{{Short description|American visual artist}} {{Infobox artist | name = Sondra Perry | image = | image_size = | alt = | caption = | birth_name = | birth_date = {{birth year and age|1986}} | birth_place = Perth Amboy, New Jersey, U.S. | death_date = | death_place = | education = Alfred University, Columbia University | spouse = | field = | training = | movement = | works = | patrons = | influenced by = | influenced = | awards = Gwendolyn Knight and Jacob Lawrence Prize (2017) | elected = | website = {{URL|sondraperry.com}} | bgcolour = | signature = }} '''Sondra Perry''' is an interdisciplinary artist who works with video, computer-based media, installation, and performance.<ref name="Sondra Perry: Typhoon coming on">{{Cite news|url=http://www.serpentinegalleries.org/exhibitions-events/sondra-perry-typhoon-coming-on|title=Sondra Perry: Typhoon coming on|work=Serpentine Galleries|access-date=2018-03-30|language=en}}</ref> Perry's work investigates "blackness, black femininity, African American heritage"<ref name="Sondra Perry: Typhoon coming on" /> and the portrayal or representation of black people throughout history,<ref name="nytimes critic pick">{{cite news|url=https://www.nytimes.com/2016/11/24/arts/design/what-to-see-in-new-york-city-galleries-this-week.html|title=What to See in New York City Galleries This Week|last1=Heinrich|first1=Will|date=24 November 2016|work=The New York Times|access-date=3 March 2017}}</ref><ref name="artforum critic pick">{{cite web|url=https://www.artforum.com/picks/id=64976|title=Sondra Perry|last1=Kross|first1=Margaret|work=Artforum|access-date=3 March 2017}}</ref><ref name="Sondra Perry: Typhoon coming on" /> focusing on how blackness influences technology and image making.<ref>{{Cite news|url=http://www.villagevoice.com/arts/sondra-perry-explores-the-intersection-of-technology-and-black-history-in-america-9404292|archive-url=https://web.archive.org/web/20161201135020/http://www.villagevoice.com/arts/sondra-perry-explores-the-intersection-of-technology-and-black-history-in-america-9404292|url-status=dead|archive-date=December 1, 2016|title=Sondra Perry Explores the Intersection of Technology and Black History in America|last=Krasinski|first=Jennifer|date=2016-11-30|work=The Village Voice|access-date=2017-03-04}}</ref> Perry explores the duality of intelligence and seductiveness in the contexts of black family heritage, black history, and black femininity.<ref name="Bomb Magazine">{{cite web |last1=Trouillot |first1=Terence |title=Sondra Perry's Resident Evil |url=https://bombmagazine.org/articles/sondra-perry-s-em-resident-evil-em/ |access-date=3 October 2022 |work=Bomb Magazine}}</ref><ref>{{cite web|url=http://www.artinamericamagazine.com/news-features/magazine/first-look-sondra-perry/|title=First Look: Sondra Perry|last1=Lynne|first1=Jessica|work=Art in America|date=29 January 2016 |access-date=4 March 2017}}</ref> "Perry is committed to net neutrality and ideas of collective production and action, using open source software to edit her work and leasing it digitally for use in galleries and classrooms, while also making all her videos available for free online. This principle of open access in Perry's practice aims to privilege black life, to democratize access to art and culture, and to offer a critical platform that differentiates itself from the portrayal of blackness in the media".<ref name="Sondra Perry: Typhoon coming on" /> For Perry, blackness is a technology which creates fissures in systems of surveillance and control and thus creates inefficiency as an opportunity for resistance.<ref>{{Cite journal|last=Driscoll|first=Megan|date=2021-10-02|title=The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry|url=|journal=Art Journal|language=en|volume=80|issue=4|pages=8–23|doi=10.1080/00043249.2021.1947700|s2cid=245534387 |issn=0004-3249}}</ref>
