{{short description|American artist}} {{Infobox artist | name = Lee Gatch | image = Photo of Lee Gatch.jpg | imagesize = | caption = | birth_name = Harry Lee Gatch | birth_date = {{birth date|1902|9|10|mf=y}} | birth_place = Baltimore, Maryland | death_date = {{death date and age|1968|11|10|1902|9|10|mf=y}} | death_place = Trenton, New Jersey | nationality = | education = | field = Painter | training = | movement = | works = | patrons = | awards = | spouse = | partner = }} '''Harry Lee Gatch''' (September 10, 1902 – November 10, 1968)<ref>{{Cite web|url=http://www.michenermuseum.org/bucksartists/artist.php?artist=88|title=James A. Michener Art Museum - Bucks County Artists: Lee Gatch. Accessed 20 January 2013|access-date=20 January 2013|archive-url=https://web.archive.org/web/20140302045736/http://www.michenermuseum.org/bucksartists/artist.php?artist=88|archive-date=2 March 2014|url-status=usurped}}</ref> was a twentieth-century American artist known for his lyrical abstractions and his ability to find "a fresh approach" to painting the figure and nature "through interwoven patterns of flattened figures" and a Fauvist-inspired sense of landscape.<ref>Barbara Rose, ''American Art Since 1900,'' (New York: Praeger, 1967), p. 134.</ref>
== Biography == Harry Lee Gatch was born on September 10, 1902, in a rural community near Baltimore, Maryland. His family had no sympathy with his artistic aspirations, which was a source of pain throughout his life, but he was determined to make a name for himself as an artist.<ref>John Loughery, "The Lyrical Abstractions of Lee Gatch," pp. 78-80.</ref>
Gatch graduated from the Maryland Institute College of Art in the early 1920s; there a visiting instructor, New York painter John Sloan, made a strong impression on him and confirmed him in his sense of his vocation.<ref>John Loughery, ''John Sloan: Painter and Rebel'' (New York: Henry Holt, 1995), p. 272.</ref> In 1924, in search of more advanced instruction and more exposure to modern art, he went to Europe and studied with the painter Andre Lhote. While in Paris, he was a particularly avid student of the French modernism of André Derain, Édouard Vuillard, and Pierre Bonnard, inspirations which are evident in his own refined color sense.<ref>Loughery, p. 79.</ref>
According to the online biography of Gatch at the Phillips Collection website, Gatch exhibited in the Venice Biennials of 1950 and 1956, and he was inducted into the American Academy of Arts and Letters in 1957. Although he is best known for his nature-inspired abstract works, he also worked for a time as a muralist for the Federal Art Project, painting murals., ''Tobacco Industry'' in 1940 in Mullins, South Carolina, and ''Squaw's Rest'', 1942. in Elizabethtown, Pennsylvania.<ref>Park, Marlene and Gerald E. Markowitz, Democratic vistas: Post Offices and Public Art in the New Deal, Temple University Press, Philadelphia 1984</ref> He was married in 1936 to Precisionist artist Elsie Driggs. They had one child, Merriman Gatch.
According to MarylandArtSource.com, "His abstract painting style combined elements of Post-Impressionism, Cubism, and Symbolism in mystical evocations of nature." The Phillips Collection article asserts that "Gatch strove throughout his career to maintain an individual style based on the American representational tradition while reaching beyond appearances to find meaning through design and color."
