Huang Jianxin (born 14 June 1954) is a Chinese filmmaker. He also writes film scripts under the pen nameHuang Xin. He is normally considered part of the fifth generation of Chinese filmmakers (a group that includes Chen Kaige, Zhang Yimou and Tian Zhuangzhuang),[1] due to shared traits in his works, although he was not a strictly a member of the inaugural 1982 class of the Beijing Film Academy.[2] Additionally, Huang's films are distinguished from his contemporaries in that they focused on urban contemporary life, as contrasted to historical dramas,[1] as well as for their satirical observations of the Chinese bureaucracy.
Also known as The Stand-In. The film's protagonist, a robotics engineer who has become a manager, creates a robot in his own likeness to handle tedious tasks for him.[4] The robot becomes curious about the world and enjoys the power of being a bureaucrat.[4] It threatens to replace the protagonist, who must end the experiment.[4]
^Pickowicz, Paul G. (1994). "Huang Jianxin and the Notion of Postsocialism" in New Chinese Cinemas: Forms, Identities, and Politics. Cambridge University Press, p. 54. ISBN 0-521-44877-8. Google Book Search. Retrieved 2008-09-05.
^Zhang, Yingjin & Xiao, Zhiwei (1998). "The Fifth Generation" in Encyclopedia of Chinese Film. Taylor & Francis, p. 164. ISBN 0-415-15168-6.
^Wang, Xin (2025). "Machine Envy". Machine Decision Is Not Final: China and the History and Future of Artificial Intelligence. Bratton, Benjamin; Greenspan, Anna; Ireland, Amy; Konior, Bogna (eds.). Urbanomic, MIT Press. ISBN 9781913029999.
^Lin Li (27 August 2025). "在峨眉山取景 电影《罗目的黄昏》入围釜山国际电影节主竞赛单" [The film "Twilight of Luomu" shot at Mount Emei was shortlisted for the main competition unit of the Busan International Film Festival] (in Chinese). Sichuan Economic Daily. Retrieved 7 September 2025.