Haila Stoddard

{{short description|American dramatist}} {{Use American English|date=March 2026}} {{Use mdy dates|date=March 2026}} {{Infobox person | name = Haila Stoddard | image = Haila Stoddard 1954.JPG | caption =Stoddard as Pauline in ''The Secret Storm'', 1954. | birth_name = | birth_date = {{Birth date|1913|11|14}} | birth_place = Great Falls, Montana, U.S. | death_date = {{Death date and age|2011|2|21|1913|11|14}} | death_place = Weston, Connecticut, U.S. | occupation = Actress, producer, writer, director | years_active = 1934–87 | spouse= {{ubl|{{marriage|William Gude|1931|1935|reason=divorce}}|{{marriage|Jack Kirkland|1938|1947|reason=divorce}}|{{marriage|Harald Bromley|1947|1954|reason=divorce}}|{{marriage|Whitfield Connor|1956|1988|reason=his death}}}} }}

'''Haila Stoddard''' (November 14, 1913 – February 21, 2011) was an American actress, producer, writer and director.<ref name="nytobit">Weber, Bruce (February 25, 2011). [https://www.nytimes.com/2011/02/26/arts/television/26stoddard.html?_r=1&hp Haila Stoddard, Actress and Producer, Dies at 97.] ''New York Times''; accessed April 20, 2014.</ref>

During her career as an actress, Stoddard appeared in a number of plays, movies, and television series, including sixteen years as Pauline Rysdale in ''The Secret Storm'' from 1954 to 1970. Stoddard also worked as a producer, both independently and with her production company, Bonard Productions Incorporated, which Stoddard created with Helen Bonfils in 1960.<ref name="robinson1989">''Notable Women in the American Theatre: A Biographical Dictionary'' (edited by Alice M. Robinson, Vera Mowry Roberts, and Milly S. Barranger). New York: Greenwood Press, 1989<!-- ISBN needed -->.</ref> In addition to adapting plays such as ''Come Play with Me'', and ''Men, Women, and Less Alarming Creatures'', Stoddard also wrote plays, such as ''A Round With Ring'' (1969) and ''Zellerman, Arthur'' (1979).

==Personal life== Born in Great Falls, Montana, she moved from Salt Lake City to Los Angeles with her family at the age of eight, graduating from high school in 1930, married, and graduated Phi Beta Kappa from the University of Southern California in 1934 with a Bachelor of Science degree in speech, while appearing in leading roles with the National Collegiate Players.<ref name="ireland1970">''Index to Women of the World from Ancient to Modern Times: Biographies and Portraits''. By Norma Olin Ireland. Westwood, Massachusetts: F.W. Faxon Co., 1970{{ISBN missing}}</ref>

On October 30, 1931, Stoddard married William Gude.<ref>{{cite news|title=Stoddard-Gude|url=https://www.newspapers.com/clip/80394008/marriage-of-stoddard-gude/|work=The Los Angeles Times|date=November 5, 1931}}</ref> The marriage ended in divorce in 1935.<ref>{{cite news|title=Jack Kirkland Weds Actress|url=https://www.newspapers.com/clip/24652358/the-los-angeles-times/|work=The Los Angeles Times|date=April 4, 1938}}</ref> On April 3, 1938 she married Jack Kirkland with whom she had two children. The couple were divorced September 2, 1947, and on November 8 Stoddard married director-producer Harald Bromley<ref>{{cite news |title=Haila Stoddard Parent of Four Off Stage, Also Plays a Mother in 'Frogs of Spring' |url=https://www.newspapers.com/clip/30499574/haila_stoddard/ |access-date=11 April 2019 |work=The Boston Globe |date=October 4, 1953 |location=Massachusetts, Boston |page=122|via = Newspapers.com}}</ref> with whom she had one child.

In 1953 Stoddard was hired as the leading lady for the Elitch Theatre summer stock cast and would play opposite leading man Whitfield Connor. Stoddard divorced Bromley in 1954 and on January 26, 1956, she and Connor married in New York City and the couple remained married until his death in 1988.<ref>{{Cite book|last=Borrillo|first=Theodore A.|title=Denver's historic Elitch Theatre: a nostalgic journey (a history of its times)|date=2012|publisher=[publisher not identified]|isbn=978-0-9744331-4-1|oclc=823177622}}</ref>

