{{Short description|American artist, curator, and museum director}} '''Jan Rindfleisch''' (May 1, 1942 – March 8, 2025) was an American artist, educator, author, curator, and community builder. Rindfleisch is known for the programming she initiated and oversaw at the Euphrat Museum of Art; for her book on the history of art communities in the South Bay Area, ''Roots and Offshoots: Silicon Valley's Art Community'', and for her role in documenting the careers and legacies of Agnes Pelton and Ruth Tunstall Grant.
== Education == Rindfleisch had a BS in Physics from Purdue University and an MFA in sculpture from San José State University.<ref name=":1">{{Cite web|last=Wylde|first=Nanette|date=2017|title=Whirligig Interview : Jan Rindfleisch|url=https://www.whirligig.hungerbutton.org/2017/jan-rindfleisch/|access-date=2021-05-28|website=Whirligig|language=en-US}}</ref>
== Career ==
=== Curator === Rindfleisch was the executive director of the Euphrat Museum in Cupertino, California from 1979 to 2011.<ref>{{Cite news|last=Wykes|first=S. L.|date=1986-04-23|title=Gallery Chief Wants 'Euphrat' to Be Common Word|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription|archive-date=2021-05-21|access-date=2021-06-01|archive-url=https://web.archive.org/web/20210521114856/https://www.mercurynews.com/archive-search/|url-status=live}}</ref><ref name=":0">{{Cite web|title=Artnet News: Ambra Medda leaves Design Miami, Banksy does band art, Charles Saatchi's "Newspeak" - artnet Magazine|url=http://www.artnet.com/magazineus/news/artnetnews/ambra-medda-leaves-design-miami4-27-10.asp|access-date=2021-05-28|website=www.artnet.com|archive-date=2019-01-11|archive-url=https://web.archive.org/web/20190111043250/http://www.artnet.com/magazineus/news/artnetnews/ambra-medda-leaves-design-miami4-27-10.asp|url-status=live}}</ref> At the Euphrat Rindfleisch established a history of curatorial programming that was uncommon for the time.<ref>{{Cite news|last=Bauer|first=Bernard|date=1988-01-20|title=Cupertino Tiptoes into the World of Art : Fledgling Panel Explores a Growing City's Options|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription}}</ref> This included the manner in which exhibitions were curated, which often involved collaboration with community members; the inclusion of community artists with established artists; and exhibition themes and content that were rare or not yet seen in art museums or art galleries.<ref>{{Cite news|last=Wykes|first=S. L.|date=1986-10-08|title=Show Sheds Light into Darkroom|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription|archive-date=2021-05-21|access-date=2021-06-01|archive-url=https://web.archive.org/web/20210521114856/https://www.mercurynews.com/archive-search/|url-status=live}}</ref> Rindfleisch's exhibition themes have included political quilts,<ref>{{Cite news|last=Wykes|first=S.L.|date=1987-03-25|title=Stitches in Time Political Quilts Embroider Women's History|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription}}</ref><ref>{{Cite news|last=Burkhart|first=Dorothy|date=1987-03-27|title=Quilts Current and Historic Expand the Viewer's Political Consciousness Stitches Put Ideas on the Line|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription|archive-date=2021-05-21|access-date=2021-06-01|archive-url=https://web.archive.org/web/20210521114856/https://www.mercurynews.com/archive-search/|url-status=live}}</ref> political issues,<ref>{{Cite news|last=Burkhart|first=Dorothy|date=1991-03-15|title=Looking at Freedom in the Land of the Free : Often-Didactic Show Provokes Political Thought|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription}}</ref> artwork by refugees,<ref>{{Cite news|last=DeTran|date=1988-02-10|title=War on Exhibit Through Eyes of Refugees|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription|archive-date=2021-05-21|access-date=2021-06-01|archive-url=https://web.archive.org/web/20210521114856/https://www.mercurynews.com/archive-search/|url-status=live}}</ref> artwork by immigrants,<ref>{{Cite news|last=Jung|first=Carolyn|date=1994-11-29|title=Art Reflects