{{Use American English|date=January 2025}} {{Use mdy dates|date=January 2025}}
{{Infobox television episode | series = Atlanta | image = Donald Glover as Teddy Perkins.jpg | image_size = 250<!-- raw number. "px" not required. --> | alt = A pale man smiles in a sinister fashion while threatening someone with a gun. | caption = Teddy Perkins, played by series creator Donald Glover, threatens Darius with a gun. | season = 2 | episode = 6 | director = Hiro Murai | writer = Donald Glover | music = | photographer = | editor = | production = XAA02006 | airdate = {{Start date|2018|4|5}} | length = 34 minutes | guests = * Khris Davis as Tracy * Chris Jarell as Young Benny | prev = Barbershop | next = Champagne Papi | season_article = Atlanta season 2 | episode_list = List of Atlanta episodes }}
"'''Teddy Perkins'''" is the sixth episode of the second season of the American comedy-drama television series ''Atlanta'', and the sixteenth episode of the series overall. It was originally broadcast on FX in the United States on April 5, 2018. The episode features series regular Darius Epps visiting a mansion to pick up a free piano, where he encounters a strange man named Teddy Perkins. Against the phone advice of Alfred, Darius continues his attempt to leave with the piano, and discovers that Perkins intends to turn the mansion into a museum.
In a deviation from the typical comedic structure of ''Atlanta'', series creator Donald Glover wrote the episode and played the titular Teddy Perkins character with more of a dramatic/horror bent. Hiro Murai directed the episode, his eleventh directorial credit for ''Atlanta''. The episode is longer than a typical ''Atlanta'' episode, running 34 minutes. In its initial airing, the episode was shown by FX with no commercial breaks.
The episode was praised, with some critics lauding it as one of the show's most innovative episodes. It received 776,000 viewers in its initial airing, and 1.77 million viewers in total with DVR viewership.
==Plot== {{Quote box | quote = "Darius is trippin in this one. Y'all know I woulda been left." | source = Official description in the press release for the episode.<ref>{{Cite web |title=Listings {{!}} TheFutonCritic.com |url=http://www.thefutoncritic.com/listings/20180305fx04/ |access-date=2025-12-08 |website=www.thefutoncritic.com}}</ref> | align = right | width = 32em | bgcolor = #ADD8E6 | quoted = true }}Darius (LaKeith Stanfield) answers a message board advertisement for a valuable piano owned by a famous musician named Benny Hope. This leads him to a mansion owned by a pale, idiosyncratic man with a mask-like face named Theodore "Teddy" Perkins (Donald Glover). Teddy exhibits strange and unsettling behavior during their conversations. He claims that Benny is his brother, whom he watches over. Teddy will not let Darius meet Benny, as he uses a wheelchair and has a skin condition that makes him extremely photosensitive.
After exploring some of the mansion, Darius calls Alfred (Brian Tyree Henry) who urges him to be direct and leave as soon as possible. Darius hypothesizes that the man he has been dealing with is actually Benny, and uses the persona of Teddy to cope with his dwindling career and physical condition. Teddy then shows Darius the mansion's gift shop and informs him that he is turning the mansion into a museum and historical site. Teddy also claims that he and Benny were physically abused by their father in his desire to make the two of them musical prodigies.
Darius is eventually granted the piano and attempts to leave via the elevator. A malfunction takes him to the mansion's basement where he encounters a man in a wheelchair, dark sunglasses and heavy bandages, presumed to be Benny (Derrick Haywood). Benny, unable to speak due to the bandages covering his face, warns Darius by writing on a small chalkboard that "Teddy [will] kill us both" and that he should retrieve a gun located in the attic. Darius, believing that Benny is actually Teddy in a disguise, ignores this and attempts to leave with the piano immediately. Reaching the porch, he discovers that Teddy is blocking the loading bay of Darius's rental truck with his car. Darius returns to the house to ask Teddy to move the vehicle.
For protection, Darius picks up a wrought-iron fireplace poker and locates Teddy upstairs by following the vague sound of light piano. He enters a large study and discovers Teddy, alone, watching a home movie of his father giving Benny a piano lesson. Darius, unnerved, asks for the restroom. Teddy mentions that the restroom is up the stairs further, near the attic, before revealing a large double-barreled shotgun.
