Mike Mandel

{{short description|American artist and photographer}} {{use dmy dates|date=May 2021}} '''Mike Mandel''' (born 1950) is an American conceptual artist and photographer.<ref name="jobey=ft">{{cite news | url = https://www.ft.com/content/a7455026-bf00-11e5-9fdb-87b8d15baec2 | date = 22 January 2016 | access-date = 25 May 2017 | first = Liz | last = Jobey | newspaper = [[Financial Times]] | location = London | title = 'The Baseball-Photographer Trading Cards', by Mike Mandel}}</ref> According to his artist profile, his work "questions the meaning of photographic imagery within popular culture and draws from snapshots, advertising, news photographs, and public and corporate archives."<ref name="ves-profile">"[https://ves.fas.harvard.edu/people/mike-mandel Mike Mandel: Visiting Lecturer on Visual and Environmental Studies, Spring 2016]". [[Harvard University]]. Accessed 25 May 2017</ref>

Most of the publications Mandel has been involved with have been self-published: his own, his early conceptual collaborations with [[Larry Sultan]], and his later collaborations with [[Chantal Zakari]]. He is best known for ''Evidence'' (1977), a book of found photographs he and Sultan assembled, regarded as "one of the most influential photography titles of the past 50 years";<ref name="ohagan-observer">{{cite news | url = https://www.theguardian.com/books/2017/may/02/larry-sultan-pictures-from-home-review | date = 2 May 2017 | access-date = 16 May 2017| first = Sean | last = O'Hagan | author-link = Sean O'Hagan (journalist) | publisher = [[The Observer]] | title = Pictures from Home by Larry Sultan review – when Mom and Dad lived the dream}}</ref><ref name="ohagan-guardian-2017">{{cite news | url = https://www.theguardian.com/artanddesign/2017/may/09/mike-mandel-people-in-cars-photography-los-angeles | date = 9 May 2017 | access-date = 25 May 2017 | first = Sean | last = O'Hagan | author-link = Sean O'Hagan (journalist) | work = [[The Guardian]] | location = London | title = Human traffic: photos of people in their cars are a window to a lost world}}</ref> and for his ''Baseball Photographer Trading Cards'' (1975), a set of [[baseball card]]s with 134 different photographers and curators posing as ball players.<ref name="jobey=ft" />

Mandel has had a solo exhibition at [[San Francisco Museum of Modern Art]] and his work is in the permanent collections of major institutions.

==Life and work== Mandel was born in 1950 in Los Angeles (LA), and grew up in the [[San Fernando Valley]].<ref name="ves-profile" /> He was a student at [[California State University, Northridge|San Fernando Valley State College]], northwest of LA,<ref name="jobey=ft" /> then moved up the coast to San Francisco in 1973 for graduate studies at [[San Francisco Art Institute]].<ref name="jobey=ft" />

===Photographic work=== The 1970s was an incredibly productive decade for Mandel.<ref name="auto">{{cite web|url=https://www.sfmoma.org/exhibition/mike-mandel-good-70s/|title=Mike Mandel|website=SFMOMA|access-date=12 July 2018}}</ref> Before he turned 21 Mandel completed ''People in Cars'' and ''Myself: Timed Exposures'' among a number of conceptual photography projects, many of them self-published in book form that were later (2015) collected and re-published as a boxed edition of facsimile books and objects entitled ''Good 70s'', edited by Mandel, [[Jason Fulford]] and Sharon Helgason Gallagher<ref>{{cite book|url=http://www.artbook.com/9780989531146.html|title=Mike Mandel Good 70s ARTBOOK - D.A.P. 2015 Catalog D.A.P./J&L Books Books Exhibition Catalogues 9780989531146|website=Artbook.com}}</ref> The publication led to a recognition of his 1970s projects in two concurrent solo exhibitions, one at the San Francisco Museum of Modern Art (SFMOMA)<ref name="auto"/> and the other at Robert Mann Gallery in New York City, both in 2017.<ref>{{cite web|url=http://www.robertmann.com/17-mandel-press|title=17 - Mandel Press|website=Robert Mann Gallery|access-date=12 July 2018}}</ref> ''Good 70s'' included ''People in Cars'' (1970), ''Myself: Timed Exposures'' (1971), ''Mike's Motels'' and ''Motel Postcards'' (1974), ''Mrs. Kilpatric'' (1974), ''Seven Never Before Published Portraits of Edward Weston'' (1974), ''The Baseball Photographer Trading Cards'' (1975), and a set of letters ostensibly written by [[Sandra S. Phillips]], Curator Emerita at SFMOMA, to Mandel during the 1970s, ''Letters from Sandra.'' The letters are real, but the dates fictional as they were written by Phillips specifically for the 2015 publication of the box set as a tongue in cheek contextualizing device describing her feelings about Mandel's works in progress while at the same time providing a running commentary on the [[Watergate scandal]].<ref>{{cite web|url=https://www.sfmoma.org/read/fake-letters-real-friends-sandra-phillips-mike-mandel-and-good-70s/|title=Fake Letters, Real Friends: Sandra Phillips, Mike Mandel, and the Good 70s|website=SFMOMA|access-date=12 July 2018}}</ref>

For ''People in Cars'' Mandel found a street corner near his home in Van Nuys, California, and in the late afternoon light, using a wide-angle lens, he photographed people making right hand turns, often capturing the images of drivers and passengers in the front and back seats.<ref name="ohagan-guardian-2017" /><ref name="crisell-nytimes">{{cite news | url = https://www.nytimes.com/2017/04/26/t-magazine/art/mike-mandel-people-cars-book-sfmoma.html | date = 26 April 2017 | access-date = 25 May 2017 | first = Hattie | last = Crisell | newspaper = [[The New York Times]] | title = The Photographer Who Captured People Driving in Los Angeles}}</ref><ref>{{cite web |url = https://www.vice.com/en/article/a-glorious-glimpse-of-1960s-la/ |title=A Glorious Glimpse of 1970s LA |website=Vice | date = 8 May 2017 | access-date = 25 May 2017}}</ref>

''Good 70s'' included a poster of this work, but a more extensive book was published in 2017 by Stanley/Barker, UK, and Robert Mann Gallery<ref>{{cite web |url=https://www.stanleybarker.co.uk/products/people-in-cars-mike-mandel |title=People In Cars |website=Stanley/Barker}}</ref><ref>{{cite news |first = Bruno |last = Bayley |work = [[Vice (magazine)|Vice]] | title = A Glorious Glimpse of 1970s LA}}</ref><ref name="graham=ft">{{cite news | url = https://www.ft.com/content/24e30278-3645-11e7-99bd-13beb0903fa3 |first = Tom |last = Graham |newspaper = [[Financial Times]] |location = London |title = Snapshot: 'Good 70s' by Mike Mandel}}, accessed May 28, 2017</ref><ref>{{cite news|url=https://www.theguardian.com/artanddesign/2017/may/09/mike-mandel-people-in-cars-photography-los-angeles|title=Human traffic: photos of people in their cars are a window to a lost world|first=Sean|last=O'Hagan|date=9 May 2017|newspaper=[[The Guardian]]|access-date=12 July 2018}}</ref>

Mandel self-published ''Myself: Timed Exposures'' while still an undergraduate in 1971, a book of thirty-six self-portraits made alongside strangers, using the camera's self-timer. There was a measure of chance involved in making the photos as, according to [[Daniel Palmer (art historian)|Palmer]], Mandel would identify a potential photographic opportunity, set up the tripod and camera and walk into the picture during the 10 second delay.<ref>''Photography and Collaboration, From Conceptual Art to Crowdsourcing'', p.59, Daniel Palmer, Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017, {{ISBN|9781474233460}}</ref><ref>[https://books.google.com/books?id=AtnWDQAAQBAJ&q=Photography+and+Collaboration+From+Conceptual+Art+to+Crowdsourcing&pg=PA58] {{dead link|date=July 2018}}</ref>

