La Notte

{{Short description|1961 film by Michelangelo Antonioni}} {{Use dmy dates|date=September 2024}} {{Other uses}} {{Infobox film | name = La Notte | image = Lanotteposter.jpg | caption = Theatrical release poster | director = Michelangelo Antonioni | writer = {{Plainlist| * Michelangelo Antonioni * Ennio Flaiano * Tonino Guerra }} | producer = Emanuele Cassuto | starring = {{Plainlist| * Marcello Mastroianni * Jeanne Moreau * Maria Pia Luzi * Rosy Mazzacurati * Monica Vitti * Bernhard Wicki }} | cinematography = Gianni Di Venanzo | editing = Eraldo Da Roma | music = Giorgio Gaslini | studio = {{Plainlist| * Nepi Film * Sofitedip * Silver Film }} | distributor = {{Plainlist| * Dino de Laurentiis Distribuzione (Italy) * Les Artistes Associés (France) }} | released = {{Film date|df=y|1961|1|24|Italy|1961|2|24|France}} | runtime = 122 minutes | country = {{Plainlist| * Italy * France }} | language = Italian | budget = | gross = ₤470 million ($752,000) }} '''''La Notte''''' ({{IPA|it|la ˈnɔtte|}}; {{langx|en|"The Night"}}) is a 1961 drama film co-written and directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti. Filmed on location in Milan, the film depicts a single day and night in the lives of a disillusioned novelist (Mastroianni) and his alienated wife (Moreau) as they move through various social circles. The film continues Antonioni's technique of abandoning traditional storytelling in favor of visual composition, atmosphere, and mood.

Grossing 470 million lire and receiving acclaim for its exploration of modernist themes of isolation, ''La Notte'' received the Golden Bear at the 11th Berlin International Film Festival. The film also earned Antonioni the 1961 David di Donatello Award for Best Director. Although selected as the Italian entry for Best Foreign Language Film at the 34th Academy Awards, it was not nominated. ''La Notte'' is considered the central film of a trilogy beginning with ''L'Avventura'' (1960) and ending with ''L'Eclisse'' (1962).<ref name="gazetas">{{cite book |last=Gazetas |first=Aristides |title=An Introduction to World Cinema |edition=2nd |url=https://books.google.com/books?id=CPuZ-2UtVRwC&pg=PA246 |year=2008 |publisher=McFarland & Company |isbn=978-0-7864-3907-2 |page=246}}</ref><ref name="wakeman">{{cite book |editor-last=Wakeman |editor-first=John |title=World Film Directors: Volume Two, 1945–1985 |publisher=H. W. Wilson Company |location=New York |url=https://archive.org/details/worldfilmdirecto0000unse_u4q2/page/64/mode/2up |year=1988 |page=64 |isbn=978-0-8242-0763-2 |url-access=registration}}</ref><ref name="cameron">{{cite book |last1=Cameron |first1=Ian Alexander |last2=Wood |first2=Robin |title=Antonioni |url=https://books.google.com/books?id=PXhZAAAAMAAJ |year=1971 |location=London |publisher=Praeger |page=105 |isbn=9780275571207}}</ref> It was one of Stanley Kubrick's 10 favorite films, received 4 votes from critics and 6 votes from directors in the 2012 ''Sight & Sound'' greatest films poll, and ranked as the 52nd greatest film of all time in the 2022 director's poll with 12 votes.<ref>{{Cite web |title=La notte (1961) |url=https://www.bfi.org.uk/film/f16c621e-c503-543f-bdc8-07ac64b33981/la-notte |access-date=2026-01-27 |website=BFI |language=en}}</ref>

== Plot == Writer Giovanni Pontano and his wife Lidia visit their seriously ill friend Tommaso Garani, a left-wing cultural critic, at a hospital in Milan. Giovanni's new book has just been published, and Tommaso praises his friend's work. Shaken by the sight of Tommaso in pain, Lidia leaves. Giovanni stays behind and as he leaves Tommaso's room, a sick and uninhibited young woman seduces him and they kiss. They are interrupted by the nurses, who slap the patient. Outside the hospital, Giovanni sees his wife crying but does not comfort her. As they drive off, he tells her about his "unpleasant" encounter with the sick woman and is confused when Lidia reacts with indifference.

