{{Short description|American modernist art jeweler }} '''Merle Newport Boyer''' (9 May 1920 – 29 Aug 2009) was an American modernist studio art jeweler and sculptor, as well as inventor, machinist, teacher and mentor.
== Life == alt=|thumb|Hand-wrought Sterling Silver Earrings with Pearls, 1950s. Hatsue Higa Collection. Boyer was born in Portland, Oregon. He graduated from Bradley Polytechnic Institute in Peoria, Illinois, where he took courses in horology, engraving and jewelry design<ref name=":0">Dennis, V., (1959 June 27). Along the miracle mile''.'' ''Honolulu Star-Bulletin''. p. 2-3.</ref><ref name=":1">(1969). ''Directions in Design – Metals''. Dave Gallagher, producer-director. Honolulu, HI: KHET.</ref> before moving to territorial Honolulu in 1940.<ref>“Lurline docks Thursday with big passenger list.” (1940 July 10). ''Honolulu Advertiser''.</ref> There he began working for C. G. Benny<ref>“Isle craftsman’s jewelry shown.” (1955 Aug. 20). ''Honolulu Star-Bulletin.''</ref> as a watchmaker and engraver.<ref name=":0" /><ref name=":1" /> He studied at the Honolulu Academy of Arts School,<ref name=":2" /><ref name=":3">“Library has art shows” (1955 Aug 21). ''Honolulu Advertiser.''</ref> he presented his work in Academy-sponsored shows, exhibitions and demonstrations throughout the war years.<ref name=":4">“Hawaiian Articles.” (1942 Oct 18). ''Honolulu Advertiser'', p. 10.</ref>
In 1949 and 1950 he participated in juried shows sponsored by the Honolulu Academy of Arts, winning recognition for his work in sculpture.<ref name=":5">Hollingsworth, L. (1949, Mar 4). “First Jury Show of Island Art Termed Superb Sensation.” ''Honolulu Star-Bulletin'', p.21.</ref><ref name=":6">Hollingsworth, L. (1950, Feb 3). “Hawaii Artists Show Opens Today at Academy of Arts.” ''Honolulu Star-Bulletin''. p. 16.</ref><ref name=":7">Tennent, M. (1949 Mar 12). “Academy’s Show of Hawaii Art includes good sculptured pieces. ''Honolulu Star-Bulletin.''</ref>
Boyer opened his first jewelry studio on Fort St. in downtown Honolulu in 1950,<ref name=":1" /> where he produced hand-wrought contemporary pieces in gold and silver under the name M.N. Boyer.<ref>''Honolulu Star-''Bulletin (1955 Dec 3). Advertisement, p. 97.</ref>
He was active in Hawai`i's craft and art community throughout the 1950's, serving as President and Vice President of the Hawaii Craft Association,<ref>“Operation Difficulty for Small Business, Craft Group Told.” (1955, March 11). ''Honolulu Star-Bulletin'', p.12.</ref><ref name=":8">Chun, E. (1955 Dec 25). Work of local jeweler exhibited on mainland. ''The Honolulu Advertise''r, p. A11.</ref> and teaching courses in jewelry at the Honolulu Academy of Arts School.<ref name=":0" />thumb|Netsuke-inspired, hand-carved ivory pendant, 1990s. Hatsue Higa Collection.
Boyer Jewelers opened on Ke`eaumoku St. in 1956. He continued to produce custom pieces while developing original designs for the growing tourist market in Hawai`i. He moved his business to a one man operation in 1974, working from Young Street in Honolulu. He retired his business in 1984. Boyer continued to create works for friends, family and loyal clients until 2008. thumb|Ebony pearl and silver pendant, 1955. Walker Art Center, exhibit on paper.<ref name=":2" /><ref name=":13" />In the 1990s Boyer returned to sculpture. Spending several months a year traveling throughout the US and in Canada, he created works on two scales. Inspired by Japanese netsuke, he carved dozens of small wearable art pieces in ivory and wood. An equal number of larger scale works in stone reflected his interest in abstract shapes and complex curves, as well as a lifelong interest with animal forms.