Mandel and his girlfriend at the time, Alison Woolpert, began collecting postcards from sleazy little motels, but Mandel eventually started taking pictures himself, taking the viewer on a sort of ghostly tour of long-gone 70s design and road culture."<ref>{{cite web|url=https://dangerousminds.net/comments/ultimate_americana_portraits_of_sleazy_70s_motels|title=Ultimate Americana: Portraits of sleazy 70's motels|date=28 July 2015|website=Dangerousminds.net|access-date=12 July 2018}}</ref> "These photos have a clear haunting and glowing, lonesome appeal you just can’t shake. You can just imagine the kids of the early 60’s escaping to these motels for vacation and kicks but now these destinations have turned into places where people go to become ghosts."<ref>{{cite web|url=https://nakidmagazine.com/2015/01/16/1970s-motels-the-haunting-and-beautiful-escape-mike-mandel/|title=1970's MOTELS – THE HAUNTING AND BEAUTIFUL ESCAPE – MIKE MANDEL|date=16 January 2015|website=Nakidmagazine.com|access-date=12 July 2018}}</ref>

Paul Sorene on October 18, 2017, quotes Mandel in his Flashbak article, about his project where he regularly photographed a middle aged housewife who lived down the street from him in Santa Cruz, California in 1974.<ref>{{cite web|url=https://flashbak.com/year-mrs-kilpatric-1973-san-francisco-housewife-became-mike-mandels-muse-388599/|title=A Year With Mrs. Kilpatric: In 1973 A San Francisco Housewife Became Mike Mandel's Muse - Flashbak|date=18 October 2017|website=Flashbak.com|access-date=12 July 2018}}</ref>

''Boardwalk Minus Forty'' is a look back at life on the beach, created during the artist's time living in Santa Cruz, California while a student at the San Francisco Art Institute. The book was published in 2017 by TBW Books as part of Series #5, one of a four book set that included books by Susan Meiselas, Bill Burke and Lee Friedlander.<ref>{{cite web|url=https://www.tbwbooks.com/products/subscription-series-no-5|title=Annual Series No.5 - Four Book Set - Limited Quantities Remain|website=TBWBooks|access-date=12 July 2018}}</ref><ref>{{cite web|url=http://www.craveonline.com/art/1302205-summers-must-photo-book-series#/slide/1|title=This Summer's Must-Have Photo Book Series - Crave Online|date=26 July 2017|website=Craveonline.com|access-date=12 July 2018}}</ref>

In 1974 Mandel self-published his [[conceptual art]] piece, ''Seven Never Before Published Portraits of Edward Weston'', a book of responses to questionnaires he sent to various men named Edward Weston, along with their photographs and letters.<ref>{{cite web|url=https://blogs.massart.edu/artistsbooks/2016/01/21/seven-never-before-published-portraits-of-edward-weston-by-mike-mandel/|title=Seven Never Before Published Portraits of Edward Weston by Mike Mandel - Artists' Books at MassArt|website=blogs.massart.edu|date=21 January 2016 |access-date=12 July 2018}}</ref>

In 1974 Mandel and Alison Woolpert, traveled across America, making portraits in the style of [[baseball card]]s of 134 photographers and curators. These included [[Ansel Adams]], [[Imogen Cunningham]], [[Harry Callahan (photographer)|Harry Callahan]], [[Minor White]], [[Aaron Siskind]], [[William Eggleston]], [[Ed Ruscha]], and [[John Szarkowski]]. They also collected personal statistics and comments. Mandel then created a set of baseball cards and sold them through museums and galleries, in packs of 10, at a dollar a pack.<ref name="jobey=ft" /><ref>{{cite web |url=http://www.smithsonianmag.com/arts-culture/photographer-baseball-cards-mike-mandel-180956594/ |title=That Time When Ansel Adams Posed for a Baseball Trading Card|author-link1=Brad Balukjian|first=Brad |last=Balukjian |work=[[Smithsonian (magazine)|Smithsonian]] |date=15 September 2015 |access-date=27 May 2017}}</ref><ref>{{cite web|url=https://www.sfmoma.org/author/lindsey-westbrook/|title=Lindsey Westbrook|website=SFMOMA|access-date=12 July 2018}}</ref><ref>{{cite web|url=https://www.sfmoma.org/read/art-and-baseball-mike-mandel/|title=Of Art and Baseball: Mike Mandel's Baseball-Photographer Trading Cards|website=SFMOMA|access-date=12 July 2018}}</ref>

In March, 2015, SFMOMA made a video interview of Mandel describing his 70s projects including ''The Baseball Photographer Trading Cards''.<ref>{{cite web|url=https://www.sfmoma.org/watch/mike-mandels-baseball-photographer-trading-cards/|title=Mike Mandel's Baseball-Photographer Trading Cards|website=SFMOMA|access-date=12 July 2018}}</ref>

[[Marty Appel]]> writes in Sports Collectors Digest: SF Giants Oral History about the book Mandel self-published in 1979 about his favorite baseball team, the San Francisco Giants. Mandel is quoted: "I liked Studs Terkel’s books, and as an artist I thought that it didn’t matter what the subject matter might be, but that an artist would approach the project with a more open ended attitude. Of course, I was a Giants fan since I was eight, in 1958, so I grew up with the team in San Francisco."<ref>{{cite web|url=http://www.appelpr.com/?page_id=243|title=Sports Collectors Digest: SF Giants Oral History – Marty Appel|website=Appelpr.com|date=21 March 2014 |access-date=12 July 2018}}</ref>

====Collaborations with Larry Sultan==== Larry Sultan and Mandel first met as MFA students at the San Francisco Art Institute. Over the next thirty years, their artistic partnership produced an impressive body of work as well as a lifelong friendship.<ref>{{cite web|url=https://www.sfmoma.org/theme/art-accomplices-sultan-mandel/|title=Art Accomplices: Larry Sultan and Mike Mandel|website=SFMOMA|access-date=12 July 2018}}</ref> The two collaborated on ''Billboards,'' 15 different [[subvertising]] series displayed on billboards throughout California and elsewhere in the USA; as well as various conceptual books. ''Evidence'' (1977) is "a book of photographs sourced from scientific, industrial, police, military and other archives", over one hundred of which across the USA they visited and scoured for material. As a whole, the book suggests a mysterious atmosphere of an unexplained technologically driven, dehumanizing future. And this idea was made all the more potent because the photographs were not imagined or set up by the artists. Mandel and Sultan consider these found images as "documents" that came right from these centers of technology.<ref name="aperture-evidence">{{cite web |url=http://aperture.org/blog/marco-breuer-mike-mandel-larry-sultan-evidence/ |title=Marco Breuer on Mike Mandel and Larry Sultan's Evidence |first=Marco |last=Breuer |date=11 July 2016 |publisher=[[Aperture Foundation]] |access-date=28 May 2017}}</ref> [[Sean O'Hagan (journalist)|Sean O'Hagan]] wrote in ''[[The Observer]]'' that ''Evidence'' is "now regarded as one of the most influential photography titles of the past 50 years";<ref name="ohagan-observer" /> Liz Jobey wrote in the ''[[Financial Times]]'' that it "is recognised as one of the signal works of contemporary photography".<ref name="jobey=ft" /> Randy Kennedy wrote in ''[[The New York Times]]'' that it "became a watershed in the history of art photography";<ref>{{cite web |first=Randy |last=Kennedy |url=https://www.nytimes.com/2009/12/14/arts/14sultan.html?_r=0 |title=Larry Sultan, California Photographer, Dies at 63 |work=[[The New York Times]] |date=14 December 2009 |access-date=30 May 2017}}</ref> and ''[[Source (photography magazine)|Source]]'' in 2016 named it the second greatest photobook of all time (second only to [[Robert Frank]]'s ''[[The Americans (photography)|The Americans]]'').<ref>{{Cite web|url=http://www.source.ie/photobook/greatest.html|title=Source Photographic Review: The Photobook Issue - Greatest 150 Photobooks|last=Hull|first=Stephen|website=Source.ie|language=en|access-date=2017-12-20}}</ref>

