{{Short description|Vocal compositions by German composer}} [[File:Singet dem Herrn ein neues Lied.JPEG|thumb|upright=1.35|Bach's autograph of the motet {{lang|de|Singet dem Herrn ein neues Lied}}, BWV 225]] {{Lists of compositions by Johann Sebastian Bach}}
It is uncertain how many motets Johann Sebastian Bach composed, because some have been lost, and there are some doubtful attributions among the surviving ones associated with him. There is a case for regarding the six motets catalogued BWV 225–230 as being authenticated, although there is some doubt about one of them, ''Lobet den Herrn, alle Heiden''. A seventh motet, ''Ich lasse dich nicht'', BWV Anh. 159, which was formerly attributed to Bach's older cousin Johann Christoph Bach, appears to be at least partly by J.S. Bach, and if so was probably composed during his Weimar period.
BWV 228 is another motet which appears to have been written at Weimar, between 1708 and 1717, the others having been composed in Leipzig. Several of the motets were written for funerals. There is some uncertainty as to the extent that motets would have been called for in normal church services—there is evidence that the form was considered archaic. The text of ''Jauchzet dem Herrn, alle Welt'', BWV Anh. 160 (whether or not the piece is attributable to Bach) suggests a performance at Christmas. Another possible use is a pedagogical one. Bach's biographer Johann Nikolaus Forkel suggested that the choral writing would have been useful for training Bach's young singers, and Christoph Wolff has argued that this could apply in particular to ''Singet dem Herrn ein neues Lied''.<ref>Wolff, Christoph. ''[https://books.google.com/books?id=YtJVFiHnepcC&pg=PA249 Johann Sebastian Bach: The Learned Musician]'', p. 249 (W. W. Norton & Company 2001).</ref>
Bach's motets are his only vocal works that stayed in the canon without interruption between his death in 1750 and the 19th-century Bach Revival.<ref>{{Cite book |last=Spitta |first=Philipp |author-link=Philipp Spitta |title=Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750 (Volume 2) |location=London |publisher=Novello & Co |year=1899 |url=https://archive.org/details/johannsebastianb02spituoft}}, [https://archive.org/stream/johannsebastianb02spituoft#page/611/mode/1up p. 611]</ref> In the early 19th century, six motets (BWV 225, 228, Anh. 159, 229, 227, 226)<ref name="BH"></ref><ref>{{OCLC|18856743}} at {{url|www.worldcat.org}}</ref> were among Bach's first printed music, after the second half of the 18th century when the only vocal music by Bach that was printed were collections of his four-part chorales.<ref>Forkel, Johann Nikolaus, translated by Charles Sanford Terry (1920). [https://archive.org/details/johannsebastian01terrgoog ''Johann Sebastian Bach: His Life, Art, and Work''.] New York: Harcourt, Brace and Howe; London: Constable, [https://archive.org/stream/johannsebastian01terrgoog#page/n22/mode/1up p. xvii]</ref>
