{{Short description|Dance organization in Manhattan, New York}} {{Infobox venue | name = Joyce Theater | image = Joyce_Theater_(54877811551).jpg | image_size = 250px | image_alt = | caption = The Joyce Theater in 2025 | image_map = | map_caption = | pushpin_map = | pushpin_map_caption = | address = 175 Eighth Avenue | city = New York City | country = United States | designation = | coordinates = {{coord|format=dms|display=inline,title|40.742766|-74.000545}} | architect = Simon Zelnik (1941); Hugh Hardy (1982 renovation) | owner = Joyce Theater Foundation | tenant = | operator = | capacity = 472 | type = | opened = 1941 | reopened = 1982 | years_active = | rebuilt = | closed = | demolished = | other_names = Elgin Theater | production = | current_use = dance venue | website = {{URL|http://www.joyce.org}} }}

The '''Joyce Theater Foundation''' is a leading presenter of dance in New York City and nationally. It is runs, in part, from the '''Joyce Theater''', a 472-seat dance performance venue located in the Chelsea neighborhood of Manhattan in New York City. The Joyce occupies the Elgin Theater, a former movie house that opened in 1941 and was gut-renovated and reconfigured in 1981–82.

==Creation of The Joyce== In 1977, the Eliot Feld Ballet had begun exploring more affordable approaches to presenting its annual season of performances in New York City. Rental costs and house sizes of the theaters available to the company made these seasons financially risky propositions. Eliot Feld, the company’s founder and Artistic Director, and Cora Cahan, its Executive Director, envisioned creating a theater specifically for smaller dance organizations that their company could use, which would also be available to other companies.<ref>{{cite book|last1=Armstrong|first1=Leslie|last2=Morgan|first2=Roger|title=Space for Dance|date=1984|publisher=Publishing Center for Cultural Resources|location=Washington, D.C.|page=[https://archive.org/details/spacefordancearc00arms/page/101 101]|url=https://archive.org/details/spacefordancearc00arms|access-date=24 September 2017}}</ref>

The first facility they looked at in late 1978 was the Elgin Theater, a defunct movie theater in Manhattan’s Chelsea neighborhood built in 1941. They quickly commenced negotiations to purchase it, ultimately arriving at a price of $225,000 and concluded the transaction in January, 1979. The philanthropist LuEsther Mertz, co-founder of Publishers Clearing House and a benefactor of the company who had supported the renovation of the company’s studio, underwrote the full cost of the purchase.<ref>{{cite news|last1=Dunning|first1=Jennifer|title=Elgin Will Be Theater for Medium‐Sized Troupes|url=https://www.nytimes.com/1979/01/29/archives/news-of-the-dance-elgin-will-be-theater-for-mediumsized-troupes-to.html|access-date=24 September 2017|work=New York Times|date=January 29, 1979}}</ref>

In developing financial projections for the theater, Feld and Cahan anticipated an inclusive rental cost of around $12,000 per week. In a national survey they conducted, 73 dance organizations expressed interest in using the theater at the projected rental rate.<ref>{{cite news|last1=Dunning|first1=Jennifer|title=Plans to Convert Elgin To Dance Theater Falter|url=https://timesmachine.nytimes.com/timesmachine/1980/06/04/113944263.html?pageNumber=77|access-date=24 September 2017|work=New York Times|date=June 4, 1980}}</ref> These findings helped garner a wide range of financial support for developing the theater. The project secured a $400,000 Federal Urban Development Action Grant, which recognized its potential to provide employment and add to the vitality of its neighborhood. Other Federal Government support included a $450,000 challenge grant from the National Endowment for the Arts, and a guarantee of a $600,000 bank loan. Private donors and foundations such as the Rockefeller Foundation contributed the balance of the funds.<ref>{{cite news|last1=Kisselgoff|first1=Anna|title=Creating a Theater Just for Dance|url=https://www.nytimes.com/1981/07/26/arts/creating-a-theater-just-for-dance.html|access-date=24 September 2017|work=New York Times|date=July 26, 1981}}</ref>