Teddy holds Darius at gunpoint, and states that Darius will be his "sacrifice." He marches Darius down to the foyer and forces him to handcuff himself, and reveals his plan to kill Darius and stage the scene like a home invasion by an "obsessed" fan in order to increase interest in his planned museum. As Teddy sets down his shotgun, Darius unsuccessfully attempts to dissuade Teddy from following through with his plan by sympathizing with his past, revealing that he too had an abusive father.
Despite Darius's effort, Teddy prepares to go ahead with his plan. The elevator door opens. To both men's surprise, the injured Benny exits the elevator and enters the room, revealing that Teddy was telling the truth about Benny: he exists. Benny picks up Teddy's discarded shotgun as Teddy exclaims "Benny, you're alive." As Benny lifts the gun, a bloody wound can be seen on his abdomen, implying that Teddy may have attempted to kill his brother, and that his ultimate plan was to frame Darius for his murder.
Benny shoots Teddy dead before using the fireplace poker he takes from Darius to pull the trigger, shooting himself in the head. The police arrive and haul off the corpses, along with the piano as crime scene evidence as a visibly disturbed Darius drives away empty-handed in his U-Haul truck.
==Production== {{Infobox character | name = Teddy Perkins | series = Atlanta | image = | caption = | first_minor = Teddy Perkins | first_major = Atlanta | first_date = April 5, 2018 | last_major = {{no italic|70th Primetime Emmy Awards}} | last_date = September 18, 2018 | creator = {{plainlist| * Donald Glover * Hiro Murai }} | portrayer = {{plainlist| * Donald Glover {{small|(uncredited)}} * Jay Pharoah {{small|(Emmy Awards)}} }} | full_name = Theodore Perkins | nickname = Teddy | occupation = Caregiver | nationality = African-American (bleached) | family = Benny Hope (brother)<br />Unnamed father }} [[File:Donald Glover TIFF 2015.jpg|thumb|''Atlanta'' creator and star Donald Glover played Teddy Perkins in prosthetics.|alt=A closeup of a man smiling in front of a poster. He has a beard and black hair.]] The titular Teddy Perkins was portrayed by series star Donald Glover, who performed the role in whiteface. In addition to Glover's starring credit, the end credits list "Teddy Perkins as himself".<ref name="HimselfVulture">{{cite news|last1=McHenry|first1=Jackson|last2=Lockett|first2=Dee|title=Yes, That Was Donald Glover in Whiteface Creeping Everyone Out on ''Atlanta''|url=http://www.vulture.com/2018/04/atlanta-teddy-perkins-episode-donald-glover-in-whiteface.html|accessdate=April 17, 2018|work=Vulture|date=April 6, 2018}}</ref> Teddy's brother, Benny Hope, was played by Derrick Haywood, who had previously played a small role as a bartender in the first season of ''Atlanta''. Haywood called playing the character "an amazing experience".<ref name="ReviewVulture">{{cite news|last1=Lockett|first1=Dee|title=What It Was Like Filming ''Atlanta''{{'}}s 'Teddy Perkins' While Donald Glover Stayed in Terrifying Character on Set|url=http://www.vulture.com/2018/04/atlanta-donald-glover-teddy-perkins-backstory.html|accessdate=April 16, 2018|work=Vulture|date=April 6, 2018}}</ref> Haywood received a similar makeup and prosthetic treatment as Glover for the character, as the two were supposed to be brothers with the same skin condition.<ref name="BrothersVibe">{{cite news|last1=Thompson|first1=Desire|title=Donald Glover Remained In 'Teddy Perkins' Whiteface Character On 'Atlanta' Set|url=https://www.vibe.com/2018/04/donald-glover-teddy-perkins-whiteface-atlanta-set/|accessdate=April 18, 2018|work=Vibe|date=April 9, 2018}}</ref>