==BWV 225–230== * {{lang|de|Singet dem Herrn ein neues Lied}} (Sing unto the Lord a new song), BWV 225, is a motet in B-flat major scored for two four-part choirs (SATB) which was first performed in Leipzig around 1727. This motet uses Psalm 149:1–3 for its first movement, the third stanza of "Nun lob, mein Seel, den Herren" (a 1530 hymn after Psalm 103 by Johann Gramann) for the second movement, and Psalm 150:2 and 6 for its third movement.{{sfn|Dürr|Kobayashi|1998|p=228}} * {{lang|de|Der Geist hilft unser Schwachheit auf}} (The Spirit gives aid to our weakness), BWV 226, a motet in B-flat major scored for two four-part choirs, was performed in Leipzig in 1729 for the funeral of Johann Heinrich Ernesti. The text is taken from the Epistle to the Romans ({{Sourcetext|source=Bible|version=King James|book=Romans|chapter=8|verse=26|range=–27}}) and Martin Luther's third stanza to the hymn "{{lang|de|Komm, Heiliger Geist, Herre Gott|italic=no}}" (1524).{{cn|date=March 2020}} * {{lang|de|Jesu, meine Freude}} (Jesus, my joy), BWV 227, is a motet in E minor for five vocal parts. It has been suggested{{by whom|date=March 2020}} that it was composed in 1723 for the funeral of Johanna Maria Käsin, the wife of the Leipzig postmaster. It takes its title from the hymn "Jesu, meine Freude" by Johann Franck on which it is based. The stanzas of the chorale are interspersed with passages from the Epistle to the Romans. The chorale melody on which several movements are based was by Johann Crüger (1653). The German text is by Johann Franck, and dates from {{circa|1650}}.{{cn|date=March 2020}} * {{lang|de|Fürchte dich nicht}} (Do not fear), BWV 228, is a motet in A major for a funeral, set for double chorus and unspecified instruments playing colla parte. The work in two movements draws its text from the Book of Isaiah and a hymn by Paul Gerhardt. Traditionally, scholars believed that Bach composed it in Leipzig in 1726, while more recent scholarship suggests for stylistic reasons that it was composed during Bach's Weimar period. It has been compared to another motet for double choir, ''Ich lasse dich nicht'', BWV Anh. 159, which is possibly by Bach.<ref name="Gardiner">{{cite web | url=http://www.monteverdi.org.uk/downloads/booklets/sdg716.pdf | title=Bach Motets | access-date=9 September 2015 | author=Gardiner, John Eliot | archive-url=https://web.archive.org/web/20160304203735/http://www.monteverdi.org.uk/downloads/booklets/sdg716.pdf | archive-date=4 March 2016 | url-status=dead }}</ref> * {{lang|de|Komm, Jesu, komm}} (Come, Jesus, come), BWV 229, is a motet in G minor composed in Leipzig, which received its first performance by 1731–1732.{{cn|date=March 2020}} * {{lang|de|Lobet den Herrn, alle Heiden}} (Praise the Lord, all ye heathen), BWV 230, is a motet in C major scored for four voices, which draws its text from Psalm 117:1–2. Although some scholars have expressed doubts about the attribution to Bach, the work is generally regarded as a surviving motet by Bach.{{cn|date=March 2020}}
==BWV 28/2a (231) and 118== * {{lang|de|Sei Lob und Preis mit Ehren}}, originally BWV 231, later renumbered to BWV 28/2a, is the second movement of the motet {{lang|de|Jauchzet dem Herrn alle Welt}}, presented as a separate motet. Whether Bach extracted this motet (which is based on the second movement of the cantata BWV 28) from the three-movement motet or the cantata, and/or used it as a separate motet is not known.{{sfn|Melamed|1995|pp=[https://books.google.com/books?id=JDlBMqI628UC&pg=PA89 89–97]}}<ref name=BDW0036>Bach Digital Work {{BDW|0036}} at {{url|www.bachdigital.de}}</ref><ref>{{cite book|last=Boyd|first=Malcolm|title=Oxford Composer Companions: J.S. Bach|year=1999|publisher=Oxford University Press|location=Oxford, England|isbn=0-19-866208-4|pages=[https://archive.org/details/jsbach0000unse/page/245 245]|url=https://archive.org/details/jsbach0000unse/page/245}}</ref> * ''O Jesu Christ, meins Lebens Licht'', BWV 118: originally listed as a cantata, in BWV<sup>2a</sup> listed as a (funeral) motet.{{sfn|Dürr|Kobayashi|1998|p=233}}<ref name=BDW0143>Bach Digital Work {{BDW|0143}} at {{url|www.bachdigital.de}}</ref>