Giovanni and Lidia attend his book launch, where he signs books while she looks on from a distance. Lidia leaves and wanders the streets of Milan, ending up in the neighborhood where she and Giovanni lived as newlyweds. She comes across a street fight which she tries to stop, and later watches rockets being set off in a field. She later calls Giovanni and he picks her up. That night, they go to a nightclub, where they watch a seductive performance by a female dancer and engage in small talk. Lidia tells Giovanni that she has something to tell him but cannot say it now, and suggests they leave the club to attend a party thrown by Mr. Gherardini, a millionaire industrialist, at his villa. thumb|160px|left|US theatrical advertisement, 1962 Giovanni socializes with the party guests while Lidia walks around in a state of boredom. Giovanni meets Valentina Gherardini, the host's young daughter. As they flirt, she slides her compact across the floor, and soon others gather to watch the two compete at this game and place bets before Giovanni bows out. Meanwhile, Lidia calls the hospital and learns that Tommaso has died, leaving her devastated. Shortly afterwards, Lidia watches from the upper floor as Giovanni kisses Valentina.

Mr. Gherardini meets privately with Giovanni and offers him an executive position with his company. Giovanni is reluctant to accept and leaves the offer open. While briefly reuniting with Lidia, Giovanni sees Valentina and follows her, leaving Lidia alone. A man named Roberto, who had been following Lidia, asks her to dance. A sudden rain shower sends the guests running for cover. As Lidia is about to jump into the pool from the diving board, Roberto takes her to his car and they drive off. She enjoys Roberto's company and their conversation but turns away from him as he tries to kiss her.

Back at the party, Giovanni searches through the crowd and finds Valentina alone. She tells him to spend the rest of the evening with his wife. She plays him a tape recording of something she has written; Giovanni praises it, but she dismisses it and erases the tape. Giovanni states that he is going through a "crisis" common among writers, but in his case, it is affecting his whole life. They return to the party just as Lidia and Roberto return from their drive. Valentina invites Lidia to dry off in her room, where Lidia confronts her directly about her husband, but they soon engage in friendly conversation. As the women chat, Giovanni overhears his wife tell Valentina that she wants to die. Noticing Giovanni, Lidia declares that she feels no jealousy towards Valentina. Giovanni and Lidia leave the party at dawn.

As Giovanni and Lidia walk away across Mr. Gherardini's private golf course, Lidia informs Giovanni of Tommaso's death. She recounts how Tommaso used to support her and offer his affections to her, but she eventually chose to be with Giovanni because she loved him. She then explains that she feels like dying because she no longer loves Giovanni. He acknowledges the failure of their marriage but reaffirms his love for her. Lidia takes out a love letter Giovanni wrote to her before they married and reads it aloud. Giovanni embraces and kisses her, but she resists, insisting that they no longer love each other. Giovanni continues to kiss and fondle Lidia in a bunker on the golf course.

== Cast == {{Cast listing| * Marcello Mastroianni as Giovanni Pontano * Jeanne Moreau as Lidia Pontano * Monica Vitti as Valentina Gherardini * Bernhard Wicki as Tommaso Garani * Rosy Mazzacurati as Resy * Maria Pia Luzi as the hospital patient * Guido Ajmone Marsan as Mr. Fanti * Vincenzo Corbella as Mr. Gherardini * Ugo Fortunati as Cesarino * Gitt Magrini as Mrs. Gherardini * Giorgio Negro{{efn|Actually Gaetano "Tanino" Negroni, a Roman eye surgeon}} as Roberto * Roberta Speroni as Berenice }}

==Production== ===Filming locations=== * 4 Via Lanzone, Milan (the hospital) * 20 Via Gustavo Fara, Milan (Giovanni and Lidia's apartment) * Barlassina Country Club (Gherardini villa) * Sesto San Giovanni, Lombardy<ref name="imdblocations">{{cite web |title=Locations for La Notte |website=Internet Movie Database |url=https://www.imdb.com/title/tt0054130/locations |access-date=3 May 2012 |archive-date=10 January 2020 |archive-url=https://web.archive.org/web/20200110140402/https://www.imdb.com/title/tt0054130/locations |url-status=live}}</ref>

==Release== ===Censorship=== When ''La Notte'' was first released in Italy in 1960, the Committee for the Theatrical Review of the Italian Ministry of Cultural Heritage and Activities rated it as VM16: not suitable for children under 16. In addition, the committee made the following censorship recommendations: 1) the scene at the hospital with Mastroianni and the young lady must end at the moment when the two start to kiss each other; 2) the scene in the dressing room in which it is possible to see the naked breasts of Moreau; 3) the word "whore", said by one of the two ladies walking in the park, must be removed; 4) the final scene in which Mastroianni and Moreau hug each other and start rolling down the grass, the scene can resume when the panning shot shows the landscape without displaying the two actors.<ref name="Italia Taglia">{{cite web |url=http://www.italiataglia.it/ |title=Italia Taglia |archive-url=https://web.archive.org/web/20180629211320/http://www.italiataglia.it/ |archive-date=29 June 2018 |url-status=live}} Database of the documents produced by the Committee for the Theatrical Review of The Italian Ministry of Cultural Heritage and Activities, from 1944 to 2000.</ref> Document N° 33395 was signed on 2 November 1960<ref name="Italia Taglia"/> by Minister Renzo Helfer.

