{{Short description|English organist and composer}} {{Use dmy dates|date=September 2019}} '''Joseph Kelway''' (also '''Kellaway''', '''Kellway'''; c. 1702–1782)<ref name="odnb"/> was an English organist and harpsichord player, among the most highly regarded in his day.
Kelway was probably born in Chichester. He was the younger brother of the organist Thomas Kelway; he studied with him and with Francesco Geminiani.<ref name="odnb">{{cite ODNB|id=15310|title=Kelway [Kellaway, Kellway], Joseph}}</ref><ref name="dnb00">{{cite DNB|first=Louisa M.|last=Middleton||wstitle=Kelway, Joseph|volume=30|pages=360–361}}</ref>
In 1734, he succeeded Obadiah Shuttleworth as organist of St Michael, Cornhill in London;<ref>{{cite DNB|first=Louisa M.|last=Middleton||wstitle=Shuttleworth, Obadiah|volume=52|page=175}} This article states that Shuttleworth retained the post until his death (1734). The 1892 DNB article for Kelway states "about 1730"; this date is repeated in the online DNB article.</ref> in 1736 he resigned this post to succeed John Weldon as organist of St Martin-in-the-Fields, London. Charles Burney wrote that Handel was among the musicians who visited St Martin's to hear him play. Kelway became in 1739 a founding governor of the Royal Society of Musicians.<ref name="odnb"/><ref name="dnb00"/>
His pupils included Charles Wesley and Mrs Mary Delaney, and he was appointed harpsichord master to Queen Charlotte at the time of her arrival in England in 1761. Richard, 7th Viscount FitzWilliam was a patron.<ref name="odnb"/>
Burney wrote that Kelway was "a brilliant harpsichordist", and identified him as "head of the Scarlatti sect", a group of English musicians that championed the music of Domenico Scarlatti as early as 1739, also including Thomas Roseingrave.<ref>Kroll, Mark. ''Bach, Handel and Scarlatti: Reception in Britain, 1750-1850'', (2022), p. 13</ref> Kelway, said Burney, "kept Scarlatti's best lessons in constant practice [and] executed the most difficult lessons in a manner peculiarly neat and delicate".<ref>Charles Burney. ''A General History of Music'' (1789), 1957 edition ed. Frank Mercer, Vol.2, p. 1009</ref>
His only notable publication was ''Six Sonatas for Harpsichord'' (1764), influenced by Scarlatti. Towards the end of his life, his music went out of fashion: a new style was introduced by Johann Christian Bach, and the pianoforte became fashionable.<ref name="odnb"/><ref name="dnb00"/>
==References== {{Reflist}}
==External links== * {{NPG name|id=02494}} * {{IMSLP|author=Kelway, Joseph}}
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{{DEFAULTSORT:Kelway, Joseph}} Category:1702 births Category:1782 deaths Category:Musicians from Chichester Category:English classical organists Category:18th-century English keyboardists Category:Members of the Royal Society of Musicians Category:English male classical organists