{{short description|American curator of contemporary art (born 1966)}} '''Helen Anne Molesworth''' (born 1966 in Chickasaw, Alabama) is an American curator of contemporary art based in Los Angeles. From 2014 to 2018, she was the Chief Curator at The Museum of Contemporary Art (MOCA) in Los Angeles.<ref>{{Cite web|last=Cascone|first=Sarah|date=2014-05-30|title=Helen Molesworth Hired as Chief Curator of LA MOCA|url=https://news.artnet.com/art-world/helen-molesworth-hired-as-chief-curator-of-la-moca-30461|access-date=2021-09-30|website=Artnet News|language=en-US}}</ref>
==Early life and education== Raised in Flushing, Queens, and Forest Hills, Queens, by a textile artist mother, who worked in the menswear industry, and an English professor father, who taught at Queens College, Molesworth graduated from Stuyvesant High School.<ref>Robin Pogrebin (25 January 2023), [https://www.nytimes.com/2023/01/25/arts/design/helen-molesworth-curator.html A Curator Unbound: First She Was Fired. Then She Found Freedom] ''New York Times''.</ref>
After graduating from the State University of New York at Albany, Molesworth entered the Whitney Museum’s Independent Study Program.<ref>Robin Pogrebin (25 January 2023), [https://www.nytimes.com/2023/01/25/arts/design/helen-molesworth-curator.html A Curator Unbound: First She Was Fired. Then She Found Freedom] ''New York Times''.</ref> In 1997, she earned a Ph.D. in Art History from Cornell University.<ref>{{cite web | url=https://artdaily.cc/news/18057/Helen-Molesworth-Appointed-Curator-of-Contemporary-Art#.Y1zZvOzMLAM | title=Helen Molesworth Appointed Curator of Contemporary Art }}</ref><ref>[https://www.nytimes.com/2006/08/13/fashion/weddings/13mole.html Helen Anne Molesworth and Susan Dackerman] ''New York Times'', 13 August 2006.</ref>
==Career== ===Early career=== As head of the Department of Modern and Contemporary Art at the Harvard University Art Museums, she presented an exhibition of photographs by Moyra Davey and ''ACT UP NY: Activism, Art, and the AIDS Crisis 1987–1993''. While Curator of Contemporary Art at the Baltimore Museum of Art from 2000 to 2002, she arranged ''Work Ethic'', which traced the problem of artistic labor in post-1960s art. From 2002 to 2007 she was the Chief Curator of Exhibitions at the Wexner Center for the Arts where she organized the first U.S. retrospectives of Louise Lawler and Luc Tuymans, as well as ''Part Object Part Sculpture'', which examined the influence of Marcel Duchamp's erotic objects.
===ICA Boston, 2010–2014=== From 2010 to 2014 Molesworth was the Barbara Lee Chief Curator at the Institute of Contemporary Art (ICA) Boston, where she assembled one person exhibitions of artists Steve Locke, Catherine Opie, Josiah McElheny, and Amy Sillman, and the group exhibitions ''Leap Before You Look: Black Mountain College 1933–1957'',<ref>{{Cite web|title=Richard Deming on "Leap Before You Look: Black Mountain College 1933–1957"|url=https://www.artforum.com/print/reviews/201603/leap-before-you-look-black-mountain-college-1933-1957-58117|access-date=2021-09-30|website=www.artforum.com|date=March 2016 |language=en-US}}</ref> ''Dance/Draw'',<ref>{{Cite web|title="Dance/Draw" at ICA - Institute of Contemporary Art, Boston|url=https://www.artforum.com/picks/dance-draw-29756|access-date=2021-09-30|website=www.artforum.com|date=13 December 2011 |language=en-US}}</ref> and ''This Will Have Been: Art, Love & Politics in the 1980s''.<ref>{{Cite book|last1=Molesworth|first1=Helen|title=This will have been: art, love & politics in the 1980s|last2=Burton|first2=Johanna|last3=Grace|first3=Claire, Museum of Contemporary Art (Chicago, Ill.), Institute of Contemporary Art (Boston, Mass.), Walker Art Center|date=2012|publisher=Museum of Contemporary Art Chicago |isbn=978-0-300-18110-4|language=English|oclc=759174324}}</ref>
