{{Short description|Italian artist (born 1952)}} {{Infobox artist | name = Silvio Wolf | image = File:Silvio Wolf 2017 square.jpg | caption = Silvio Wolf at PAC, Milan, 2011 | birth_date = {{Birth year and age|1952}} | birth_place = Milan, Italy | education = London College of Printing, London, England | known_for = Photography, installation art | signature = File:Silvio Wolf signature (alpha channel).png }}
'''Silvio Wolf''' (born 1952 in Milan) is an Italian artist living in Milan and New York.<ref name=":0">{{Cite web|url=https://www.brucesilverstein.com/artists/silvio-wolf|title=Silvio Wolf - Artists - Bruce Silverstein|last=exhibit-e.com|website=www.brucesilverstein.com|access-date=2017-11-08}}</ref> He teaches photography at the European Institute of Design in Milan and is a visiting professor at the School of Visual Arts in New York.<ref name=":0" />
== Education == Wolf studied Philosophy and Psychology in Italy and Photography and Visual Arts at the London College of Printing, where he received the Higher Diploma in Advanced Photography.<ref>{{Cite web|url=http://www.m-mag.it/silvio-wolf.html|title=silvio wolf|website=www.m-mag.it|language=en-US|access-date=2017-11-09}}</ref>
== Career ==
=== Early work === <blockquote>''"Silvio Wolf is one of those rare European artists of the latest generation, who have based their creative work entirely on experimentation involving the technical nucleus of the resources of photography. They bring out a new world of images that are structurally dense and at the same time distant if not ungraspable. In his work, Wolf constantly approaches the point where photography is no longer the creation of a mirror image of reality, the capturing of an image in the speed of an instant, but the close up exploration of how images themselves form and appear."''<ref>{{Cite book|title=Documenta 8 : Kassel 1987, 12. Juni-20. Sept.|date=1987|publisher=Weber & Weidemeyer|others=Schneckenburger, Manfred., Brock, Bazon, 1936-, Fagone, Vittorio., Fry, Edward F., Documenta GmbH., Museum Fridericianum Veranstaltungs GmbH.|isbn=3925272135|location=Kassel|oclc=16875226}}</ref></blockquote><blockquote>- Vittorio Fagone</blockquote>From 1977-1987 Wolf explored and studied the laws, language, and two-dimensional nature of the image.<ref>{{Cite book|title=Paradiso : photography and video by Silvio Wolf.|author=Wolf, Silvio|date=2006|publisher=Contrasto|others=Galleria Gottardo.|isbn=9788869650130|location=Roma|oclc=72061840}}</ref> During this time Wolf met the conceptual artist Franco Vaccari, whose impact on Wolf’s work can be traced back to the idea of merging the analytical elements of his imagery with phenomenological factors.<ref>Angela Madesani, "Problemi di Luogo" exhibition catalogue, Lorenzelli Arte, Milan 2000</ref> In the early 1980s Wolf traveled to the Middle East, where he encountered the Islamic vision of space, in which images are in which images are transposed in codes and geometries, containing the concepts of the infinite and the void. These aspects resonated with Wolf, leading him to develop through the series ''Architectures'' (1981-2008)<ref>{{Cite journal|last=Conti|first=Tiziana|title=Silvio Wolf: The Epiphany of Light|url=https://www.unilibro.it/libri/f/editore/benucci|journal=Titolo|publisher=Benucci Editore|location=Perugia|volume=10|pages=14–16}}</ref> those concepts that would become the visual and symbolic cornerstones of his entire research: the ideas of “absence,” “elsewhere, and the “threshold."<ref name=":1">{{Cite book|title=Silvio Wolf : sulla soglia = on the threshold|author=Wolf, Silvio|date=2011|publisher=Silvana|others=Verzotti, Giorgio., Padiglione d'arte contemporanea (Milan, Italy)|isbn=9788836621569|location=Cinisello Balsamo, Milano|pages=109|oclc=761843834}}</ref> One of his earliest and most seminal works, ''The Two Doors'' (1980), shows a Moorish-style door that opens to another door, forming a dark and unreadable zone between them. According to Giorgio Verzotti, this small area is actually “the darkness that allows the perception of light and thus vision and the visual.”<ref name=":1" />