==Reception== ===Box office=== ''La Notte'' grossed 470 million lire ($752,000) in Italy during its initial release in Italy.{{sfn|Nicoli|2016|p=198}}

===Critical response=== On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 84% based on 31 reviews, with an average rating of 7.6/10.<ref name="rotten">{{cite web |title=La Notte |website=Rotten Tomatoes |url=https://www.rottentomatoes.com/m/la_notte |access-date=22 September 2024}}</ref>

In his review in ''The New York Times'', Bosley Crowther wrote: "As in ''L'Avventura'', it is not the situation so much as it is the intimations of personal feelings, doubts and moods that are the substance of the film".<ref name="nytimes">{{cite news |last=Crowther |first=Bosley |author-link=Bosley Crowther |title=Screen: Antonioni Offers 'The Night': Story of a Lost Union |newspaper=The New York Times |date=February 20, 1962 |url=https://movies.nytimes.com/movie/review?res=9D0CE6DD1331EF3BBC4851DFB4668389679EDE |access-date=3 May 2012}}</ref> Crowther praises Antonioni's ability to develop his drama "with a skill that is excitingly fertile, subtle and awesomely intuitive".<ref name="nytimes"/> {{Blockquote|Too sensitive and subtle for apt description are his pictorial fashionings of a social atmosphere, a rarefied intellectual climate, a psychologically stultifying milieu—and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting by him. There is, for instance, a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry, exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui, desolation and despair.<ref name="nytimes"/>}}

Stanley Kubrick listed ''La Notte'' as one of his top 10 favorite films.<ref name="ciment">{{cite web |last=Ciment |first=Michel |author-link=Michel Ciment |title=Kubrick: Biographical Notes |quote=When the American magazine Cinema asked him in 1963 to name his favorite films, Kubrick listed the following titles: 1. I Vitelloni (Federico Fellini, 1953), 2. Wild Strawberries (Ingmar Bergman, 1958), 3. Citizen Kane (Orson Welles, 1941), 4. The Treasure of the Sierra Madre (John Huston, 1948), 5. City Lights (Charles Chaplin, 1931), 6. Henry V (Laurence Olivier, 1945), 7. La Notte (Michelangelo Antonioni, 1961), 8. The Bank Dick (W.C. Fields, 1940), 9. Roxie Hart (William Wellman, 1942), 10. Hell's Angels (Howard Hughes, 1930). |website=Visual Memory |url=http://www.visual-memory.co.uk/amk/doc/milestones.html |access-date=3 May 2012 |archive-date=20 December 2018 |archive-url=https://web.archive.org/web/20181220082715/http://www.visual-memory.co.uk/amk/doc/milestones.html |url-status=live}}</ref>

===Accolades=== ''La Notte'' was selected as the Italian entry for the Academy Award for Best Foreign Language Film at the 34th Academy Awards, but was not accepted as a nominee.<ref name="academy">{{cite web |title=Margaret Herrick Library |publisher=Academy Awards |url=http://www.oscars.org/library/index.html |access-date=3 May 2012 |archive-date=5 May 2012 |archive-url=https://web.archive.org/web/20120505115844/http://www.oscars.org/library/index.html |url-status=live}}</ref>