===MOCA LA, 2014–2018=== Molesworth was the Chief Curator at The Museum of Contemporary Art (MOCA), Los Angeles, 2014–2018.<ref>{{Cite web|last=Cascone|first=Sarah|date=2014-05-30|title=Helen Molesworth Hired as Chief Curator of LA MOCA|url=https://news.artnet.com/art-world/helen-molesworth-hired-as-chief-curator-of-la-moca-30461|access-date=2021-09-30|website=Artnet News|language=en-US}}</ref> After her arrival in Los Angeles in 2014 she reinstalled MOCA's permanent collection galleries, co-organized a survey exhibition of Kerry James Marshall that traveled to Chicago, New York, and Los Angeles, organized Anna Maria Maiolino’s first US retrospective, and forged a partnership between MOCA and The Underground Museum.<ref>{{Cite web|date=2015-07-20|title=An unassuming storefront. A major museum. A collaboration that takes museum art to the people of L.A.|url=https://www.latimes.com/entertainment/arts/miranda/la-et-cam-underground-museum-noah-davis-showcases-works-from-mocas-collection-20150717-column.html|access-date=2021-09-30|website=Los Angeles Times|language=en-US}}</ref> Her final exhibition at MOCA was a 2018 exhibition ''One Day at a Time: Manny Farber and Termite Art'', which traced the legacy of Farber's "termite art" ideology on a wide range of contemporary artists, including many from Molesworth's own curatorial history.<ref>{{Cite web|last=Almino|first=Elisa Wouk|date=2018-11-14|title=Helen Molesworth's Last MOCA Exhibition Is an Act of Love|url=http://hyperallergic.com/471079/one-day-at-a-time-manny-farber-and-termite-art-helen-molesworth-moca-la/|access-date=2021-09-30|website=Hyperallergic|language=en-US}}</ref>
In March 2018, Molesworth was abruptly fired from MOCA, due to what the museum called "creative differences."<ref>{{Cite web|date=2018-03-13|title=MOCA fires its chief curator|url=https://www.latimes.com/entertainment/arts/la-et-cm-moca-fires-molesworth-vergne-20180313-story.html|access-date=2021-09-30|website=Los Angeles Times|language=en-US}}</ref> Catherine Opie, a MOCA board member, reported that museum director Philippe Vergne had said he fired Molesworth for "undermining the museum."<ref>{{Cite web|date=2018-03-13|title=MOCA fires its chief curator|url=https://www.latimes.com/entertainment/arts/la-et-cm-moca-fires-molesworth-vergne-20180313-story.html|access-date=2021-09-30|website=Los Angeles Times|language=en-US}}</ref> Molesworth has long spoken publicly about the lack of diversity and equity in art institutions and the difficulties she has encountered in mounting exhibitions by non-male artists and artists of color—in a lecture to the UCLA Design Media Arts department on January 18, 2018, she said: “I don’t think there’s any way for MOCA to not be a white space. Not gonna happen. The DNA is ''too deep''. We don’t have anyone of color on our board. Let’s start right there.”<ref>{{Cite web|last=Douglas|first=Sarah|date=2018-03-21|title=Prior to Her Firing, Curator Helen Molesworth Made Public Statements Critical of Museum Practices, MOCA|url=https://www.artnews.com/art-news/news/prior-firing-curator-helen-molesworth-made-public-statements-critical-museum-practices-moca-10009/|access-date=2021-09-30|website=ARTnews.com|language=en-US}}</ref> In a 2019 ''Cultured Magazine'' article by Sarah Thornton, Moleswoth said of the incident: “It was a total debacle."<ref>{{Cite web|url=https://www.culturedmag.com/helen-molesworth-curator/|title=Curator Helen Molesworth Returns to the Stage With Something to Say|date=2019-02-12|website=Cultured Magazine|language=en-US|access-date=2019-03-17}}</ref>
===Recent career=== From 2019 to 2021, Molesworth was the curator-in-residence at Anderson Ranch Arts Center in Colorado.<ref>{{Cite web|last=|first=|date=2019-02-26|title=ANDERSON RANCH ARTS CENTER NAMES HELEN MOLESWORTH AS NEW CURATOR-IN-RESIDENCE|url=https://www.andersonranch.org/blog/anderson-ranch-arts-center-names-helen-molesworth-as-new-curator-in-residence/|access-date=|website=Anderson Ranch Arts Center|language=en}}</ref>