==Parodies== * ''Der Gerechte kömmt um'', BWV 1149, a chorale from a pasticcio passion oratorio, is a parody of the motet ''Tristis est anima mea'' which was likely composed by Johann Kuhnau. The arrangement is possibly Bach's, and it is possible Bach used it as a separate (funeral) motet.<ref name=BDW1532>Bach Digital Work {{BDW|1532}} at {{url|www.bachdigital.de}}</ref>{{sfn|Melamed|1995|pp=[https://books.google.com/books?id=JDlBMqI628UC&pg=PA148 148–149]}}<ref name="Instrumental">[https://www.bach333.com/en/assets/downloads/bach333_instrumental-and-supplement.pdf ''Instrumental and Supplement''] bach333.com</ref>
==BWV Anh. 159–165== * {{lang|de|Ich lasse dich nicht}} (I will not let you go [unless you bless me]), BWV Anh. 159, is a motet in F minor scored for double chorus (SATB–SATB) and unspecified instruments playing colla parte. The motet, which was formerly attributed to Bach's older cousin Johann Christoph Bach, appears to be one of Bach's earlier works, possibly composed during his Weimar period around 1712.<ref name="Gardiner" /> Consequently, the motet was moved from BWV Anh. III (spurious works) to BWV Anh. II (doubtful works) in BWV<sup>2a</sup>.{{sfn|Dürr|Kobayashi|1998|p=459}} The final chorale of the motet is an adaptation of BWV 421, but that may also be a later addition to the motet.<ref name=BDW1470>Bach Digital Work {{BDW|1470}} at {{url|www.bachdigital.de}}</ref> It draws its text from a verse taken from the Book of Genesis, from the scene of Jacob's Ladder ({{Sourcetext|source=Bible|version=King James|book=Genesis|chapter=32|verse=27}}), combined with the third stanza of the hymn "Warum betrübst du dich, mein Herz" by Erasmus Alberus.{{cn|date=March 2020}} * {{lang|de|Jauchzet dem Herrn alle Welt}}, BWV Anh. 160 (=TWV 8:10) is a three-movement pasticcio motet for SATB–SATB attributed to, among others, Bach and Georg Philipp Telemann. All that is certain regarding Bach's participation in the work is that its second movement derives from the second movement of Bach's cantata BWV 28.{{sfn|Melamed|1995|pp=[https://books.google.com/books?id=JDlBMqI628UC&pg=PA89 89–97]}}<ref name=BDW1471>Bach Digital Work {{BDW|1471}} at {{url|www.bachdigital.de}}</ref> * Motet movement ''Kündlich groß ist das gottselige Geheimnis'', BWV Anh. 161, in D major for SATB, strings(?) and continuo, by Graun (possibly Carl Heinrich Graun), precedes laudes A and B of Bach's Magnificat in a three-movement Christmas motet pasticcio.<ref name=BDW1472>Bach Digital Work {{BDW|1472}} at {{url|www.bachdigital.de}}</ref> * ''Lob und Ehre und Weisheit und Dank'', BWV Anh. 162, for SATB–SATB, by Georg Gottfried Wagner.<ref>[http://www.bach-cantatas.com/Vocal/BWVAnh162.htm Georg Gottfried Wagner: Motet Lob und Ehre und Weisheit, BWV Anh 162] at {{url|www.bach-cantatas.com}}</ref><ref name=BDW1473>Bach Digital Work {{BDW|1473}} at {{url|www.bachdigital.de}}</ref> * ''Merk auf, mein Herz, und sieh dorthin'', BWV Anh. 163, for SATB–SATB, by Johann Bernhard or Johann Ernst Bach.