==Career==

===Early career=== Stoddard's first professional stage appearance was in San Francisco in 1934<ref name="opa" /> as a walk-on/under-study in a production of ''Merrily We Roll Along'', before she succeeded to the ingenue's leading role for opening night in Los Angeles.<ref name="v">{{cite news |title=Haila Stoddard, stage producer-actress, dies at 97 |url=https://variety.com/2011/legit/news/haila-stoddard-stage-producer-actress-dies-at-97-1118032792/ |access-date=11 April 2019 |work=Variety |date=February 23, 2011 |archive-url=https://archive.today/20190411210457/https://variety.com/2011/legit/news/haila-stoddard-stage-producer-actress-dies-at-97-1118032792/ |archive-date=11 April 2019 |url-status=live }}</ref> She appeared for 65 weeks in 1935-36 as the mute Pearl in the national touring company of Jack Kirkland's ''Tobacco Road''. She arrived on Broadway in 1937, succeeding Peggy Conklin in ''Yes, My Darling Daughter''.<ref name="at">{{cite book |last1=Somerset-Ward |first1=Richard |last2=Woodward |first2=Joanne |last3=Newman |first3=Paul |title=An American Theatre: The Story of Westport Country Playhouse, 1931-2005 |date=2005 |publisher=Yale University Press |isbn=978-0-300-10648-0 |page=[https://archive.org/details/americantheatres0000some/page/74 74] |url=https://archive.org/details/americantheatres0000some |url-access=registration |quote=Haila Stoddard. |access-date=11 April 2019 |language=en}}</ref> She subsequently starred in ''A Woman's a Fool – To Be Clever'', ''I Know What I Like'', and ''Kindred'' (all 1939), ''Susannah and the Elders'' (1940), ''Mr. and Mrs. North'' (1941), ''The Rivals'' (1942), ''The Moon Vine'' and ''Blithe Spirit'' (1943), ''Dream Girl'' (1945), and ''The Voice of the Turtle'' (1947). During World War II she toured the South Pacific as Lorraine Sheldon in a 1945 USO production of ''The Man Who Came to Dinner''.<ref name=opa/> She drafted a cookbook entitled ''Applause'' and produced a short-lived play called ''Dead Pigeon''. In the late 1960s she opened Carriage House Comestibles, a popular gourmet restaurant off the Boston Post Road in Westport, Connecticut.

She starred in ''Joan of Lorraine'', ''The Trial of Mary Dugan'', and ''The Voice of the Turtle'' (1947), ''Rip Van Winkle'' (1947–48), ''Goodbye, My Fancy'', and ''Her Cardboard Lover'' (1949), ''Affairs of State'' (1950), ''Springtime for Henry'' (1951), ''Twentieth Century'', ''Glad Tidings'', and ''Biography'' (1952), ten summer stock productions at Denver's Elitch Gardens Theatre, and ''The Frogs of Spring'', a revival which she co-produced with husband Harold Bromley on Broadway (1953). She took over the leading role on opening night when illness struck Constance Ford in her own Broadway production of ''One Eye Closed'', took over for Mary Anderson in ''Lunatics and Lovers'' in 1954, and directed the national touring production. She played in ''Ever Since Paradise'' (1957), ''Patate'' (1958), and ''Dark Corners'' (1964).

Stoddard and Jack Kirkland were original share-holders in the creation of the Bucks County Playhouse in 1938; she appeared there in a total of sixteen productions from 1939 to 1958, including ''The Philadelphia Story'', ''Golden Boy'', ''The Play's the Thing'', ''Petticoat Fever'', ''Our Betters'', ''Skylark'', and ''Mr. and Mrs. North''.<ref name="gale1978">''Who Was Who in the Theatre, 1912-1976: A Biographical Dictionary of Actors, Actresses, Directors, Playwrights, and Producers of the English-speaking Theatre''. Detroit: Gale Research Co., c. 1978{{ISBN missing}}</ref> During five seasons, she was the Playhouse's leading lady to leading men Walter Slezak and Louis Calhern. She produced her husband's plays ''The Clover Ring'' and ''Georgia Boy'' in Boston, and ''The Secret Room'' on Broadway (all 1945).

===''The Secret Storm'' and other television roles=== On television Stoddard played Aunt Pauline from 1954 to 1970 on CBS-TV's ''The Secret Storm.''<ref name="soe">{{cite book |last1=Schemering |first1=Christopher |title=The Soap Opera Encyclopedia |date=1985 |publisher=Ballantine Books |isbn=0-345-32459-5 |page=204}}</ref> In the early days of live dramatic television during the 1950s Stoddard appeared in over 100 teleplays in principal roles on CBS's ''Playhouse 90'', ''Studio One'', ''The Web'', ''The United States Steel Hour'', and ''Hallmark Hall of Fame'', and on NBC's ''Goodyear Playhouse'', ''Kraft Theatre'', ''The Philco Television Playhouse'', ''The Armstrong Circle Theatre'' and ''Robert Montgomery Presents''. On radio she played the Little Sister with Orson Welles on ''Big Sister'' on CBS. From 1937-39 she simultaneously played ''Stella Dallas'' and three other day-time radio serials, then called ''washboard weepers'', while appearing on stage in three different plays.