Between 1973 and 1989, Sultan and Mandel created fifteen unique designs for billboards installed in over ninety sites, mostly in California. They appropriated images and text from postcards, illustrated books, and magazine advertisements, replacing traditional slogans with unclear messages and nonsensical symbols. For Sultan and Mandel, the billboard evoked their media-rich hometown, Los Angeles, while offering a platform that could engage unsuspecting audiences in a typically passive and commercial context.<ref>{{cite web|url=http://www.lacma.org/larry-sultan-oranges-fire|title=Larry Sultan: Oranges on Fire - LACMA|website=Lacma.org|access-date=12 July 2018}}</ref> One billboard reads "Oranges On Fire" atop an illustration of flaming citrus fruits without any rhyme or reason. Another says "Ties" above a cluster of oversized, tangled ties with no information as to where or how to purchase them. Another, reminiscent of [[Barbara Kruger]], reads, "We Make You Us," in jarring black and red font. Working in the overlap of banal and bizarre, the artists manage to unhinge the public from their daily realities for a single moment, revealing the lurking possibility of something new.<ref>{{cite web|url=https://www.huffingtonpost.com/2014/03/09/larry-sultan-mike-mandel-_n_4914421.html|title=Meet The Little Known 1970s Artists Who Placed Gorgeous 'Billboards' Around San Francisco|first=Priscilla|last=Frank|date=9 March 2014|access-date=12 July 2018|website=Huffingtonpost.com}}</ref>

Sultan and Mandel's early forays into the poetics of the found image and its relation to the history of the photo book began in 1974, with their small publication ''How to Read Music in One Evening/A Clatworthy Catalog''. For this project they appropriated and re-sequenced advertising imagery found in mail-order catalogues and pulp magazines. The imagery featured photographs of nose warmers, hand-held fans and strapless bras, among other products. Despite the conventional nature of the imagery, when placed in sequence the relations and connections created between photographs evoked a strange and otherworldly mood associated with the genre and imagery of science fiction.<ref>{{cite journal|url=http://www.tate.org.uk/research/publications/in-focus/evidence-sultan-mandel/evidence|title=The Evidence of Images|first=Andrew |last=Witt|website=Tate.org.uk|access-date=12 July 2018}}</ref>

====Collaborations with Chantal Zakari==== In ''The Turk and the Jew'', 1998, "the tumultuous relationship of a Jewish man and a Turkish woman is told in this book version of the artists' web site, in which "Boy gets girl; girl loses boy; boy and girl get on the net."<ref>{{cite web|url=https://www.printedmatter.org/catalog/10433/|title=Mike Mandel and Chantal Zakari - The Turk and the Jew - Printed Matter|website=Printed Matter|access-date=12 July 2018}}</ref>

For ''The State of Ata'' (book 2010) and 7 Turkish Artists (exhibition 2011): Two visual artists—one American, the other Turkish—traveled throughout Turkey over 12 years, driven by an image they found everywhere, that of the revolutionary hero of modern Turkey, [[Mustafa Kemal Atatürk]]. ''The State of Ata: The Contested Imagery of Power in Turkey'' (18 Publications), is at once a travelogue, oral history, photo album, and meditation on Turkey's past, present, and future. Atatürk, who died in 1938, pushed Turkey to become a model Western state. The wearing of religious clothing in public was banned, women's legal rights were expanded, and the Arabic alphabet was dropped in favor of Latin characters. Yet a divide remains. In 1997 when Zakari held up a picture of Atatürk at a march of Islamists as a sign of her support for a secular society, she made front-page news all over Turkey.<ref>{{cite web|url=http://www.artbook.com/interview-mandel-zakai.html|title=Mike Mandel and Chantal Zakari on The State of Ata|website=Artbook.com|access-date=12 July 2018}}</ref>

''Multi-National Force: Iraq in Agatha Christie's: They Came to Baghdad'': <blockquote>"Baghdad is the chosen location for a secret superpower meeting" in Agatha Christie's They Came to Baghdad ... In our book, They Came to Baghdad, 40 of Christie's book covers conjure an exotic site for diplomatic, and romantic intrigue. They parallel the second chapter, that includes images and news accounts of the 40 countries that have participated in the Multi-National Force deploying troops to Iraq between 2003 and 2011.<ref>{{cite web |url=http://www.indiephotobooklibrary.org/2013/04/they-came-to-baghdad/ |title=They Came to Baghdad |website=Indie Photobook Library |access-date=14 February 2018}}</ref></blockquote>

A companion artwork to ''Shelter in Plates'', ''Lockdown Archive'' is about: <blockquote>The speed with which a U.S. community could be transformed into what was essentially a police state. To recap, a few nights after the Boston marathon bombing in 2013, two men, Dzhokar and Tamerlan Tsarnaev, were implicated in the bombing ... During the ensuing night chase, Tamerlan was shot and killed by police while Dzhokar evaded arrest. Within hours, there was a citywide manhunt and Boston authorities advised citizens to shelter in place ... The city basically shut down while armed police and military vehicles scoured the streets for the bad guy. ''Lockdown Archive'' is {{sic|comprised |hide=y}} entirely of images that Mandel and Zakari pulled from the internet that were posted and re-posted by citizens and media alike to illustrate that day.<ref>{{cite web|url=http://blog.photoeye.com/2015/10/book-review-lockdown-archive.html|title=Book Review: Lockdown Archive|website=Blog.photoeye.com|access-date=12 July 2018}}</ref></blockquote>

===Mosaic tile public artworks (1993–2017)=== Inspired by [[Barbara Jo Revelle]]'s mosaic tile artwork, "A People's History of Colorado" (1991),<ref>{{cite web|url=https://publicartarchive.org/art/Colorado-Panorama-A-Peoples-History/3b6d1b45|title=Colorado Panorama: A People's History|website=Public Art Archive}}</ref> Mandel and Sultan began to design mosaic tile artworks specifically for public sites. Beginning in 1993 they created six projects, but in 2000 Mandel took over this work on his own. Over a period of thirty years, he has transformed photographic imagery into large scale glass and porcelain tile mosaic murals. He has created artworks for 30 different commissions for venues as diverse as airports, police stations, university buildings, convention centers, federal buildings, sports arenas, public schools and transit stations from California and Washington to New York and Florida. <ref name="artswfl.com">{{cite web|url=http://www.artswfl.com/public-art-2/fgcu-public-art-2/alico-arena-mosaic-murals/alico-arena-mosaic-murals|title=Alico Arena Mosaic Murals - ArtSWFL.com|website=Artswfl.com|access-date=12 July 2018}}</ref>

<blockquote>I did a piece for the Tampa International Airport where people are just sitting on an airplane. You have this sequential series of images of people sitting and just being quiet or reading. In public art, you expect something that’s very emblematic of the city— you know, you make some reference to how wonderful Tampa, Florida is as a destination—but in this case, I chose to focus on the experience of flying and, after 9/11, maybe how we are all a little bit more contemplative about what it means to get into an airplane. So I think that has a resonance to me that is a little more understated and meditative than some of the other pieces.<ref>{{cite web|url=http://www.lavalette.com/a-telephone-conversation-with-mike-mandel/|title=A Telephone Conversation With Mike Mandel|website=Lavalette.com|access-date=12 July 2018}}</ref></blockquote>

