{{Short description|South African artist (born 1941)}} {{autobiography|date=January 2017}} {{Use dmy dates|date=April 2022}} {{Infobox artist | name = Sue Williamson | image = SAV 2015Fall Exhibitions Portrait SueWilliamson MN WEB.jpg <!-- Deleted image removed: thumbnail| --> | caption = | birth_name = | birth_date = {{Birth date and age|1941|1|21|df=y}} | birth_place = Lichfield, England | death_date = | death_place = | movement = | awards = Visual Arts Research Award, Smithsonian Institution (2007) | patrons = | imagesize = | field = installation art, photography, video art | training = Art Students League of New York and Michaelis School of Fine Arts at the University of Cape Town | works = | influenced by = | influenced = }} thumb|261x261px| ''It's a pleasure to meet you'' (2016) from ''No More Fairy Tales'' Two-channel video, playing time 24.4mins thumb|392x392px|Rebecca Kotane, Soweto (2013) from ''All Our Mothers -'' an ongoing series of photo portraits of women dating from 1983. thumb|259x259px|''Truth Games(1998),'' Family of Guguletu Seven - why were you smiling – Capt. John Sterrenberg '''Sue Williamson''' (born 1941) is an artist and writer based in Cape Town, South Africa. thumb|Messages from the Atlantic Passage, Installation, Basel Unlimited 2017, Switzerland
== Life == Sue Williamson was born in Lichfield, England in 1941. In 1948 she immigrated with her family to South Africa. Between 1963 and 1965 she studied at the Art Students League of New York. In 1983 she earned her Advanced Diploma in Fine Art from the Michaelis School of Fine Art, Cape Town.<ref name="si.edu">{{Cite web | title = insights: Sue Williamson | author = | publisher = Smithsonian Institution | date = n.d. | access-date = 2018-08-13 | url = https://africa.si.edu/exhibits/insights/williamson-artist.html | language = | quote = }}</ref> In 2007, she received the Visual Arts Research Award from the Smithsonian Institution in Washington D.C and in 2011<ref>{{webarchive|url=https://web.archive.org/web/20130301082716/http://www.sommerakademie.zpk.org:80/en/sommerakademie-2013/guest-curator.html |date=March 1, 2013 |title=Guest Curator}}</ref> the Rockefeller Foundation Bellagio Creative Arts Fellowship.<ref>{{webarchive|url=https://web.archive.org/web/20130301203157/http://www.rockefellerfoundation.org/bellagio-center/bellagio-creative-arts-fellows/about-program/sue-williamson|date=March 1, 2013|title=Sue Williamson}}</ref> In 2013, she was a guest curator of the summer academy at the Zentrum Paul Klee in Bern.
== Work ==
Williamson's work engages with themes related to memory and identity formation. Trained as a printmaker, Williamson has worked across a variety of media including archival photography, video, mixed media installations, and constructed objects.
In ''One Hundred and Nineteen Deeds of Sale'' (2018), the names given by slave masters, ages, sexes, and places of birth, along with the names of buyers and sellers, prices paid, and the date of purchase of people from the slave trade in India are written in black ink on cotton shirts. The shirts are imported from India, dipped into muddy waters drawn from the Cape Coast Castle, and hung around the grounds until Heritage Day, September 24, 2019. They are then taken down and returned to India, where they are washed clean and rehung as an installation at the Aspinwall House in Kochi. These people were transported by Dutch East India Company to work at the Cape Town Castle and the Company's Gardens. One Hundred and Nineteen Deeds of Sale Williamson incorporates the history and memory of the slave trade in order to transform the stigmatizing history into a history that can address and combat global inequalities. Upon opening the exhibition, Williamson read extracts of historical accounts while a woman picked up each shirt, read out the information on it, and then took it inside to be dipped in mud and hung on a washing line. [https://www.iol.co.za/capetimes/news/art-brings-history-of-slave-trade-to-life-17112115 Art brings history of slave trade to life] The installation tells a story of loss and symbolizes the essence of a person that is floating in the wind, but all that remains is their memory.<ref name="100Deeds">{{cite web |title=Sue Williamson, 'One Hundred and Nineteen Deeds of Sale' |url=https://www.artfromus.in/artwork-in-focus-sue-williamson-one-hundred-and-nineteen-deeds-of-sale/ |website=Art From Us |date=17 April 2019}}</ref>
