{{Short description|West End theatre in London}} {{Use British English|date=May 2025}} {{Use dmy dates|date=May 2025}} {{Infobox Theatre | name = Palace Theatre | image = Palace Theatre - London.jpg | caption = The Palace Theatre | address = Shaftesbury Avenue | city = London, W1 | pushpin_map = United Kingdom Central London | country = United Kingdom | public_transit = {{rint|london|underground}} {{lus|Leicester Square}} | designation = Grade II* | coordinates = {{Coord|51|30|47|N|00|07|47|W|type:landmark|display=inline,title}} | architect = Thomas Edward Collcutt | owner = Nimax Theatres | capacity = 1,400 (4 levels) | type = West End theatre | opened = {{Start date and age|1891|01|df=yes}} | years_active = | rebuilt = 1892 (conversion by Walter Emden) | closed = | other_names = Royal English Opera House<br/>Palace Theatre of Varieties | production = ''Harry Potter and the Cursed Child'' | current_use = | website = [http://www.nimaxtheatres.com/palace-theatre/ Palace Theatre official website] }}
The '''Palace Theatre''' is a West End theatre in the City of Westminster in London. Its red-brick facade dominates the west side of Cambridge Circus behind a small plaza near the intersection of Shaftesbury Avenue and Charing Cross Road. The Palace Theatre seats 1,400.
Richard D'Oyly Carte, producer of the Gilbert and Sullivan operas, commissioned the theatre in the late 1880s. It was designed by Thomas Edward Collcutt and intended to be a home of English grand opera. The theatre opened as the '''Royal English Opera House''' in January 1891 with a lavish production of Arthur Sullivan's opera ''Ivanhoe''. Although this ran for 160 performances, followed briefly by André Messager's ''La Basoche'', Carte had no other works ready to fill the theatre. He leased it to Sarah Bernhardt for a season and sold the opera house within a year at a loss. It was then converted into a grand music hall and renamed the '''Palace Theatre of Varieties''', managed successfully first by Sir Augustus Harris and then by Charles Morton. In 1897, the theatre began to screen films as part of its programme of entertainment. In 1904, Alfred Butt became manager and continued to combine variety entertainment, including dancing girls, with films. Herman Finck was musical director at the theatre from 1900 until 1920.
In 1925, the musical comedy ''No, No, Nanette'' opened at the Palace Theatre, followed by other musicals, for which the theatre became known. The Marx Brothers appeared at the theatre in 1931, performing selections from their Broadway shows. ''The Sound of Music'' ran for 2,385 performances at the theatre, opening in 1961. ''Jesus Christ Superstar'' ran from 1972 to 1980, and ''Les Misérables'' played at the theatre for nineteen years, beginning in 1985. In 1983, Andrew Lloyd Webber purchased the theatre and by 1991 had refurbished it. ''Monty Python's Spamalot'' played there from 2006 until January 2009, and ''Priscilla Queen of the Desert'' opened in March 2009 and closed in December 2011. Between February 2012 and June 2013, the Palace hosted a production of ''Singin' in the Rain''.
From June 2016, the play ''Harry Potter and the Cursed Child'' has run at the theatre. Performances were suspended in March 2020 owing to the COVID-19 pandemic and resumed on 14 October 2021.
