{{Short description|American artist (born 1991)}} {{BLP sources|date=March 2017}} {{Infobox person | name = Kat Fajardo | image = Kat Fajardo 2025 Texas Book Festival.jpg | image_caption = Fajardo at the 2025 Texas Book Festival. | image_size = 180px | birth_date = <!-- {{birth date and age|YYYY|MM|DD}} for living people. For people who have died, use {{Birth date|YYYY|MM|DD}}. --> | birth_place = New York City, New York, U.S. | death_date = <!-- {{Death date and age|YYYY|MM|DD|YYYY|MM|DD}} (death date then birth date) --> | education = School of Visual Arts, New York City, New York | other_names = Katherine Fajardo | occupation = Freelance Comic Artist and Illustrator }} '''Katherine Fajardo''' (born January 16, 1991) is an American cartoonist and author. She is known for her book cover illustrations and comics that focus on Latino culture and self-acceptance. Her debut middle grade graphic novel ''Miss Quinces,'' which is a National Indie Bestseller, was the first Graphix title to be simultaneously published in English and Spanish (as ''Srta. Quinces'').<ref>{{Cite web |last=Kaplan |first=Avery |date=2021-05-06 |title=Syndicated Comics |url=https://www.comicsbeat.com/exclusive-srta-quinces-miss-quinces/ |access-date=2022-08-16 |website=The Beat |language=en-US}}</ref>
==Biography== ===Early life===
Fajardo is a first-generation American Latina born and raised in Loisaida New York City, New York. Her mother and father are both immigrants, from Honduras and Colombia respectively. At an early age, Fajardo was a fan of anime and manga. According to her, Digimon, Dragon ball Z, and Clamp manga series were her early influences.<ref>{{Cite web |date=2019-02-07 |title=What Goes Into Making a Book Cover? An Interview with Zeke Peña, Mirelle Ortega, Jorge Lacera, and Kat Fajardo |url=https://latinosinkidlit.com/2019/02/07/what-goes-into-making-a-book-cover-an-interview-with-zeke-pena-mirelle-ortega-jorge-lacera-and-kat-fajardo/ |archive-url=https://web.archive.org/web/20190218232221/https://latinosinkidlit.com/2019/02/07/what-goes-into-making-a-book-cover-an-interview-with-zeke-pena-mirelle-ortega-jorge-lacera-and-kat-fajardo/ |url-status=usurped |archive-date=February 18, 2019 |access-date=2022-08-16 |website=Latinxs in Kid Lit |language=en}}</ref> She attended Fiorello H. LaGuardia High School, where she studied art from 2005-2009.
She later graduated with a BFA from The School of Visual Arts in 2013, where she studied cartooning, illustration, and animation.<ref>{{Cite web |title=Artist Kat Fajardo celebrates her Latinx identity through indie comics |url=https://www.yahoo.com/news/artist-kat-fajardo-celebrates-her-221534410.html |access-date=2022-08-16 |website=www.yahoo.com |date=2 October 2018 |language=en-US}}</ref>
===Career=== During college, Fajardo became an intern at the Comic Book Legal Defense Fund, where she assisted the organization with file management and helped at their booths at comic conventions.{{citation needed|date=August 2022}}
After graduating from the School of Visual Arts, Fajardo began exhibiting at comic conventions and zine festivals, selling self-published autobiographical zines that illustrated her experiences with her Latine identity and culture. In 2014, her minicomic ''Gringa!'', which expressed her struggles with cultural identity through assimilation, racism, and fetishization as an American-Latina gained online recognition and was featured on several publications such as HuffPost Latino Voices,<ref>{{Cite web |date=2016-03-28 |title=This Candid Comic Shows One Latina's Journey To Embracing Her Roots |url=https://www.huffpost.com/entry/this-candid-comic-shows-one-latinas-journey-to-embracing-her-roots_n_56f1cdcbe4b0c3ef52172ec9 |access-date=2022-08-16 |website=HuffPost |language=en}}</ref> Women Write About Comics,<ref>{{Cite web |date=2016-04-06 |title=Zine Review: Gringa |url=https://womenwriteaboutcomics.com/2016/04/zine-review-gringa/ |access-date=2022-08-16 |website=WWAC |language=en-US}}</ref> HelloGiggles,<ref>{{Cite web |title=Artist Kat Fajardo celebrates her Latinx identity through indie comics |url=https://hellogiggles.com/lifestyle/kat-fajardo-latinx-indie-comics-la-raza-gringa-interview/ |access-date=2022-08-16 |website=HelloGiggles |date=2 October 2018 |language=en}}</ref> and NoEcho.<ref>{{Cite web |title=Interview: Art Spotlight: Kat Fajardo |url=https://www.noecho.net/interviews/artist-spotlight-kat-fajardo |access-date=2022-08-16 |website=www.noecho.net |date=14 November 2017 |language=en}}</ref>
Shortly after, Fajardo began contributing to anthologies and magazines. In 2016, as a response to the lack of Latinx voices in the comics community, Fajardo created and co-edited an all Latinx art and literature collection called ''La Raza Anthology: Unidos y Fuertes'' with her partner Pablo A. Castro. In an interview, Fajardo said, "''I was like ya no más. Instead of moping around, I’m going to make my own anthology because we really need it".''<ref>{{Cite web |date=2016-09-23 |title='La Raza' Anthology Is a Necessary 120-Page Collection of Latinx Comics & Short Stories |url=https://remezcla.com/culture/la-raza-anthology/ |access-date=2022-08-16 |website=Remezcla |language=en-US}}</ref> The anthology was a 120-page book featuring illustrations, poetry, short stories, and comics from 42 contributors, and was successfully funded on Kickstarter in 2017.{{citation needed|date=August 2022}}
After some time, through her agent Linda Camacho, Fajardo began working with kidlit publishers on cover art for middle grade books such as ''The First Rule of Punk'' by Celia C. Perez,<ref>{{Cite web |title=The Latina Team Behind 'The First Rule Of Punk' Created Something For The Kids They Used To Be |url=https://www.bustle.com/p/the-latina-team-behind-the-first-rule-of-punk-created-something-for-the-kids-they-used-to-be-2893291 |access-date=2022-08-16 |website=Bustle |date=2 November 2017 |language=en}}</ref> ''Shaking Up the House'' by Yamile Saied Méndez, ''BUMP'' and ''The Supervillain's Guide to Being a Fat Kid'', both by Matt Wallace.