Williamson’s 2016 work, ''The Lost District,'' is an homage to South Africa’s District Six. Like much of her other work,<ref>{{Cite book |last=Gevisser |first=Mark |url=https://caccl-antonio.primo.exlibrisgroup.com/permalink/01CACCL_ANTONIO/5nm39k/alma991000728529705277 |title=Sue Williamson: Life and Work |publisher=Skira |year=2015 |isbn=9788857228679 |location=Milano, Italy}}</ref> ''The Lost District'' addresses the effects of apartheid on South Africans. District Six was culturally and ethnically diverse until more than 60,000 of its non-white residents were forced to relocate by the South African government during apartheid.<ref>{{Cite web |title=About District Six {{!}} District Six |url=https://www.districtsix.co.za/about-district-six/ |access-date=2023-05-24 |language=en-ZA}}</ref> This installation consists of plexiglass engravings of street-view images of what district six used to look like based on archival images.<ref>{{Cite web |title=Work in progress: Bringing District Six back to life |url=https://www.timeslive.co.za/news/south-africa/2016-02-09-work-in-progress-bringing-district-six-back-to-life/ |access-date=2023-05-24 |website=TimesLIVE |language=en-ZA}}</ref> Steel bars cover the engravings, representing the actions of the South African government.<ref>{{Cite web |last=Artsy |date=2016-02-22 |title=South African Past Is Present in Sue Williamson's New Show at Goodman Gallery |url=https://www.artsy.net/article/artsy-south-african-past-is-present-in-sue-williamson-s-new-show-at-goodman-gallery |access-date=2023-05-24 |website=Artsy |language=en}}</ref> During the exhibition, Williamson engraved a window in the gallery that overlooks the remains of District Six with a reconstruction of what District Six may have looked like in the 1960s.<ref>{{Cite web |last=Shorkend |first=Danny |date=23 February 2016 |title=Beauty offset by stark reality |url=https://www.iol.co.za/capetimes/arts-portal/visual-arts/beauty-offset-by-stark-reality-1988818 |url-status=live |archive-url=https://web.archive.org/web/20220628102545/https://www.iol.co.za/capetimes/arts-portal/visual-arts/beauty-offset-by-stark-reality-1988818 |archive-date=28 June 2022 |access-date=24 May 2023 |website=IOL}}</ref> With this engraving, Williamson aimed to “record the old buildings which still stood, mainly churches and mosques and schools, along with those hundreds of cottages and terrace houses which had been destroyed.”<ref>{{Cite web |title=Sue Williamson's Diary: Window over a lost district |url=https://artthrob.co.za/2016/03/08/sue-williamsons-diary-window-over-a-lost-district/|date= 8 March 2016|access-date=2023-05-24 |website=ArtThrob |language=en-US}}</ref>
Williamson has produced many forms of resistance art that examines the history of South Africa.<ref>{{Cite web|title=Untitled Document|url=https://www.proquest.com/docview/2503386321|access-date=2021-04-09|website=libris.mtsac.edu|id={{ProQuest|2503386321}} }}</ref> and in 2009 set her artistic view to exploring globalization with her ongoing piece, ''Other Voices, Other Cities'', which was included in Push the Limits.<ref>{{Cite web|title=PUSH THE LIMITS|url=https://www.fondazionemerz.org/en/push-the-limits/|access-date=2021-04-09|website=Fondazione Merz|language=en}}</ref> exhibition, of February 2021, in Italy. She is the founding editor of “Artthrob.co.za”.<ref>{{Cite web|title=Sue Williamson & Guy Tillim Bundle|url=https://artthrob.co.za/product/sue-williamson-guy-tillim-limited-offer-bundle/|access-date=2021-04-09|website=ArtThrob|language=en-US}}</ref>
== Public collections == Williamson's work is in the collection of a variety of museums, including the Museum of Modern Art in New York,<ref name="MoMA">{{Cite web | title = Sue Williamson | author = n.d. | work = MoMA | date = | access-date = 2018-08-13 | url = https://www.moma.org/artists/28222 | quote = }}</ref> the National Museum of African Art - Smithsonian Institution in Washington D.C., the Iziko South African National Gallery in Cape Town, and the Victoria and Albert Museum in London. Williamson has also participated in group exhibitions including ''The Short Century'' (2001), ''Liberated Voices'' (1999), the Johannesburg Art Biennale (in 1997 and 1995), the Havana Biennale (1994), and the Venice Biennale (1993).