==Publications== ===Publications by Mandel=== *''Myself: Timed Exposures.'' Self-published, 1971. *''Seven Never Before Published Portraits of Edward Weston.'' Self-published, 1974. *''Baseball Photographer Trading Cards.'' Self-published, 1975. A set of 10 cards, randomly selected from a total of 135 different cards, with a stick of chewing gum. Edition of 3000 copies. *''SF Giants, an Oral History.'' 1979. {{ISBN|978-0918290038}}. *''Making Good Time.'' [[University of New Mexico Press|University of New Mexico]], 1989. {{ISBN|978-0918290007}}. *''Good 70s.'' [[J&L Books|J&L]], 2015. {{ISBN|978-0989531146}}. Edited by Mandel, [[Jason Fulford]], and Sharon Helgason Gallagher. A boxed set of facsimiles of his early works (including ''Myself: Timed Exposures,'' ''Seven Never Before Seen Portraits of Edward Weston''), and a full set of reprinted ''Baseball Photographer Trading Cards,'' and one pack of 10 cards from the original 1975 edition.<ref name="jobey=ft" /> Edition of 1000 copies. *''People in Cars.'' London: Stanley Barker in collaboration with Robert Mann Gallery, New York, 2017. {{ISBN|9780995555549}}. *''Boardwalk Minus Forty.'' Oakland, CA: TBW Books, 2017. Subscription Series #5, Book #1. {{ISBN|978-1-942953-28-9}}. Edition of 1000 copies. Mandel, [[Susan Meiselas]], Bill Burke and [[Lee Friedlander]] each had one book in a set of four.

===Publications paired with others=== *''How to Read Music in One Evening.'' Self-published, 1974. With [[Larry Sultan]]. *''Evidence.'' Self-published / Clatworthy Colorvues, 1977. With Larry Sultan. "Clatworthy Colorvues" was a fictitious name.<ref name="aperture-evidence" /> **Reprint. New York: [[Distributed Art Publishers]], 2003. {{ISBN|1-891024-62-0}}. 2017. {{ISBN|978-1942884149}}. With an introduction by [[Sandra S. Phillips]] and an afterword by Robert F. Forth. *''The Turk and the Jew.'' 18 Publications, 1998. With Chantal Zakari. *''The State of Ata.'' Boston, MA: Self-published / Eighteen, 2010. With Chantal Zakari. {{ISBN|978-0918290106}}. *''They Came to Baghdad.'' Boston, MA: Self-published / Eighteen, 2012. With Chantal Zakari. {{ISBN|9780918290113}}. *''Lockdown Archive.'' Boston, MA: Self-published / Eighteen, 2015. With Chantal Zakari. *''Shelter in Plates.'' 18 Publications, 2013. With Chantal Zakari. A set of commemorative plates referencing the Watertown Lockdown in 2013.

===Publications with contributions by Mandel=== *''Larry Sultan and Mike Mandel.'' Walther König / Distributed Art Publishers, 2012. Edited by Thomas Zander. {{ISBN|978-1935202820}}. With essays by Charlotte Cotton, Jonathan Lethem, Constance M. Lewallen, Carter Ratcliff, and Thomas Wagner. *''Headlands: The Marin Coast at the Golden Gate.'' University of New Mexico, 1989. Collaboration with Miles DeCoster, Mark Klett, Paul Metcalf and Larry Sultan. {{ISBN|978-0826311528}}.

==Films== *''Don Drowty The Famous'' (1971) – 13:54, video<ref>{{cite web|url=https://collectordaily.com/mike-mandel-good-70s-robert-mann|title=Mike Mandel: Good 70s @Robert Mann - Collector Daily|date=14 June 2017|website=Collectordaily.com|access-date=12 July 2018}}</ref> *''JPL'' (1978) – 12:48, [[16 mm film|16 mm]], collaboration with Larry Sultan<ref name="jpl-sfmoma">"[https://www.sfmoma.org/artwork/2016.74 Larry Sultan and Mike Mandel, Larry Sultan and Mike Mandel, JPL, 1978, remastered 2010]". [[San Francisco Museum of Modern Art]]. Accessed 25 May 2017</ref>

==Exhibitions== ===Solo exhibitions=== *''Making Good Time,'' 1990, [[UCR/California Museum of Photography]], UC Riverside, CA <ref>{{cite web|url=https://www.latimes.com/archives/la-xpm-1990-04-06-ca-675-story.html|title=A Light Show in Riverside : Museum: University relocates its cache of photographs, negatives and cameras to a cleverly converted dime store on the downtown pedestrian mall.|first=Suzanne|last=Muchnic|date=6 April 1990|website=Articles.latimes.com|access-date=12 July 2018}}</ref> *''Making Good Time,'' 1990, Opsis Foundation, New York<ref>{{cite web|url=https://books.google.com/books?id=8OcgyAbJx4QC&q=Opsis+Foundation%2C+New+York%2C+NY+Mike+Mandel&pg=PA160|title=New York Magazine|date=24 December 1990|publisher=New York Media|access-date=12 July 2018|via=Google Books}}</ref> *''Making Good Time,'' 1991, [[Blue Sky Gallery]], Portland, OR<ref>{{cite web |url=http://www.blueskygallery.org/exhibition/frank-lilian-gilbreth-mike-mandel-making-good-time/#1 |title=Frank & Lilian Gilbreth, Mike Mandel (Making Good Time) &#124; Blue Sky Gallery |website=www.blueskygallery.org |access-date=14 January 2022 |archive-url=https://web.archive.org/web/20121115073326/http://www.blueskygallery.org/exhibition/frank-lilian-gilbreth-mike-mandel-making-good-time/#1 |archive-date=15 November 2012 |url-status=dead}}</ref> *''Mike Mandel: Good 70s,'' 2017, Robert Mann Gallery, New York City;<ref name="crisell-nytimes" /><ref name="graham=ft" /> 2017, [[San Francisco Museum of Modern Art]], San Francisco, CA.<ref name="crisell-nytimes" /><ref name="graham=ft" /><ref>"[https://www.sfmoma.org/exhibition/mike-mandel-good-70s/ Mike Mandel: Good 70s]". [[San Francisco Museum of Modern Art]]. Accessed 25 May 2017</ref><ref>"[http://wsimag.com/art/26188-mike-mandel Mike Mandel: 11 May — 30 Jun 2017 at Robert Mann Gallery in New York, United States]". Wall Street International, 13 May 2017. Accessed 25 May 2017</ref>