=== Light, Time, and the Threshold === Though Wolf has developed his practice through a plurality of languages, “light,” “time” and “the threshold” are fundamental themes in his artistic inquiries<ref>{{Cite book|title=Silvio Wolf : le due porte = the two doors|author=Wolf, Silvio|date=2003|publisher=Charta|others=Lyle Rexer, Franco Vaccari, Anna Strada, Galleria Fotografia Italiana (Milan)|isbn=9788881584277|location=Milano|pages=38–49|oclc=52564471}}</ref>''. Icons of Light'' (1993-2007) are the result of a simultaneous process of generation and destruction: the very light that generates the photographic image destroys the painted one. Of the original paintings, only the perspective frame and the painted surface remain visible, while the light employed in the capture process materializes as the actual subject of representation.<ref>{{Cite journal|last=Pieroni|first=Augusto|date=June–July 2007|title=The More We Look at the Painting, the More We See the Photograph|url=https://www.hotshoemagazine.com/|journal=Hotshoe|pages=30–39}}</ref> The ''Icons'' are spatial bodies on which perception constantly wavers between two-dimensional surfaces and three-dimensional forms, between here and elsewhere.<ref name=":1" /> ''Light Wave'' is a site-specific installation presented at the 53rd Venice Biennale in 2009.<ref name=":2">{{Cite book|title=Origini : gli orizzonti nell'idea di luce di Silvio Wolf = Origins : horizons in Silvio wolf's idea of light|date=2016|publisher=Postmedia books|others=Casero, Cristina, Fondazione Antonio e Carmela Calderara|isbn=9788874901647|location=Milano|pages=44|oclc=962819776}}</ref> By capturing long exposures of the light radiated by a film projector without the use of a tripod, the bodily vibrations of Wolf’s breathing and hand, as well as the numerous film frames, were absorbed into a single image. In establishing an intimate relationship between time and light, Wolf questions the notion of time. In this sense, time becomes the critical element that not only gives identity to the image but also the chance to densely materialize it.<ref name=":3">{{Cite book|title=Light specific : opere 1977-1995|author=Wolf, Silvio|date=1995|publisher=Nuovi strumenti|others=Fagone, Vittorio. Verzotti, Giorgio|isbn=9788886759007|location=Brescia|pages=158–161|oclc=36930997}}</ref> For Wolf, in photography, the term abstraction indicates "the abstraction from the river of time”.<ref name=":1" /> In his series Horizons (2006-2014) each Horizon is defined as a “scripture of light” self-generated by the camera when light reaches the film while loading the camera. Photochemically inscribed where the black of lightlessness breaks into bands and fields of reds, oranges, yellows, and white- which contains all possible color, where exposed, the result is the visible form of a coincidence among time exposure, light radiation, environment conditions and chance.<ref name=":2" /> Stripped of all external subject matter, the actual object of these photographs is the language of photography itself, not signifying the given but the possible, the embrace of all possible images.<ref>{{Cite book|title=The Edge of Abstraction: the rise of abstraction in photography|last=Rexer|first=Lyle|publisher=Aperture|year=2013|isbn=9781597112420|pages=179–195}}</ref>
=== Mirrors === In his most recent works, the back-lit black mirrors of ''Meditations'' (2009-2016), and ink-jet prints on highly reflective mirrored surfaces of ''Mirror Thresholds'' (2006-2014)<ref>{{Cite journal|last=Rexer|first=Lyle|date=January–February 2013|title=Silvio Wolf: Us|url=http://photographmag.com/|journal=Photograph|pages=64|issn=1544-9084}}</ref> and ''Shivah'' (2014),<ref>{{Cite web|url=http://www.photoandcontemporary.com/event.aspx?ev=2089|title=Photo & Contemporary - Mostra|last=Prevato|first=BwithC.com and Roberto|website=www.photoandcontemporary.com|language=it|access-date=2017-11-13}}</ref> Wolf focuses on the experiential realm: shifting attention and displacing meaning away from the image and towards the he-she who sees.<ref>{{Cite journal|last=Tedeschi|first=Francesco|title=Around the invisible. About Silvio Wolf's recent work|url=https://www.unilibro.it/libri/f/editore/benucci|journal=Titolo|location=Perugia|volume=61|pages=14–15}}</ref> These mirrored works are produced by the absence of information, or in some cases by its excess, where the surface is devoid of an image it generates light and reflection, simultaneously representing what lies inside and outside the work. The viewer is standing on the threshold, in the mirror surface that shows us, the viewer, reflected elsewhere in another virtual, but extremely real space.<ref>{{Cite book|title=Origins. Horizons in Silvio Wolf's Idea of Light|last=Casero|first=Cristina|publisher=Postmedia books|year=2016|isbn=9788874901647|pages=38}}</ref> Jacqueline Ceresoli has written, “Wolf’s inscriptions of light materialize the perceptive experience and go beyond the contemplative aspect to generate emotional and cognitive sensations together, because everything happens the moment one looks at them. Through photographs, that are conceptual objects, the possible relations not of things, but of the signifier and the signified as Saussure would define them, are investigated.”<ref>{{Cite book|title=Origins. Horizons in Silvio Wolf's Idea of Light|last=Ceresoli|first=Jacqueline|publisher=Luce|year=2017|location=Milan|pages=108}}</ref>
