{{Short description|American professional orchestra}} {{Use mdy dates|date=April 2025}} {{Infobox orchestra | type = Orchestra | image = Riverside_Symphony_official_logo.gif | founded = {{Start date|1981}} | location = New York City, US | principal_conductor = George Rothman | concert_hall = Alice Tully Hall, Lincoln Center | website = {{URL|http://riversidesymphony.org/}} }}

'''Riverside Symphony''' is a New York-based professional orchestra founded in 1981 by conductor George Rothman and composer Anthony Korf. The orchestra performs an annual three-concert series at Alice Tully Hall, Lincoln Center and is recognized for programs which emphasize lesser known repertoire.<ref>{{Cite news|url=https://www.nytimes.com/2006/06/17/arts/music/17rive.html|title=Riverside Symphony Performs at Alice Tully Hall|first=Bernard|last=Holland|newspaper=The New York Times|date=June 17, 2006}}</ref> The orchestra provides an ongoing forum for emerging soloists of exceptional promise and has showcased numerous instrumental and vocal talents over its history.

==History== Directors George Rothman and Anthony Korf met as students at the Manhattan School of Music during the mid 1970s and formed Riverside Symphony after a 1980 concert at Riverside Church.<ref name="auto1">Steve Smith, "Group Dynamics: Riverside Symphony celebrates a quarter-century of musical community building," ''Time Out New York'', November 3–9, 2005 Issue 527.</ref> Numbering some 40 musicians in its core roster, the orchestra draws upon New York City's freelance community for its talent, at times expanding in size to meet the demands of larger works.<ref name="auto1"/> Since the Symphony's inception, directors George Rothman and Anthony Korf have served as Conductor and Composer-in-Residence respectively.

The orchestra's concerts regularly feature guest soloists from around the world. These have included early career appearances by Carter Brey,<ref>Florence Fletcher, ed., "Music and Dance," ''New York Magazine'', March 25, 1991, p. 94.</ref> Frederic Chiu,<ref>{{Cite web|url=https://www.yamaha.com/artists/fredericchiu.html|title=Frederic Chiu &#124; Yamaha Artists|website=www.yamaha.com}}</ref> Jeremy Denk,<ref>{{Cite news|url=https://www.nytimes.com/2001/10/27/arts/classical-music-in-review-beyond-the-twilight-zone-an-impressionist-composition.html|title=CLASSICAL MUSIC IN REVIEW; Beyond 'The Twilight Zone': An Impressionist Composition|first=Anthony|last=Tommasini|newspaper=The New York Times|date=October 27, 2001}}</ref> Tim Fain,<ref>{{Cite news|url=https://www.nytimes.com/2009/06/05/arts/music/05rive.html|title=A Composer Best Known for a Creepy TV Tune|first=Anthony|last=Tommasini|newspaper=The New York Times|date=June 5, 2009}}</ref> Marc-André Hamelin,<ref>{{Cite web|url=https://www.thecanadianencyclopedia.ca/en/article/marc-andre-hamelin-emc|title=Marc-André Hamelin &#124; The Canadian Encyclopedia|website=www.thecanadianencyclopedia.ca}}</ref> Christopher O'Riley,<ref>Peter G. Davis, "Musical Chairs," ''New York Magazine'', November 21, 1988, p. 127.</ref> and Shai Wosner.<ref>{{Cite web|url=https://www.shumanassociates.net/artist.php?id=swosner&aview=news&nid=2621|title=Pianist Shai Wosner to perform Viktor Ullmann's "Die Weise Von Liebe und Tod Des Cornets Christoph Rilke" with baritone Wolfgang Holzmair at the 92nd Street Y on Monday, January 23 &#124; Shai Wosner &#124; Shuman Associates|website=www.shumanassociates.net}}</ref> The Symphony has also collaborated with guest narrators Cynthia Nixon,<ref>{{Cite magazine|url=https://www.newyorker.com/goings-on-about-town/classical-music/riverside-symphony-with-cynthia-nixon|title=Riverside Symphony With Cynthia Nixon|magazine=The New Yorker}}</ref> Sam Waterston,<ref>{{Cite news|url=https://www.nytimes.com/2005/11/07/arts/music/asian-and-latin-timbres-in-a-west-coast-fusion.html|title=Asian and Latin Timbres in a West Coast Fusion|first=Allan|last=Kozinn|newspaper=The New York Times|date=November 7, 2005}}</ref> and Irene Worth.<ref>Florence Fletcher, ed., "Music and Dance," ''New York Magazine'', May 8, 1989, p. 114.</ref>