In an episode which deviated from the typical comedic structure of ''Atlanta'',<ref name="EmmyGoldDerby">{{cite news|last1=Benutty|first1=John|title=Emmy spotlight: Lakeith Stanfield delivers 'brilliant' performance in 'Atlanta' horror story 'Teddy Perkins'|url=http://www.goldderby.com/article/2018/emmy-spotlight-lakeith-stanfield-atlanta-teddy-perkins-news-135792086/|accessdate=April 17, 2018|work=Gold Derby|date=April 16, 2018}}</ref> Glover stayed in whiteface throughout the entire filming.<ref name="WhitefaceSPIN">{{cite news|last1=Arcand|first1=Rob|title=Donald Glover Stayed in Whiteface Throughout the Entire Filming of ''Atlanta''{{'}}s Eerie "Teddy Perkins" Episode|url=https://www.spin.com/2018/04/donald-glover-atlanta-whiteface-teddy-perkins/|accessdate=April 16, 2018|work=SPIN|date=April 7, 2018}}</ref> The crew referred to Glover as "Teddy" on-set, and Haywood did not know of Glover's true identity, saying that there was "no Donald on set whatsoever".<ref name="GloverIndependent">{{cite news|last1=Hooton|first1=Christopher|title=Atlanta: Donald Glover stayed in character as Teddy Perkins night and day: 'There was no Donald on set whatsoever'|url=https://www.independent.co.uk/arts-entertainment/films/news/atlanta-season-2-donald-glover-teddy-perkins-stayed-character-episode-6-darius-lakeith-stanfield-a8295726.html |archive-url=https://ghostarchive.org/archive/20220526/https://www.independent.co.uk/arts-entertainment/films/news/atlanta-season-2-donald-glover-teddy-perkins-stayed-character-episode-6-darius-lakeith-stanfield-a8295726.html |archive-date=2022-05-26 |url-access=subscription |url-status=live|accessdate=April 16, 2018|work=The Independent|date=April 9, 2018}}</ref><ref name="ReviewVulture" /> Some outlets compared the titular Teddy Perkins character to Michael Jackson.<ref name="MeaningComplex" /><ref name="CultureVulture">{{cite news|last1=Lockett|first1=Dee|last2=Heller|first2=Chris|last3=Bastién|first3=Angelica Jade|title=Every Major Pop-Culture Reference in Atlanta's 'Teddy Perkins'|url=http://www.vulture.com/2018/04/atlanta-teddy-perkins-easter-eggs.html|accessdate=April 16, 2018|work=Vulture|date=April 9, 2018}}</ref><ref name="ReviewIndieWire">{{cite news|last1=Nguyen|first1=Hanh|title='Atlanta' Review: 'Teddy Perkins' Is More Nightmarish Than 'Get Out,' and We Still Haven't Recovered|url=http://www.indiewire.com/2018/04/atlanta-teddy-perkins-review-season-2-episode-6-recap-spoilers-theories-1201949701/|accessdate=April 16, 2018|work=IndieWire|date=April 6, 2018}}</ref> ''Atlanta'' writer Stefani Robinson commented that while it was "undeniable that there are references to Michael Jackson and the idea of someone changing themselves within the industry", she saw the parallels as "more of a symbolic reference to the industry maybe and what you do for greatness, or what one will do to be perceived as great".<ref name="RobinsonIndieWire">{{cite news|last1=Nguyen|first1=Hanh|title='Atlanta' Writer on Paper Boi's Heartbreaking Loss, 'Teddy Perkins,' and Life After 'Deadpool'|url=http://www.indiewire.com/2018/04/atlanta-season-2-episode-8-woods-teddy-perkins-stefani-robinson-1201955350/|accessdate=April 22, 2018|work=IndieWire|date=April 20, 2018}}</ref>
Director Hiro Murai said that looking into Glover's face when he played the role was "like looking into a doll's face", and called it "uncanny and unsettling". He recalled a "general sense of unease on set because the cast and crew didn't know how to behave around him". Murai and cinematographer Christian Sprenger were influenced by the work of Stanley Kubrick, particularly ''The Shining'', when creating the episode.<ref name="MuraiInterview">{{cite news|last1=Jackson|first1=Leigh-Ann|title=Dream Logic: Hiro Murai on the Look of 'Atlanta'|url=https://www.nytimes.com/2018/05/09/arts/television/atlanta-director-hiro-murai-donald-glover.html|accessdate=May 19, 2018|work=The New York Times|date=May 9, 2018}}</ref>
