.org/web/20170612024133/http://school-of-paris.org/ school-of-paris.org]}}: community website open to any fan to École de Paris in the world * [https://web.archive.org/web/20140608143846/http://www.applicat-prazan.com/en/l-ecole-de-paris/ The School of Paris 1945 – 1965] *[https://www.guggenheim.org/artwork/movement/school-of-paris/ Guggenheim holdings by School of Paris artists]

Category:School of Paris Category:Art Informel and Tachisme Category:Modern art Category:History of Paris Category:French art movements