Immigrant Suffering|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription}}</ref> artwork about aging,<ref>{{Cite news|last=Burkhart|first=Dorothy|date=1990-01-25|title=Painting an Honest Picture of Age|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription}}</ref> art and technology,<ref>{{Cite news|last=Fischer|first=Jack|date=2001-05-06|title=Artistic Distinction in Tech Capital|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription|archive-date=2021-05-21|access-date=2021-06-01|archive-url=https://web.archive.org/web/20210521114856/https://www.mercurynews.com/archive-search/|url-status=live}}</ref> and the art of games.<ref>{{Cite news|last=Wilson|first=Matt|date=2010-05-05|title=Museum Focuses on the Games of Life|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription}}</ref>
Hank Baum states in the '''California Art Review''', "Director Jan Rindfleisch presents exhibits that address philosophical and social issues, challenge taboos, and allow artists to be resurrected who have been obscured by the prejudice of their day."<ref>{{Cite book|last=Baum|first=Hank|title=The California Art Review|publisher=Celestial Arts/Krantz|year=1981|isbn=0890873100|location=Millbrae, Calif.}}</ref>
About a 1985 exhibition, ''Art Collectors in and Around Silicon Valley'', Cathy Curtis of the San Francisco Examiner wrote, "Provocative and timely, irreverent and unencumbered by the pompous baggage of so many art exhibits, 'Art Collectors...' is the kind of show that asks more questions than it answers."<ref>{{Cite news|last=Curtis|first=Cathy|date=1985-03-10|title=Art Collectors in and Around Silicon Valley|work=The San Francisco Examiner|url=https://www.newspapers.com/clip/79803904/art-collection-in-and-around-silicon/|access-date=2021-06-20|archive-date=2021-06-24|archive-url=https://web.archive.org/web/20210624205446/https://www.newspapers.com/clip/79803904/art-collection-in-and-around-silicon/|url-status=live}}</ref> Rita Felciano noted in her review of the 1987 ''The Power of Cloth,'' "The Euphrat... puts together exhibits from the outside—events that usually have some bite to them."<ref>{{Cite news|last=Felciano|first=Rita|date=1987-03-01|title="The Power of Cloth": A Potent Patchwork of Political Quilts|work=The San Francisco Examiner|url=https://www.newspapers.com/clip/79804853/the-power-of-cloth-a-potent/|access-date=2021-06-20|archive-date=2021-06-24|archive-url=https://web.archive.org/web/20210624202546/https://www.newspapers.com/clip/79804853/the-power-of-cloth-a-potent/|url-status=live}}</ref>
In a 1984 Artweek review of ''Faces'', Sylvie Roder stated: "Leave it to Jan Rindfleisch to come up with something special. She has taken a basic theme and treated it in complex ways."
Roder continued: {{Blockquote|text=Rindfleisch is an independent-minded curator whose projects carry a strong personal stamp, in concept as well as execution. One of them, ''Staying Visible'', dealt with the role of archives or "saved stuff" in rescuing artists from oblivion. In that exhibit, entropy was the villain and there was no doubt as to who was at the helm of the show, putting up resistance. . . Rindfleisch is oriented towards issues rather than images, and this show [Faces] is more organized around human priorities than esthetic ones. In her view, theme shows are elitist events bound by conventional rules. She prefers the term "forum show" and has turned the gallery into an arena, staging confrontations instead of merely installing pieces in passive proximity to each other. There is a quirkiness in this game, but its zest and speculative spirit are contagious."<ref>{{Cite journal|last=Roder|first=Sylvie|date=1984-03-31|title=Not "For Eyes Only"|url=https://archive.org|journal=Artweek|volume=15| issue = 13|pages=6|via=Internet Archive}}</ref> }}In the 1990 book, '''Art Around the Bay: a guide to art galleries and museums in the San Francisco Bay Area,''' Paul Monaco and Murwani Davis write about The Euphrat and Rindfleisch, '''"'''The changing exhibitions attain national and international stature. Director/Curator Jan Rindfleisch aims for thought-provoking shows that conceptualize art in relation to ideas and cultural developments. Shows include "Art of the Refugee Experience," "Drawing From Experience: Artists Over 50," and a contemporary painting show called "Paintforum."<ref>{{Cite book|last1=Monaco|first1=Paul|title=Art around the Bay: a guide to art galleries and museums in the San Francisco Bay Area|last2=Davis|first2=Murwani|publisher=Trumpetvine Pr|year=1990|isbn=9780962764912|location=Cupertino, Calif.}}</ref>