== Career == Sondra Perry received a BFA from Alfred University in 2012, and an MFA from Columbia University in 2015.<ref>{{Cite web|url=http://incainstitute.org/sondra-perry/|title=Sondra Perry {{!}} INCA|publisher=incainstitute.org|language=en-US|access-date=2017-03-04}}</ref> Perry has been an adjunct faculty member at Columbia University School of the Arts as of 2019, where she has taught Advanced Video to both graduate and undergraduate students.<ref>{{Cite web|url=https://arts.columbia.edu/news/vaadjunct-faculty-member-sondra-perry-solo-exhibition|title=VA_Adjunct Faculty Member Sondra Perry in Solo Exhibition|website=Columbia - School of the Arts|language=en|access-date=2019-02-05}}</ref> Perry has had multiple solo exhibitions, including at The Kitchen, for her work "Resident Evil",<ref name="Artforum Sondra Perry">{{cite web|url=https://www.artforum.com/picks/id=64976|title=Sondra Perry|work=Artforum|access-date=4 March 2017}}</ref> and at the Institute for New Connotative Action.<ref>{{Cite web|url=http://temporaryartreview.com/sondra-perry-at-inca/|title=Sondra Perry at INCA {{!}} Temporary Art Review|date=2 December 2015 |publisher=temporaryartreview.com|language=en-US|access-date=2017-03-04}}</ref> Her work has been exhibited at MoMA PS1<ref name=":1">{{cite web|url=https://www.artinamericamagazine.com/news-features/magazines/first-look-sondra-perry/|title=First Look: Sondra Perry|last1=Lynne|first1=Jessica|work=Art in America|date=29 January 2016 |access-date=4 March 2017}}</ref><ref name="MoMA PS1">{{cite web|url=http://momaps1.org/exhibitions/view/403|title=Greater New York|website=MoMA PS1|access-date=4 March 2017}}</ref> The Museum of Contemporary Art in Los Angeles,<ref>{{cite web|url=http://www.moca.org/stream/post/sondra-perry-netherrrrrrrrrrrrrrrrrrrrrrrrrrrr|title=OPEN WINDOW: Sondra Perry, netherrrrrrrrrrrrrrrrrrrrrrrrrrrr 1.0.2|website=MoCA|access-date=4 March 2017}}</ref> and online at Rhizome.<ref>{{Cite news|url=http://rhizome.org/editorial/2017/oct/26/an-introduction-to-new-black-portraitures/|title=An introduction to New Black Portraitures|work=Rhizome|access-date=2018-03-04}}</ref> Perry's video work has been screened at Tribeca Cinemas in New York, Les Voutes in Paris, France, LuXun Academy of Fine Arts Museum in Shenyang, China, and at the LOOP Barcelona Media Arts Festival.<ref>{{Cite news|url=http://www.squeaky.org/event/sondra-perry-flesh-out/2017-01-20/|title=Sondra Perry: flesh out|date=2017-01-09|work=Squeaky Wheel Film & Media Art Center|access-date=2017-03-04|language=en-US}}</ref> From January to May 2017, Sondra Perry had a solo exhibition, ''flesh out'', at Squeaky Wheel Film and Media Art Center in Buffalo, New York.<ref name="Squeaky 2017">{{cite book|last1=Squeaky Wheel Film and Media Art Center|title=Sondra Perry: flesh out|date=2017|publisher=Squeaky Wheel Film and Media Art Center|location=Buffalo, New York}}</ref> Perry was awarded a 2017 Louis Comfort Tiffany Foundation Grant,<ref>{{Cite web|url=http://louiscomforttiffanyfoundation.org/grant_programs.html|title=Grant Programs|website=louiscomforttiffanyfoundation.org|language=en|access-date=2018-03-10}}</ref> and the 2017 Gwendolyn Knight and Jacob Lawrence Prize, which includes a solo show at the Seattle Art Museum and a $10,000 stipend.<ref>{{Cite web|url=http://www.artnews.com/2018/02/15/2017-tiffany-foundation-grant-recipients/|title=Here Are the 2017 Tiffany Foundation Grant Recipients|last=Russeth|first=Andrew|date=2018-02-15|website=ARTnews|language=en-US|access-date=2018-02-24}}</ref><ref name=":2">{{Cite news|url=https://www.artforum.com/news/id=65854|title=Sondra Perry Wins Seattle Art Museum's 2017 Gwendolyn Knight and Jacob Lawrence Prize|work=Artforum|access-date=2017-03-04|language=en-us}}</ref><ref name=":3">{{Cite web|url=http://www.culturetype.com/2017/01/24/sondra-perry-wins-2017-gwendolyn-knight-and-jacob-lawrence-prize/|title=Sondra Perry Wins 2017 Gwendolyn Knight and Jacob Lawrence Prize {{!}} Culture Type|date=25 January 2017 |access-date=2017-03-04}}</ref> She has also received the Worldstudio AIGA Scholarship and a scholarship from the Skowhegan School of Painting and Sculpture, an artists residency in Maine.<ref>{{Cite web|url=https://www.aiga.org/2013-2014-worldstudio-aiga-scholarship-winners|title=2013–2014 Worldstudio AIGA Scholarship winners|website=AIGA: the professional association for design}}</ref><ref>{{Cite web|url=https://www.skowheganart.org/event/2016/10/8/symposium-what-the-feminist-body-wants-explicit-about-what|title=Symposium // What the Feminist Body Wants + Explicit About What?