<ref>[http://www.bachdigital.de/receive/BachDigitalSource_source_00000248 BR Bruxelles ''Ms. II 3902 Mus.''] at {{url|www.bachdigital.de}}</ref><ref name=BDW1474>Bach Digital Work {{BDW|1474}} at {{url|www.bachdigital.de}}</ref> * ''Nun danket alle Gott'', BWV Anh. 164, for SSATB, by Johann Christoph Altnickol, Bach's son-in-law.<ref>[http://www.bachdigital.de/receive/BachDigitalSource_source_00002751 HLB Darmstadt, ''Mus. ms. 521/1''] and [http://www.bachdigital.de/receive/BachDigitalSource_source_00002752 HLB Darmstadt, ''Mus. ms. 521/2–6''] at {{url|www.bachdigital.de}}</ref><ref name=BDW1475>Bach Digital Work {{BDW|1475}} at {{url|www.bachdigital.de}}</ref> * ''Unser Wandel ist im Himmel'', BWV Anh. 165, for SATB, after movements 2, 4 and 6 of cantata ''Mein Odem ist schwach'', BWV 222, by Johann Ernst Bach.<ref>[http://www.bachdigital.de/receive/BachDigitalSource_source_00002798 HLB Darmstadt, ''Mus. ms. 528''] at {{url|www.bachdigital.de}}</ref><ref name=BDW1476>Bach Digital Work {{BDW|1476}} at {{url|www.bachdigital.de}}</ref>
==Motets listed in the second chapter of the ''Bach-Werke-Verzeichnis'' (1998)== {{Bach's compositions (legend)}} {{Bach's compositions (scoring)}} {{Bach's compositions (background)}} {{Bach's compositions (header)|Motets listed in Chapter 2 of BWV<sup>2a</sup>}}<onlyinclude> |- style="background: #E3F6CE;" | data-sort-value="0225.000" | 225 | data-sort-value="228.002" | 2. | data-sort-value="1727-01-01" | 1726–1727<br />New Year? | Motet ''Singet dem Herrn ein neues Lied'' | B♭ maj. | data-sort-value="SATBx2 +colla parte instruments?" | 2SATB (+''colla parte'' instr.?) | data-sort-value="000.39: 003" | 39: 3 | data-sort-value="III/01: 001" | III/1: 1 | after Z 8244 (/2); text after Ps. 149: 1–3 (/1), by Gramann after Ps. 103 (/2), after Ps. 150: 2, 6 (/3){{sfn|Melamed|1995|p=[https://books.google.com/books?hl=nl&id=JDlBMqI628UC&pg=PA102 102]}} | {{BDW|0282}} |- style="background: #E3F6CE;" | data-sort-value="0226.000" | 226 | data-sort-value="229.001" rowspan="2" | 2. | rowspan="2" | 1729-10-20 | Motet ''Der Geist hilft unser Schwachheit auf'' (funeral of Ernesti, J. H.) | B♭ maj. | data-sort-value="SATBx2 Str Vc Obx2 Tai Bas" | 2SATB Str Vc 2Ob Tai Bas | data-sort-value="000.39: 039" | 39: 39, 143 | data-sort-value="III/01: 037" | III/1: 37 | after Z 7445a (/2); text after Rom. 8: 26–27 (/1), by Luther (/2){{sfn|Melamed|1995|p=[https://books.google.com/books?hl=nl&id=JDlBMqI628UC&pg=PA102 102]}} | {{BDW|0283}} |- style="background: #E3F6CE;" | data-sort-value="0226.002" | 226/2 | chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3) | B♭ maj.<br />G maj. | SATB | data-sort-value="000.39: 057" | 39: 57 | data-sort-value="III/02 1: 016" | III/2.1: 18<br />III/2.2: 38 | after Z 7445a; text by Luther | {{BDW|1182|1}} |- style="background: #F5F6CE;" | data-sort-value="0227.000" | 227 | data-sort-value="229.002" rowspan="4" | 2. | data-sort-value="1728-07-18" rowspan="4" | {{circa|1723–1735}} | Motet ''Jesu, meine Freude'' | rowspan="4" | E min. | data-sort-value="SSATB +colla parte instruments?" | SSATB (+''colla parte'' instr.?) | data-sort-value="000.39: 059" | 39: 59 | data-sort-value="III/01: 075" | III/1: 75 | after Z 8032 (odd mvts); text by Franck, J. (odd mvts), after Rom. 8: 1–2, 9–11 (even