In 2018, her first graphic novel for children was published, ''The Isle of the Lost: The Graphic Novel'', a comic adaption of the New York Times best-selling Descendants series written by Melissa de la Cruz. The graphic novel was adapted by Robert Venditti, illustrated by Fajardo, lettered and colored by Leigh Luna with assistance by Madeline McGrane and Andrea Bell.<ref>{{Cite web |last=Dueben |first= Alex |date=2018-10-02 |title=Smash Pages Q&A: Kat Fajardo |url=https://smashpages.net/2018/10/02/smash-pages-qa-kat-fajardo/ |access-date=2022-08-16 |website=SMASH PAGES |language=en-US}}</ref>
In 2022, Fajardo released her solo debut graphic novel for middle-grade readers, ''Miss Quinces'', published by Scholastic-Graphix<ref>{{Cite web |title=Miss Quinces |url=http://shop.scholastic.com/content/parent-ecommerce/en/books/miss-quinces-9781338535594.html |access-date=2022-08-16 |website=shop.scholastic.com |language=en}}</ref>{{better source needed|reason=publisher's website|date=August 2022}}, which was simultaneously released in both English and Spanish editions (as Srta. Quinces), a first in Graphix history.{{citation needed|date=August 2022}} ''Miss Quinces'' received two starred reviews, and was selected as a summer reading pick by ''Entertainment Weekly'',<ref>{{Cite web |last1=May 12 |first1=Lauren Morgan |last2=EDT |first2=2022 at 02:05 PM |title=11 exciting books for your kids' summer reading list |url=https://ew.com/books/11-exciting-kids-books-summer-reading-list/ |access-date=2022-08-16 |website=EW.com |language=en}}</ref> ''Publishers Weekly'',<ref>{{Cite web |title=Summer Reads 2022 from Publishers Weekly Publishers Weekly |url=https://best-books.publishersweekly.com/pw/best-books/summer-reads-2022/middle-grade |access-date=2022-08-16 |website=PublishersWeekly.com}}</ref> ''The Horn Book'',<ref>{{Cite web |last=Terrones |first=Lettycia |title=Review of Miss Quinces |url=https://www.hbook.com/story/review-of-miss-quinces |access-date=2022-08-16 |website=The Horn Book}}</ref> and the ''Milwaukee Journal Sentinel''.<ref>{{Cite web |last=Higgins |first=Jim |title=45 new books for summer reading in 2022 |url=https://www.jsonline.com/story/entertainment/books/2022/05/18/45-new-books-summer-reading-2022-milwaukee/6946299001/ |access-date=2022-08-16 |website=Journal Sentinel |language=en-US}}</ref>
==Works == *''Miss Quinces'' (2022) {{ISBN|9781338746495}} <ref>{{Cite web |last=Kaplan |first=Avery |date=2021-05-06 |title=Syndicated Comics |url=https://www.comicsbeat.com/exclusive-srta-quinces-miss-quinces/ |access-date=2022-09-22 |website=The Beat |language=en-US}}</ref><ref>{{Cite web |last=Liu |first=Jonathan H. |date=2022-07-11 |title=Stack Overflow: Recent Reads |url=https://geekdad.com/2022/07/stack-overflow-recent-reads-3/ |access-date=2022-09-22 |website=GeekDad |language=en-US}}</ref> *''The Isle of the Lost: The Graphic Novel'' (2018) {{ISBN|9781368045452}} *''La Raza Anthology'' (2017) {{ISBN|9780692826676}} *''¡Bandida! ''Series (2016) * ''Gringa!'' (2015) Featured in: *''Dirty Diamonds Anthology'' (2016) *''Sweaty Palms Zine'' (2016) *''CollegeHumor'' (2014) *''Symbolia Magazine'' (2012-2014) *''BARTKIRA'' (2013) * ''Strange Paradise Zine'' (2013) *''The White Asylum'' (2013) *''Monster Mash Anthology'' (2012) *''Hope Mountain Magazine #3'' (2012) *''SVA INK Magazine'' (2012-2015) *''SVA Visual Opinion Mag'' (2011)
==Literary style and themes== {{cleanup rewrite|section=yes|date=September 2017}} Fajardo's work is heavily influenced by her personal search for wholeness in her cultural identity as an American Latina of Colombian and Honduran heritage. Her 17-page mini comic ''Gringa!'' is a candid chronicle of her struggle “through assimilation, racism, and fetishization of Latin culture”.<ref>[http://www.katfajardo.com/ Fajardo, Kat (2015)]</ref> The cover of ''Gringa!'' depicts the main character, Fajardo herself, in a state of cultural divide. Half of her outfit is emblazoned with the stars and stripes of America while the other half proudly dons a traditional Latin American dress. On the Latino side, her hair is jet black and long; on the other side, her hair is bleached lighter and cropped short in an attempt to seamlessly assimilate into American culture. The first few pages of ‘’Gringa!’’ depict vitriolic attacks on immigrants from American protesters holding signs that read words like "'Diversity’=White Genocide” and “Return to Sender!” Fajardo reflects on the hardships immigrants face—“leaving their families behind and endangering their lives” only to arrive in America to unjustified racism and hostility. She ultimately recognizes that she should be proud of her heritage, but cannot find the courage to outwardly celebrate it. She cites a variety of factors: lack of Latino studies in academia and representation in television and cinema, fetishization and racism from classmates, and pressure from her own family to become a “proper lady” and “accept Machismo as the norm.” She does her best to conform and pass for the prototypical white American woman, but "mi raza" (literally translating as "my race") holds her fast. Years later, after discussing common experiences with Latino youth, she realizes that any discrimination she receives due to her heritage is no longer an obstacle for her, but “fuel” for her own creativity. She ends the comic proud of her journey of self-discovery and self-acceptance, and hopes to use her artwork to contribute to better representation of Latinos and Hispanics in the media.<ref>Fajardo, Kat (2015) ''Gringa!''</ref>
Fajardo is currently working on ''La Raza Anthology'', which is a collection of comics, illustrations, poems, and short stories by more than 30 Latino creators discussing topics such as assimilation, racism, feminism, and queer and self-identity. ''La raza'' is a term stemmed from Mexican scholar José Vasconcelos's phrase, ''La Raza Cósmica'' ("the cosmic race"). Because Latin America is a mixture of different races and cultures, Farjardo uses ''la raza'' as a term to define her community by celebrating her roots. The anthology is an effort to give Latino creators proper recognition and address issues important to Latino culture.
==Honors, decorations, awards and distinctions== In 2016, Fajardo's minicomic, ''Bandida'', was a recipient of the Massachusetts Independent Comics Expo (MICE) mini-grant.
In 2017, Fajardo was awarded the CXC Emerging Talent Award at the Cartoon Crossroads Columbus, which was presented by Tom Spurgeon and Jeff Smith.<ref>{{Cite web |last=Terror |first=Jude |date=2017-10-01 |title=Kat Fajardo Wins 2017 Emerging Talent Award At Cartoon Crossroads Columbus |url=https://bleedingcool.com/comics/kat-fajardo-award-cartoon-crossroads/ |access-date=2022-08-16 |website=Bleeding Cool News And Rumors |language=en}}</ref>
In 2018, ''La Raza Anthology'' was nominated for an Ignatz Award for Best Anthology. Fajardo and Pablo A. Castro were the editors.
In 2019, ''Puerto Rico Strong'' Anthology won the 2019 Eisner Award for Best Anthology. The anthology contains work by Fajardo.
In 2020, ''Drawing Power: Women's Stories of Sexual Violence, Harassment and Survival'' anthology won the 2020 Eisner Award for Best Anthology. The anthology contains work by Fajardo.
== References == {{reflist}}
==External links== *{{cite web|last1=Ramirez|first1=Tanisha Love|title=This Candid Comic Shows One Latina's Journey To Embracing Her Roots|url=http://www.huffingtonpost.com/entry/this-candid-comic-shows-one-latinas-journey-to-embracing-her-roots_us_56f1cdcbe4b0c3ef52172ec9|website=Huffingtonpost.com|date=28 March 2016|accessdate=21 September 2017}} *{{cite web|last1=Stromberg|first1=Matt|title=These Latino Comic Book Artists Create their Own Superheroes|url=https://www.linktv.org/shows/artbound/molaa-artists-assemble-latino-comic-books-latino-comics-expo|website=LinkTV|date=22 July 2016|accessdate=21 September 2017}} {{authority control}}
{{DEFAULTSORT:Fajardo, Kat}} Category:Living people Category:1991 births Category:American women comics artists Category:American people of Colombian descent Category:American people of Honduran descent Category:Fiorello H. LaGuardia High School alumni Category:Artists from New York City Category:LGBTQ comics creators Category:21st-century American women