===Exhibitions with Larry Sultan=== *''Replaced,'' Darkroom Workshop, Berkeley, CA, 1975<ref>{{cite journal|url=https://www.tate.org.uk/research/publications/in-focus/evidence-sultan-mandel/interview|title=A Short History of Evidence: An Interview with Mike Mandel|first1=Andrew|last1=Witt|first2=Mike|last2=Mandel|access-date=12 July 2018|website=Tate.org.uk}}</ref> *''Evidence,'' [[San Francisco Museum of Modern Art]], San Francisco, CA, 1977<ref name="larrysultan.com">{{cite web|url=http://larrysultan.com/gallery/evidence/|title=Evidence - Larry Sultan|website=Larrysultan.com|access-date=12 July 2018}}</ref> *''Evidence,'' [[Fogg Art Museum]], Harvard University, Cambridge, MA, 1978<ref name="larrysultan.com"/> *''Newsroom,'' [[Berkeley Art Museum and Pacific Film Archive]], Berkeley, CA, 1983<ref>{{cite web|url=http://archive.bampfa.berkeley.edu/exhibition/61|title=BAMPFA - Art Exhibitions - Mike Mandel and Larry Sultan / MATRIX 61|website=archive.bampfa.berkeley.edu|access-date=12 July 2018}}</ref> *''Evidence,'' [[Vassar College]], Poughkeepsie, NY, 2004<ref>{{cite web|url=https://fllac.vassar.edu/docs/art-at-vassar/FLLAC-Art-at-Vassar-2004-Fall.pdf|title=Friends of the Frances Lehman Loeb Art Center|date=2004|website=Fllac.vassar.edu|access-date=12 July 2018}}</ref> *''Evidence Revisited,'' [[Center for Creative Photography]], University of Arizona, Tucson, 2004<ref>{{cite web|url=https://ccp.arizona.edu/exhibitions-events/exhibitions/evidence-revisted-larry-sultan-and-mike-mandel|title=Evidence Revisted / Larry Sultan and Mike Mandel - Center for Creative Photography|website=Ccp.arizona.edu|access-date=12 July 2018}}</ref> *''Larry Sultan & Mike Mandel Evidence Revisited,'' [[The Photographers' Gallery]], London, 2005<ref>{{cite web | url =http://thephotographersgallery.org.uk/3180/Larry-Sultan-and-Mike-Mandel-Evidence-Revisited/1009 | access-date = 28 May 2017 | publisher = [[The Photographers' Gallery]] | title = Larry Sultan & Mike Mandel Evidence Revisited: 7 Oct ~ 20 Nov 2005}}</ref> *''Larry Sultan / Mike Mandel – Evidence,'' [[Fotomuseum Winterthur]], Winterthur, Switzerland, 2010<ref>"[https://www.fotomuseum.ch/en/explore/exhibitions/21708_larry_sultan_mike_mandel_evidence Past exhibition: Larry Sultan / Mike Mandel – Evidence]". [[Fotomuseum Winterthur]]. Accessed 28 May 2017</ref> *''Larry Sultan: Here and Home,'' [[Los Angeles County Museum of Art]], 2014,<ref name="lacma.org">{{cite web|url=http://www.lacma.org/art/exhibition/larry-sultan-here-and-home|title=Larry Sultan: Here and Home|website=Lacma.org|access-date=12 July 2018}}</ref> *''Larry Sultan: Here and Home,'' [[Milwaukee Art Museum]], 2015<ref>{{cite web|url=https://mam.org/Larry-Sultan/|title=Larry Sultan: Here & Home, on view at the Milwaukee Art Museum from October 23, 2015–January 24. 2016|website=Larry Sultan: Here & Home|access-date=12 July 2018}}</ref> *''Larry Sultan: Here and Home,'' San Francisco Museum of Modern Art, 2017<ref>{{cite web|url=https://www.sfmoma.org/exhibition/larry-sultan-here-and-home/|title=Larry Sultan|website=SFMOMA|access-date=12 July 2018}}</ref>

===Group exhibitions=== *''Photography in California: 1945-80'', 1984, San Francisco Museum of Modern Art, San Francisco, CA<ref>{{cite book|url=https://archive.org/details/photographyincal00katz|url-access=registration|title=Photography in California, 1945-1980|first1=Louise|last1=Katzman|date=12 July 1984|publisher=Hudson Hills Press|access-date=12 July 2018|via=Internet Archive}}</ref> *''Immateriaux'', 1985, Centre Georges Pompidou, Paris, France<ref>{{cite web|url=http://socks-studio.com/2014/07/16/les-immateriaux-an-exhibition-of-jean-francois-lyotard-at-the-centre-pompidou-1985/|title=Les Immatériaux (an exhibition by Jean François Lyotard at the...|first=Fosco|last=Lucarelli|date=15 July 2014|website=Socks-studio.com|access-date=12 July 2018}}</ref> *''Photography and Art: Interactions Since 1946'', 1987, Los Angeles County Museum of Art, Los Angeles, CA<ref>{{cite web|url=http://www.lacma.org/sites/default/files/reading_room/New%20PDF%20from%20Images%20Output-4compressed4.pdf|title=Photography and Art: Interactions Since 1946|date=1987|website=Lacma.org|access-date=12 July 2018}}</ref> *''Sprung in die Zeit'', 1992–1993, Museum fur Moderne Kunst, Berlin, Germany<ref>{{cite web|url=http://mmk-frankfurt.de/en/nc/exhibitions/review/2010/exhibition-details/article/fotografie_aus_der_sammlung_des_mmk/|title=Exhibition details |website=mmk-frankfurt.de|access-date=12 July 2018}}</ref> *''Of Mice and Men'', 2006, 4th [[Berlin Biennale]] for Contemporary Art, Berlin, Germany<ref>{{cite web|url=http://www.e-flux.com/announcements/41442/of-mice-and-men/|title="Of Mice and Men" - Announcements - e-flux|website=E-flux.com|access-date=12 July 2018}}</ref> *''75 Years of Looking Forward'', 2009, San Francisco Museum of Modern Art<ref>{{cite web|url=https://www.sfmoma.org/press/release/sfmoma-celebrates-75-years-of-looking-forward-wit/|title=SFMOMA Celebrates 75 Years of Looking Forward With Anniversary Exhibition|website=SFMOMA|access-date=12 July 2018}}</ref> *''Under the Big Black Sun'', 2011, Museum of Contemporary Art, Los Angeles<ref>{{cite web|url=https://jonathangriffin.org/2011/12/09/under-the-big-black-sun-california-art-1974-1981|title=Under the Big Black Sun: California Art 1974–81|date=9 December 2011|website=Jonathangriffin.org|access-date=12 July 2018}}</ref> *''State of Mind: New California Art Circa 1970'', 2012, UC Berkeley Art Museum, five additional venues Minneapolis Institute of Arts<ref>{{cite web|url=http://curatorsintl.org/exhibitions/state_of_mind|title=State of Mind: New California Art Circa 1970 - Exhibitions - Independent Curators International|website=curatorsintl.org|access-date=12 July 2018}}</ref> *''Ghosts In The Machine'', 2012, The [[New Museum]], New York City<ref>{{cite web|url=https://www.thedailybeast.com/articles/2012/07/26/evidence-by-mike-mendel-and-larry-sultan-is-the-daily-pic-by-blake-gopnik|title=Evidence by Mike Mandel and Larry Sultan is the Daily Pic by Blake Gopnik|first=Blake|last=Gopnik|date=26 July 2012|access-date=12 July 2018|website=Thedailybeast.com}}</ref> *''Larry Sultan: Here and Home'', 2015, LACMA, Los Angeles, CA, Milwaukee Art Museum, Milwaukee, WI, 2017, SFMOMA<ref name="lacma.org"/> *''Ordinary Pictures'', 2016, Walker Art Center, Minneapolis, Minnesota<ref>{{cite web|url=https://walkerart.org/calendar/2016/ordinary-pictures|title=Ordinary Pictures|website=Walkerart.org|access-date=12 July 2018}}</ref> *''Performing for the Camera'', 2016, Tate Modern: Exhibition<ref>{{cite web|url=http://www.aestheticamagazine.com/performing-for-the-camera-tate-modern/|title=Aesthetica Magazine - Performing for the Camera, Tate Modern|website=Aestheticamagazine.com|access-date=12 July 2018}}</ref> *''Materials and Objects'', Tate Modern, London, 2017<ref>{{cite web|url=http://www.tate.org.uk/art/artworks/sultan-mandel-evidence-97741|title='Evidence', Larry Sultan, Mike Mandel, 1977 |website=Tate.org|access-date=12 July 2018}}</ref> *''The Hobbyist'', Fotomuseum Winterthur, Switzerland, 2017<ref>{{cite web|url=https://www.fotomuseum.ch/en/visit/calendar/30920_opening_the_hobbyist_hobbies_photography_and_the_hobby_of_photography|title=Opening: "The Hobbyist – Hobbies, Photography and the Hobby of Photography" - Visit - Fotomuseum Winterthur|website=Fotomuseum.ch|access-date=12 July 2018}}</ref> *''Art in the Age of the Internet, 1989 to Today'', Institute of Contemporary Art, Boston, 2018<ref>{{cite web|url=https://www.icaboston.org/articles/ica-opens-first-major-us-exhibition-examine-impact-internet-visual-art|title=ICA Opens First Major U.S. Exhibition to Examine the Impact of the Internet on Visual Art - icaboston.org|website=Icaboston.org|access-date=12 July 2018}}</ref> *''Performing for the Camera,'' [[Tate Modern]], London, 2016, included all 135 different ''Baseball Photographer Trading Cards.''<ref name="jobey=ft" />