Molesworth has organized shows about the artists Noah Davis in 2020 and Ruth Asawa in 2021 at David Zwirner Gallery.<ref>Robin Pogrebin (25 January 2023), [https://www.nytimes.com/2023/01/25/arts/design/helen-molesworth-curator.html A Curator Unbound: First She Was Fired. Then She Found Freedom] ''New York Times''.</ref> Also in 2021, she curated the exhibition "Feedback" at the Jack Shainman Gallery's The School space in Kinderhook, housed in a former high school. The 21-artist show examined the history taught in American schools through the issues left insufficiently addressed in educational curricula, most notably race, and continues Molesworth's critique of institutional spaces and power structures.<ref>{{Cite news|last=Heinrich|first=Will|date=2021-08-12|title=Teaching a New Inclusiveness at The School|language=en-US|work=The New York Times|url=https://www.nytimes.com/2021/08/12/arts/design/feedback-review.html|access-date=2021-09-30|issn=0362-4331}}</ref>
In 2022, Molesworth was awarded the Clark Prize for Excellence in Arts Writing alongside Hilton Als by the Clark Art Institute.<ref>{{Cite web|title=Clark Institute Names Helen Molesworth and Hilton Als as Recipients of 2022 Clark Prize for Excellence in Arts Writing|language=en-US|work=The Clark|url=https://www.clarkart.edu/About/Press-Room/Press-Room-Archives/2022-Archives/Clark-Prize-2022|access-date=2024-03-28}}</ref> There were two winners that year, the most in a single year since the prize's founding, due to the societal shutdown caused by the COVID-19 pandemic.
In 2023, Molesworth curated "Face to Face: Portraits of Artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie" at the International Center of Photography, which focused on intimate portrait photography of various cultural figures by the three artists.<ref>{{Cite web|title=Face to Face: Portraits of Artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie|date=31 October 2022 |url=https://www.icp.org/exhibitions/face-to-face-portraits-of-artists-by-tacita-dean-brigitte-lacombe-and-catherine-opie|access-date=2024-04-02}}</ref> Later that same year, a collection of her essays, ''Open Questions: Thirty Years of Writing about Art'', curated from various exhibition catalogues and publications such as Artforum, was published by Phaidon Press.<ref>{{Cite web|title=Open Questions: Thirty Years of Writing about Art|url=https://www.phaidon.com/store/art/open-questions-thirty-years-of-writing-about-art-9781838666057/|access-date=2024-03-28}}</ref>
==Other activities== Molesworth is the author of numerous catalogue essays and her writing has appeared in publications such as ''Artforum'', ''Art Journal'', ''Documents'', and ''October''. The recipient of the Bard Center for Curatorial Studies’s 2011 Audrey Irmas Award for Curatorial Excellence, she is currently at work on a book about "what art does."
Molesworth was a jury member for the College Art Association’s Distinguished Artist Award for Lifetime Achievement (2012),<ref>[https://www.collegeart.org/programs/awards/lifetime Distinguished Artist Award for Lifetime Achievement] College Art Association.</ref> The New School’s Vera List Prize for Art and Politics (2014),<ref>[https://www.newschool.edu/pressroom/pressreleases/2014/VLC2014.htm Syrian cinema collective Abounaddara awarded 2014 Vera List Center Prize for Art and Politic] The New School, press release of 28 October 2014.</ref> the Prix Canson (2016),<ref>[https://drawingcenter.org/exhibitions/prix-canson-2016 Prix Canson 2016, June 22–July 1, 2016] Drawing Center.</ref> the Suzanne Deal Booth / FLAG Art Foundation Prize (2018),<ref>Robin Pogrebin (2 May 2018), [https://www.nytimes.com/2018/05/02/arts/design/flag-art-foundation-contemporary-austin-art-prize.html Collectors Join Forces to Create $800,000 Art Prize] ''New York Times''.