{{Infobox artist | name = Pierre Clerk | birth_name = | birth_date = {{birth date and age|1928|4|26}} | birth_place = Atlanta, Georgia, United States | known_for = Painting, Sculpture }} '''Pierre Clerk''' (born 1928) is a contemporary artist who works primarily in painting and sculpture.
==Life==
Clerk was born to Canadian parents in Atlanta, Georgia. He lived in Canada between 1932 and 1952.<ref name="autogenerated115">{{Cite book | first = Dorothy C.|last= Miller | title = Art for the Public: The Collection of the Port Authority of New York and New Jersey|year= 1985 | isbn= 0-914773-00-3 |publisher=The Port Authority of New York and New Jersey|page=115}}</ref> He studied fine arts at McGill University, Loyola College, at Canada School of Art and Design, and at Montreal Museum of Fine Arts. in 1952, he also trained at the Académie Julian in Paris and later at the Accademia di Belle Arti in Florence.<ref name="metroartwork1">{{cite web|url=http://metroartwork.com/pierre-clerk-biography-artwork-m-58.html |title=Pierre Clerk Biography and Artwork |publisher=MetroArtWork |date=1928-04-26 |accessdate=2011-02-26}}</ref> Clerk moved to New York in 1959.<ref name="autogenerated115"/> His work has been widely recognized, and he has won grants from a number of institutions, including Canadian Council Awards; Tamarind Fel, Albuquerque, New Mexico; United States Information Service Exhibition Grant; Municipal Art Society Grant; and U.S. Department of State Travel Grant. Currently, he lives and works in Southwest France and in New York City.
==Work==
Pierre Clerk's abstract, geometrical works are held in many museums and galleries in the United States and Canada, such as: Museum of Modern Art;<ref>{{cite web|url=http://www.moma.org/collection/browse_results.php?object_id=63334 |title=The Collection | Pierre Clerk. Mesquite. (1973) |publisher=MoMA |date= |accessdate=2011-02-26}}</ref> Solomon R. Guggenheim Museum; Whitney Museum of American Art;<ref>{{Cite web |title=Pierre Clerk {{!}} Great Jones II |url=https://whitney.org/collection/works/1758 |access-date=2022-12-17 |website=whitney.org |language=en}}</ref> National Gallery of Art,<ref>{{Cite web |title=Artist Info |url=https://www.nga.gov/collection/artist-info.3771.html |access-date=2022-12-17 |website=www.nga.gov}}</ref> Washington, D.C.; National Gallery of Canada, Ottawa; Montreal Museum of Fine Arts;<ref>{{cite web|url=http://amica.davidrumsey.com/luna/servlet/s/8542ws |title=The AMICA Library – Search Results: All Fields similar to 'Pierre and Clerk' |publisher= |date= |accessdate=2011-02-26}}</ref> Brooklyn Museum;<ref>{{cite web|url=http://www.brooklynmuseum.org/opencollection/objects/148705/Painting_No._III |title=Contemporary Art: Painting No. III |publisher=Brooklyn Museum |date= |accessdate=2011-02-26}}</ref> Glasgow Art Museum, Scotland; New Mexico University, Albuquerque; Queens College, New York; and State University of New York, Purchase. Several of Clerk's paintings, serigraphs, and tapestries are in the collection of the Port Authority of New York and New Jersey and have been exhibited at the international arrivals building at John F. Kennedy International Airport and the World Trade Center.<ref>{{Cite book | first = Dorothy C.|last= Miller | title = Art for the Public: The Collection of the Port Authority of New York and New Jersey|year= 1985 | isbn= 0-914773-00-3 |publisher=The Port Authority of New York and New Jersey|page=115 and 120}}</ref> In addition, a collection of his papers (covering the years 1956 through 1982) are in the Smithsonian: Archives of American Art, Smithsonian Institution, Washington, D.C.<ref>{{cite web|url=http://siris-archives.si.edu/ipac20/ipac.jsp?&profile=all&source=~!siarchives&uri=full=3100001~!209622~!0#focus |title=Pierre Clerk papers, 1956–1982 |publisher=Siris-archives.si.edu |date= |accessdate=2011-02-26}}</ref>