==History==
===Early years=== [[File:Ivanhoe premiere - Arthur Sullivan.jpg|thumb|left|upright|''Ivanhoe'' programme cover from the theatre's first night]] Commissioned by impresario Richard D'Oyly Carte in the late 1880s, the theatre was designed by Thomas Edward Collcutt. Carte intended it to be the home of English grand opera, much as his Savoy Theatre had been built as a home for English light opera, beginning with the Gilbert and Sullivan series. The foundation stone, laid by his wife Helen in 1888, can still be seen on the façade of the theatre, almost at ground level to the right of the entrance. The theatre's design was considered to be novel. The upper levels are supported by heavy steel cantilevers built into the back walls, removing the need for supporting pillars that impede the view of the stage. The tiers, corridors, staircases, landings are all constructed of concrete to reduce the risk and damage that might be done by fire.<ref>[http://www.arthurlloyd.co.uk/Archive/December2005/Page4.htm Arthurlloyd.co.uk feature on the theatre] {{webarchive |url=https://web.archive.org/web/20061013072507/http://www.arthurlloyd.co.uk/Archive/December2005/Page4.htm |date=13 October 2006 }}, p. 5. Retrieved 18 October 2011</ref>
The theatre opened as the '''Royal English Opera House''' in January 1891 with Arthur Sullivan's ''Ivanhoe''. No expense was spared to make the production a success, including a double cast and "every imaginable effect of scenic splendour".<ref>Pearson, p. 88</ref> It ran for 160 performances, but when ''Ivanhoe'' finally closed in July, Carte had no new work to replace it, and the opera house had to close. One opera is not enough to sustain an opera house venture. It was, as the critic Herman Klein observed, "the strangest comingling of success and failure ever chronicled in the history of British lyric enterprise!"<ref name=Klein>[http://diamond.boisestate.edu/gas/sullivan/ivanhoe/klein.html Hermann Klein's 1903 description of ''Ivanhoe''] {{Webarchive |url=https://web.archive.org/web/20141006072235/http://diamond.boisestate.edu/gas/sullivan/ivanhoe/klein.html |date=6 October 2014 }}, Gilbert and Sullivan Archive, 3 October 2003. Retrieved 12 April 2012</ref> Sir Henry Wood, who had been répétiteur for the production, recalled in his autobiography that "[if] Carte had had a repertory of six operas instead of only one, I believe he would have established English opera in London for all time. Towards the end of the run of ''Ivanhoe'' I was already preparing the ''Flying Dutchman'' with Eugène Oudin in the name part. He would have been superb. However, plans were altered and the Dutchman was shelved."<ref name="wood">Wood, p. 43</ref>
The theatre re-opened in November 1891, with André Messager's ''La Basoche'' (with David Bispham in his first London stage performance) at first alternating in repertory with ''Ivanhoe'', and then ''La Basoche'' alone, closing in January 1892. Carte had no other works ready, and so he leased the theatre to Sarah Bernhardt for a season, and after months of negotiation he sold the opera house at a loss to the new Palace Theatre Company, headed by Sir Augustus Harris.<ref name=ptt>"Palace Theatre", ''The Times'', 12 December 1892, p. 7</ref> The architect Walter Emden converted the opera house into a grand and ornate music hall, which was renamed the '''Palace Theatre of Varieties'''.<ref>[https://link.gale.com/apps/doc/R3214418444/BNCN?u=wellcome&sid=BNCN&xid=73a6c203 "Palace Theatre of Varieties"], ''The Morning Post'', 10 December 1892, p. 3</ref> Harris's opening programme included a lavish and highly praised ballet, with music by Gaston Serpette;<ref name=ptt/><ref name=m181/> he engaged some of the best variety turns then available,<ref name=m181/> before handing over the day-to-day running of the theatre to Charles Morton, known as the "Father of the Music Halls", whose biographers record: {{blockindent|Eschewing the heavier kind of variety and theatrical fare ... the new manager found means to present programmes of extraordinary diversity. In addition to engaging many of the leading variety stars ... he also secured many a distinguished singer who had hitherto confined his, or her, services to the concert platform. In due course, Morton added to the Palace programme a series of very beautiful and very striking tableaux vivants, which became the talk of London.