|website=Skowhegan School of Painting & Sculpture|language=en-US|access-date=2019-01-30}}</ref> Perry is the first recipient of MOCA Cleveland's Toby's Prize, valued at $50,000.<ref>{{Cite web|url=http://www.artnews.com/2018/06/19/moca-cleveland-names-sondra-perry-first-winner-50000-tobys-prize/|title=MOCA Cleveland Names Sondra Perry First Winner of $50,000 Toby's Prize|last=Greenberger|first=Alex|date=2018-06-19|website=ARTnews|language=en-US|access-date=2018-07-22}}</ref> In 2018 Perry also won the $28,000 Nam June Paik Award given by the Kunststiftung NRW arts foundation to honor artists working in media art.<ref>{{Cite web|url=https://www.artforum.com/news/sondra-perry-wins-2018-nam-june-paik-award-77579|title=Sondra Perry Wins 2018 Nam June Paik Award|website=www.artforum.com|date=12 November 2018 |language=en-US|access-date=2019-01-27}}</ref>
=== Black Girl as a Landscape (2010) === In Perry's single-channel video installation, ''Black Girl as a Landscape'', the camera slowly pans over the silhouette of a horizontally framed girl, abstracting her body. Perry states this intended to reflect her interest in "the possibility of abstraction as a way of creating dimensionality that connections individual bodies to larger visual and environmental ecologies."<ref>{{Cite web|url=https://www.eai.org/titles/black-girl-as-a-landscape|title=Electronic Arts Intermix: Black Girl As A Landscape, Sondra Perry|website=www.eai.org|access-date=2019-02-05}}</ref><ref>{{Cite web|url=http://www.artnews.com/2017/07/07/at-spruth-magers-in-los-angeles-a-necessary-and-immensely-flawed-exhibition-showcased-black-women-artists/|title=At Sprüth Magers in Los Angeles, a Necessary—and Immensely Flawed—Exhibition Showcased Black Women Artists|last=Wagley|first=Catherine G.|date=2017-07-07|website=ARTnews|language=en-US|access-date=2019-02-05}}</ref>
=== Red Summer (2010) === This photo series depicts Perry's grandparents in their backyard obscured by smoke bombs. The photographs reflect the physical destruction seen in cities such as Washington and Chicago during the race riots of 1919, referred to as Red Summer.<ref name=":1" />
=== Double Quadruple Etcetera Etcetera I (2013) === Exhibited at the Studio Museum in Harlem, ''Double Quadruple Etcetera Etcetera I'' showcases a 30-second loop of a man dancing in a white room looped over 9 minutes. The video was also featured in the Seattle Art Museum's show ''Disguise: Masks and Global African Art'', which toured at the Fowler Museum at UCLA and the Brooklyn Museum in New York, after its Seattle debut. It is now available for public viewing at the Solomon R. Guggenheim Museum, as a part of their exhibition titled ''Going Dark: The Contemporary Figure at the Edge of Visibility'' from October 2023 until April 2024. <ref name=":0">{{Cite web|url=http://www.artnews.com/2016/03/15/abstraction-isnt-neutral-sondra-perry-on-the-ncaa-subjecthood-and-her-upcoming-projects/|title='Abstraction Isn't Neutral': Sondra Perry on the NCAA, Subjecthood, and Her Upcoming Projects {{!}} ARTnews|website=www.artnews.com|date=15 March 2016 |language=en-US|access-date=2017-03-11}}</ref><ref name=":3" />
'''<big>42 Black Panther Balloons on 125th Street (2014)</big>'''
With an eye for both the humorous and the political, Perry created ''42 Black Panther Balloons on 125th Street,'' in which she carried a bunch of mylar black panther balloons around town. One still shows the balloons held on a street corner in such a way that it both obscures the person holding them and merges with them to become what is described as an awkward and politically charged body .<ref>{{Cite news|url=https://www.huffingtonpost.com/entry/body-utopia_us_55e883b3e4b0aec9f3568080|title='Body Utopia' Explores The Explosive Beauty Of Nonconforming Bodies|last=Frank|first=Priscilla|date=2015-09-04|work=Huffington Post|access-date=2019-01-27|language=en-US}}</ref> Some of the same kind of balloons are used in her single channel YouTube video, ''Black Panther Cam'', of a smaller cluster of black panther mylar balloons floating in the artist's studio.