In its initial airing on FX, "Teddy Perkins" aired commercial-free. It ran as an "extended" episode, at around 41 minutes.<ref name="MeaningComplex">{{cite news|last1=Davenport|first1=Khris|title=The Real Meaning Behind the Frightening "Teddy Perkins" Episode of 'Atlanta'|url=http://www.complex.com/pop-culture/2018/04/the-real-meaning-behind-atlanta-teddy-perkins-episode|accessdate=April 16, 2018|work=Complex|date=April 7, 2018}}</ref><ref name="LengthPitchfork">{{cite news|last1=Wicks|first1=Amanda|title=Donald Glover Stayed in Character as Teddy Perkins on "Atlanta" Set|url=https://pitchfork.com/news/donald-glover-stayed-in-character-as-teddy-perkins-on-atlanta-set/|accessdate=April 16, 2018|work=Pitchfork|date=April 7, 2018}}</ref> ''Collider'' said that the decision to run the episode commercial-free aided the episode's message of "being trapped", a theme also explored in other episodes of ''Atlanta''{{'}}s second season.<ref name="HorrorCollider">{{cite news|last1=Keene|first1=Allison|title=How 'Atlanta: Robbin Season' Has Become a Terrifying House of Horrors|url=https://collider.com/atlanta-season-2-horror/#images|access-date=April 22, 2018|work=Collider|date=April 20, 2018}}</ref> The pre-release description for the episode read, "Darius is trippin in this one. Y'all know I woulda been left."<ref name="CommercialFreePitchfork">{{cite news|last1=Kim|first1=Michelle|title="Atlanta"'s New 41-Minute Episode to Air Without Commercials|url=https://pitchfork.com/news/atlantas-new-41-minute-episode-to-air-without-commercials/|accessdate=April 22, 2018|work=Pitchfork|date=April 5, 2018}}</ref> The episode was shot at a real mansion in a suburb of Atlanta.<ref name="HimselfVulture" /> "Evil" by Stevie Wonder plays over the episode's end credits,<ref name="EndingVulture">{{cite news|last1=Bastién|first1=Angelica Jade|title=Let's Talk About the Ending of ''Atlanta''{{'}}s 'Teddy Perkins'|url=http://www.vulture.com/2018/04/atlantas-teddy-perkins-ending.html|accessdate=April 18, 2018|work=Vulture|date=April 6, 2018}}</ref> and Wonder's music is also used to open the episode,<ref name="LayersVulture">{{cite news|last1=Seitz|first1=Matt|title=The Many Layers of ''Atlanta''{{'}}s 'Teddy Perkins'|url=http://www.vulture.com/2018/04/atlanta-teddy-perkins-analyzing-its-many-layers.html|accessdate=April 17, 2018|work=Vulture|date=April 6, 2018}}</ref> in addition to being referenced by characters in the episode.<ref name="EndingVulture" /> Glover had to personally request clearance from Wonder as he did not want his music accompanying violence.<ref>{{cite web |url=https://variety.com/video/atlanta-donald-glover-stevie-wonder-music-supervisor-clearance/ |title=How Donald Glover Picked the Perfect Tracks For 'Atlanta's' Infamous 'Teddy Perkins' Episode |work=Variety |date=August 23, 2018 |accessdate=September 16, 2018}}</ref>
== Reception == "Teddy Perkins" was lauded by critics, and is considered one of the most innovative episodes in ''Atlanta''{{'}}s short history.<ref name="PlagiarismRefinery29">{{cite news|last1=Bowen|first1=Sesali|title=Indie Filmmaker Thinks "Teddy Perkins" ''Atlanta'' Episode Was "Ripped" From His Film|url=https://www.refinery29.com/2018/04/196275/atlanta-teddy-perkins-episode-movie-plagiarism-controversy|accessdate=April 16, 2018|work=Refinery29|date=April 14, 2018}}</ref> Dee Lockett of ''Vulture'' said that "Teddy Perkins" will "likely go down as one of the wildest episodes of ''Atlanta'' – and television, in general – to ever air".<ref name="ReviewVulture" /> Jim Poe of ''Junkee'' called it "the best piece of television that's aired this year".<ref name="junkee" /> ''Complex''{{'}}s Khris Davenport compared the episode's dark and unnerving tone to the social thriller film ''Get Out'',<ref name="MeaningComplex" /> as did ''Vulture''<ref name="CultureVulture" /> and ''IndieWire''.<ref name="ReviewIndieWire" /> Brian Richards of ''Pajiba'' said that his "stomach tied itself into every imaginable knot" while watching the episode.