Feld and Cahan engaged architect Hugh Hardy of the firm Hardy Holzman Pfeiffer to develop plans for a gut renovation of the facility. Major changes to the structure included the elimination of the original balcony configuration to create a steeply raked seating area on one level, new construction at the rear of the building to provide additional backstage space, and the installation of a 67 x 36 foot proscenium stage with a sprung floor. The completed theater had 472 seats.<ref>{{cite book|last1=Armstrong|first1=Leslie|last2=Morgan|first2=Roger|title=Space for Dance|date=1984|publisher=Publishing Center for Cultural Resources|location=Washington, D.C.|pages=[https://archive.org/details/spacefordancearc00arms/page/101 101]–102|url=https://archive.org/details/spacefordancearc00arms|access-date=24 September 2017}}</ref> The overall cost of the project was $3.6 million.<ref>{{cite news|title=Dance Theater Opening Delayed to April 12|url=https://www.nytimes.com/1981/12/20/arts/dance-theater-opening-delayed-to-april-12|access-date=24 September 2017|work=New York Times|date=December 20, 1981}}</ref> At the June 25, 1981 groundbreaking, the building was renamed the Joyce Theater after the daughter of LuEsther Mertz in recognition of the elder Mertz’s leadership support of the project.<ref>{{cite news|title=Facelift Begins at Renamed Elgin|url=https://www.nytimes.com/1981/06/26/theater/facelift-begins-at-renamed-elgin.html|access-date=24 September 2017|work=New York Times|date=June 26, 1981}}</ref> The theater opened with a gala performance on June 2, 1982.<ref>{{cite news|last1=Jennifer|first1=Dunning|title=Chelsea Program Opens Joyce Theater for Dance|url=https://www.nytimes.com/1982/06/02/theater/chelsea-program-opens-joyce-theater-for-dance.html|access-date=24 September 2017|work=New York Times|date=June 2, 1982}}</ref> With an Art Deco influenced exterior, the actual performable space within is specifically intended for the dance and movement arts performer and/or performing company. Below the stage area, in addition to dressing rooms and the normal basic needs of any performer, a full mirrored dance studio can be used for rehearsal and warmup, providing additional support for a touring company's needs.

The Feld organization retained ownership of the building and created a separate non-profit organization to operate the theater under a 35-year lease at a nominal rent of $1 a year.<ref>{{cite news|last1=Kisselgoff|first1=Anna|title=Creating a Theater Just for Dance|url=https://www.nytimes.com/1981/07/26/arts/creating-a-theater-just-for-dance.html|access-date=24 September 2017|work=New York Times|date=July 26, 1981}}</ref> As the 2016 conclusion of the lease term approached, the operating organization, the Joyce Theater Foundation, purchased the theater from the Feld organization for $20 million.<ref>{{cite news|last1=Pogrebin|first1=Robin|title=Joyce Theater to Buy Its Chelsea Home|url=https://artsbeat.blogs.nytimes.com/2012/09/18/joyce-theater-to-buy-its-chelsea-home/|access-date=24 September 2017|work=New York Times|date=September 18, 2012}}</ref><ref>Both the Feld organization and the Joyce Theater Foundation operated under successive legal names during the period recounted here. For the sake of clarity, these various names are elided in this section.</ref> In 2025, Anupam and Rajika Puri donated $15 million to the Joyce Theater Foundation, which announced that the auditorium would be renamed for them.<ref>{{cite web |last=Nagourney |first=Adam |date=November 4, 2025 |title=The Joyce Theater to Receive $15 Million Gift |url=https://www.nytimes.com/2025/11/04/arts/dance/joyce-theater-15-million-gift.html |access-date=November 5, 2025 |website=The New York Times}}</ref>