mvts){{sfn|Melamed|1995|p=[https://books.google.com/books?hl=nl&id=JDlBMqI628UC&pg=PA102 102]}} | {{BDW|0284}} |- style="background: #F5F6CE;" | data-sort-value="0227.001" | 227/1<br>227/11 | chorale setting "Jesu, meine Freude" (ss. 1, 6) | SATB | data-sort-value="000.39: 061" | 39: 61 | data-sort-value="III/02 1: 031" | III/2.1: 27<br />III/2.2: 156 | after Z 8032; text by Franck, J. | {{BDW|1200|1}} |- style="background: #F5F6CE;" | data-sort-value="0227.003" | 227/3 | chorale setting "Jesu, meine Freude" (s. 2) | SATB | data-sort-value="000.39: 066" | 39: 66 | data-sort-value="III/02 1: 032" | III/2.1: 28 | after Z 8032; text by Franck, J. | {{BDW|1201|1}} |- style="background: #F5F6CE;" | data-sort-value="0227.007" | 227/7 | chorale setting "Jesu, meine Freude" (s. 4) | SATB | data-sort-value="000.39: 075" | 39: 75 | data-sort-value="III/02 1: 021" | III/2.1: 22<br />III/2.2: 168 | after Z 8032; text by Franck, J. | {{BDW|1202|1}} |- | data-sort-value="0228.000" | 228 | data-sort-value="231.001" | 2. | data-sort-value="1715-07-01" | {{circa|1715}} | Motet ''Fürchte dich nicht'' | A maj. | data-sort-value="SATBx2 +colla parte instruments?" | 2SATB (+''colla parte'' instr.?) | data-sort-value="000.39: 087" | 39: 85 | data-sort-value="III/01: 107" | III/1: 105 | after Z 6461 (/2); text after Is. 41: 10 (/1), 43: 1 (/2), by Gerhardt (/2){{sfn|Melamed|1995|p=[https://books.google.com/books?hl=nl&id=JDlBMqI628UC&pg=PA102 102]}} | {{BDW|0285}} |- style="background: #F6E3CE;" | data-sort-value="0229.000" | 229 | data-sort-value="231.002" | 2. | data-sort-value="1730-07-01" | before 1731–1732 | Motet ''Komm, Jesu, komm'' | G min. | data-sort-value="SATBx2 +colla parte instruments" | 2SATB (+''colla parte'' instr.) | data-sort-value="000.39: 109" | 39: 107 | data-sort-value="III/01: 127" | III/1: 125 | text by Thymich{{sfn|Melamed|1995|p=[https://books.google.com/books?hl=nl&id=JDlBMqI628UC&pg=PA102 102]}} | {{BDW|0286}} |- style="background: #F5F6CE;" | data-sort-value="0230.000" | 230 | data-sort-value="232.002" | 2. | data-sort-value="1730-07-01" | 1723–1739? | Motet ''Lobet den Herrn, alle Heiden'' | C maj. | data-sort-value="SATB Bc +colla parte instruments?" | SATB Bc (+''colla parte'' instr.?) | data-sort-value="000.39: 129" | 39: 127 | data-sort-value="III/01: 149" | III/1: 147 | text after Ps. 117{{sfn|Melamed|1995|p=[https://books.google.com/books?hl=nl&id=JDlBMqI628UC&pg=PA102 102]}} | {{BDW|0287}} |- | data-sort-value="0231.000" | 231 | data-sort-value="233.001" | ---- | ---- | data-sort-value="Motet Sei Lob und Preis mit Ehren" | ---- | ---- | ---- | ---- | ---- | see BWV 28/2a | {{BDW|0288}} |- style="background: #E3F6CE;" | data-sort-value="0118.100" | 118.1 | data-sort-value="233.003" | 2. | data-sort-value="1736-12-31" | 1736–1737 | Motet ''O Jesu Christ, meins Lebens Licht'' (funeral) | B♭ maj. | data-sort-value="SATB Hnx2 Cnt Tbnx3" | SATB 2Hn Cnt 3Tbn | data-sort-value="000.24: 185" | 24: 185 | data-sort-value="III/01: 163" | III/1: 163 | text by Behm; → BWV 118.2{{sfn|Melamed|1995|p=[https://books.google.com/books?hl=nl&id=JDlBMqI628UC&pg=PA102 102]}} | {{BDW|0143}} |- style="background: #E3F6CE;" | data-sort-value="0118.200" | 118.2 | data-sort-value="233.004" | 2. | data-sort-value="1746-12-31" | 1746–1747 | Motet ''O Jesu Christ, meins Lebens Licht'' (funeral) | B♭ maj. | data-sort-value="SATB Obx2 Tai Bas Hnx2 Str Bc" | SATB 2Ob Tai Bas 2Hn Str Bc | data-sort-value="000.67 1: 000" | NBG 17<sup>1</sup> | data-sort-value="III/01: 171" | III/1: 171 | text by Behm; after BWV 118.1{{sfn|Melamed|1995|p=[https://books.google.com/books?hl=nl&id=JDlBMqI628UC&pg=PA102 102]}} | {{BDW|1121|1}}</onlyinclude> |}