<ref name="ReviewPajiba">{{cite news|last1=Richards|first1=Brian|title=With 'Teddy Perkins,' 'Atlanta' Delivers The Most Unsettling, WTF Television Episode of 2018|url=http://www.pajiba.com/tv_reviews/who-played-teddy-perkins-in-atlanta-.php|accessdate=April 16, 2018|work=Pajiba|date=April 9, 2018}}</ref> ''Uproxx'' called the episode a "horrific acid trip" that "brings the idea of destroyed heroes to a grisly conclusion",<ref name="ReviewUproxx">{{cite news|last1=Dennis, Jr.|first1=David|title=The Second Season Of 'Atlanta' Has Been A Chilling Tour Of Broken-Down Heroes|url=https://uproxx.com/tv/atlanta-season-2-broken-heroes-donald-glover-teddy-perkins-katt-williams/2/|accessdate=April 17, 2018|work=Uproxx|date=April 12, 2018}}</ref> also calling it an "incredible episode of television".<ref name="BelatedUproxx">{{cite news|last1=Sepinwall|first1=Alan|title='Atlanta' Went Twisted, Incredible Horror Movie With 'Teddy Perkins'|url=https://uproxx.com/sepinwall/atlanta-recap-teddy-perkins-review-spoilers/|accessdate=April 18, 2018|work=Uproxx|date=April 9, 2018}}</ref> ''Gold Derby'' offered high praise for Lakeith Stanfield's performance, particularly praising the "freedom" the episode allowing Stanfield to show his range.<ref name="EmmyGoldDerby" />
The character of Teddy Perkins, and Glover's portrayal of him, was praised by critics. ''Junkee'' wrote that "Glover's frighteningly inhuman make-up is an eerie metaphor for the destructive effects of American racism".<ref name="junkee" /> ''The Huffington Post'' called him a "tormented, broken man".<ref name="ReviewHuffington">{{cite news|last1=Craven|first1=Julia|last2=Finley|first2=Taryn|title='Atlanta' Shows The Horror Of Black Childhood Trauma|url=https://www.huffingtonpost.com.au/entry/atlanta-season-2-episode-6_us_5ac7a49ee4b0337ad1e7b6c8|accessdate=April 18, 2018|work=The Huffington Post|date=April 7, 2018}}</ref> Director Steven Soderbergh called the episode the "most beautifully photographed half hour of TV" he had ever seen, adding that it was "COMPLETELY BANANAS".<ref name="DirectorTimes">{{cite news|last1=Coscarelli|first1=Joe|title=Michael Jackson, Stevie Wonder and the Other Cultural Allusions in the Creepiest 'Atlanta' Episode Yet|url=https://www.nytimes.com/2018/04/06/arts/television/atlanta-teddy-perkins-pop-culture-references.html|accessdate=April 18, 2018|work=The New York Times|date=April 6, 2018}}</ref> ''The A.V. Club'' said that ''Atlanta'' has "never felt more dangerous" than in "Teddy Perkins".<ref name="HorrorStoryAV">{{cite news|last1=Alston|first1=Joshua|title=With Darius behind the wheel, ''Atlanta'' becomes an American horror story|url=https://www.avclub.com/with-darius-behind-the-wheel-atlanta-becomes-an-americ-1825040413|access-date=April 18, 2018|website=The A.V. Club|date=April 6, 2018}}</ref> ''The New York Times'' praised the episode's deconstruction of classic horror movie tropes,<ref name="TeddyNewYorkTimes">{{cite news|last1=Jackson|first1=Leigh-Ann|title='Atlanta' Season 2, Episode 6: Whatever Happened to Teddy Perkins?|url=https://www.nytimes.com/2018/04/06/arts/television/atlanta-season-2-episode-6-recap.html|accessdate=April 18, 2018|work=The New York Times|date=April 6, 2018}}</ref> while ''Junkee'' lauded it as a "self-contained psychological horror flick", noting themes of child abuse and toxic masculinity.<ref name="junkee">{{cite web|url=https://junkee.com/teddy-perkins-atlanta/158771|title=Let's Talk About The 'Atlanta' Episode That Will Go Down As 2018's Best Piece Of TV|work=Junkee|last=Poe|first=Jim|date=May 17, 2018|accessdate=September 7, 2018}}</ref> ''IndieWire'' said that the episode "might have been the most horrific ''Atlanta'' episode to date", and said that the "sense of complacency and safety" from the previous week's more humorous "Barbershop" was "torn away". It also called the soft-boiled ostrich egg scene "perhaps one of the most disturbing sequences in the entire series".<ref name="RobinsonIndieWire" />