<ref name=m181>Morton and Newton, p. 181</ref>|}} Denied permission by the London County Council to construct a promenade, which was a popular feature of adult entertainment at the Empire and Alhambra theatres,{{refn|The ''Oxford English Dictionary'' defines such a promenade as "An area without seats at a theatre or concert venue; specifically a gallery at a music hall, commonly thought to be frequented by prostitutes and their clients".<ref>[https://www.oed.com/view/Entry/152405?rskey=ph3M0q&result=1&isAdvanced=false "promenade, n."], ''OED Online'', Oxford University Press, March 2020. Retrieved 11 May 2020)</ref>|group=n}} the Palace countered with its tableaux vivants, which featured apparently nude women (though patrons were reassured that they were actually wearing flesh toned body stockings).<ref name="weightman">Weightman, pp. 94–95</ref> In March 1897, the theatre began to screen films from the American Biograph Company as part of its programme of entertainment. These films pioneered the 70 mm format which helped give an exceptionally large and clear image filling the proscenium arch. The performances included early newsreels from around the world, many of them made by film pioneer William Kennedy Laurie Dickson, including film of the Boer War (1900). The Palace continued to show films as part of its variety and musical programmes.<ref name="victorian">{{cite web |url=http://www.victorian-cinema.net/venues.htm |title=Features: Victorian 'Cinemas' |publisher=British Film Institute |year=1996 |access-date=11 April 2012}}</ref>
=== 20th century === In 1904, Morton was succeeded as manager by his deputy, Alfred Butt. Butt introduced many innovations, including dancers such as Maud Allan, who created something of a sensation with her ''Vision of Salome'',<ref>Mander and Mitchenson, p. 124</ref> and Anna Pavlova, and the elegant pianist-singer Margaret Cooper.<ref>[http://www.arthurlloyd.co.uk/PalaceTheatre.htm Palace Theatre], ArthurLloyd.co.uk. Retrieved 18 October 2011</ref> Oliver G Pike premièred his first film, ''In Birdland'', at the theatre in August 1907. This was the first British wildlife film to be screened to a paying audience.<ref name="WildFilmHistory-07">{{cite web |url=http://www.wildfilmhistory.org/film/343/In+Birdland.html |archive-url=https://web.archive.org/web/20080420213056/http://www.wildfilmhistory.org/film/343/In+Birdland.html |url-status=usurped |archive-date=20 April 2008 |title=In Birdland (1907) |work=WildFilmHistory |access-date=25 September 2010}}</ref> On 26 February 1909, the general public first saw Kinemacolor in a programme of 21 short films shown at the theatre.<ref>{{Cite book |last=McKernan |first=Luke |title=Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925 |publisher=University of Exeter Press |year=2018 |isbn=978-0859892964}}</ref>
The name of the theatre was finally changed to '''The Palace Theatre''' in 1911. Herman Finck was musical director from 1900 until 1920,<ref>[http://www.arthurlloyd.co.uk/Archive/January2005/PageSeven.htm Palace Theatre Feature] {{webarchive |url=https://web.archive.org/web/20061013065050/http://www.arthurlloyd.co.uk/Archive/January2005/PageSeven.htm |date=13 October 2006 }}</ref> and made many recordings with the theatre's orchestra. The theatre was famous not only for its orchestra, but also for the beautiful Palace Girls, for whom Finck composed many dances. In 1911, the Palace Girls performed a song and dance number, which was originally called ''Tonight'' but became very popular as a romantic instrumental piece ''In The Shadows''. In 1912, the theatre hosted the first Royal Variety Performance in Britain, commanded by King George V, and produced by Butt.