==Publication and recording== {{more sources|section|date=March 2020}} ===Publications=== St. Thomas School, Leipzig, appears to have kept the{{which|date=March 2020}} motets in the repertory of its Thomanerchor after Bach's death. It is documented that the choir performed ''Singet dem Herrn'' for Mozart in 1789. The director on this occasion was the ''Thomaskantor'' Johann Friedrich Doles, a pupil of Bach. The interest in Bach motets was sufficient for six of them to be printed for the first time in 1802/1803. They appeared in two volumes from the Leipzig publisher Breitkopf & Härtel. The editor is not credited on the title page;<ref name="BH">Johann Gottfried Schicht, editor. [https://archive.org/details/johsebbachsmotet00bach ''Joh. Seb. Bach's Motetten in Partitur''.] Leipzig: Breitkopf und Härtel. 1802 (Vol. 1: BWV 225, 228, Anh. 159); 1803 (Vol.2: BWV 229, 227, 226).</ref> however, it has been suggested{{by whom|date=March 2020}} that the person responsible was Johann Gottfried Schicht, who was active in the city as a choral and orchestral conductor.
Book I consisted of *''Singet dem Herrn ein neues Lied'' (BWV 225) *''Fürchte dich nicht'' (BWV 228) *''Ich lasse dich nicht'' (BWV Anh. 159)
Book II consisted of *''Komm, Jesu, komm'' (BWV 229) *''Jesu, meine Freude'' (BWV 227) *''Der Geist hilft unser Schwachheit auf'' (BWV 228)
In 1892 the motets were published as part of the Bach-Gesellschaft-Ausgabe, the first edition of the composer's complete works. The editor was Franz Wüllner, who did not accept Bach's authorship of ''Ich lasse dich nicht''.<ref>Melamed, Daniel R. “The Authorship of the Motet ‘Ich Lasse Dich Nicht’ (BWV Anh. 159).” Journal of the American Musicological Society, vol. 41, no. 3, 1988, pp. 491–526. JSTOR, www.jstor.org/stable/831462. Accessed 30 Mar. 2020 (subscription required).</ref> The motet volume of the New Bach Edition (the second edition of the composer's complete works) came out in 1965. It includes ''O Jesu Christ, mein Lebens Licht'' (which had been included among the cantatas in the Bach-Gesellschaft-Ausgabe) and ''Lobet den Herrn''. The motets were published by Carus-Verlag in 1975, edited by Günter Graulich, and again in 2003, seven compositions edited by Uwe Wolf.{{sfn|Wolf|2002|p=I}}
===Recordings=== {{Further information|Motets by Johann Sebastian Bach, discography}} Most recordings of the Bach motets have been made since the Second World War. The Thomanerchor, for example, recorded a set in the 1950s.<ref name="Bach Cantatas2">{{Cite web |url=http://www.bach-cantatas.com/Vocal/BWV225-231-Rec2.htm|title= Motets / Recordings – Part 2 |website=Bach Cantatas Website}}</ref> However, there were several pre-War recordings of the motets. The first recording of a Bach motet was a 1927 version of ''Jesu, meine Freude''.<ref name="Bach Cantatas1">{{Cite web |url=http://www.bach-cantatas.com/Vocal/BWV225-231-Rec1.htm|title= Motets / Recordings – Part 1 |website=Bach Cantatas Website}}</ref>