Despite the admiration of discerning men like collector Duncan Phillips and the art dealer J.B. Neumann, Gatch had a difficult time creating a stable career and attracting the critical and public attention he felt he deserved. His marriage to Driggs, who gave up her own career until Gatch's death in 1968, was source of essential support to him during his darker periods, and the couple lived a financially straitened life in rural Lambertville, New Jersey.<ref>Elsie Driggs Wikipedia entry.</ref> In the heyday of Abstract Expressionism, Pop Art, and the other radical postwar movements, he was a little-known presence in American art. To his friend and one-time mentor, Max Kahn, he wrote in 1964, "It will always remain impossible for me to believe anyone will look me up after the bell tolls. It is perhaps best for me to do my task faithfully."<ref name="Loghery-p80">Loughery, p. 80.</ref> In the view of one art critic, "Gatch [ultimately] found his own voice and equalled the best of Milton Avery, an artist with whom he has a kinship."<ref name="Loghery-p80"/>
After his death, Gatch was interred at Woodlawn Cemetery in the Bronx, New York.<ref>{{Cite web|title=Harry Lee Gatch Jr. (1902-1968) - Find A Grave...|url=https://www.findagrave.com/memorial/96802575/harry-lee-gatch|access-date=2021-07-25|website=www.findagrave.com|language=en}}</ref> 400px|thumb|mural study, Elizabethtown, Pennsylvania Post Office, 1941
==Collections== Gatch's work is in the collection of: *the Guggenheim Museum, *the Whitney Museum of American Art, *the Metropolitan Museum of Art<ref>{{Cite web |url=https://www.metmuseum.org/art/collection/search/488761 |title=Lee Gatch | the Thorn | the Met |access-date=2019-12-07 |archive-url=https://web.archive.org/web/20190710050115/https://www.metmuseum.org/art/collection/search/488761 |archive-date=2019-07-10 |url-status=live }}</ref> *the Phillips Collection, *the Smithsonian American Art Museum,<ref>{{Cite web|url=https://americanart.si.edu/artist/lee-gatch-1746|title=Lee Gatch|website=Smithsonian American Art Museum|access-date=2019-12-07|archive-url=https://web.archive.org/web/20190710045844/https://americanart.si.edu/artist/lee-gatch-1746|archive-date=2019-07-10|url-status=live}}</ref> *the National Gallery of Art,<ref>{{Cite web|url=https://www.nga.gov/collection/artist-info.5495.html|title=Artist Info|website=www.nga.gov|access-date=2019-12-07|archive-url=https://web.archive.org/web/20190710050212/https://www.nga.gov/collection/artist-info.5495.html|archive-date=2019-07-10|url-status=live}}</ref> *the Albright-Knox Art Gallery,<ref>{{Cite web|url=https://www.albrightknox.org/artworks/19665-winter-stone|title=Winter Stone | Albright-Knox|website=www.albrightknox.org|access-date=2019-12-07|archive-url=https://web.archive.org/web/20191206024409/https://www.albrightknox.org/artworks/19665-winter-stone|archive-date=2019-12-06|url-status=live}}</ref> *the Baltimore Museum of Art and *the Pennsylvania Academy of the Fine Arts.<ref>{{Cite web|url=https://www.pafa.org/collection-artists/lee-gatch|title=Lee Gatch | PAFA - Pennsylvania Academy of the Fine Arts|website=www.pafa.org|access-date=2019-12-07|archive-url=https://web.archive.org/web/20190710050533/https://www.pafa.org/collection-artists/lee-gatch|archive-date=2019-07-10|url-status=live}}</ref>
==References== {{Reflist}}
==Sources== * Breeskin, Adelyn. ''Lee Gatch.'' Washington, D.C.: National Collection of Fine Arts, 1971. * ''Lee Gatch: Recent Paintings.'' Berne: Stampfli & Cie, 1963. [http://www.worldcatlibraries.org/oclc/1977645&referer=brief_results ''Lee Gatch, Recent Paintings''] (Berne : Stämpfli & Cie., 1963) OCLC 1977645 * ''Lee Gatch: Recent Paintings, 1954-1958.'' New York: World House Galleries, 1958. [http://www.worldcatlibraries.org/oclc/45616694&referer=brief_results ''Lee Gatch : Recent Paintings, 1954-1958''] (New York : World House Galleries, 1958) OCLC 45616694 * Loughery, John. "The Lyrical Abstractions of Lee Gatch." ''Arts Magazine'' (April 1988), pp. 78–80. * Newark Museum. [http://www.worldcatlibraries.org/oclc/226692&referer=brief_results ''Lee Gatch, 1902-1968''] (Washington, Published for the National Collection of Fine Arts by the Smithsonian Institution Press, 1971) OCLC 226692 * Rathbone, Perry Townsend. ''Lee Gatch.'' Washington, D.C.: American Federation of Arts, 1960. [http://www.worldcatlibraries.org/oclc/1213277&referer=brief_results ''Lee Gatch''] (New York, 1960) OCLC 1213277 * Washington University in St. Louis. Kemper Museum of Contemporary Art. St. Louis, Mo.
==External links== *[https://web.archive.org/web/20070310234039/http://www.marylandartsource.org/artists/detail_000000161.html MarylandArtSource.com] *[http://www.askart.com/askart/g/lee_gatch/lee_gatch.aspx Askart.com]
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{{DEFAULTSORT:Gatch, Lee}} Category:1902 births Category:1968 deaths Category:Maryland Institute College of Art alumni Category:20th-century American painters Category:American male painters Category:Painters from Maryland Category:American modern painters Category:Artists from Baltimore Category:Federal Art Project artists Category:Burials at Woodlawn Cemetery (Bronx, New York) Category:20th-century American male artists Category:Members of the American Academy of Arts and Letters