=== Author === Notable artists Rindfleisch has exhibited and written about, many early in their careers, include Marjorie Eaton, Mildred Howard, Agnes Pelton,<ref>{{Cite web|date=2019-08-22|title=Awakenings: An Untold Backstory of the Agnes Pelton Renaissance {{!}} by Jan Rindfleisch|url=https://www.californiadesertart.com/awakenings-an-untold-backstory-of-the-agnes-pelton-renaissance/|access-date=2021-05-28|website=California Desert Art by Ann Japenga|language=en-US|archive-date=2021-04-14|archive-url=https://web.archive.org/web/20210414094238/https://www.californiadesertart.com/awakenings-an-untold-backstory-of-the-agnes-pelton-renaissance/|url-status=live}}</ref> Ruth Tunstall Grant,<ref name=":4">{{Cite web|date=2019|title=Creative Power: The Art and Activism of Ruth Tunstall Grant|url=http://www.gingerpressbooks.com/|access-date=2021-04-08|website=Ginger Press|archive-date=2021-12-03|archive-url=https://web.archive.org/web/20211203165537/http://gingerpressbooks.com/|url-status=live}}</ref> Mary Parks Washington, Connie Young Yu, Juana Alicia, Jean LaMarr, Paul Pei-Jen Hau, Flo Oy Wong, Consuelo Jimenez Underwood, and the Muwekma Ohlone people.<ref>{{Cite web|date=2017|title=Roots and Offshoots: Silicon Valley's Arts Community|url=http://www.gingerpressbooks.com/about/|access-date=2021-04-04|website=Ginger Press|archive-date=2021-02-27|archive-url=https://web.archive.org/web/20210227180604/http://www.gingerpressbooks.com/about/|url-status=live}}</ref><ref>{{Cite web|title=Art Science Evenings in Silicon Valley|url=https://www.scaruffi.com/leonardo/aug2017.html|access-date=2021-05-28|website=www.scaruffi.com|archive-date=2021-10-16|archive-url=https://web.archive.org/web/20211016065555/https://scaruffi.com/leonardo/aug2017.html|url-status=live}}</ref><ref>{{Cite web|date=2017-12-18|title=Literary event lineup highlights local writers, issues|url=https://www.mercurynews.com/2017/12/18/literary-event-lineup-highlights-local-writers-issues/|access-date=2021-05-28|website=The Mercury News|language=en-US|archive-date=2021-02-27|archive-url=https://web.archive.org/web/20210227003026/https://www.mercurynews.com/2017/12/18/literary-event-lineup-highlights-local-writers-issues/|url-status=live}}</ref> Rindfleisch's participation in the role of securing Agnes Pelton's legacy is documented in the Phoenix Art Museum's 2019–2021 traveling exhibition and companion monograph.<ref>{{Cite book|title=Agnes Pelton : desert transcendentalist|date=2019|others=Gilbert Vicario, Erika Doss, Michael Zakian, Elizabeth Armstrong, Susan L. Aberth, Rachel Sadvary Zebro|isbn=978-3-7774-3192-5|location=Munich, Germany|oclc=1048948103}}</ref><ref>Estersohn, Betty, Jan Rindfleisch and Deanna Bartels. "Agnes Pelton” in ''Staying Visible: The Importance of Archives'', 1981.</ref>
=== Community advocate === Rindfleisch was a founding member of the alternative, performance arts space, WORKS/San José, in 1977.<ref>{{Cite web|title=Metroactive Arts {{!}} WORKS/SJ|url=http://www.metroactive.com/papers/metro/12.19.96/works-art-9651.html|access-date=2021-05-28|website=www.metroactive.com|archive-date=2021-06-14|archive-url=https://web.archive.org/web/20210614022652/https://www.metroactive.com/papers/metro/12.19.96/works-art-9651.html|url-status=live}}</ref> In 1985 she helped established the Cupertino Arts Commission.