Riverside Symphony's curatorial focus has been mainly directed to overlooked corners of the repertory, with a special emphasis on contemporary music. The orchestra has championed such American composers as Andrew Imbrie, Stephen Hartke, George Tsontakis,<ref>{{Cite news|url=https://www.nytimes.com/2010/11/08/arts/music/08riverside.html|title=An Ensemble Sheds a Spotlight on New and Unusual Repertory|first=Allan|last=Kozinn|newspaper=The New York Times|date=November 7, 2010}}</ref> Mario Davidovsky, and Ricardo Zohn-Muldoon,<ref>{{Cite web|url=https://lavitrina.com/|title=NY Premier: Zohn-Muldoon @ Lincoln Center|website=lavitrina.com|archive-url=https://web.archive.org/web/20150613055307/http://www.lavitrina.com/artman/publish/printer_908.shtml |archive-date=13 June 2015 |url-status=usurped}}</ref> and European composers Marius Constant, Henri Dutilleux,<ref>{{Cite news|url=https://www.nytimes.com/1989/10/15/arts/review-concert-all-french-program-by-riverside-symphony.html|title=Review/ Concert; All-French Program by Riverside Symphony|first=John|last=Rockwell|newspaper=The New York Times|date=October 15, 1989}}</ref> Guus Janssen,<ref>{{Cite news|url=https://www.nytimes.com/2008/02/07/arts/music/07rive.html|title=Orchestra's Daring Mix: Bit of Bach and a Jolt of Jazz|first=Steve|last=Smith|newspaper=The New York Times|date=February 7, 2008}}</ref> and Robert Suter,<ref>{{Cite news|url=https://www.nytimes.com/1998/05/08/movies/music-review-an-anxiety-that-rules-out-romanticism.html|title=MUSIC REVIEW; An Anxiety That Rules Out Romanticism|first=Paul|last=Griffiths|newspaper=The New York Times|date=May 8, 1998}}</ref> among others.<ref>{{Cite web|url=http://www.riversidesymphony.org/recordings/|title=Riverside Symphony, "Recordings" (accessed June 11, 2015).}}</ref>

Furthermore, Riverside Symphony's ''International Composer Reading Program'' has sought to expand the field of opportunity for living composers worldwide.<ref>{{Cite web|url=https://www.riversidesymphony.org/about|title=About|website=Riverside Symphony}}</ref> While several of the readings have been devoted solely to American works chosen from an open competition process, several installations of this project have also focused on works by composers from a designated country, such as France, Norway, or Switzerland.

==Recordings== Riverside Symphony appears on seven recordings, one of which was Grammy Award Nominee in 2000. All seven recordings consist of 20th- and 21st-century music, namely works by Mario Davidovsky, Stephen Hartke, Andrew Imbrie, Anthony Korf, Poul Ruders, and Maurice Wright.<ref>{{Cite web|url=http://www.riversidesymphony.org/recordings/|title=Riverside Symphony, "Recordings" (accessed June 8, 2015).}}</ref>

