{{Use British English|date=March 2012}}{{Use dmy dates|date=June 2021}} {{Infobox album | name = Oh Moscow | type = live | artist = Lindsay Cooper | cover = LindsayCooper OhMoscow.jpg | alt = A black background with "OH MOSCOW" in large red letters in the centre, and in small red letters, "LINDSAY COOPER" above, and "TEXTES DE SALLY POTTER" below the album title. | released = {{Start date|1991}} | recorded = 8 October 1989 | venue = 7th Victoriaville Festival, Quebec, Canada | studio = | genre = * Avant-garde jazz * experimental music * free improvisation | length = {{Duration|m=59|s=27}} | label = Victo | producer = | prev_title = Music for Other Occasions | prev_year = 1986 | next_title = An Angel on the Bridge | next_year = 1991 }}
'''''Oh Moscow''''' is a 1991 live album by English experimental musician and composer Lindsay Cooper. It is a recording of a song cycle of the same name performed at the 7th Victoriaville Festival in Quebec, Canada on 8 October 1989.<ref name=Victoriaville/> The work was composed in 1987 by Cooper with lyrics written by English film director and screenwriter Sally Potter. The song cycle reflects on the Cold War that divided Europe at the time.{{sfn|Jones|1995|p=104}}
==Background== ''Oh Moscow'' was composed in 1987 by Lindsay Cooper, an English experimental musician from Henry Cow and the Feminist Improvising Group. The song texts were written by English film director, screenwriter and singer Sally Potter. Cooper had worked previously with Potter in the Feminist Improvising Group, and composed music for some of Potter's films, including ''The Gold Diggers'' (1983).{{sfn|Jones|1995|p=109}} After Potter had been to the Soviet Union several times on filming projects, Cooper and Potter began discussing ideas for a composition about the effects of the Cold War. When organizers of the annual Zurich Jazz Festival in Switzerland contacted Cooper in 1987 and enquired whether she had something new to perform, she decided to write ''Oh Moscow'' for the festival.{{sfn|Jones|1995|p=110}}
Cooper scored the work for a multi-national group comprising English, German, Czech and Danish musicians, and she cites her collaborations with jazz pianist and composer Mike Westbrook as an influence in her approach to writing ''Oh Moscow''.{{sfn|Jones|1995|pp=110–111}} Andrew Jones wrote in his book ''Plunderphonics, 'Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle'', that ''Oh Moscow'' "virtually defects and demands stylistic asylum".{{sfn|Jones|1995|p=110}} He said that the music includes "cool '50s jazz", a "vaudeville showstopper", with touches of Soft Machine, flamenco and gypsy music.{{sfn|Jones|1995|pp=110–111}}
''Oh Moscow'''s first performance was at the Zurich Jazz Festival on 31 October 1987, which was followed by successful performances in Europe, North America and Russia between 1988 and 1993, making it Cooper's best known work.{{sfn|LeFanu|1994|p=71}} This album is an unedited recording of the group's performance at the 7th Victoriaville Festival in Quebec, Canada on 8 October 1989.<ref name=Victoriaville/><ref name=Nastos/> At the Victoriaville concert Cooper introduced ''Oh Moscow'' to the audience with these words: "The songs tonight are about the cold war, a silent war that cuts deep."{{sfn|Jones|1995|p=104}} Little over a month later the Berlin Wall was pulled down and the Cold War came to an end.<ref name=Nastos/>{{sfn|Jones|1995|p=105}}
==Performances== The multi-national group Lindsay Cooper assembled to perform ''Oh Moscow'' consisted of Cooper (England; bassoon, alto saxophone), Sally Potter (England; vocals), Elvira Plenar (Croatia/Germany; piano, synthesizer), Alfred Harth (Germany; tenor saxophone, clarinet), Phil Minton (England; trumpet, vocals), Hugh Hopper (England; bass guitar) and Marilyn Mazur (Denmark; drums). Charles Hayward later took over on drums, followed by Peter Fairclough and Chris Cutler, although Mazur drummed again on the North American tour in October 1989.<ref name=Colli/>
*1987 **31 October: Zurich, Switzerland (Marilyn Mazur on drums) – ''Oh Moscow'''s debut performance *1988 **11 March: Basel, Switzerland (Marilyn Mazur on drums) **12 March: Bern, Switzerland (Marilyn Mazur on drums) **13 March: Frankfurt, Germany (Marilyn Mazur on drums) **10 June: Mainz, Germany (Charles Hayward on drums) **11 June: Cologne, Germany (Charles Hayward on drums) **12 June: Frankfurt, Germany (Charles Hayward on drums) **20 October: Leverkusen, Germany (Charles Hayward on drums) *1989 **10 February: Amsterdam, Netherlands (Charles Hayward on drums) **12 February: Williamsburg, Germany (Charles Hayward on drums) **13 February: Hildesheim, Germany (Charles Hayward on drums) **15–16 February: East Berlin, Germany (Charles Hayward on drums) **18 February: West Berlin, Germany (Charles Hayward on drums) **15 July: Nickelsdorf, Germany (Charles Hayward on drums) **9 September: Karlsruhe, Germany (Charles Hayward on drums) **4 October: Toronto, Canada (Marilyn Mazur on drums) **5 October: Boston, MA, United States (Marilyn Mazur on drums) **6 October: Hartford, CT, United States (Marilyn Mazur on drums) **8 October: Victoriaville, QC, Canada (Marilyn Mazur on drums) – recorded and released on the ''Oh Moscow'' album *1990 **17 July: Imola, Italy (Charles Hayward on drums) **3 November: Tampere, Finland (Peter Fairclough on drums) *1991 **25 September: Moscow, Russia (Chris Cutler on drums) **28 September: Volgograd, Russia (Chris Cutler on drums) *1993 **22 May: London, England (Chris Cutler on drums) Source: Hugh Hopper Chronology.<ref name=Calyx/>
In 1999 an orchestral arrangement of ''Oh Moscow'' by Veryan Weston was performed at the Bologna Opera House in Italy.<ref name=Cutler/> In November 2014 half of the songs from the song cycle was performed live by Harth, Minton and Potter with Cutler, Weston and others in ''A Celebration of Lindsay Cooper'' concerts, two in England and one in Italy.