<ref>{{Cite news|last=Burkhart|first=Dorothy|date=1987-10-30|title=Lively Display, Varying Media at De Anza Exhibit, the First Funded By Cupertino Arts Group Gifted Alumni Boost Show|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription|archive-date=2021-05-21|access-date=2021-06-01|archive-url=https://web.archive.org/web/20210521114856/https://www.mercurynews.com/archive-search/|url-status=live}}</ref> Additional civic involvement includes participating in the Getty Museum Management Institute, UC Berkeley (1989),<ref>{{Cite web|title=California Studies Conference XIX|url=https://www.irle.berkeley.edu/californiastudies/conference09.html|access-date=2021-05-28|website=www.irle.berkeley.edu|archive-date=2010-06-14|archive-url=https://web.archive.org/web/20100614192416/http://www.irle.berkeley.edu/californiastudies/conference09.html|url-status=live}}</ref> serving as a member of the California Arts Council Visual Arts Panel (1990), the Santa Clara County Arts Council (1989–1997), San José City Hall Exhibits Committee (2006–2013), and the Arts Council Silicon Valley Local Arts Grants Review Panel (2013). Rindfleisch has acted as juror for many exhibitions and arts organizations outside of her role at the Euphrat Museum including the Sanchez Art Center, WORKS/San José and Women Eco Artists Dialog.<ref name=":1" /><ref>{{Cite web|title=History/Resume|url=https://www.weadartists.org/history|access-date=2021-05-28|website=weadartists|language=en|archive-date=2021-05-18|archive-url=https://web.archive.org/web/20210518181755/https://www.weadartists.org/history|url-status=live}}</ref> Rindfleisch is a social justice advocate and early spokesperson on issues of inclusion and racism in the arts.<ref>{{Cite news|last=Rindfleisch|first=Jan|date=1986-07-20|title=Racist Message in Whitewashing Art|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription|archive-date=2021-05-21|access-date=2021-06-01|archive-url=https://web.archive.org/web/20210521114856/https://www.mercurynews.com/archive-search/|url-status=live}}</ref> She spoke on strategies of inclusion and provided frameworks to fellow arts professionals as early as 1992.<ref>{{Cite journal|last=Tromble|first=Meredith|date=1992-04-23|title=Responding to Difference: Women's Caucus for Art Conference|url=https://archive.org|journal=Artweek|volume=24| issue = 14|pages=13|via=Internet Archive}}</ref>
== Awards and recognition == Writing about Rindfleisch as a recipient of their 2014 ''Women of Influence Award'', Silicon Valley Business Journal stated:
{{Blockquote|text=Jan Rindfleisch is largely responsible for keeping art in the forefront of the community in the South Bay. As Euphrat Museum of Art's executive director from 1979–2011, she rescued, developed and expanded the organization after Proposition 13 cut its sole funding in 1978.<ref name=":influence">{{Cite web|title=Jan Rindfleisch of Euphrat Museum {{!}} Women of Influence 2014|url=https://www.bizjournals.com/sanjose/print-edition/2014/04/04/euphrat-museums-jan-rindfleisch-women-of-influence.html|access-date=2021-06-22|website=www.bizjournals.com|archive-date=2021-06-21|archive-url=https://web.archive.org/web/20210621165757/https://www.bizjournals.com/sanjose/print-edition/2014/04/04/euphrat-museums-jan-rindfleisch-women-of-influence.html|url-status=live}}</ref>}}
It continued,
{{Blockquote|text=She formed an energetic partnership between De Anza College, the museum and the community, and developed the award-winning Euphrat Arts & Schools Program that provides more than 30,000 student instruction hours annually. She curated more than 100 thought-provoking, cross-disciplinary exhibits, presented untold stories (from Angel Island to the loss of Native American languages), and has developed art exhibition programs for academic, civic, corporate and school sites.<ref name=":influence" />}}
Presenting ''The Civic Service Award in Cultural Arts'' from the City of Cupertino to Rindfleisch in 1988, Councilmember Phil N. Johnson stated, "Jan has helped to bring our fine arts programs to one of the highest levels you can achieve..."<ref>{{Citation|last=Cupertino CityChannel|title=Cupertino Civic Service Awards 1988|date=2017-07-15|url=http://archive.org/details/Cupertino_Civic_Service_Awards_1988|language=English|access-date=2021-05-28}}</ref>