==Permanent public art commissions== *''High School'', 1999, Skyview High School, Vancouver, WA<ref>{{Cite web|last=|first=|date=|title=High School (1999) by Mike Mandel|url=https://www.arts.wa.gov/artwork/?request=record;id=3544;type=101|access-date=2020-09-03|website=ArtsWA, Washington's State Art Collection, www.arts.wa.gov/my-public-art-portal|language=en-US}}</ref> *''Parking at the Courthouse'', 2000, Tampa, FL <ref>{{cite web|url=https://publicartarchive.org/art/Parking-at-the-Courthouse/1063691d|archive-url=https://web.archive.org/web/20180713052725/http://www.publicartarchive.org/work/parking-courthouse|url-status=live|archive-date=13 July 2018|title=Parking at the Courthouse|website=Public Art Archive|access-date=20 June 2023}}</ref> *''Sitting Down at Rich's'', 2001, Sam Nunn Atlanta Federal Center, Atlanta, GA <ref>{{cite web|url=https://www.gsa.gov/about-us/newsroom/news-releases/gsa-unveils-civil-rights-plaque-at-atlanta-federal-10192016|title=GSA unveils civil rights plaque at Atlanta federal center, site of Dr. King's first arrest for nonviolent protest|website=Gsa.gov|date=19 October 2016 |access-date=12 July 2018}}</ref> *''Ramsay Cascades'', 2002, Knoxville Convention Center, Knoxville <ref>{{cite web|url=http://www.kccsmg.com/do-you-like-the-birds-or-the-waterfall/|title=Do you like the birds or the waterfall? - Knoxville Convention Center|website=Kccsmg.com|access-date=12 July 2018}}</ref> *''Bridges'', 2003, Richmond History Center, Richmond, VA <ref>{{cite web|url=http://www.richmond.com/arts-entertainment/where-am-i-rva-bridges-mural-in-jackson-ward/article_450eb6a3-07db-561c-85ae-bf7c82129e46.html|title=Where am I RVA? 'Bridges' Mural in Jackson Ward|first=Philip|last=Riggan|website=Richmond.com|date=19 December 2011 |access-date=12 July 2018}}</ref> *''Four Positions, Halftime Show, Masked Rider, Team Spirit'', 2004, Jones SBC Stadium, Texas Tech University Lubbock, TX <ref>{{cite web|url=https://www.facebook.com/notes/texas-tech-athletic-department/a-look-inside-jones-att-stadium-westside-mosaics/464218749740/|title=A Look Inside: Jones AT&T Stadium Westside Mosaics|website=Facebook.com|access-date=12 July 2018}}</ref> *''UTSA: Architectural Records; Histories'', 2004, University of Texas, San Antonio<ref>{{cite web |url=http://www.utsa.edu/today/2004/04/22.cfm |title=Mosaic artist visits mural project in UTSA's new Main Building > UTSA Today > University of Texas at San Antonio |website=www.utsa.edu |access-date=14 January 2022 |archive-url=https://web.archive.org/web/20040618074804/http://www.utsa.edu/today/2004/04/22.cfm |archive-date=18 June 2004 |url-status=dead}}</ref> *''Competition, Pitcher, Three Athletes'', 2004, Florida Gulf Coast University Ft. Myers, FL <ref name="artswfl.com"/> *''Autzen Stadium Columns'', 2004, Autzen Stadium, Eugene, OR <ref>{{cite web|url=https://www.publicartarchive.org/art/Autzen-Columns|title=Autzen Columns|website=Public Art Archive|access-date=20 June 2023}}</ref> *''8th District Police Station'', 2005, Chicago, IL <ref>{{cite web|url=http://culturenow.org/entry&permalink=09932&seo=8th-District-Police-Station_Mike-Mandel-and-Chicago-Public-Art-Program|title=8th District Police Station: Mike Mandel and Chicago Public Art Program|website=culturenow.org|access-date=12 July 2018}}</ref> *''Trade Street and 5th Street Walls'', 2005, Spectrum Center, Charlotte, NC<ref>[http://www.spectrumcentercharlotte.com/about/arena-highlight] {{dead link|date=July 2018}}</ref> *''Passengers'', 2006, Tampa International Airport Tampa, FL <ref>{{cite web|url=http://www.parking-net.com/parking-news/economy-garage-phase-ii-opens-ahead-of-schedule|title=Economy Garage Phase II Opens Ahead of Schedule|first=Brenda S.|last=Geoghacan|date=30 May 2006|website=Parking-net.com|access-date=12 July 2018}}</ref> *''Washington Veterans Home'', 2006, Retsil, WA <ref>{{cite web|last=|first=|date=|title=Washington Veterans Home (2006) by Mike Mandel|url=https://www.arts.wa.gov/artwork/?request=record;id=11777;type=101|access-date=2 September 2020|website=ArtsWA, Washington's State Art Collection, www.arts.wa.gov/my-public-art-portal}}</ref> *''In Flight'', 2008, San Diego International Airport <ref>{{cite web|url=https://publicartarchive.org/art/In-Flight/0af1d3a2|title=In Flight|website=Public Art Archive|access-date=20 June 2023}}</ref> *''Glory Road Mosaic Murals'', 2010, Sun Metro Station, El Paso, TX <ref>{{cite web|url=https://publicartarchive.org/art/Glory-Road-Transit-Terminal|title=Glory Road Transit Terminal|website=Public Art Archive|access-date=20 June 2023}}</ref> *''Western Heritage Parking Garage Murals'', 2010, Will Rogers Memorial Center <ref>{{cite web|url=http://www.fwpublicart.org/UserFiles/File/Web_archive_WHPG2010.pdf|title=Western Heritage Parking Garage Murals|website=Fwpublicart.org|access-date=12 July 2018}}</ref> *''Seeing Blue'', 2010, Chiawana High School, Pasco, WA<ref name="wa">{{cite web|last=|first=|date=|title=Seeing Blue (2010) by Mike Mandel|url=https://www.arts.wa.gov/artist-collection/?request=record;id=2125;type=701|access-date=2 September 2020|website=ArtsWA, Washington's State Art Collection, www.arts.wa.gov/my-public-art-portal}}</ref> *''Sidewalk Histories'', 2010, Cambridge, MA <ref>{{cite web|url=http://culturenow.org/entry&permalink=13003&seo=Sidewalk-Histories_Mike-Mandel-and-Cambridge-Arts-Council|title=Sidewalk Histories: Mike Mandel and Cambridge Arts Council|website=culturenow.org|access-date=12 July 2018}}</ref> *''Equestrian Multi-Purpose Center Murals'', 2012, Will Rogers Memorial Center, Fort Worth, TX<ref>{{cite web|url=http://www.ntxe-news.com/cgi-bin/artman/exec/view.cgi?archive=44&num=70361|title=Fort Worth's Will Rogers Memorial Center equestrian enhancements well underway|website=Ntxe-news.com|access-date=12 July 2018}}</ref> *''Taking Good Care'', 2017, University of California, Davis, School of Veterinary Medicine <ref>{{cite web |url=http://www.vetmed.ucdavis.edu/whatsnew/article.cfm?id=3772 |title=Archived copy |website=www.vetmed.ucdavis.edu |access-date=14 January 2022 |archive-url=https://web.archive.org/web/20170602002857/http://www.vetmed.ucdavis.edu/whatsnew/article.cfm?id=3772 |archive-date=2 June 2017 |url-status=dead}}</ref>