==Governance and management== The Joyce is a 501(c)3 charitable organization whose mission is “To serve and support the art of dance and choreography, to promote the richness and variety of the art form in its fullest expression, and to advance the public interest in, and appreciation of, dance and the allied arts of music, design, and theater.”<ref>{{cite web|title=Joyce Theater: Mission and History|url=https://joyce.org/about/our-mission-and-history|access-date=25 September 2017}}</ref>

A 27-member Board of Trustees oversees the organization. It operates on a budget of around $10 million annually that is supported by earned revenue, contributed income, government support and endowment income. Executive Director Linda Shelton oversees day-to-day activities of the Joyce, supported by a full-time staff of approximately 45 people.<ref>{{cite web|title=Joyce Theater Foundation FY2015 IRS Form 990|url=https://www.guidestar.org/profile/13-3038262|website=Guidestar|access-date=25 September 2017}}</ref> Before joining the Joyce in 1993, Shelton was General Manager of the Joffrey Ballet, and had earlier held senior management roles at Twyla Tharp Dance.<ref>{{cite web|title=Linda Shelton Biography|url=https://www.danceusa.org/lindashelton|website=Dance/USA|access-date=25 September 2017}}</ref> Aaron Mattocks is Director of Programming, with lead responsibility for developing each year’s presenting season.

==Main activities== The Joyce presents an annual 40 to 45 week season on its stage, hosting an audience of approximately 150,000 people. In addition to this Chelsea season, the Joyce presents or co-presents at a small number of other venues, including the David H. Koch Theater at Lincoln Center and alternative spaces.<ref>{{cite web|title=Joyce Theater Foundation FY2015 IRS Form 990|url=https://www.guidestar.org/profile/13-3038262|website=Guidestar|access-date=25 September 2017}}</ref>

Through artistic residency and commissioning programs, the Joyce gives resources to established, early- and mid-career artists to advance their practice and develop new works for the Joyce stage.<ref>{{cite web|title=Joyce Theater: Artist Residency|url=https://joyce.org/artist-residency|access-date=25 September 2017}}</ref> New commissions are supported by the Stephen and Cathy Weinroth Fund for New Works, a $1 million endowment contributed by a Joyce board member.<ref>{{cite news|last1=Dunning|first1=Jennifer|title=Joyce Gets a $1 Million Fund to Foster New Dances|url=https://www.nytimes.com/2001/09/01/arts/joyce-gets-a-1-million-fund-to-foster-new-dances.html|access-date=25 September 2017|work=New York Times|date=September 1, 2001}}</ref>

The organization also mounts a range of education, school and family programs that range from structured class visits to Joyce performances, to lessons at schools and community centers with Joyce-affiliated teaching artists, to family matinees with discount tickets for children.<ref>{{cite web|title=Joyce Theater: School and Family Programs|url=https://joyce.org/school-family-programs|access-date=25 September 2017}}</ref>

==World Trade Center cultural center== In 2004, The Joyce's proposal to operate a dance theater in the planned "arts hub" at the World Trade Center was accepted by the Lower Manhattan Development Corporation. The Joyce would have been one of several arts organizations at the facility, and proposed a 1,000-seat theater for major dance companies, with supporting programming.<ref>{{cite news|last1=Dunning|first1=Jennifer|title=Giving Dance a Better Presence Downtown|url=https://www.nytimes.com/2004/06/11/nyregion/giving-dance-a-better-presence-downtown.html|access-date=25 September 2017|work=New York Times|date=June 11, 2004}}</ref>

In the ensuing years, the vision for the cultural center has evolved through multiple iterations and tenant lists. It is currently planned as The Ronald O. Perelman Performing Arts Center, a multi-venue facility encompassing a range of performing and media arts.<ref>{{cite web|title=The Perlman Center: Artistic Vision|url=http://www.theperelman.org/artistic-vision/|access-date=25 September 2017}}</ref> The Joyce's role in the current plan for the center has not been announced.<ref>{{cite news|last1=Pogrebin|first1=Robin|title=Plans for Ground Zero Arts Hub Shift Again|url=https://www.nytimes.com/2013/03/27/arts/plans-for-ground-zero-arts-center-change-again.html|access-date=25 September 2017|work=New York Times|date=March 26, 2013}}</ref>