Clerk first came to national attention in the U.S. in the spring of 1956, when he was chosen as one of three artists to be featured in the Museum of Modern Art's 9th New Talent Exhibition.<ref>{{cite web|url=http://www.moma.org/docs/press_archives/2075/releases/MOMA_1956_0056_48.pdf?2010 |title=9th New Talent Exhibition on View at Museum |publisher= |date=1956-05-07 |accessdate=2011-02-26}}</ref> The New York Times described the show as "one of the best in this series" and went on to say: "Clerk's boldly colored and decorative non-objective oils are in the general tradition of Matisse and are laid out in deliberate patterns like those in an oriental rug, handsome and clear in their planning.".<ref>S.P. (1956-05-12). "About Art and Artists," New York Times, page 26.</ref> Since the mid-1950s, his work has been included in many group and solo shows.<ref>{{cite web|url=http://www.cortexathletico.com/index.php?contenu=documents&nom1=pierre&nom2=clerk&sufx=bio |title=Cortex Athletico |publisher=Cortex Athletico |date= |accessdate=2011-02-26}}</ref> In 2010, the gallery Cortex Athletico in Bordeaux, France, mounted a large show of paintings and smaller sculptures. Called 70/10, the show presented a dialogue between recent works and those of the 1970s.<ref>{{cite news | first=Gilles | last=Guitton | title=Pierre Clerk, du nouveau à Cortex | url=http://www.sudouest.fr/2010/09/15/pierre-clerk-du-nouveau-a-cortex-185392-4608.php |newspaper=Sud Ouest | publisher=SudOuest.fr |date=2010-09-15 |accessdate=2011-02-26}}</ref> In 2011, a very large retrospective of his works was shown in the Base Sous Marine in Bordeaux.
Speaking of his own work, Clerk cites Theo van Doesburg, Piet Mondrian, Neoplasticism, Brâncuși, and the cubism of Picasso as major influences.<ref>{{cite news | first=Anaïs | last=Davezac | title=Armory Show, l'art contemporain XXL | url=http://frenchmorning.com/ny/2010/03/04/armory-show-lart-contemporain-xxl |publisher=Frenchmorning.com |date=2010-03-04 |accessdate=2011-02-26}}</ref><ref name="cortexathletico1">{{cite web|url=http://www.cortexathletico.com/index.php?contenu=documents&nom1=pierre&nom2=clerk&sufx=doc |title=Cortex Athletico |publisher=Cortex Athletico |date= |accessdate=2011-02-26}}</ref>
==Monumental Sculpture==
thumb|Pierre Clerk, ''City Candy,'' 1983. Aluminum. Summit Street, Toledo, Ohio. Arts Commission of Greater Toledo In addition to painting, Clerk has also created monumental sculptures of note. In 1977, four of Clerk's large sculptures, which the artist crafted specifically for the location, were installed at Waterside Plaza, an apartment complex on Manhattan's East River. Sponsored by the Public Arts Council of the Municipal Art Society, the installation garnered a positive review in ''The New York Times''. Of the large geometric pieces, Paul Goldberger wrote: "The success of the Clerk exhibition, which will remain at Waterside Plaza for an indefinite period, is an obvious reminder of the extent to which sculpture can assist in solving an architectural problem.... The sculptures neither give in to the buildings nor fight them; instead they treat them almost playfully, teasing the towers' somber forms, yet never becoming shrill or unkind. It is the sort of balance more urban sculpture should strike."<ref name="NYT-1977-09-01">{{cite web|first=Paul |last=Goldberger |url=https://timesmachine.nytimes.com/timesmachine/1977/09/01/356574672.pdf |title=Design Notebook - Urban Sculpture That Strikes A Subtle Balance |work=The New York Times |date=1977-09-01 |accessdate=2012-07-29}}</ref>