=== Installations and Public Art === The practice of installations also constitutes a significant part of Wolf’s artistic career. With ''Great Western Wall'' (1987)<ref>{{Cite journal|last=Restany|first=Pierre|date=March 1989|title=Civitella D'Agliano ha scoperto la sua Verità|url=https://www.domusweb.it/en.html|journal=Domus|issn=0394-428X}}</ref> Wolf began to develop a new way of thinking about photography and space, moving away from the two-dimensional format and extending his practice to the third dimension, creating experiential site-specific works that openly challenged the boundaries of perception, making use of light, sound, projections and the moving image.<ref name=":3" /> Frequently the locations Wolf intervenes in possess rich histories, taking as his starting point the traces and signs found in a given place. He collects them and elaborates the project away from the site, in his studio; then he brings back the processed signs to their place of origin, to create new relations and visions in the form of an installation.<ref>{{Cite book|title=Less. Alternative Housing Strategies|last=Foschi|first=Gigliola|publisher=5 Continents Editions srl|year=2006|isbn=8874393318|location=Milan|pages=306–309}}</ref> According to the curator Cristina Casero, “in these projects, as in all of the artist’s output, light plays a fundamental role and is an active element, rich with symbolic intensity and communicative power, capable of concretely determining an elsewhere, an abstraction not seen as an escape from the real, but as its deeper, sublimated and at the same time open interpretation.”<ref name=":2" />
== Exhibitions == Wolf's exhibitions and temporary and permanent installations have been presented in galleries, museums and public spaces in Belgium, Korea, Canada, France, Germany, United Kingdom, Italy, Luxembourg, Spain, Switzerland and the United States.<ref name=":4">{{Cite web|url=https://www.otto-gallery.it/portfolio/silvio-wolf-2/|title=otto-gallery – SILVIO WOLF|website=www.otto-gallery.it|language=it-IT|access-date=2017-11-09}}</ref> He has participated, among other shows, in New Image 1980 in Milan, Aktuell ’83 in Munich, Documenta VIII in 1987 in Kassel, the 53rd Venice Biennale in 2009 and at Padiglione d'Arte Contemporanea in Milan in 2011.<ref name=":4" /> Wolf's work is in collections in North America and Europe, including the Museum of Fine Arts, Boston; the Civico Museo d’Arte Contemporanea, Milan; the Institut Valencià d'Art Modern, Valencia; and the Centre Canadien d’Architecture, Montreal.<ref>{{Cite web|url=http://www.f56.net/English/artists/silvio-wolf/biography/biography.html|title=SILVIO WOLF}}</ref>
== Selected books == * ''Light Specific'', Brescia: ed. Nuovi Strumenti, Brescia, 1995. Text by Vittorio Fagone {{ISBN|978-8886759007}} * ''Paradiso, Photography and Video by Silvio Wolf'', Milan: ed. Galleria Gottardo/Contrasto, 2006. Texts by Francesca Pasini, Lyle Rexer, Silvio Wolf {{ISBN|9788869650130}} * ''On The Threshold'' ed. Silvana Editoriale, Milano, 2011. Texts by Giorgio Verzotti, Silvio Wolf, VV.AA. {{ISBN|9788836621569}} * ''Origins''. ''Horizons in Silvio Wolf’s Idea of Light'', Postmedia Books, Milan, 2016. Texts by Cristina Casero, Silvio Wolf {{ISBN|9788874901647}}
== References == {{reflist}}
== External links == * [https://silviowolf.com/ Official Website of Silvio Wolf] * [https://www.photography-now.com/artist/silvio-wolf Silvio Wolf at Bruce Silverstein Gallery] * [http://www.photoandcontemporary.com/artist.aspx?ar=20 Silvio Wolf at Photo & Contemporary] * [https://www.otto-gallery.it/portfolio/silvio-wolf-2/ Silvio Wolf at Otto Gallery] * [https://www.youtube.com/watch?v=vyNit_7U7VU Silvio Wolf: Video Interview] – [https://aperture.org/traveling-exhibitions/abstraction-in-contemporary-photography/ The Edge of Vision: Abstraction in Contemporary Photography], Aperture Foundation – May 15 – July 16, 2009
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{{DEFAULTSORT:Wolf, Silvio}} Category:1952 births Category:Living people Category:Alumni of the London College of Printing Category:Italian photographers Category:Italian installation artists Category:Italian contemporary artists