==Former affiliated spaces== ===Joyce SoHo=== {{main|155 Mercer Street}} In 1996, The Joyce purchased a dance performance and rehearsal facility at 155 Mercer Street in Manhattan's SoHo neighborhood that was owned and operated by the Dia Art Foundation. The building had been used for dance since 1985, and was sold because of financial difficulties at Dia. The Joyce obtained the building for $1.5 million with support from the LuEsther T. Mertz Charitable Trust, the charitable organization established by the organization's longstanding benefactor LuEsther T. Mertz upon her death.<ref>{{cite news|last1=Dunning|first1=Jennifer|title=Joyce Theater Buys Dia Dance Space in SoHo|url=https://www.nytimes.com/1996/10/24/theater/joyce-theater-buys-dia-dance-space-in-soho.html|access-date=25 September 2017|work=New York Times|date=October 24, 1996}}</ref> The Joyce continued Dia's program of rehearsal space rental and performances in the 75-seat theater until 2012, when it accepted an unsolicited offer to sell the building for $27.25 million.<ref>{{cite news|last1=Pogrebin|first1=Robin|title=Joyce Theater to Buy Its Chelsea Home|url=https://artsbeat.blogs.nytimes.com/2012/09/18/joyce-theater-to-buy-its-chelsea-home/|access-date=25 September 2017|work=New York Times|date=September 18, 2012}}</ref>

===DANY Studios=== In December, 2009, the Joyce leased a rehearsal studio facility at 305 West 38th Street, in Manhattan's Garment District, that it operated under the name DANY [Dance Art New York] Studios.<ref>{{cite news|last1=La Rocco|first1=Claudia|title=Joyce Theater Expands Its Studio Space|url=https://artsbeat.blogs.nytimes.com/2009/12/04/joyce-theater-expands-its-studio-space/|access-date=25 September 2017|work=New York Times|date=December 4, 2009}}</ref> The facility contained 11 studios. The Joyce did not renew when its lease ended in 2016 and closed DANY.<ref>{{cite web|title=DANY Studios in NYC Closing|url=http://www.danceinforma.us/articles/dany-studios-in-nyc-closing/|website=Dance Informa|access-date=25 September 2017|date=August 16, 2016}}</ref>

== Selected companies presented at The Joyce== {{Columns-list|colwidth=30em| * Bill T. Jones/Arnie Zane Dance Company * Eiko & Koma * Hubbard Street Dance * John Jasperse Company * Urban Bush Women * Molissa Fenley * Pacific Northwest Ballet * Lucinda Childs Dance Company * Paul Taylor Dance Company * Martha Graham Dance Company * Les Ballets Trockadero de Monte Carlo * Dorrance Dance * Ronald K. Brown/Evidence * Eliot Feld Ballet * Garth Fagan Dance * Pam Tanowitz Dance * Kyle Abraham/abraham.in.motion * Batsheva Dance Company * Ballet Hispanico * Hamburg Ballet * Merce Cunningham Dance Company * Parsons Dance Company * Pilobolus}}

== See also == * Elgin Theater * List of theaters for dance

==References== ;Notes {{Reflist}}

== External links == {{Commons category}} * {{Official website|http://www.joyce.org}} {{Dance}} {{Chelsea, Manhattan}} {{Authority control}}

Category:Contemporary dance companies Category:Dance in New York City Category:Dance venues in the United States Category:Theatres in Manhattan Category:Performing groups established in 1982 Category:Chelsea, Manhattan Category:1982 establishments in New York City Category:1941 establishments in New York City Category:Eighth Avenue (Manhattan)