Rindfleisch has also received the following: Arts Council Silicon Valley's Arts & Business Arts Leadership Award; Santa Clara County Woman of Achievement (1989),<ref>{{Cite news|date=1989-05-11|title=11 Receive Awards in S.J. as Women of Achievement|work=San Jose Mercury News|url=https://www.mercurynews.com/archive-search/|url-access=subscription|archive-date=2021-05-21|access-date=2021-06-01|archive-url=https://web.archive.org/web/20210521114856/https://www.mercurynews.com/archive-search/|url-status=live}}</ref> Sunnyvale Chamber of Commerce Leadership Vision Award in the Arts (1993), and the Asian Heritage Council Arts Award (1988).<ref>{{Cite web|title=Ginger Press - About|url=http://www.gingerpressbooks.com/about/|access-date=2021-06-07|website=www.gingerpressbooks.com|archive-date=2021-02-27|archive-url=https://web.archive.org/web/20210227180604/http://www.gingerpressbooks.com/about/|url-status=live}}</ref><ref>{{Cite journal|date=1992-11-05|title=Triton's Rivera Recognized|url=https://archive.org|journal=Artweek|volume=23| issue = 27|pages=3|via=Internet Archive}}</ref>
== Selected publications ==
* ''Staying Visible, The Importance of Archives.'' Introductory essay, Jan Rindfleisch, produced in conjunction with Euphrat Museum of Art. 1981.<ref name=":2">{{Cite web|title=Publications|url=http://www.deanza.edu/euphrat/publications.html|access-date=2021-05-28|website=Euphrat Museum|language=en|archive-date=2021-11-28|archive-url=https://web.archive.org/web/20211128024211/https://www.deanza.edu/euphrat/publications.html|url-status=dead}}</ref><ref>{{Cite book|last=Chiarmonte|first=Paula L|title=Women artists in the United States: a selective bibliography and resource guide on the fine and decorative arts, 1750–1986|publisher=G.K. Hall|year=1990|isbn=0-8161-8917-X|location=Boston, Mass|pages=214}}</ref><ref>{{Cite book|last=Lippard|first=Lucy R|title=Mixed Blessings : New art in a multicultural America|publisher=Pantheon|year=1990|isbn=9780679729662|location=New York|pages=269}}</ref><ref>{{Cite book|last=Galpin|first=Amy|title=Behold, America! : Art of the United States from Three San Diego Museums|publisher=San Diego Museum of Art|year=2012|isbn=9780937108499|location=San Diego, California}}</ref> *"Computers and Art," in ''CADRE 84'''''.''' Marcia Chamberlain, ed. San Jose State University Art Department, San Jose, California. 1983.<ref>{{Cite book|last=Chamberlain|first=Marcia|title=CADRE 84|publisher=San Jose State University Art Department|year=1984|location=San Jose, California|pages=5–13}}</ref> * ''Content Art, Contemporary Issues.'' Rindfleisch, Jan, curator Cupertino, CA: Euphrat Gallery, De Anza College, 1985.<ref name=":2" /> *''The First San Jose Biennial'', San Jose Museum of Art. San Jose, California, 1986. {{ISBN|0938175009}}<ref>{{Cite book|last=Rindfleisch|first=Jan|title=The First San Jose Biennial|publisher=San Jose Museum of Art|year=1986|isbn=0938175-00-9|location=San Jose, California|pages=2–10}}</ref> *"Women, Politics and Quilts" in ''Beyond Power: A Celebration''. Southern Exposure Gallery, San Francisco, California. 1987.<ref>{{Cite book|last=Women's Caucus for Art|first=Southern Exposure Gallery|title=Beyond Power: A Celebration|publisher=Southern Exposure Gallery|year=1987|location=San Francisco, California|pages=19}}</ref> *"Symbolic Rituals" in ''Irregular Gazette.'' San Jose State University Art Department, San Jose, California. Fall 1987.<ref>{{Cite news|last=Rindfleisch|first=Jan|date=1987|title=Symbolic Rituals|work=Irregular Gazette}}</ref> *''Art of the Refugee Experience''. Rindfleisch, Jan, Cupertino, CA: Euphrat Gallery, 1988.<ref name=":2" /> * ''Coming Across: Art by Recent Immigrants.'' Rindfleisch, Jan, ed. Cupertino, CA: Euphrat Museum of Art, 1994. {{ISBN|1886215006}}<ref name=":2" /> * ''HEARTWORK: Creating Something Together'', Collaborating organizations included Artship Foundation, Augustino Dance Theater, and Indian Canyon Ranch/Costanoan Indian Research, Inc. Produced and edited by Jan Rindfleisch. Curators: Jan Rindfleisch with Diana Argabrite and Slobodan Dan Paich. 1996.