{{Short description|British film producer}} '''Maxwell Setton''' (born 24 October 1909, date of death unknown) was a British film producer, notably active in the 1950s.<ref name="Film">McFarlane, Brian (28 February 2014). ''The Encyclopedia of British Film: Fourth edition''. Oxford University Press. pp. 688-689; {{ISBN|9781526111968}}</ref> He was born in Cairo<ref name="History">[https://historyproject.org.uk/interview/maxwell-setton "Maxwell Setton: Interview notes"]. ''The History Project''. Retrieved 4 June 2021.</ref> to British parents and studied law, becoming a barrister.
In 1937, he became legal adviser to Mayflower Productions, the production company of Charles Laughton and Erich Pommer. After serving in the war, he became an assistant to Lord Archibald, who was managing Independent Producers Ltd.
After a few years, he set up as a producer with Aubrey Baring and they made movies for a newly organised Mayflower Productions, releasing through Rank.<ref>{{cite news |url=http://nla.gov.au/nla.news-article224953189 |title=British Company At Work Again |newspaper=Weekly Times |issue=4180 |location=Victoria, Australia |date=3 August 1949 |accessdate=20 August 2017 |page=48 |via=National Library of Australia}}</ref> They produced seven films together, predominantly adventure films set outside Britain written by Robert Westerby. Setton then set up his own company, Marksman Films, whose first film was ''Twist of Fate'' (1954).
In 1956 it was announced Setton would run the production company of Donna Reed and Tony Owen, Todon, to make six films, starting with ''The Nylon Web'' by Westerby. It ended up becoming ''Town on Trial''.<ref>Schallert, E. (1956, May 26). [https://www.proquest.com/docview/166936851 "Drama"] ''Los Angeles Times''</ref> However no films resulted. Neither did a proposed biopic of Joseph Conrad.<ref>A.H. WEILER. (1957, Dec 22). [https://www.proquest.com/docview/114291444 "BY WAY OF REPORT"] ''New York Times''. Accessed 4 October 2022.</ref>
He made a number of films for Mike Frankovitch's company, Frankovitch Productions, who released through Columbia Pictures. He worked with Ken Hughes and John Guillermin a number of times.<ref name="ink">{{cite magazine|magazine=Filmink|first=Stephen|last=Vagg|title=John Guillermin: Action Man|url=https://www.filmink.com.au/john-guillermin-action-man/|date=17 November 2020}}</ref>
He helped establish Bryanston Films.<ref>{{cite book|last1=Harper|first1=Sue|last2=Porter|first2=Vincent|title=British Cinema of the 1950s: The Decline of Deference|publisher=Oxford University Press|year=2003|pages=178–180|url=https://books.google.com/books?id=UyYTDAAAQBAJ&dq=vincent+porter+sue+harper&pg=PA386|isbn=9780198159346}}</ref>
In 1964 he was appointed head of European production for Columbia. The following year he became a vice-president of Columbia as well.<ref>[https://www.proquest.com/docview/116768669 "Columbia pictures elects"] (1965, Nov 08). ''New York Times''</ref> In 1969 he resigned and announced he was returning to film production with three properties for Columbia: ''Caravan to Vaccarès'' by Alistair MacLean, ''Those Who Walk Away'' by Patricia Highsmith and ''Rosy is My Relative'' by Gerald Durrell.<ref>By, A. H. W. (1969, July 15). [ "Roth's 'letting go' heads for filming"] ''New York Times''</ref><ref>Martin, B. (1969, Oct 31). [https://www.proquest.com/docview/156315092 "Stars announced for roles in 'El condor'"] ''Los Angeles Times''</ref> In January 1970 he became Paramount's vice president in charge of foreign production.<ref>[https://www.proquest.com/docview/156829364 "Italian honor presented to bluhdor" (1971, Jul 10). ''Los Angeles Times'']</ref><ref>By A.H. WEILER. (1970, Jan 02). [https://www.proquest.com/docview/118803949 "'69 a bad year for good films, Catholic movie office finds"] ''New York Times''</ref>
==Selected filmography== *''The Spider and the Fly'' (1949) - with Aubrey Baring, for Mayflower *''Cairo Road'' (1950) - with Aubrey Baring, for Mayflower *''The Adventurers'' (1951) aka ''Fortune in Diamonds'', ''The Great Adventure'' - with Aubrey Baring, for Mayflower *''So Little Time'' (1952) - with Aubrey Baring, for Mayflower *''Raiders in the Sky'' aka ''Appointment in London'' (1953) - with Aubrey Baring, for Mayflower *''The Golden Mask'' aka ''South of Algiers'' (1953) - with Aubrey Baring, for Mayflower *''They Who Dare'' (1954) - with Aubrey Baring, for Mayflower *''Twist of Fate (1954 film)'' (1954) (U.S. ''Beautiful Stranger'') - for Marksman *''Footsteps in the Fog'' (1955) - for Frankovitch Productions and Columbia Pictures *''Keep It Clean'' (1956) -for Marksman *''Thunderstorm'' (1956) - for Frankovich Productions *''The Man Who Never Was'' (1956) - for 20th Century Fox *''Wicked as They Come'' (1956) - for Frankovitch Productions *''Town on Trial'' (1957) - for Marksman *''The Long Haul'' (1957) - for Marksman *''Web of Evidence'' (1958) aka ''Beyond this Place'' *''I Was Monty's Double'' (1958) aka ''Hell, Heaven or Hoboken''
==References== {{Reflist}}
==External links== *{{IMDb name|0786159}} *[https://web.archive.org/web/20160916183520/http://www.bfi.org.uk/films-tv-people/4ce2baa17a402 Maxwell Setton] at the BFI * [https://historyproject.org.uk/interview/maxwell-setton Maxwell Setton interview] at British Entertainment History Project.
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{{DEFAULTSORT:Setton, Maxwell}} Category:English film producers Category:1909 births Category:Year of death missing Category:British film studio executives