"Teddy Perkins" was ranked #1 on ''Time''{{'}}s list of the "Top 10 Best TV Episodes of 2018".<ref>{{cite magazine|url=https://time.com/5463609/best-tv-episodes-2018/|title=The 10 Best TV Episodes of 2018|magazine=Time|last=Berman|first=Judy|date=December 10, 2018|access-date=December 11, 2018}}</ref> "Teddy Perkins" was also on The Washington Post's list of "The 10 Best TV Episodes of 2018".<ref>{{Cite news|url=https://www.washingtonpost.com/entertainment/the-10-best-tv-episodes-of-2018-from-atlanta-to-this-is-us/2018/12/04/455d2688-e453-11e8-b759-3d88a5ce9e19_story.html|title=The 10 best TV episodes of 2018, from 'Atlanta' to 'This Is Us' |first=Bethonie |last=Butler|newspaper=Washington Post|language=en|access-date=2018-12-25}}</ref> In 2024, ''Rolling Stone'' listed it as the 10th best TV episode of all time.<ref>{{Cite magazine |last=Sepinwall |first=Alan |date=September 2, 2024 |title=The 100 Best TV Episodes of All Time |url=https://www.rollingstone.com/tv-movies/tv-movie-lists/best-tv-episodes-of-all-time-1235090945/atlanta-teddy-perkins-season-2-episode-6-1235091436/ |access-date=September 5, 2024 |magazine=Rolling Stone |language=en-US}}</ref>
The episode received 0.776 million viewers in its initial airing, with a 0.4 rating in the 18–49 demographic.<ref name="RatingsTBTN">{{cite news|last1=Welch|first1=Alex|title=Thursday cable ratings: 'Jersey Shore Family Vacation' dominates, 'Swamp People' ticks up|url=http://tvbythenumbers.zap2it.com/daily-ratings/thursday-cable-ratings-april-5-2018/|archive-url=https://web.archive.org/web/20180407004713/http://tvbythenumbers.zap2it.com/daily-ratings/thursday-cable-ratings-april-5-2018/|url-status=dead|archive-date=April 7, 2018|accessdate=April 16, 2018|work=TV by the Numbers|date=April 6, 2018}}</ref> With DVR viewership, the ratings increased to 1.77 million viewers.<ref>{{cite web|url=http://tvbythenumbers.zap2it.com/dvr-ratings/cable-live-7-ratings-for-april-2-8-2018/|archive-url=https://web.archive.org/web/20180419224450/http://tvbythenumbers.zap2it.com/dvr-ratings/cable-live-7-ratings-for-april-2-8-2018/|url-status=dead|archive-date=April 19, 2018|title='Fixer Upper' finale goes out strong: Cable Live +7 ratings for April 2–8|work=TV by the Numbers|first=Rick|last=Porter|date=April 19, 2018|accessdate=April 22, 2018}}</ref>
== Accolades == {| class="wikitable" |+ !Award !Category !Nominee(s) !Result !{{Abbr|Ref.|Reference}} |- | rowspan="2" |70th Primetime Emmy Awards |Outstanding Lead Actor in a Comedy Series |Donald Glover |{{nom}} | rowspan="2" |<ref>{{cite web|url=https://www.hollywoodreporter.com/lists/2018-emmy-nominations-list-see-all-the-nominees-1110785/item/writing-a-comedy-series-emmy-nominations-2018-1110796|title=Emmys: Netflix Beats HBO With Most Nominations|date=July 12, 2018|work=The Hollywood Reporter|accessdate=July 12, 2018}}</ref> |- |Outstanding Directing for a Comedy Series |Hiro Murai |{{nom}} |- | rowspan="4" |70th Primetime Creative Arts Emmy Awards |Outstanding Cinematography for a Single-Camera Series (Half-Hour) |Christian Sprenger |{{won}} | rowspan="4" |<ref>{{cite web|url=https://www.emmys.com/shows/atlanta|title=Atlanta|work=Emmys.com|accessdate=August 27, 2018}}</ref> |- |Outstanding Single-Camera Picture Editing for a Comedy Series |Kyle Reiter |{{nom}} |- |Outstanding Production Design for a Narrative Program (Half-Hour or Less) |Timothy O'Brien, Taylor Mosbey, Aimee Athnos |{{nom}} |- |Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation |Trevor Gates, Jason Dotts, David Barbee, Jordan McClain, Geordy Sincavage, Michael S. Head, Tara Blume and Matt Salib |{{won}} |}
==References== {{reflist}}
==External links== * {{IMDb episode|7629358}}
{{Atlanta (TV series)}}
Category:2018 American television episodes Category:Atlanta (TV series) episodes Category:Television episodes directed by Hiro Murai Category:Television episodes written by Donald Glover