<ref>{{Cite web |url=http://www.arthurlloyd.co.uk/Archive/January2005/PageEight.htm |title=Page about the Royal Command Performance |access-date=8 January 2008 |archive-url=https://web.archive.org/web/20080907083929/http://www.arthurlloyd.co.uk/Archive/January2005/PageEight.htm |archive-date=7 September 2008 |url-status=dead}}</ref> During the First World War, the theatre presented revues, and Maurice Chevalier became known to British audiences. After the war, the theatre was used mostly for films for a few years.<ref name=Ellacott>Ellacott, Vivyan. [http://www.overthefootlights.co.uk/16.pdf "Palace Theatre, Cambridge Circus"], London Theatres Encyclopaedia, Over the Footlights: A History. Retrieved 18 June 2014</ref>
On 11 March 1925, the musical comedy ''No, No, Nanette'' opened at the Palace Theatre starring Binnie Hale and George Grossmith Jr. The run of 665 performances made it the third longest-running West End musical of the 1920s. ''Princess Charming'' ran for 362 performances beginning in 1926. The Palace Theatre was also the venue for Rodgers and Hart's ''The Girl Friend'' (1927) and Fred Astaire's final stage musical ''Gay Divorce'' (1933). The Marx Brothers appeared at the theatre in 1931, performing selections from their Broadway shows.<ref>Bader, p. 447</ref> The theatre was twice threatened with demolition in the early 1930s; offers of £400,000 and £450,000 were made for the site: one offer was from an American chain which proposed to build a department store on the site, but the directors, led by C. B. Cochran refused to sell.<ref>"An Offer of Purchase", ''The Times'', 27 May 1930, p. 12</ref>
In 1939–1940, Cicely Courtneidge and Jack Hulbert appeared at the Palace in ''Under Your Hat'', a comedy spy story co-written by Hulbert, with music and lyrics by Vivian Ellis, which ran for 512 performances.<ref>Pepys-Whiteley, D. [http://www.oxforddnb.com/view/article/30974 "Courtneidge, Dame (Esmerelda) Cicely (1893–1980)"], ''Oxford Dictionary of National Biography'', Oxford University Press, 2004; online edition, January 2011. Retrieved 8 August 2011 {{subscription required}}</ref><ref name=h1282>Herbert, p. 1282</ref> Later musical theatre works that played with success at the theatre included ''Song of Norway'' (1946, 525 performances),<ref name=h1282/> ''King's Rhapsody'' (1949, 841 performances),<ref>Herbert, p. 1281</ref> ''Where's Charley?'' (1958, 380 performances),<ref>Gaye, p. 1540</ref> and ''Flower Drum Song'' (1960)<ref>Gaye, p. 1531</ref> among others.<ref name=mm125>Mander and Mitchenson, p. 125</ref> ''The Entertainer'', starring Laurence Olivier, transferred to the theatre from the Royal Court Theatre in 1957.<ref name=mm125/> In the 1960s, ''The Sound of Music'' ran for 2,386 performances, from 1961,<ref>Herbert, p. 1280</ref> and ''Cabaret'' followed in 1968 (336 performances).<ref name=h1313>Herbert, p. 1313</ref> The Danny La Rue revue ''Danny at the Palace'' (1970) ran for 811 performances.<ref name=h1313/> The theatre was Grade II*listed by English Heritage in June 1960.<ref name="heritage">{{cite web |url=https://historicengland.org.uk/listing/the-list/list-entry/1066339 |publisher=historicengland.org.uk |title=Details for IoE Listing 208945 |access-date=11 April 2012}}</ref>