== Modernist Jeweler == Boyerʻs pieces incorporated themes and techniques of the modernist studio art jewelry movement.<ref name=":2" /> He worked with a wide range of materials from precious metals to found bits of shell, stones and wood. He created works in gold and silver, precious and semi-precious stones, ivory and ebony, as well a variety of native Hawaiian woods, nuts and coral.<ref name=":8" /> Duane Preble, a University of Hawaii art history professor, notes the "highly sculptural" setting in a contemporary piece featured in his ''Art Forms''.<ref>Preble, Duane and Preble, Sarah (1972). ''Art Forms'' 2nd ed''.'' San Francisco, CA: Canfield Press, p. 74.</ref>
Pieces using silver and baroque pearl and black coral are among his most widely circulated.<ref name=":0" /><ref>Bell, Jeannenne. (2008) ''Answers to Questions about Old Jewelry: 1840-1950,'' 7th ed. Iola, WI: Krause Publications.</ref> Boyer used a variety of marks. Mid century pieces may be marked: Boyer,<ref>{{Cite web|title=American Silver Marks B5 - Online Encyclopedia of Silver Marks, Hallmarks & Makers' Marks|url=https://www.925-1000.com/americansilver_B5.html|access-date=2021-04-13|website=www.925-1000.com}}</ref> Hawaii, or Sterling, alone or in combination.
During the 1950ʻs and into the 1960ʻs Boyer participated in exhibitions highlighting the mid-century modernist work of studio jewelers, to include the American Jewelry and Related Objects in Huntington, West Virginia.<ref name=":9">Brennen, H. (1955). [http://digital.craftcouncil.org/digital/collection/p15785coll2/id/1510/rec/58 American jewelry 1955: A juror’s report on a national competition.] ''Craft Horizons, 15''/3, pp. 10-13.</ref><ref name=":10">Enslow, C. B., (1955 Feb 4). Jewelry–An Adornment Loved by Women. ''The Huntington Advertiser'', p. 10.</ref><ref name=":8" /> and its subsequent traveling exhibition;<ref>{{Cite web|last=|first=|date=1957|title=American Jewelry and Related Objects: The Second National Exhibition|url=https://digital.craftcouncil.org/digital/collection/p15785coll5/id/4186/rec/2|access-date=2019-12-21|website=American Craft Council}}</ref> the National Decorating Arts-Ceramics Exhibition in Wichita (the Wichita National);<ref name=":8" /> Fiber-Clay-Metal at the St. Paul Gallery and School of Art, St. Paul, MN;<ref name=":11">(1955). Fiber-Clay-Metal 1955. Milwaukee, WI: University of Wisconsin. https://wisconsinart.org/archives/library/fiber-clay-metal-1955-392.aspx</ref> the Walker exhibition on paper, presented through ''Design Quarterly'';<ref name=":13">"84 Contemporary Jewelers." ''Design Quarterly,'' no. 33, 1955, pp. 14-30. ''JSTOR,'' www.jstor.org/stable/4047223.</ref><ref name=":2">Schon, Marbeth (2004). ''Modernist Jewelry 1930-1960: The Wearable Art Movement.'' Atglen, PA: Schiffer.</ref> and the Contemporary Craftsmen of the Far West at the Museum of Contemporary Crafts, NY in 1961, and its subsequent traveling show the following year.