Clerk's two-story City Candy (1983), described as a "commanding presence" by the ''Toledo Blade'', weighs 25,000 pounds.<ref>{{cite news | first=Tahree | last=Lane | title= Touching up 'City Candy': Painter Jim Heldt restores the good looks of Toledo outdoor sculptures | url=http://www.toledoblade.com/Art/2008/07/09/Touching-up-City-Candy-Painter-Jim-Heldt-restores-the-good-looks-of-Toledo-outdoor-sculptures.html | newspaper=Toledo Blade |date=2008-07-09 |accessdate=2011-08-02}}</ref> The red-and-white striped aluminum sculpture, which measures 42 feet by 48 feet by 24 feet and has one base inside a parking garage and the other on the adjacent sidewalk, was named by the winner of a 1984 "name the sculpture" contest.<ref name="autogenerated2">{{cite web|url=http://www.acgt.org/index.php?option=com_content&view=article&id=94&Itemid=6 |title=City Candy |publisher=Acgt.org |date=1928-04-26 |accessdate=2011-02-26}}</ref> As the first city in Ohio to adopt a one percent for arts program, Toledo, Ohio boasts more than 80 examples of public, outdoor art, which include large sculptures, environmental structures, and murals. These works are organized into a number of tours.<ref>{{cite web|url=http://www.acgt.org/images/documents/APP/intro_tour.pdf |title=Toledo Sculpture Tours |publisher= |date= |accessdate=2011-02-26}}</ref> The Toledo Blade cites City Candy as being "among our favorites" on the Promenade Park–River Walk tour.<ref>{{cite news|url=http://www.toledoblade.com/frontpage/2009/09/24/Treasure-Hunting-In-Toledo.html |title=Treasure Hunting In Toledo | newspaper=Toledo Blade |date=2009-09-24 |accessdate=2011-08-02}}</ref> But, as almost all public art does, City Candy has drawn its share of criticism, and it "continues to be a controversial sculpture with opinions being voiced strongly on both sides."<ref name="autogenerated2"/>
==Personal exhibitions== 2020-2021: "[https://francismaerefinearts.be/exhibitions/pierre-clerk-paintings-sculptures Paintings-Sculptures"], Francis Maer Fine Arts Gallery, Gand, Belgique<ref>{{Citation |last=VideoMe |title=Pierre Clerk Paintings Sculptures |date=2020-10-19 |url=https://vimeo.com/469922921 |access-date=2022-12-19}}</ref>
2017: "[http://www.galeriethomasbernard.com/fr/artistes/oeuvres/682/pierre-clerk Works"], Galerie Thomas Bernard - Cortex Athletico, Paris, France
2014: [https://www.galeriethomasbernard.com/fr/expositions/presentationarchive/169/the-long-view "The Long View"], Galerie Thomas Bernard - Cortex Athletico, Paris, France
2013: "Pierre Clerk, Peintures, Sérigraphies, Sculptures", Salle des Dominicains, Château Canon La Gaffelière, Saint-Émilion, France
2013: "[https://www.dailymotion.com/video/xyye8e Driven to abstraction"], Musée Gajac, Villeneuve-sur-Lot, France (France 3 Aquitaine on Dailymotion)
2012: "Out of his mind", Galerie Crone, Berlin, Allemagne
2012: "[https://www.galeriethomasbernard.com/fr/expositions/presentationarchive/123/pierre-clerk-out-of-his-mind Out of his mind"], Galerie Thomas Bernard - Cortex Athletico, Bordeaux, France
2011: «[https://www.youtube.com/watch?v=oCcDOhjaUek Couleur, forme, espace]», Base Sous Marine, Bordeaux, France
2010: [https://www.galeriethomasbernard.com/fr/expositions/presentationarchive/48/70-10 "70 / 10"], Galerie Thomas Bernard - Cortex Athletico, Bordeaux, France
2009: [https://www.galeriethomasbernard.com/fr/expositions/presentationarchive/54/constructs "Constructs"], Galerie Thomas Bernard - Cortex Athletico, Bordeaux, France