</ref> and the PinchukArtCentre’s Future Generation Art Prize (2018).<ref>[https://futuregenerationartprize.org/news/2018-05-29 PinchukArtCentre announces the jury for the 5th edition of the Future Generation Art Prize] {{Webarchive|url=https://web.archive.org/web/20230129130701/https://futuregenerationartprize.org/news/2018-05-29 |date=2023-01-29 }} Future Generation Art Prize, press release of 29 May 2018.</ref> In 2016, she was a member of the jury which selected Njideka Akunyili Crosby as recipient of the Prix Canson.<ref>Andrew Russeth (22 June 2016), [https://www.artnews.com/art-news/news/njideka-akunyili-crosby-wins-2016-prix-canson-6556/ Njideka Akunyili Crosby Wins 2016 Prix Canson] ''ARTnews''.</ref>
Molesworth was the commencement speaker for the UCLA School of the Arts and Architecture in June 2018.<ref>{{Cite web|url=http://arts.ucla.edu/|title=UCLA Arts: School of the Arts and Architecture|website=UCLA Arts: School of the Arts and Architecture|language=en|access-date=2019-04-20}}</ref> In 2022, she hosted the six-part podcast, Death of an Artist, about the death of Cuban-American artist Ana Mendieta, wife of Carl Andre;<ref>{{cite web | url=https://www.vanityfair.com/style/2022/08/death-of-an-artist-podcast-trailer-interview | title=The Tragic Story of Ana Mendieta is Uncovered in Death of an Artist | website=Vanity Fair | date=29 August 2022 }}</ref> the series made several “best of 2022” lists, including those of ''The Economist'' and ''The Atlantic''.<ref>Robin Pogrebin (25 January 2023), [https://www.nytimes.com/2023/01/25/arts/design/helen-molesworth-curator.html A Curator Unbound: First She Was Fired. Then She Found Freedom] ''New York Times''.</ref> She has since interviewed artists and thinkers for David Zwirner Gallery's “Dialogues” podcast. She also leads art conversations as the host of the gallery's video series “Program”.<ref>Robin Pogrebin (25 January 2023), [https://www.nytimes.com/2023/01/25/arts/design/helen-molesworth-curator.html A Curator Unbound: First She Was Fired. Then She Found Freedom] ''New York Times''.</ref>
==Personal life== On August 13, 2006, Molesworth married her wife, art historian, Susan Dackerman in Cambridge, Massachusetts.<ref>{{Cite news |date=2006-08-13 |title=Helen Anne Molesworth and Susan Dackerman |url=https://www.nytimes.com/2006/08/13/fashion/weddings/13mole.html |access-date=2024-02-21 |work=The New York Times |language=en-US |issn=0362-4331}}</ref>
==Selected exhibitions== *''Kerry James Marshall: Mastry.'' 2016, Museum of Contemporary Art in Chicago; 2016–2017, Met Breuer; 2017, Museum of Contemporary Art Los Angeles.<ref name="Observer">{{cite news|last1=Steadman|first1=Ryan|title=One of the Great American Artists Gets an American Retrospective|url=http://observer.com/2016/02/black-power-kerry-james-marshall-prepares-for-major-3-city-retrospective/|access-date=10 April 2016|date=February 2, 2016}}</ref> *''Leap Before You Look: Black Mountain College 1933–1957.'' 2015–2016, Institute of Contemporary Art, Boston; 2016, Hammer Museum. Curated by Helen Molesworth with Ruth Erickson. The Hammer Museum's presentation organized by Anne Ellegood with MacKenzie Stevens and January Parkos Arnall. *''MOCA: The Art of Our Time.'' 2015, Museum of Contemporary Art Los Angeles.<ref name="LA Time">{{cite news|last1=Miranda|first1=Carolina A|title=9 ways in which Helen Molesworth's permanent collection show at MOCA is upending the story of art|url=http://www.latimes.com/entertainment/arts/miranda/la-et-cam-tour-of-moca-permanent-collection-helen-molesworth-20160107-htmlstory.html|archive-url=https://web.archive.org/web/20160109184629/http://www.latimes.com/entertainment/arts/miranda/la-et-cam-tour-of-moca-permanent-collection-helen-molesworth-20160107-htmlstory.html|url-status=dead|archive-date=January 9, 2016|access-date=10 April 2016|agency=Los Angeles Times|date=January 8, 2016}}</ref> *''Amy Sillman: One Lump or Two.'' 2013–2014, Institute of Contemporary Art, Boston. *''This Will Have Been: Art, Love & Politics in the 1980s.'' 2012, Museum of Contemporary Art, Chicago. Helen Molesworth guest curator.