<ref name=":2" /> * ''Roots and Offshoots: Silicon Valley's Arts Community'', Rindfleisch, Jan; Maribel Alvarez; Raj Jayadev, edited by Nancy Hom and Ann Sherman, Santa Clara, CA: Ginger Press, 2017. {{ISBN|9780998308401}}<ref name=":3">{{Cite web|title=Jan Rindfleisch author search|url=https://www.bolerium.com/advSearchResults.php?action=search&orderBy=relevance&category_id=0&keywordsField=jan+rindfleisch|access-date=2021-04-08|website=Bolerium Books}}</ref> * ''Creative Power: the Art and Activism of Ruth Tunstall Grant'', Jan Rindfleisch with Barbara Goldstein, essay by Lizzetta Lefalle-Collins, Santa Clara, CA: Ginger Press, 2019. {{ISBN|9780998308425}}<ref name=":3" /> *''The Art of Jean La Marr'', Essay by Ann M. Wolfe. Contributions from Allan L. Edmunds, Mary Lee Fulkerson, Debra Harry, PhD., Archana Hortsing, Lucy R. Lippard, Susan Lobo, Ph.D., Judith Lowry, Malcolm Margolin, Vincent Medina, Anya Montiel, Ph.D., Raymond Patlan, Jan Rindfleisch. Reno, Nevada: Nevada Museum of Art, 2020. {{ISBN|978-0-9658115-6-9}}.<ref>{{Cite web|title=The Art of Jean LaMarr|url=https://shop.nevadaart.org/products/jean-lamarr|access-date=2021-11-05|website=Nevada Museum of Art|language=en|archive-date=2021-11-05|archive-url=https://web.archive.org/web/20211105202850/https://shop.nevadaart.org/products/jean-lamarr|url-status=live}}</ref> *"Staying Visible: How a Small-Town Couple Boosted Agnes Pelton’s Star" in ''California Desert Art'', Japenga, Ann, ed. California, 2022.<ref>{{Cite web |date=2022-05-29 |title=Staying Visible: How a Small-Town Couple Boosted Agnes Pelton's Star {{!}} by Jan Rindfleisch |url=https://www.californiadesertart.com/staying-visible-how-a-small-town-couple-boosted-agnes-peltons-star/ |access-date=2022-05-30 |website=California Desert Art by Ann Japenga |language=en-US |archive-date=2022-05-29 |archive-url=https://web.archive.org/web/20220529214630/https://www.californiadesertart.com/staying-visible-how-a-small-town-couple-boosted-agnes-peltons-star/ |url-status=live }}</ref> *"From a Thrift Store to the Whitney—Making the Ignored Visible" in ''Entanglements: A curated collection of contemporary culture'', Wylde, Nanette, ed., CA: Hunger Button Books, 2022. {{ISBN|978-1-936083-20-6}}<ref>{{Cite web |title=Entanglements – a curated collection of contemporary culture |url=https://entanglements.preneo.org/ |access-date=2022-11-07 |language=en-US |archive-date=2022-11-07 |archive-url=https://web.archive.org/web/20221107215619/https://entanglements.preneo.org/ |url-status=live }}</ref> *''Building Together'', Rindfleisch, Jan; with Ann Sherman, Nancy Hom, and essay by Karen Tseng. Santa Clara, CA: Ginger Press, 2024. {{ISBN|979-8-218-98755-8}}<ref>{{Cite book |last1=Rindfleisch |first1=Jan |title=Building together |last2=Sherman |first2=Ann Elliott |date=2025 |publisher=Ginger Press |isbn=979-8-218-98755-8 |location=Santa Clara}}</ref>
== Archives == Rindfleisch's archives are held in part at the Martin Luther King Jr. Library at San Jose State University.
== References == <references />
== External links ==
* {{YouTube|id=6VZqZ0V2tbE|title=Jan Rindfleisch at a Stanford LASER}}, video (18:42 minutes) *[https://www.whirligig.hungerbutton.org/2017/jan-rindfleisch/ Interview with Jan Rindfleisch] {{Webarchive|url=https://web.archive.org/web/20210512144419/https://www.whirligig.hungerbutton.org/2017/jan-rindfleisch/ |date=2021-05-12 }} *[http://janrindfleisch.com Official Website]
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{{DEFAULTSORT:Rindfleisch, Jan}} Category:1942 births Category:2025 deaths Category:20th-century American women artists Category:21st-century American historians Category:21st-century American women artists Category:21st-century American women writers Category:American art curators Category:American art historians Category:American feminist artists Category:American women art historians Category:American women curators Category:American women museum directors Category:Artists from the San Francisco Bay Area Category:Artists from San Jose, California Category:Purdue University alumni Category:San Jose State University alumni