[[File:PalaceTheatre.jpg|thumb|left|''Les Misérables'' played at the Palace Theatre from 1985 to 2004]] Two exceptional runs took place at the Palace during the last decades of the 20th century: ''Jesus Christ Superstar'' (3,358 performances from 1972 to 1980) and ''Les Misérables'', which played at the theatre for nineteen years after moving from the Barbican Centre on 4 December 1985. The production moved to the Queen's Theatre (now the Sondheim Theatre) in April 2004 to continue its record-setting run. In between, ''Song and Dance'' played from 1982 to 1984. In 1983, Andrew Lloyd Webber purchased the theatre for £1.3 million and began a series of renovations to the auditorium. He restored the theatre's facade, later commenting: "I removed the huge neon sign that defaced the glorious terracotta exterior, much to the chagrin of West End producers who told me I had removed the greatest theatre advertising sight in London."<ref name=nimax>{{cite news |title=Andrew Lloyd Webber Sells London's Palace Theatre |url=http://www.playbill.com/news/article/164752-Andrew-Lloyd-Webber-Sells-Londons-Palace-Theatre |publisher=Playbill.com |work=Playbill |author=Andrew Gans |date=11 April 2012 |access-date=11 April 2012 |url-status=dead |archive-url=https://web.archive.org/web/20120414191409/http://www.playbill.com/news/article/164752-Andrew-Lloyd-Webber-Sells-Londons-Palace-Theatre |archive-date=14 April 2012}}</ref>
=== 21st century === [[File:Palace Theatre, London 20130324 163.jpg|thumb|upright|''Singin' in the Rain'' at the Palace Theatre, London]] After ''Les Misérables'' left the theatre in 2004, Lloyd Webber refurbished and restored the auditorium and front of the house, removing the paint that covered the onyx and Italian marble.<ref name=nimax/> He premiered his musical ''The Woman in White'' at the Palace later in 2004, which ran for 19 months. ''Monty Python's Spamalot'' ran from 2006 until 2009, replaced by ''Priscilla Queen of the Desert'' through 2011. ''Singin' in the Rain'' played from 2012 to 2013.<ref>{{cite web |title=Singing in the Rain Extends Booking through February 2013 |url=http://www.palacetheatrelondon.org/singing-in-the-rain-extends-booking-through-february-2013 |publisher=Palace Theatre |access-date=12 July 2012}}</ref> It was one of the 40 theatres featured in the 2012 DVD documentary series ''Great West End Theatres'', presented by Donald Sinden.<ref>Fisher, Philip. [http://www.britishtheatreguide.info/reviews/great-west-end-7230 "Great West End Theatres"], ''British Theatre Guide'', 19 February 2012</ref> In 2012, Lloyd Webber's Really Useful Group sold the building to Nimax Theatres, which purchased the Apollo, Duchess, Garrick and Lyric Theatres from Really Useful in 2005.<ref name=nimax/> The next show was ''The Commitments'' from 2013 to 2015.<ref>[http://www.whatsonstage.com/london-theatre/news/commitments-musical-close-london-west-end_37865.html "''The Commitments'' to close in November"], Whatsonstage.com, 21 May 2015</ref>
''Harry Potter and the Cursed Child'', a two-part play by Jack Thorne based on an original story by Thorne, J. K. Rowling and John Tiffany,<ref>{{cite web |url=http://www.harrypottertheplaylondon.com |title=Harry Potter and the Cursed Child |date=2016 |website=Harry Potter the Play |publisher=harrypottertheplaylondon.com |access-date=26 July 2016}}</ref> began previews at the theatre in June 2016<ref name=nyt07june2016>{{cite web |url=https://www.nytimes.com/2016/06/08/theater/harry-potter-and-the-cursed-child-preview.html |title='Harry Potter and the Cursed Child' Begins Previews in London, as Magic Continues |work=The New York Times |date=7 June 2016 |access-date=29 June 2016}}</ref> and opened on 30 July.<ref>{{cite web |url=http://www.whatsonstage.com/london-theatre/news/how-to-get-tickets-harry-potter-cursed-child_39007.html |title=How to get tickets to Harry Potter and the Cursed Child |publisher=whatsonstage.com |date=23 October 2015 |access-date=23 October 2015}}</ref> The production was suspended in March 2020 due to the COVID-19 pandemic<ref>Lefkowitz, Andy. [https://www.broadway.com/buzz/198791/all-theaters-in-londons-west-end-to-close-due-to-covid-19 "All Theaters in London's West End to Close Due to COVID-19"], Broadway.com, 16 March 2020</ref> and reopened in October 2021.<ref>{{Cite web |date=14 October 2021 |title=Harry Potter and the Cursed Child |url=https://twitter.com/CursedChildLDN/status/1448693758296567810 |access-date=16 October 2021 |website=Twitter}}</ref>