{| class="wikitable sortable" border="1" |- ! width="5%"|Year ! width="36%"|Album Details ! width="59%" class="unsortable"|Works |- ! 2014 | '''''Marius Constant''''' * Released: 2014 * Label: Riverside Symphony Records * Includes a 'Behind the Scenes' video on the CD | Compositions by Marius Constant: * Turner (1961) * Brevissima (1992) * 103 Regards dans l'eau (1981) ** Olivier Charlier, violin |- ! 2009 | '''''Anthony Korf: Presences from Aforetime''''' * Released: 2009 * Label: Bridge Records * Featured in ''Fanfare Magazine'''s 2009 "Want List" of Top Recordings | Compositions by Anthony Korf: * Presences from Aforetime (1999) * Six Miniatures for Flute with Piano (1997) ** Tara Helen O’Connor, flute ** Christopher Oldfather, piano * Three Movements for Clarinet Solo (1992) ** Alan R. Kay, clarinet * Symphony No. 3 (2007) |- ! 2002 | '''''Mario Davidovsky: Three Cycles on Biblical Texts''''' * Released: 2002 * Label: Bridge Records | Compositions by Mario Davidovsky: * Shulamit's Dream (1993), for soprano and orchestra ** Susan Narucki, soprano * Scenes from Shir ha-Shirim (1975), for soprano, two tenors, bass soli and chamber ensemble * Biblical Songs (1990), for soprano, flute, clarinet, violin, cello, and piano |- ! 1999 | '''''Andrew Imbrie: Requiem; Piano Concerto No. 3''''' * Released: 1999 * Label: Bridge Records * 2000 Grammy Nominee * ''Fanfare Magazine'''s "Critic's Choice, Best of Year" | Compositions by Andrew Imbrie: * Requiem (1984) * Piano Concerto No. 3 (1991) |- ! 1998 | '''''Stephen Hartke: Concerto for Violin & Orchestra, “Auld Swaara”; Symphony No. 2''''' * Released: 1998 * Label: New World Records | Compositions by Stephen Hartke: * Concerto for Violin and Orchestra, “Auld Swaara” (1992) ** Michelle Makarski, violin * Symphony No. 2 (1990) |- ! 1995 | '''''Poul Ruders: The Christmas Gospel''''' * Released: 1995 * Label: Bridge Records | Compositions by Poul Ruders: * Violin Concerto No. 1 (1981) * Etude & Ricercare (1994), for guitar * The Bells (1993), for soprano and ensemble * The Christmas Gospel (1994) |- ! 1990 | '''''Davidovsky/Korf/Wright: Orchestral Works''''' * Released: 1990 * Label: New World Records | * Anthony Korf: Symphony No. 2, “Blue Note” (1987) * Mario Davidovsky: Divertimento (1984), for cello and orchestra * Maurice Wright: Night Scenes (1988) |}

== Educational programs == In 1999, Riverside Symphony launched the year-long classroom learning program ''Music Memory'' in New York City public schools, and has since grown from a handful of schools to serve thousands of school children annually in all five boroughs.<ref name="auto">{{Cite web|url=http://www.riversidesymphony.org/music-memory/|title=Riverside Symphony, "Education" (accessed June 8, 2015).}}</ref> Based on a curriculum from Mighty Music Memory, this nationally recognized program is "designed to promote the love and knowledge of classical music through an in-depth study of sixteen great composers, their lives and their music each year."<ref>{{Cite web|url=https://www.musicmemory.com/|title=Music Memory - Music Memory Contests, Music Memory Curriculum|website=musicmemory}}</ref> The program concludes every year with the Music Memory Citywide Finals, held at NYU's Skirball Center for the Performing Arts, in which students "must identify the composition and composer of a piece of classical or jazz music they studied after listening to only a short melodic fragment."<ref name="auto"/><ref>[http://www.brooklyndaily.com/stories/2008/26/williamsburg_courier_newskidsdomore06202008.html Aaron Short, "Kids do more than just name that tune - Brooklyn schools excel in Riverside Symphony’s 2008 Music Memory Finals," ''Courier Life's Brooklyn Daily'', June 27, 2008: 2008, Issue 26 (accessed June 8, 2015).]</ref> Music Memory has been endorsed by the New York City Department of Education's Director of Music Barbara Murray.<ref name="auto"/>

Riverside Symphony also coordinates music education programs for adults in conjunction with its concert season. The orchestra's ''Salon Series'' provides "behind-the-scenes concert previews" with commentary from Riverside Symphony's directors and musical excerpts from guest musicians and/or orchestra members.<ref>{{Cite web|url=https://www.riversidesymphony.org/salon-series|title=Salon Series|website=Riverside Symphony}}</ref> ''Hear Hear!'', on the other hand, provides a pre-concert preview performance of the evening's featured contemporary work, borne out of the conviction that "nothing beats repeated listening" when it comes to understanding new music.<ref>{{Cite web|url=https://www.riversidesymphony.org/hear-hear|title=Hear Hear!|website=Riverside Symphony}}</ref>

== References == {{reflist}}

== External links == *[http://www.riversidesymphony.org Riverside Symphony, official web site] *[https://www.youtube.com/watch?v=ox4b8tRjVfw "Marius Constant: Behind The Scenes," video from Riverside Symphony's 2014 release ''Marius Constant''] *[https://www.youtube.com/watch?v=qeko-ncYDrM "2013 Winter Salon," video] *[https://www.youtube.com/watch?v=RC_zT2LW6mQ "Music Memory Citywide Finals, 2012," video] *[http://www.anthonykorf.com Artistic Director Anthony Korf, official web site]

{{New York, NY orchestras}}

{{authority control}}

Category:Musical groups established in 1981 Category:Orchestras from New York City Category:1981 establishments in New York City