A single CD can contain the set of six motets (BWV 225–230) plus other works. One of the decisions which needs to be made is which motets to include. Another decision is how many voices to use per part. The motets have been recorded with one voice per part by Konrad Junghänel. Most recordings deploy more than one singer per part; for example, Masaaki Suzuki and his Bach Collegium Japan use a chorus of eighteen singers.<ref name="BIS">{{Cite web |url=https://bis.se/conductors/suzuki-masaaki/bach-motets |title=Bach - Motets |website=Bis |access-date=6 April 2020}}</ref>
== References == {{reflist}}
== Sources == * {{cite book |date=1998 |editor1-last=Dürr |editor1-first=Alfred |editor1-link=Alfred Dürr |editor2-last=Kobayashi |editor2-first=Yoshitake |title=Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe |trans-title=Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition |language=de |others=Kirsten Beißwenger (collaborator). |title-link=Bach Werke Verzeichnis |edition=BWV<sup>2a</sup> |location=Wiesbaden |publisher=Breitkopf & Härtel |isbn=9783765102493 |postscript=. Preface in English and German. }} * {{cite book | last = Melamed | first = Daniel R. | url = https://books.google.com/books?id=JDlBMqI628UC | title = J.S. Bach and the German Motet | publisher = Cambridge University Press | year = 1995 | isbn = 0-52-141864-X<!-- 9780521418645 --> }} * {{cite book |last1 = Platen |first1 = Emil |author-link1 = Emil Platen |date = 1961 |chapter = Eine Pergolesi-Bearbeitung Bachs |trans-chapter = An arrangement of Pergolesi by Bach |chapter-url = https://doi.org/10.13141/bjb.v19612425 |editor1-last = Dürr |editor1-first = Alfred |editor1-link = Alfred Dürr |editor2-last = Neumann |editor2-first = Werner |editor2-link = Werner Neumann (musicologist) |title = Bach-Jahrbuch 1961 |trans-title = Bach Yearbook 1961 |url = https://journals.qucosa.de/bjb/issue/view/122 |series = Bach-Jahrbuch |language = de |volume = 48 |location = Berlin |publisher = Evangelische Verlagsanstalt |publication-date = 1962 |pages = 35–51 |doi = 10.13141/bjb.v1961 |postscript =. Digital version at {{ill|Qucosa|de}}. }} * {{cite web | editor-last = Wolf | editor-first = Uwe | editor-link = Uwe Wolf (musicologist) | url = https://www.carusmedia.com/images-intern/medien/30/3122410/3122410x.pdf | title = Johann Sebastian Bach / Motetten / Motets | website = Carus-Verlag | date = 2002 | page = V | access-date = 24 March 2020 }}
== External links == {{commons category|Motets by Johann Sebastian Bach}} * {{IMSLP2|work=Motets%2C_BWV_225-231_%28Bach%2C_Johann_Sebastian%29|cname=Motets by Johan Sebastian Bach}} * Johann Gottfried Schicht, editor. [https://archive.org/details/johsebbachsmotet00bach ''Joh. Seb. Bach's Motetten in Partitur''.] Leipzig: Breitkopf und Härtel. 1802 (Vol. 1: BWV 225, 228, Anh. 159); 1803 (Vol.2: BWV 229, 227, 226) * Uwe Wolf: [https://books.google.com/books?id=1mPrDGN3bpQC&pg=PA269 "Zur Schichtschen Typendruck-Ausgabe der Motetten Johann Sebastian Bachs und zu ihrer Stellung in der Werküberlieferung"] in [https://books.google.com/books?id=1mPrDGN3bpQC ''Musikalische Quellen, Quellen zur Musikgeschichte: Festschrift für Martin Staehelin zum 65. Geburtstag''.] Edited by Jürgen Heidrich, Hans Joachim Marx and Ulrich Konrad. Vandenhoeck & Ruprecht. 2002. {{ISBN|9783525278208}}, {{Page numbers|269–286}} {{in lang|de}}
{{Bach motets}} {{Johann Sebastian Bach}}
* Motets by Johann Sebastian Bach, List of