===In collaboration with Larry Sultan=== *''Pool'', 1993, deFremery Pool, Oakland, CA <ref>{{cite web|url=http://culturenow.org/entry&permalink=21367&seo=DeFremery-Pool_Mike-Mandel|title=DeFremery Pool: Mike Mandel|website=culturenow.org|access-date=12 July 2018}}</ref> *''Rights'', 1995, State Archives Building, Sacramento, CA <ref>{{cite web|url=http://www.californiamuseum.org/constitution-wall|title=Constitution Wall - California Museum|website=Californiamuseum.org|access-date=12 July 2018}}</ref> *''Five Skaters'', 1996, The Arena, San Jose, CA <ref>{{cite web|url=https://www.mercurynews.com/2014/01/15/herhold-an-open-letter-to-olympian-polina-edmunds-teen-skater/|title=Herhold: An open letter to Olympian Polina Edmunds, teen skater|date=15 January 2014|website=Mercurynews.com|access-date=12 July 2018}}</ref> *''Waiting'', 1999, San Francisco International Airport, San Francisco, CA <ref>{{cite web|url=https://www.wescover.com/l/san-francisco/san-francisco-international-airport|title=San Francisco International Airport|website=Wescover.com|access-date=12 July 2018}}</ref> *''High School'', 1999, Skyview High School, Vancouver, WA <ref>{{cite web|url=https://blog.americansforthearts.org/by-program/networks-and-councils/public-art-network/public-art-year-in-review-database/high-school|title=High School|date=2 October 2015|website=Blog.americansforthehearts.org|access-date=12 July 2018}}</ref> *''Bulletin Board'', 2000, Administration of Children's Services, New York, NY <ref>{{cite web|url=http://home2.nyc.gov/html/dcla/html/panyc/mandelandsultan.shtml|title=Mike Mandel & Larry Sultan - NYC Department of Cultural Affairs|website=home2.nyc.gov|access-date=12 July 2018}}</ref>

==Temporary public art projects== ===Temporary public art projects with others=== *Director, ''Radio Free Billboards'', 1983 - Santa Cruz, CA community arts organization <ref>{{cite web|url=https://www.newspapers.com/newspage/62494667/|title=Santa Cruz Sentinel from Santa Cruz, California on January 19, 1983 · Page 8|website=Newspapers.com|date=19 January 1983 |access-date=12 July 2018}}</ref> *''The Turk and the Jew'', 1997-98 - web project, with Chantal Zakari <ref>{{cite web|url=https://books.google.com/books?id=97wzAQAAIAAJ&q=Turk+and+Jew+web+project+Mandel+Zakari|title=Leonardo|date=12 July 1998|publisher=Pergamon Press|access-date=12 July 2018|via=Google Books}}</ref> *''Imagine, No Big Box'', billboard, 2012, w/Chantal Zakari, Watertown MA <ref>{{cite web|url=https://patch.com/massachusetts/watertown/walmart-opponents-to-send-a-message-with-billboard-ne24e2d96164|title=Walmart Opponents to Send a Message with Billboard Next to Proposed Watertown Site|date=21 March 2012|website=Patch.com|access-date=12 July 2018}}</ref> *''Shelter-in-Plates'', Shopify website for 6 ceramic plates, 2013–14, w/Chantal Zakari <ref>{{cite web|url=https://news.wgbh.org/post/watertown-artists-commemorate-manhunt-shelter-plates|title=Watertown Artists Commemorate Manhunt With 'Shelter In Plates'|date=17 April 2014|website=News.wgbh.org|access-date=12 July 2018}}</ref>

===Billboards in collaboration with Larry Sultan=== *''Berkeley Sheet Metal Works'', 1973, Emeryville, CA *''Cornucopia'', 1974, San Francisco, CA, *''Oranges on Fire'', 1975, 10 locations in the San Francisco Bay Area & Santa Cruz, CA *''Sixty Billboards'', (3 designs: Kansas, Alaska, Electric Energy Consumption) 1976, San Francisco Bay Area and Santa Cruz, CA *''Chicago Workshop'', 1978, two billboards made with students of the School of the Art Institute of Chicago *''Ties'', 1978, San Francisco, CA *''Whose News'', 1980, San Francisco, CA *''They Came to Shoshone'', 1980, Shoshone, ID *''Ooh La La'', 1982, Boulder, CO *''You're So Easily Influenced'', 1983, Mahwah, NJ *''We Make You Us'', 1985–86, Seven locations nationally *''Japan'', 1988, Los Angeles, CA *''White Corn Meal'', 1989–90, Oakland, CA

==Awards== *National Endowment for the Arts, 1973 - Artists Fellowships in Photography<ref>{{cite web|title=National Endowment for the Arts Annual Report 1973, NX22 N314 1973|url=https://www.arts.gov/sites/default/files/NEA-Annual-Report-1973.pdf|page=102|website=Arts.gov|access-date=13 February 2018}}</ref> *National Endowment for the Arts, 1976 - Artists Fellowship in Photography, with Larry Sultan<ref>{{cite web|title=NEA-Annual Report-1976|page=136|url=https://www.arts.gov/sites/default/files/NEA-Annual-Report-1976.pdf|website=Arts.gov|access-date=13 February 2018}}</ref> *National Endowment for the Arts, Photography Fellowship, 1988 - Artists Fellowships in Photography<ref>{{cite web|title=NEA-Annual Report - 1988|page=189|url=https://www.arts.gov/sites/default/files/NEA-Annual-Report-1988.pdf|website=arts.gov|access-date=13 February 2018}}</ref> *National Endowment for the Arts, Washington, D.C., 1990 - Photography Fellowships Juror<ref>{{cite web|title=NEA Annual Report - 1990|page=270|url=https://www.arts.gov/sites/default/files/NEA-Annual-Report-1990.pdf|website=arts.gov|access-date=13 February 2018}}</ref> *California Arts Council, Art in Public Buildings Program, 1990<ref>{{cite web|title=CaliforniaMuseum Constitution Wall|url=http://www.californiamuseum.org/constitution-wall|publisher=The_California_Museum Constitution_Wall|access-date=13 February 2018}}</ref> *James D. Phelan Award, 1990 - Award in Photography<ref>{{cite web|title=San Francisco Camerawork, Archive/1990/Exhibitions/Journal, James D. Phelan Art Award Exhibition|date=1990|url=http://www.sfcamerawork.org/archive-1990/|website=Sfcamerawork|access-date=13 February 2018}}</ref> *Fulbright Fellowship, Turkey, 1997<ref>{{cite web|title=Fulbright Scholar Program, 1997-98 Directory of American Fulbright Scholars, Art|page=85|url=https://libraries.uark.edu/specialcollections/fulbrightdirectories/1997%20-%201998.pdf|website=Libraries.uark.edu|access-date=13 February 2018}}</ref> *MacDowell Fellowship, 2002<ref>{{cite web|url=http://206.130.115.251/artists-indexfellows.php|title=The MacDowell Colony|website=206.130.115.251|access-date=12 July 2018}}</ref> *Paris Photo Book of the Year, Shortlist, 2015<ref name="auto1">{{cite web|url=http://www.anamorphosisprize.com/shortlist-2015|title=Shortlist 2015|first=Peter |last=Haynes AllWell|date=26 September 2016|website=Anamorphosisprize.com|access-date=12 July 2018}}</ref><ref>{{cite web|url=https://aperture.org/blog/announcing-2015-photobook-awards-shortlist|title=Announcing the 2015 Paris Photo-Aperture Foundation PhotoBook Awards Shortlist|website=Aperture.org|date=19 September 2015 |access-date=12 July 2018}}</ref> *Anamorphosis Prize, Shortlist, New York, 2015<ref name="auto1"/> *Paris Photo Book of the Year, Shortlist, 2017<ref>{{cite web|url=https://photoworks.org.uk/interview-mike-mandel|title=Interview: Mike Mandel - Photoworks|date=19 May 2017|website=Photoworks.org.uk|access-date=12 July 2018}}</ref><ref>{{cite web|url=https://aperture.org/blog/2017-photobook-awards-shortlist|title=The 2017 PhotoBook Awards Shortlist|website=Aperture.org|date=22 September 2017 |access-date=12 July 2018}}</ref>