{| class="wikitable plainrowheaders" ! scope="col"| Award ! scope="col"| Year ! scope="col"| Category ! scope="col"| Recipient(s) ! scope="col"| Result |- ! scope="row"| Berlin International Film Festival<ref name="berlinale 1961">{{cite web |url=http://www.berlinale.de/en/archiv/jahresarchive/1961/03_preistr_ger_1961/03_Preistraeger_1961.html |title=Prizes & Honours 1961 |publisher=Berlin International Film Festival |access-date=23 January 2010 |archive-url=https://web.archive.org/web/20160322181439/https://www.berlinale.de/en/archiv/jahresarchive/1961/03_preistr_ger_1961/03_Preistraeger_1961.html |archive-date=22 March 2016}}</ref> | rowspan="2"| 1961 | Golden Bear | rowspan="2"| Michelangelo Antonioni | {{won}} |- ! scope="row"| David di Donatello<ref>{{cite web |url=https://www.daviddidonatello.it/motore-di-ricerca/cercafilmvincitori2.php?idfilm=251&vinfilm=La%20Notte |title=Motore di ricerca |language=it |publisher=David di Donatello |access-date=22 September 2024}}</ref> | Best Director | {{won}} |- ! scope="row"| Jussi Awards | rowspan="4"| 1962 | Foreign Actress | Jeanne Moreau | {{won}} |- ! scope="row" rowspan="3"| Nastro d'Argento<ref>{{cite news |url=http://www.archiviolastampa.it/component/option,com_lastampa/task,search/mod,libera/action,viewer/Itemid,3/page,8/articleid,1566_02_1962_0076_0008_21839374/ |title=Tre premi per ciascuno' ai film di Antonioni e di Germi |newspaper=La Stampa |language=it |volume=94 |issue=76 |date=30 March 1962 |page=8}}</ref> | Best Director | Michelangelo Antonioni | {{won}} |- | Best Supporting Actress | Monica Vitti | {{won}} |- | Best Score | Giorgio Gaslini | {{won}} |}

== Cultural references == * Monty Python referred to the film in the subtitles of the original 1974 trailer for ''Monty Python and the Holy Grail'' and in the end credits of ''Monty Python's Life of Brian'', which ask: "If you have enjoyed this film, why not go and see ''La notte''?"<ref name="Monthy Pytho's Life of Brian">{{cite AV media | people=Jones, Terry (director) | date=August 17, 1979 | title=Monty Python's Life of Brian | type=motion picture | time=minute 93.31–38}}</ref> * In the 2008 ''Mad Men'' episode "The New Girl" (season 2, episode 5), Don Draper mentions that he likes ''La Notte''.<ref name="The A.V. Club">{{cite web |url=https://www.avclub.com/mad-men-the-new-girl-1798204869 |title=''Mad Men'': "The New Girl" |first=Noel |last=Murray |website=The A.V. Club |date=24 August 2008 |access-date=8 January 2024}}</ref> * Norwegian jazz pianist Ketil Bjørnstad's 2013 album ''La Notte'' took its title and cover art from the film.<ref>{{cite web |url=http://ecmrecords.com/Catalogue/ECM/2300/2300.php |title=Ketil Bjørnstad – La notte |publisher=ECM Records |archive-url=https://web.archive.org/web/20150215024631/http://ecmrecords.com/Catalogue/ECM/2300/2300.php |archive-date=15 February 2015}}</ref>

==Notes== {{Notelist}}

==References== {{Reflist}}

===Bibliography=== {{Refbegin}} * {{cite book|last=Arrowsmith |first=William |author-link=William Arrowsmith |editor-last=Perry |editor-first=Ted |title=Antonioni: The Poet of Images|publisher=Oxford University Press |location=New York|year=1995|isbn=978-0-19-509270-7}} * {{cite book|last=Brunette |first=Peter|title=The Films of Michelangelo Antonioni|series=Cambridge Film Classics|publisher=Cambridge University Press|location=New York|year=1998|isbn=978-0-521-38992-1}} * {{cite book|last=Chatman|first=Seymour|author-link=Seymour Chatman|title=Antonioni, or, The Surface of the World|publisher=University of California Press|location=Berkeley|year=1985|isbn=978-0-520-05341-0}} * {{cite book|last=Nicoli|first=Marina|title=The Rise and Fall of the Italian Film Industry|series=Routledge International Studies in Business History|publisher=Routledge|location=New York|year=2016|isbn=978-1-138-79005-6}} {{Refend}}

==External links== * {{IMDb title}} * {{Rotten Tomatoes}} * {{TCMDb title}} * [https://www.criterion.com/current/posts/2938-la-notte-modern-love ''La notte: Modern Love''] – an essay by Richard Brody at The Criterion Collection

{{Michelangelo Antonioni}} {{Ennio Flaiano}} {{Golden Bear 1960-1979}} {{Italian submissions for the Academy Award}} {{Authority control}}

{{DEFAULTSORT:Notte, La}} Category:1961 films Category:1961 drama films Category:1961 French films Category:1961 Italian films Category:1961 Italian-language films Category:Films about marriage Category:Films about writers Category:Films directed by Michelangelo Antonioni Category:Films scored by Giorgio Gaslini Category:Films set in Milan Category:Films shot in Milan Category:Films with screenplays by Tonino Guerra Category:French black-and-white films Category:French drama films Category:Golden Bear winners Category:Italian black-and-white films Category:Italian drama films Category:Italian-language drama films Category:Italian-language French films Category:Films with screenplays by Ennio Flaiano Category:1961 black-and-white films