<ref name="Art21">{{cite news|last1=Westin|first1=Monica|title=The MCA's "This Will Have Been" and the Subjectivity of History|url=http://blog.art21.org/2012/02/16/the-mcas-this-will-have-been-and-the-subjectivity-of-history/#.VwrIZDYrJmB|access-date=10 April 2016|agency=Art21|date=February 16, 2012}}</ref> *''Catherine Opie: Empty and Full.'' 2011, Institute of Contemporary Art, Boston. *''Luc Tuymans.'' 2009, Wexner Center for the Arts; 2010, Dallas Museum of Art; 2010–2011, Museum of Contemporary Art in Chicago. Curated by Madeleine Grynsztejn and Helen Molesworth<ref>{{cite web|title=SFMOMA AND WEXNER CENTER TO PRESENT FIRST U.S. RETROSPECTIVE OF THE WORK OF LUC TUYMANS|url=https://www.sfmoma.org/press/release/sfmoma-and-wexner-center-to-present-first-us-retr/|website=SF MoMA|access-date=10 April 2016}}</ref>
==Selected publications== *''Open Questions: Thirty Years of Writing about Art'' (Donna Wingate, editor.) London: Phaidon, 2023. ISBN 978–1838666057 *DEATH OF AN ARTIST. A podcast in conjunction with Pushkin Industries and Somethin' else and Sony evaluating the significance of women and non-white persons in modern art through the life and tragic death of artist Ana Mendieta. *''One Day at a Time: Manny Farber and Termite Art'', Molesworth, Helen. Prestel, 2018.<ref>{{Cite book|title=ONE DAY AT A TIME: manny farber and termite art.|last=MOLESWORTH|first=HELEN|date=2018|publisher=PRESTEL ART|isbn=978-3791357669|location=S.l.|oclc = 1020312076|language=en}}</ref> ISBN 978–3791357669 *''Duchamp—By Hand, Even'', Molesworth, Helen. Wien Verlag für moderne Kunst, 2017.<ref>{{Cite book|title=Helen Molesworth Duchamp: By hand, even|last1=Molesworth|first1=Helen|last2=Banz|first2=Stefan|last3=Edition KMD|date=2017|publisher=Verlag für Moderne Kunst |isbn=9783903153981|oclc = 1008599377|language=en}}</ref> ISBN 978–3903153981 *''Leap Before you Look : Black Mountain College, 1933–1957'', Molesworth, Helen. Boston: Institute of Contemporary Art in association with Yale University Press, 2015.<ref>{{Cite book|title=Leap before you look: Black Mountain College, 1933-1957|last1=Molesworth|first1=Helen Anne|last2=Erickson|first2=Ruth|date=2016|publisher=Institute of contemporary art in association with Yale University press(IS) Institute of contemporary art; Yale University press.|isbn=9780300211917|location=Boston; Boston, Mass.; New Haven, Conn.; London|oclc = 982274467|language=en}}</ref> ISBN 9780300211917 *Molesworth, Helen. "How to Install Art as a Feminist." ''[https://www.moma.org/explore/publications/modern_women/book Modern Women: Women Artists at The Museum of Modern Art].'' Ed. Connie Butler, Ed. Alexandra Schwartz. Published by The Museum of Modern Art, New York. 2014.<ref>{{Cite book|url=https://archive.org/details/modernwomenwomen0000unse|title=Modern women: women artists at the Museum of Modern Art|last1=Butler|first1=Cornelia H|last2=Schwartz|first2=Alexandra|date=2010|publisher=Museum of Modern Art : Distributed in the U.S. and Canada by D.A.P./Distributed Art Publishers|isbn=9780870707711|location=New York|language=en|url-access=registration}}</ref> *''Amy Sillman: One Lump or Two'', Molesworth, Helen. New York: DelMonico Books Prestel, 2013.<ref>{{Cite book|title=Amy Sillman: one lump or two|last=Molesworth|first=Helen|date=2013|publisher=DelMonico Books (Prestel)|location=New York|oclc = 950233366}}</ref> *''Louise Lawler'', Molesworth, Helen. Cambridge, Massachusetts: MIT Press, 2013.