His original pieces were sold in venues such as the John Young Gallery in Waikiki,<ref name=":12">“New John Young Gallery Has Outstanding Exhibit.” (1956, Feb 15). ''Honolulu Advertiser.''</ref> where he took proprietorship in 1959,<ref name=":0" /> and Pocketbook Man at the Ala Moana Shopping Center.<ref>“Pocketbook Man to Open His Third Store Tomorrow.” (1959, Oct 28). ''Honolulu Star-Bulletin.''</ref>
His approach to his art is featured in the 1969 KHET TV special, “Metals,” part of the PBS series, ''Directions in Design''.<ref>“Hawaii Craftsmanʻs World is Explored.” (Jan 5, 1969). ''Honolulu Star Bulletin'', p. 38.</ref><ref name=":1" />
His work was included in the 2005 show at the Honolulu Academy of Arts entitled, Jewelry of Hawaiʻi: Art and artifice in Paradise, curated by Carol Anne Dickson.<ref name=":14">Gail-White, V. (2005, Jan 16). “Academy exhibits sculptural classics.” ''Honolulu Star-Advertiser,'' p. 58''.''</ref>thumb|Hand-wrought silver pendant and chain. Hatsue Higa Collection.|alt=
== Exhibitions == 1942: Oct 18-Nov 7, Honolulu Academy of Arts.<ref name=":4" />
1943: Apr 13-May 2, Modern Jewelry and Metal Objects, Honolulu Academy of Arts.<ref>“The Modern in Metals.” (1943, April 24). ''Honolulu Star-Bulletin'' p. 14.</ref>
1943: Oct 19-Nov 14, Juried Craft Exhibit, Honolulu Academy of Arts<ref>“Craft Show at Academy.” (1943) ''Honolulu Academy of Arts News Bulletin and Calendar'', V,7.</ref>
1949: Mar 3-Mar 16, Juried Art Show; Honolulu Academy of Arts,<ref name=":5" /><ref name=":7" /> Best sculpture, “Bird.”
1950: Feb 2-26, “Artists of Hawaii”, juried art show, Honolulu Academy of Arts;<ref name=":6" /> Honorable Mention - sculpture, “Mother and Child.”
1952: Mar 6-Apr 27, “Art in America Today”, Honolulu Academy of Art.<ref>“Exhibition shows use of art today.” (1952 April 13, 1952). ''Honolulu Advertiser.''</ref>
1953: “The Craftsmen Fair,” Honolulu Craftsmen Association.
1954: 9th National Decorating Arts-Ceramics Exhibition, Wichita Art Association, Wichita, KS.<ref name=":8" />
1955: Walker Arts Center “Exhibition on Paper”. ''Design Quarterly'' 33 p. 17.<ref name=":13" />
1955: Feb 6-27, 2nd American Jewelry and Related Objects, Huntington Galleries, Huntington W. VA.<ref name=":10" /><ref name=":8" /><ref name=":9" />
1955: Fiber-Clay-Metal, St. Paul Gallery and School of Art, St. Paul, Minn.<ref name=":11" /><ref name=":8" />
1955, 1956, 1957: One Man Show; Library of Hawaii, Honolulu.<ref name=":3" />
1956: John Young Gallery, Honolulu, HI.<ref name=":12" />
1956-57: 2nd Exhibition of American Jewelry and Related Objects, traveling exhibition.
1961: Contemporary Craftsmen of the Far West; Museum of Contemporary Crafts, NY.
1962: Contemporary Craftsmen of the Far West, traveling exhibition:
Rochester Memorial Gallery, New York
Cincinnati Art Institute
Des Moines Art Center, Iowa
Museum of History and Industry, Seattle, Washington
1973: Daisy Gallery, Honolulu, Hawaii.<ref>Anderson, W. “Jewelry featured in several shows.“ (1973, May 13). ''Honolulu Advertiser'', p. 160.</ref>
1973: May 1–3, Honolulu Academy of Arts<ref>Dennis, H. (1973 April 27). “baubles, bangles, beads” ''Honolulu Advertiser'', p. 36.</ref>
2005-2006: Oct 28-Feb 13, Jewelry of Hawaii: Art and Artifice in Paradise, Honolulu Academy of Arts.<ref name=":14" />
== References == <references />
{{Authority control}}
{{DEFAULTSORT:Boyer, Merle}} Category:1920 births Category:2009 deaths Category:American jewelry designers Category:American sculptors Category:Artists from Portland, Oregon