In August 2024, a double-decker bus crashed into the canopy on the side of the building; there were no injuries, and performances at the theatre were not expected to be interrupted.<ref>{{cite web |last1=Wood |first1=Alex |title=Palace Theatre owners release statement following bus crash |url=https://www.whatsonstage.com/news/palace-theatre-owners-release-statement-following-bus-crash_1624188/ |website=WhatsOnStage.com |access-date=21 August 2024 |date=20 August 2024}}</ref>
==In popular culture== In the 1977 Doctor Who serial ''The Talons of Weng-Chiang'', the villain Li H'sen Chang masquerades as magician and ventriloquist performing at the Palace Theatre when the Doctor brings Leela there to discover the customs of her Victorian ancestors.<ref>{{cite web |url=http://www.drwhoguide.com/who_4s.htm |title=The Talons of Weng-Chiang |publisher=Doctor Who Reference Guide |author=Mento, Charles |access-date=30 August 2008}}</ref> In the 2004 novel ''Full Dark House'', by Christopher Fowler, a series of gruesome murders take place in the Palace during the London Blitz amid a production of ''Orpheus in the Underworld''.<ref>Girvan, Ray. [https://jsbookreader.blogspot.com/2012/05/full-dark-house.html "''Full Dark House''"], JSBookReader, 4 May 2012</ref>
==Nearby tube stations== *Leicester Square *Tottenham Court Road
==Notes, references and sources== ===Notes=== {{Reflist|group=n}}
===References=== {{Reflist}}
===Sources=== *{{cite book |editor-last= Gaye |editor-first=Freda |year=1967 |title=Who's Who in the Theatre |edition=fourteenth |location=London |publisher=Sir Isaac Pitman and Sons |oclc=5997224}} *{{cite book |editor-last= Herbert |editor-first=Ian |year=1977 |title=Who's Who in the Theatre |edition=sixteenth |location=London and Detroit |publisher=Pitman Publishing and Gale Research |isbn=978-0-273-00163-8}} *{{cite book |last=Bader |first=Robert S. |title=Four of the Three Musketeers; the Marx Brothers on Stage |year=2016 |location=Evanston, Illinois |publisher=Northwestern University Press |isbn=978-0810134164}} *{{cite book |last=Mander |first=Raymond|author-link=Mander and Mitchenson |author2=Joe Mitchenson|author2-link=Mander and Mitchenson |title=The Theatres of London |year=1963 |url=https://archive.org/details/theatresoflondon00mand |location=London |publisher=Rupert Hart-Davis |oclc=1110747260}} *{{cite book |last=Morton |first=William |author2=Henry Chance Newton |title=Sixty Years' Stage Service: Being a Record of the Life of Charles Morton |year=1905 |location=London |publisher=Gale and Polden |oclc=5317613}} *{{cite book |last=Pearson |first=Hesketh |author-link=Hesketh Pearson |title=Gilbert and Sullivan: A Biography |year=2001|orig-year=1935 |location=Cornwall |publisher=Stratus |isbn=978-1-84232-167-6}} *{{cite book |last=Weightman |first=Gavin|author-link=Gavin Weightman |title=Bright Lights, Big City: London Entertained, 1830–1950 |year=1992 |location=London |publisher=Collins & Brown |isbn=978-1-85585-131-3}} *{{cite book |last=Wood |first=Henry J.|author-link=Henry Wood |title=My Life of Music |publisher=Gollancz |location=London |year=1946 |oclc=614156984}}
== External links == {{Commons category|Palace Theatre, London}} *[http://www.nimaxtheatres.com/palace-theatre/ Official website] *[http://www.musicomh.com/theatre/index.htm Theatre Reviews from musicOMH.com] *[http://www.arthurlloyd.co.uk/PalaceTheatre.htm Palace Theatre History Feature]
{{Theatres in London}} {{Authority control}}
Category:West End theatres Category:Theatres in the City of Westminster Category:Grade II* listed buildings in the City of Westminster Category:Grade II* listed theatres Category:Theatres completed in 1891 Category:Former music hall venues in the United Kingdom Category:1891 establishments in England Category:Thomas Edward Collcutt buildings