==Collections== Mandel's work is held in the following permanent collections: *Addison Gallery of American Art, Andover, MA <ref>{{cite web|url=https://addison.andover.edu/AboutUs/Documents/PR_180208_GunCountry.pdf|title=Addison Gallery of American Art : Exhibition Explores America's Fascination with the Gun|website=Addison.andover.edu|access-date=12 July 2018}}</ref> *[[Art Institute of Chicago]], Chicago, IL: 83 ''Baseball Photographer Trading Cards'' (1975)<ref>"[http://www.artic.edu/aic/collections/artwork/212157?search_no=1&index=0 Mike Mandel: American, born 1950: Baseball-Photographer Trading Cards, 1975]". [[Art Institute of Chicago]]. Accessed 25 May 2017</ref> and 2 more items.<ref>"[http://www.artic.edu/aic/collections/artwork/artist/Mandel%2C+Mike?page=8 Mandel, Mike]". [[Art Institute of Chicago]]. Accessed 25 May 2017</ref> *Bibliothèque Nationale, Paris<ref>{{cite web|url=http://catalogue.bnf.fr/ark:/12148/cb40470718m|title=BnF Catalogue général|last=Mandel |first=Mike |website=catalogue.bnf.fr|access-date=12 July 2018}}</ref> *California Museum of Photography, UC Riverside, CA<ref>{{cite web|url=http://ucr.emuseum.com/view/people/asitem/M/25?t:state:flow=2d29481b-f601-467d-b588-34f12177bc01#sthash.Zz9lDHL0.dpbs|title=eMuseum|website=ucr.emuseum.com|access-date=12 July 2018}}</ref> *Center for Creative Photography, Tucson, AZ<ref>{{cite web|url=https://ccp.arizona.edu/sites/default/files/cg-m.pdf|title= Photograph Collection : Center for Creative Photography|website=Ccp.arizona.edu|access-date=12 July 2018}}</ref> *FotoMuseum Winterthur, Winterthur, Switzerland<ref>{{cite web|url=https://www.fotomuseum.ch/en/explore/collection/artists/49313_mike_mandel|title=Mike Mandel - Artist - Collection - Explore - Fotomuseum Winterthur|website=Fotomuseum.ch|access-date=12 July 2018}}</ref> *International Center for Photography, New York City<ref>{{cite web|url=https://www.icp.org/browse/archive/constituents/mike-mandel?all/all/all/all/0|title=Mike Mandel|date=2 March 2016|website=Icp.org|access-date=12 July 2018}}</ref> *The Jewish Museum, New York City<ref>{{cite web|url=http://thejewishmuseum.org/collection/all-artists|title=The Jewish Museum|website=thejewishmuseum.org|access-date=12 July 2018}}</ref> *Los Angeles Country Museum of Art<ref>{{cite web|url=https://collections.lacma.org/search/site/Mandel?f%5B0%5D=sm_field_artist:node:2116370|title=Site - LACMA Collections|website=collections.lacma.org|access-date=12 July 2018}}</ref> *MMK Museum fur Moderne Kunst, Frankfurt, Germany<ref>{{cite web|url=http://mmk-frankfurt.de/en/nc/the-collection/werkuebersicht/|title=Werkübersicht |website=mmk-frankfurt.de|access-date=12 July 2018}}</ref> *Morgan Library and Museum<ref>{{cite web|url=http://www.themorgan.org/photographs/353441|title=Baseball-Photographer Trading Cards|date=29 June 2017|website=Themorgan.org|access-date=12 July 2018}}</ref> *Museum of Fine Arts, Boston, MA<ref>{{cite web|url=http://www.mfa.org/collections/search?f0=field_artists%253Afield_artist:42705|title=Collections Search|website=Mfa.org|access-date=12 July 2018}}</ref> *Museum of Fine Arts, Houston, TX<ref>{{cite web|url=https://www.mfah.org/art/search?q=Mandel|title=Search the Collection - The Museum of Fine Arts, Houston|website=Mfah.org|access-date=12 July 2018}}</ref> *Museum of Modern Art, New York, NY<ref>{{cite web|url=https://www.moma.org/collection/works/48415?artist_id=3719&locale=en&sov_referrer=artist|title=Michael Mandel. Emptying the Fridge. 1984 - MoMA|website=Moma.org|access-date=12 July 2018}}</ref> *National Gallery of Art, Washington, DC<ref>{{cite web|url=https://www.nga.gov/collection/artist-info.40310.html|title=Artist Info|website=Nga.gov|access-date=12 July 2018}}</ref> *Nelson Adkins Museum, Kansas City, MO<ref>{{cite web|url=http://art.nelson-atkins.org/search/Mike%2520Mandel|title=Results – Search Objects – The Nelson-Atkins Museum of Art|website=art.nelson-atkins.org|access-date=12 July 2018}}</ref> *New York Public Library, New York, NY<ref>[http://wallachprintsandphotos.nypl.org/catalog?utf8=✓&q=Mike+Mandel&search_field=all_fields&commit=search] {{dead link|date=July 2018}}</ref> *Norton Simon Museum<ref>{{cite web|url=https://www.nortonsimon.org/art/search-the-collection/result?title%5B%5D=&select_earliest_year=&select_latest_year=&earliest_year=&latest_year=&material=&accession_id=&sort=1&length=0&keyword=Mike+Mandel|title=Search the Collection » Norton Simon Museum|website=Nortonsimon.org|access-date=12 July 2018}}</ref> *[[San Francisco Museum of Modern Art]], San Francisco, CA: ''JPL,''<ref name="jpl-sfmoma" /> ''Baseball Photographer Trading Cards,'' ''People in Cars,'' the ''Evidence'' installation, ''Myself: Timed Exposures,'' and ''Emptying the Fridge.''<ref>"[https://www.sfmoma.org/artist/Mike_Mandel Mike Mandel: American: 1950, Los Angeles, California]". [[San Francisco Museum of Modern Art]]. Accessed 25 May 2017</ref> *Smithsonian American Art Museum<ref>{{cite web|url=https://americanart.si.edu/artist/mike-mandel-3086|title=Mike Mandel|website=Smithsonian American Art Museum|access-date=12 July 2018}}</ref> *Tate Modern, London, UK<ref>{{cite web|url=https://www.tate.org.uk/search?q=Mike%20Mandel|title=Search results|website=Tate|access-date=12 July 2018}}</ref> *Washington's State Art Collection<ref name="wa"/>

==References== {{Reflist}}

==External links== *{{Official website|www.thecorner.net}} *[https://petapixel.com/2015/09/18/iconic-photographers-posed-for-these-baseball-cards-in-1974/ Iconic Photographers Posed for These Baseball Cards in 1974], at PetaPixel

{{Authority control (arts)}}

{{DEFAULTSORT:Mandel, Mike}} [[Category:1950 births]] [[Category:Living people]] [[Category:Photographers from California]] [[Category:San Francisco Art Institute alumni]] [[Category:California State University, Northridge, alumni]] [[Category:Artists from Los Angeles]] [[Category:20th-century American photographers]] [[Category:21st-century American photographers]]