2003: [https://artfacts.net/artist/pierre-clerk/30168 "Pierre Clerk"], [https://artfacts.net/institution/aurelio-stefanini-studio-d-arte-moderna-e-contemporanea/4536/artists Aurelio Atefanini Arte Moderna e Contemporanea], Firenza, Italy
1989: "Pierre Clerk: selected works", Square One Gallery, Block Island, RI
1987: "Pierre Clerk: cutout reliefs, recent sculptures", DiLaurenti Gallery, New York City
1981: "Pierre Clerk: oeuvres récentes, Painting and sclupture", [https://canada-culture.org/ Centre culturel canadien], Paris, France
1978: "Cutout Reliefs", Recent Sculptures, DiLaurenti Gallery, New York
1978: "Œuvres Récentes", [https://canada-culture.org/ Centre culturel canadien], Paris, France
1977-1978: [https://www.publicartfund.org/exhibitions/view/rio-bec-ossokmanuan-double-occupancy-and-untitled Rio Bec, Ossokmanuan, Double Occupancy and Untilted], Monumental Outdoor Sculpture Program, Public Art Fund, New York
1977-1978: "Pierre Clerc: paintings, tapestries, grapics" :
Part I: sponsored by USIA, traveling exhibit, Quito, Mexico, Guatemala, New Delhi, Islamabad, Kabul, Tehran (American Center)
Part II: sponsored by USIA, traveling exhibit, Tokyo, Hong Kong (Honk Hong Art Center), Singapore, Manila (Metropolitan Museum of Art), Kuala Lumpur, Sydney, Wellington
1977: "PIERRE CLERK AT WATERSIDE", Outdoor monumental sculpture exhibit, sponsored by The Public Art Fund, NYC<ref name="NYT-1977-09-01" />
1976-1977: "NY Pierre Clerk", Everson Museum of Art,<ref>{{Cite web |title=Home |url=https://everson.org/ |access-date=2022-12-16 |website=Everson Museum of Art |language=en-US}}</ref> Syracuse, New York
1972: Pierre Clerk, Galerie Moos,<ref>{{Cite web |title=Gallery Moos |url=https://gallerymoos.com/ |access-date=2022-12-16 |website=gallerymoos.com}}</ref> Montréal, Canada; Gimpel Weitzenhoffer, New York
1971: Gimpel Hanover, Zurich, Switzerland; Gimpel Fils, London, England
1965-1967: Siegelaub Gallery, New York
1958: Il Cavallino Galleria, Venice, Italy; Cittadella Gallery, Ascona, Switzerland
1957: Montreal Museum of Fine Arts, Montreal; Beno Gallery, Zurich, Switzerland; New Gallery, New York
1956: Galleria Totti, Milan, Italy
1955: Numero Galleria, Florence, Italy
== Group exhibitions == * 2017 : FIAC, Galerie Thomas Bernard - Cortex Athletico, Grand Palais, Paris, France * 2016 : « The Future is the Future », Galerie Thomas Bernard - Cortex Athletico, Paris; « The Past is the Past », Galerie Thomas Bernard - Cortex Athletico, Paris * 2014 : Présentation des nouvelles acquisitions, Artothèque, Villeurbanne, France; « Quelque chose à vous dire », galerie Thomas Bernard - Cortex Athletico Paris, France * 2013 : « Campagnes / campagne »[https://www.youtube.com/watch?v=jhrVAeYxVfg], galerie Thomas Bernard - Cortex Athletico, Bordeaux, France * 2012 : « My own private #1, The Snake », galerie Thomas Bernard - Cortex Athletico, Paris, France * 2011 : Artbrussels 2011, galerie Thomas Bernard - Cortex Athletico, Bruxelles, Belgique; « Il est si doux... », galerie Thomas Bernard - Cortex Athletico, Château Giscours, Margaux, France * 2010 : « Matériaux divers et autres bonnes nouvelles », galerie Thomas Bernard - Cortex Athletico, Bordeaux, France; « Armory Show », galerie Thomas Bernard - Cortex Athletico, New York, NY * 2009 : FIAC, galerie Thomas Bernard - Cortex Athletico, Paris, France * 1990 : « Contemporary Sculpture at Chesterwood », Stockbridge, MA; Albright Knox Museum, Buffalo, NY * 1988 : « Contemporary Sculpture at Chesterwood », Stockbridge, MA * 1987 : Katharina Perlow Gallery, New