=== Lineage for a Multiple Monitor Workstation: Number One (2015) === This 26-minute two-channel video depicts identity as a construction that can be explored through ritual.<ref>Lynne, J. (2016). Sondra Perry. Art In America, (2), 23.</ref><ref>{{Cite web|url=http://artfcity.com/2015/07/07/stories-made-with-love-sondra-perrys-lineage-for-a-multiple-monitor-workstation/|title=Stories Made With Love: Sondra Perry's Lineage for a Multiple-Monitor Workstation|last=Johnson|first=Paddy|date=2015-07-07|website=Art F City|language=en-US|access-date=2019-03-19}}</ref> Perry developed this piece as a narrative about her family, and includes family memories that are edited between song clips and computer effects.<ref name=":0" />
=== Resident Evil (2016) === [[File:Graft and Ash for a Three Monitor Workstation, 2016, Sondra Perry at Hirshhorn.jpg|thumb|right|''Graft and Ash for a Three Monitor Workstation'' (2016) at the Hirshhorn Museum and Sculpture Garden in 2022]] Exhibited at The Kitchen in New York, NY. The show featured the video ''{{proper name|netherrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr 1.0.3}}'' which juxtaposes images of the "blue screen of death" (which signifies a Windows operating system fatal error), law enforcement's "blue wall of silence", police raids, images of fifteen black women killed by police, Bill Gates dancing, and an avatar of Perry. The video resembles the role of bodies and labor in digital production, with the images of victims of police violence underscoring how violence done to one black body is done to all.<ref>{{cite journal |last1=Korman |first1=Sam |title=Sondra Perry |journal=Art in America |date=1 February 2017 |volume=105 |issue=2 |page=98}}</ref> The exhibit also featured a nine-minute performance with the work ''Graft and Ash for a Three Monitor Workstation'' (2016). The piece is an exercise bike with a triptych of screens attached, bringing viewers into an uncomfortably close proximity to the vertically arranged monitors. The video begins with an avatar of Perry set against a chroma blue backdrop, describing the details and components of the machine;<ref>{{cite journal |last1=Filreis |first1=Kelly |title=On Three Works By Sondra Perry |journal=Framework: The Journal of Cinema and Media |date=2020 |volume=61 |page=47|doi=10.13110/framework.61.1.0047 |s2cid=226680961 |url=https://muse.jhu.edu/article/759023|url-access=subscription }}</ref> the exercise bike is designed in a way that forces the sitter to contort their body unnaturally, making it difficult and exhausting to actually cycle.<ref>{{cite web |last1=Saint-Louis |first1=Elodie |title=Graft and Ash for a Three Monitor Workstation |url=https://www.thecrimson.com/column/in-total-darkness/article/2018/4/5/intotaldarkness-graftandash/ |website=The Harvard Crimson |access-date=28 December 2022 |archive-url=https://web.archive.org/web/20210815082029/https://www.thecrimson.com/column/in-total-darkness/article/2018/4/5/intotaldarkness-graftandash/ |archive-date=15 August 2021 |date=5 April 2018 |url-status=live}}</ref> Perry's avatar then tells the viewer of a scientific study in which black people who believe the world is fair are more prone to chronic illnesses. Perry utilizes AI in ''Graft and Ash for a Three Monitor Workstation'' to illustrate how race and body politics are woefully mechanized. She frames technology as it allows us to dehumanize one another yet again, flattening race history and political context out in favor of a spectrum of slottable markers like age, class, and education.<ref>{{cite journal |last1=Khan |first1=Nora |title=No Safe Mode Sondra Perry's Graft and Ash for a Three Monitor Workstation |journal=Flash Art International |date=1 September 2017 |volume=50 |issue=316 |page=54}}</ref>''Resident Evil'' is the titular video from the exhibit which examines the media's take on blackness. There is footage of the 2015 riots after the death of Freddie Gray in Baltimore. One of the protestors yells at Geraldo Rivera for covering the protests and not the circumstances of Freddie Gray's death. Later on, Perry enters her family home with Eartha Kitt singing "I Want to Be Evil" on the television.<ref>{{Cite news|url=http://www.villagevoice.com/arts/sondra-perry-explores-the-intersection-of-technology-and-black-history-in-america-9404292|archive-url=https://web.archive.org/web/20161201135020/http://www.villagevoice.com/arts/sondra-perry-explores-the-intersection-of-technology-and-black-history-in-america-9404292|url-status=dead|archive-date=December 1, 2016|title=Sondra Perry Explores the Intersection of Technology and Black History in America|last=Krasinski|first=Jennifer|date=2016-11-30|work=Village Voice|access-date=2017-03-18}}</ref>