==Reception== {{Music ratings | rev1 = AllMusic | rev1Score = {{Rating|4.5|5}}<ref name=Nastos/> }}
AllMusic reviewer Michael G. Nastos wrote that ''Oh Moscow'' is "a defiant musical challenge to Europe, the United States, and other politically charged climes". He said that the lyrics are "provocative" and the balance of composition and improvisation makes the work "captivating". Nastos described the album as "the ultimate in urban landscape sound sculpture", and said that "[h]istorically and musically it deserves to be judged with the highest reverence".<ref name=Nastos/>
==Track listing== All tracks composed by Lindsay Cooper; song texts written by Sally Potter. {{tracklist | title_width=25em | title1 = England Descending | length1 = 7:46 | title2 = The Allies | length2 = 5:30 | title3 = Lovers | length3 = 4:10 | title4 = Oh the Passing of Time, Europe | length4 = 4:12 | title5 = Liberty Bonds | length5 = 6:38 | title6 = On German Soil | length6 = 7:20 | title7 = Curtain Descending | length7 = 3:10 | title8 = Prayer | length8 = 9:57 | title9 = Forgotten Fruit | length9 = 4:23 | title10 = Oh Moscow | length10 = 6:21 }}
Source: AllMusic,<ref name=Nastos/> Discogs.<ref name=Discogs/>
==Personnel== *Lindsay Cooper – composer, bassoon, alto saxophone *Sally Potter – lyricist, vocals *Elvira Plenar – piano, synthesizer *Alfred Harth – tenor saxophone, clarinet *Phil Minton – trumpet, vocals *Hugh Hopper – electric bass guitar *Marilyn Mazur – drums Source: AllMusic,<ref name=Nastos/> Discogs.<ref name=Discogs/>
==See also== *List of songs about the Cold War
==References== <references>
<ref name=Victoriaville>{{cite web |url=http://fimav.qc.ca/en/archives/fimav-1989/ |title=7th Festival de Musique Actuelle de Victoriaville, 1989 Edition (October 5–9, 1989) |website=Festival International de Musique Actuelle de Victoriaville |access-date=5 March 2012 |archive-date=15 January 2016 |archive-url=https://web.archive.org/web/20160115010304/http://fimav.qc.ca/en/archives/fimav-1989/ |url-status=dead }}</ref>
<ref name=Nastos>{{cite web | url = {{Allmusic|class=album|id=oh-moscow-r165809/review|pure_url=yes}} | title = Oh Moscow | website = AllMusic | last = Nastos | first = Michael G | access-date = 5 March 2012}}</ref>
<ref name=Discogs>{{cite web | url = https://www.discogs.com/Lindsay-Cooper-Oh-Moscow/release/1701167 | title = Oh Moscow | website = Discogs | year = 1991 | access-date = 5 March 2012}}</ref>
<ref name=Cutler>{{cite web | url = http://www.ccutler.co.uk/cassiberetc.htm#moscow | title = Oh Moscow | last = Cutler |first = Chris | author-link = Chris Cutler | access-date = 12 March 2012}}</ref>
<ref name=Colli>{{cite web | url = http://www.cloudsandclocks.net/interviews/HHopper_interview_08.html | title = An interview with Hugh Hopper (2008) | last = Colli | first = Beppe | website = Clouds and Clocks| date = 3 February 2008 | access-date = 13 March 2012}}</ref>
<ref name=Calyx>{{cite web | url = https://www.calyx-canterbury.fr/bands/chrono/hopper.html | title = Hugh Hopper Chronology | website = Calyx – The Canterbury Website | access-date = 13 March 2012}}</ref>
</references>
==Cited works== *{{cite book|last=LeFanu|first=Nicola|title=Reclaiming the Muse|url=https://books.google.com/books?id=xfdWcHo3s28C&pg=PA71|accessdate=13 March 2012|year=1994|publisher=Harwood Academic Publishers|isbn=978-3-7186-5528-1|page=71}} *{{cite book|last=Jones|first=Andrew|title=Plunderphonics, 'Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle|url=https://books.google.com/books?id=3q_QnQEACAAJ|chapter=Lindsay Cooper|accessdate=13 March 2012|year=1995|publisher=SAF Publishing Ltd|isbn=978-0-946719-15-0|pages=104–111}}
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Category:1991 live albums Category:Works about the Cold War