<ref>{{Cite book|title=Louise Lawler|last=Molesworth|first=Helen|date=2013|publisher=MIT Press|isbn=9780262018814|location=Cambridge, Massachusetts|oclc = 858000815|language=en}}</ref> ISBN 978–0262518352 *''Klara Lidén Bodies of Society'', Molesworth, Helen. New York: New Museum, 2012.<ref>{{Cite book|title=Klara Lidén bodies of society|last1=Molesworth|first1=Helen|last2=Gioni|first2=Massimiliano|last3=Moore|first3=Jenny|last4=Rist|first4=Pipilotti|last5=New Museum of Contemporary Art (New York|first5=N.Y.)|date=2012|publisher=New Museum|isbn=9780985448523|location=New York, N.Y|oclc = 901443271|language=en}}</ref> *''This Will Have Been: Art, Love & Politics in the 1980s'', Molesworth, Helen. Chicago: Museum of Contemporary Art Chicago; New Haven: Yale University Press, 2012.<ref>{{Cite book|url=https://archive.org/details/thiswillhavebeen0000mole|title=This will have been: art, love, & politics in the 1980s|last1=Molesworth|first1=Helen Anne|last2=Ward|first2=Frazer|last3=Mercer|first3=Kobena|last4=Burton|first4=Johanna|last5=Lebovici|first5=Elisabeth|last6=Horrigan|first6=Bill|last7=Schulman|first7=Sarah|date=2012|publisher=Museum of Contemporary Art Chicago; Yale University Press|isbn=9780300181104|location=Chicago; London; New Haven (Conn.)|language=en|url-access=registration}}</ref> * ''Catherine Opie: Empty and Full'', Molesworth, Helen, ed. Stuttgart: Hatje Cantz, 2011.<ref>{{Cite book|title=Empty and full|last=Opie|first=Catherine|date=2011|publisher=Hatje Cantz Verl|isbn=9783775730150|location=Ostfildern|oclc = 741701119|language=en}}</ref> * ''Dance/Draw: The Institute of Contemporary Art Boston'', Molesworth, Helen. Ostfildern: Hatje Cantz, 2011.<ref>{{Cite book|title=Dance/Draw: the Institute of Contemporary Art Boston|last=Molesworth|first=Helen|date=2011|publisher=Hatje Cantz|isbn=9783775731638|location=Ostfildern|oclc = 972017383|language=en}}</ref> * ''Luc Tuymans'' exh. cat. Palais des beaux-arts de Bruxelles, 18 février-8 mai 2011, Molesworth, Helen. Bruxelles: Ludion, DL 2011.<ref>{{Cite book|title=Luc Tuymans [exposition, Palais des beaux-arts de Bruxelles, 18 février-8 mai 2011|last1=Molesworth|first1=Helen|last2=Grynsztein|first2=Madeleine|last3=Palais des beaux-arts (Bruxelles)|date=2011|publisher=Ludion|isbn=9789055447725|location=Bruxelles|oclc = 758373350|language=fr}}</ref> *''Part Object Part Sculpture'', Molesworth, Helen, ed., Penn State Press, 2005.<ref>{{Cite book|title=Part object, part sculpture|last1=Molesworth|first1=Helen|last2=Wexner Center for the Arts (Columbus|first2=OH)|date=2005|publisher=Wexner Center for the Arts, The Ohio State University; Pennsylvania State University Press|isbn=0271028556|location=Columbus, OH; University Park, PA|oclc = 907144433|language=en}}</ref> *''Body Space'', Molesworth, Helen. Baltimore Museum of Art, 2001.<ref>{{Cite book|title=Bodyspace|last1=Molesworth|first1=Helen|last2=Baltimore Museum of Art|date=2001|publisher=Baltimore Museum of Art|location=Baltimore|oclc = 272520549|language=en}}</ref> *''Work Ethic'', Molesworth, Helen. Baltimore Museum of Art, 2003.<ref>{{Cite book|title=Work ethic|last1=Molesworth|first1=Helen|last2=Alexander|first2=M. Darsie|last3=Bryan-Wilson|first3=Julia|last4=Baltimore Museum of Art|date=2003|publisher=Baltimore Museum of Art [etc|isbn=0271023341|location=Baltimore [etc|oclc = 932548046|language=en}}</ref>
==References== {{reflist}}
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{{DEFAULTSORT:Molesworth, Helen}} Category:American art historians Category:American art curators Category:American women curators Category:American feminists Category:Cornell University alumni Category:Living people Category:American women art historians Category:People from Mobile County, Alabama Category:Writers from Mobile County, Alabama Category:21st-century American historians Category:21st-century American women writers Category:1966 births Category:University at Albany alumni Category:People associated with MOCA LA