York, NY; Robert Kidd Gallery, Birmingham, MI; Kauffman Galeries, Houston, TX; Hokin Gallery, Bay Harbor Islands, FL; D. Erlien Fine Art, Milwaukee, WI; Zack/Shuster Gallery, Boca Raton, FL; Contemporary Sculpture at Chesterwood, Stockbridge, MA * 1981 : « Sculpture on Shoreline Sites (outdoor) », Fordham University-Lincoln Center, NY; Chicago International Art Exposition, « Sculpture ‘81 » (outdoor), Philadelphie, PA * 1976 : « Painting & Sculpture Today », Indianapolis Museum of Art, Indianapolis, IN; British International Print Biennial, Bradford, Royaume-Uni; Spectrum Canada, Montreal, Canada; Artists Celebrate the Bicentennial, worldwide Bicentennial Banners, Hirshhorn Museum, Washington, DC. * 1971 : « Rosc ‘71 », International Exhibition of Modern Art, Dublin, Irlande; ROSC Modern Graphics, Waterford, Irlande; New Acquisitions, Whitney Museum, New York, NY * 1968 : 7th Biennial of Painting, Ottawa, Canada * 1967 : « EXPO ‘67 », Montreal, Canada * 1962 : World Fair, Bruxelles, Belgique; Canadian Pavillon, Biennial of Art, Ottawa, Canada * 1959 : Carnegie International, Pittsburgh, PA * 1958 : Biennial of Venise, Italy * 1956 : New Acquisitions, Museum of Modern Art, New York, NY; Art Gallery of Toronto, Toronto, Canada; Biennial of Venise, Italy * 1955 : New Talent Exhibition, Museum of Modern Art, New York, NY
==Civic Involvement==
In 1996, Clerk lead the SoHo Community Council, an ad hoc group of artists and other Soho residents who sued the New York State Liquor Authority for granting a liquor license to a nightclub on Grand Street in Manhattan. Opponents of the club, who included actor Willem Dafoe; Christopher Burge, the chairman of Christie's; along with the Soho Alliance, another community group; and the local community board; charged that the authority had broken a 1993 law which was intended to prevent residential neighborhoods from becoming over-saturated with bars and nightclubs. The case went to the State Supreme Court, where, in 1997 the judge ruled in favor of Clerk and the neighborhood groups. The judge ordered an immediate revocation of the club's liquor license.<ref>{{cite news | first=Michael | last=Cooper | title= NEIGHBORHOOD REPORT: SOHO; Portrait of Artist as Litigator | url=https://www.nytimes.com/1996/05/12/nyregion/neighborhood-report-soho-portrait-of-artist-as-litigator.html?scp=1&sq=pierre%20clerk%20soho&st=cse | newspaper=New York Times |date=1996-05-12 |accessdate=2011-08-02}}</ref><ref>{{cite web|author=ark@beatproduction.com |url=http://sohoalliance.org/news_archives.html |title=SoHo Alliance |publisher=SoHo Alliance |date= |accessdate=2011-02-26}}</ref> Clerk told the New York Times that the ruling "sends the message to the S.L.A. that it can not frivolously issue licenses in opposition to what the community wants, especially here in SoHo."<ref>{{cite news | first=Janet | last=Allon | title=Judge Orders Last Call At Dance Club | url=https://www.nytimes.com/1997/02/02/nyregion/judge-orders-last-call-at-dance-club.html?scp=3&sq=pierre%20clerk%20soho&st=cse | newspaper=New York Times |date=1997-02-02 |accessdate=2011-08-02}}</ref>
==References== {{Reflist|30em}}
==External links== * [http://www.cortexathletico.com/index.php?contenu=documents&nom1=pierre&nom2=clerk&sufx=doc Cortex Athletico] * [http://www.acgt.org/index.php?option=com_content&view=article&id=8&Itemid=5 Arts Commission of Greater Toledo]
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{{DEFAULTSORT:Clerk, Pierre}} Category:1928 births Category:American contemporary painters Category:American abstract artists Category:Living people Category:Académie Julian alumni