=== Eclogue For Inhabitability (2017) === thumb|Sondra Perry at Seattle Art Museum in 2017, lecturing for her exhibition Eclogue For Inhabitability. In 2017 Perry won the Gwendolyn Knight and Jacob Lawrence Prize, for which she presented her solo exhibition Eclogue For Inhabitability at the Seattle Art Museum. The prize included this solo exhibition, as well as a $10,000 grant. This was the first time in the history of the prize that a video artist had been awarded.<ref name=":2" /><ref name=":3" />
"At Bridget Donahue, in a room painted chroma key blue (used in video post-production in the same manner as a “green screen”), the artist shows sculptures alongside a video that focuses on Perry's twin brother, Sandy. In a widely publicized scandal, Sandy was among a number of student-athletes whose similarities and stats were licensed, without their consent, by the National Collegiate Athletic Association to a video game developer. In Perry's video, we see Sandy's video game character navigate The Met and British Museum, juxtaposed with 3D renderings of artifacts found in those museums. We're living in the midst of a digital revolution in which our very existence can be virtually reproduced and sold as digital avatars. But Perry shows us that this kind of identity and cultural theft isn't necessarily new."<ref>{{Cite web|title=8 Artists to Watch in February 2018|url=http://www.artspace.com/magazine/interviews_features/8-artists-to-watch-in-february-2018|access-date=2020-09-08|website=Artspace|language=en}}</ref>
=== Typhoon coming on (2018) === Perry exhibited a new soundscape at the Serpentine Sackler Gallery to accompany an adapted version of her piece ''Wet and Wavy Looks – Typhoon coming on'' (2016). ''Typhoon coming on'' was inspired by JMW Turner's famous 1840 painting of ''The Slave Ship'', a painting depicting the Zong massacre of 1781 where the captain of a British ship threw 133 enslaved people overboard in pursuit of economic compensation through the ships's insurance policy.<ref>{{cite journal |last1=Stanger |first1=Arabella |title=Bodily Wreckage, Economic Salvage and the Middle Passage |journal= Performance Research|date=21 Nov 2019 |volume=24 |issue=5 |pages=11–20 |doi=10.1080/13528165.2019.1671710 |s2cid=166731220 |url=http://sro.sussex.ac.uk/id/eprint/79650/2/Arabella%20Stanger%20-%20Performance%20Research%20-%20Bodily%20Wreckage%20-%20Accepted%20version%20-%20March%202019.pdf}}</ref> Perry digitally manipulates The Slave Ship to replicate ripples of skin, reclaiming black history from a forgetful past.<ref>{{cite journal |last1=Harrison |first1=Anya |title=Ian Cheng and Sondra Perry at Serpentine Gallery |journal=Modern Painters |date=1 March 2018}}</ref> The piece was created using the open source animation software Blender.<ref>{{Cite book|title=Sondra Perry Typhoon coming on Exhibition Guide|publisher=Serpentine Galleries|year=2018|pages=3}}</ref><ref>{{Cite web|url=https://news.artnet.com/exhibitions/sondra-perry-at-serpentine-1288877|title=How Sondra Perry Turned Tech Glitches Into Art About a Broken World at the Serpentine|date=2018-05-18|website=artnet News|language=en-US|access-date=2019-01-27}}</ref>
=== A Terrible Thing (2019) === In 2019, Perry exhibited ''A Terrible Thing'' at the Museum of Contemporary Art Cleveland. This exhibit depicts a narrative of the labor and environment that are put into the production of exhibitions and it highlights the circumstances that surround urban development projects. The idea originated from her research into blacksmithing's history and how it is formed as a highly skilled labor and it's the base that creates the building blocks of infrastructure and architecture.<ref>{{Cite web|title=Sondra Perry: A Terrible Thing {{!}} MOCA Cleveland|url=https://mocacleveland.org/exhibitions/sondra-perry-terrible-thing|access-date=2020-09-08|website=mocacleveland.org}}</ref>
Her work features prominently in the Guggenheim Museum (New York) exhibition "Going Dark: Contemporary Figure at the Edge of Visibility" which runs through April 7th, 2024. Her "Graft and Ash for a Three Monitor Workstation" has pride of place at the very top of the museum ramp, and other works, including her films, are interspersed throughout the exhibit.
== References == {{reflist}}
==External links== * {{URL|sondraperry.com|SondraPerry.com}}
{{Video art|state=expanded}}
{{authority control}}
{{DEFAULTSORT:Perry, Sondra}} Category:Living people Category:1986 births Category:American multimedia artists Category:American video artists Category:American new media artists Category:American women artists Category:Columbia University School of the Arts alumni Category:Alfred University alumni Category:African-American artists Category:21st-century African-American artists Category:21st-century African-American women Category:20th-century African-American artists Category:20th-century African-American women