== Selected exhibitions == {{BLP unreferenced section|date=October 2020}} * 2000: ''Messages from the Moat'', Archive Building, Den Haag, the Netherlands * 2001: ''Can't forget, can't remember'', Iziko South African National Gallery, Cape Town, South Africa * 2002: ''The Last Supper Revisited'', National Museum of African Art, Smithsonian Institution, Washington D.C., USA * 2003: ''Sue Williamson: Selected Work'', Centre d’Art Contemporain, Brussels, Belgium* * 2004: ''Messages from the Moat'', Castle of Good Hope, Cape Town * 2009: ''The Truth is on the Walls'', Wifredo Lam Centre, Havana, 10th Havana Biennale, Cuba* * 2012: ''The Mothers: a 31 Year Chronicle'', Castle of Good Hope, Cape Town * 2014: ''There's something I must tell you'', Iziko Slave Lodge, Cape Town * 2015: ''Other Voices, Other Cities'', SCAD Museum, Savannah, Georgia, USA * 2016: ''Other Voices, Other Cities'', SCAD Atlanta: Gallery 1600, Georgia, USA * 2017: ''Can't Forget, Can't Remember'', Apartheid Museum, Johannesburg, South Africa * 2017: ''Being There: South Africa, a contemporary scene'', Foundation Louis Vuitton, Paris, France * 2017: ''Messages from the Atlantic Passage'', Installation, Basel Unlimited, Basel, Switzerland * 2025: ''There’s something I must tell you: a retrospective exhibition'', Iziko South African National Gallery, Cape Town, South Africa<ref>{{cite web |title=Sue Williamson – There's something I must tell you: a retrospective exhibition. |url=https://www.iziko.org.za/news/iziko-technicians-experience-update-palaeontological-society-of-south-africa-conference-2024-copy-2/ |website=Iziko: Museums of South Africa}}</ref>
== Publications == In 1997, Williamson established ArtThrob, an online publication that features the work of contemporary South African artists.
* {{cite book|display-authors=0|first=Sue|last=Williamson|title=South African Art Now|location= New York|publisher= Collins Design|date= 2009|isbn=978-0061343513|url={{google books|plainurl=yes|id=f-kyjW4LfugC}} }} * {{cite book|last1=Williamson|first1=Sue |last2=Dawes|first2=Nicholas M. |editor1=Fabienne Dumont|editor2= Linda Givon|title=Sue Williamson: Selected Work|url=https://books.google.com/books?id=04qwjlZ2AdQC|year=2003|publisher=Juta|isbn=978-1-919930-24-4|display-authors=0}} * {{cite book|display-authors=0|first1=Sue|last1=Williamson|title=Art in South Africa: The Future Present|first2=Ashraf |last2=Jamal|location= Cape Town|publisher= David Philip|date= 1996}} *{{cite book|last=Williamson|first=Sue |title=Resistance Art in South Africa|url=https://books.google.com/books?id=q3uueLZ4mwAC|year=2010|publisher=Juta|isbn=978-1-919930-69-5|display-authors=0}}
== References == {{Reflist}}
== General references == * Grania Ogilvy, ''Dictionary of South African Sculptors and Painters'', Everard Read, 1989. * Betty La Duke, ''Africa through the Eyes of Women Artists'', Africa World Press, 1991. * Richard J Powell, ''Black Art and Culture in the 20th Century'', World of Art Series, Thames & Hudson, 1997. * Philippa Hobbs & Elizabeth Rankin, ''Printmaking in a transforming South Africa'', David Philip Publishers, Cape Town, 1997. * Olu Oguibe & Okwui Enwezor, ''Reading the Contemporary: African Art from Theory to Marketplace'', MIT Press, 1999. * Sidney Littlefield, ''Contemporary African Art'', Thames & Hudson, 1999. * N'Gone Fall & Jean Pivin, ''Anthologie de l'Art Africain du Xxe Siecle'', Revue Noir, 2001. * {{Cite journal | title = Sue Williamson | last = Gurney | first = Kim | journal= Artthrob | date = November 2003 | access-date = 2018-08-13 | url = http://www.artthrob.co.za/03nov/artbio.html | issue=75}} * Nicholas M. Dawes, ''Sue Williamson: Selected Work'', Juta and Company Ltd, 2003. * Emma Bedford and Sophie Perryer, ''10 Years 100 Artists: Art In A Democratic South Africa'', Struik, 2004. * Petra Stegmann, ''[http://www.culturebase.net/artist.php?1215 Sue Williamson]'' in Culturebase, 2007. * {{Cite web | title = Sue Williamson celebrates an enduring female legacy | last = Jason | first = Stefanie | work = The M&G Online | date = 31 May 2013 | access-date = 2018-08-13 | url = http://mg.co.za/article/2013-05-31-00-sue-williams-celebrates-an-enduring-female-legacy | quote = }} *{{cite book|last=Gevisser|first=Mark |title=Sue Williamson: Life and Work|url=https://books.google.com/books?id=i3b_sgEACAAJ|year=2015|publisher=Skira|isbn=978-88-572-2867-9}}
== External links == * {{official website|http://www.sue-williamson.com/}} * [http://www.sahistory.org.za/people/sue-williamson Sue Williamson on South African History Online]
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{{DEFAULTSORT:Williamson, Sue}} Category:1941 births Category:Living people Category:20th-century South African women artists Category:21st-century South African women artists Category:Art Students League of New York alumni Category:Artists from Staffordshire Category:English emigrants to South Africa Category:People from Lichfield Category:South African contemporary artists