===Bonard Productions=== Stoddard was the first to bring the work of James Thurber and Harold Pinter to Broadway. ''New York Times'' drama critic Brooks Atkinson called her 1960 adaptation of ''A Thurber Carnival'' "the freshest and funniest show of the year".<ref name="atkinson1960">Atkinson, Brooks (March 6, 1960). ONE REVUE: ONE PLAY; 'Thurber Carnival' And 'Toys In the Attic', ''New York Times''.</ref> Stoddard produced ''A Thurber Carnival'', a Tony Award-winning musical, her first production on Broadway, with Colorado heiress and friend Helen Bonfils. A later production, at the Central City Opera House, featured Thurber himself, then blind, as narrator. (Their company, Bonard, took its name from the first three letters of Bonfils, and the last three letters of Stoddard).

Combining her name with Bonfils as Bonard Productions, and associating with her New York theatrical attorney Donald Seawell, she brought to Broadway productions of Noël Coward's ''Sail Away'' (1962), ''The Affair'' by C. P. Snow (1962), her own adaptation of Thurber's ''The Beast In Me'' (1963), and the Royal Shakespeare Company's ''The Hollow Crown'' (1963), which went on to tour American colleges for four months in the spring of 1964. For ''Sail Away'' she was nominated for the Tony Award for Best Producer of a Musical. In association with Kathleen and Justin Sturm she presented ''That Hat!'', her adaptation of ''The Italian Straw Hat'', in 1964. She often had to handle tensions between the conservative Bonfils and flamboyant figures in entertainment, including Coward. In 1962, Stoddard asked Andy Warhol to design costumes for Thurber's ''The Beast in Me,'' after learning of Warhol through choreographer John Butler.

With Bonfils and Davis, Stoddard produced her co-adaptation, with dancer-actress Tamara Geva, of Marcel Achard's ''Voulez vous jouer avec moi?'' as ''Come Play with Me'' starring Tom Poston and Liliane Montevecchi in 1960, and with Mark Wright and Leonard S. Field premiered Harold Pinter on Broadway in 1967 with ''The Birthday Party.'' She later offered Off-Broadway productions of Coward's ''Private Lives'' (1968), co-producing with Mark Wright and Duane Wilder; Lanford Wilson's ''Lemon Sky'' (1970) and ''The Gingham Dog'' (1971), and ''The Last Sweet Days of Isaac'', a musical by Gretchen Cryer and Nancy Ford (1970) which won three Obie awards.

With Neal Du Brock she produced ''The Survival of St. Joan'' (1971); and, with Arnold H. Levy, ''Lady Audley's Secret'' (1972) and ''Love'', based on the play by Murray Schisgal, starring Nathan Lane (1984 Outer Critics Circle Award). Pursuing her interest in young playwrights, she produced off-Broadway productions of ''Glass House'' (1981), Casey Kurtii's ''Catholic School Girls'' (1982 Drama Desk Award), ''Sweet Prince'' (1982), ''Marvelous Gray'' (1982), and John Olive's ''Clara's Play'' (1983). Bonard presented the RSC productions of ''King Lear'' and ''Comedy of Errors'' to open the Vivian Beaumont Theater at Lincoln Center in May 1964, and her London productions of ''A Thurber Carnival'' (1962) and ''Sail Away'' (1963) played the Savoy Theatre in London's West End.

Her dramatic adaptations of Thurber material include ''Life on a Limb'', and ''Men, Women, and Less Alarming Creatures'', produced with ''The Last Flower'' on Boston WGBH-TV public television in 1965. In ''A Round with Ring'' she adapted Ring Lardner works which she directed in New York for the ANTA matinee series. She also directed the national touring production of ''Lunatics and Lovers'', and she wrote original scripts entitled ''Abandoned Child'' and ''Bird on the Wing'', and co-wrote ''Dahling – A Tallulah Bankhead Musical'' with composer-lyricist Jack Lawrence.

Stoddard also served as understudy to such acclaimed actresses as Bea Lillie, Greer Garson, Betty Field, Rosalind Russell, Uta Hagen, Mercedes McCambridge, and Jessica Tandy, in various stage productions. As Russell's stand-by, she never played the part of ''Auntie Mame'' on Broadway<ref name=v/> in 1956. Russell, when feeling infirm, would request that Stoddard sit in the wings where she could see her: "So long as I can see you ... I will never let you get on that stage", Russell said, and never relinquished, once reportedly taking the stage with a 105 degree fever. Stoddard got her chance when Russell's replacement, Greer Garson, was indisposed after her first performance in the demanding part.<ref name=v/>

Stoddard succeeded Elaine Stritch as the matinee Martha for in the original 1962 Broadway production of ''Who's Afraid of Virginia Woolf?'',<ref name=v/> playing the part each Wednesday and Saturday afternoon, and standing by in her dressing room each evening until the curtain rose for the second act with Uta Hagen safely in command on stage. When Hagen left the Broadway production to open the show in London, Stoddard performed the role of Martha <!-- an unprecedented --> eight times a week<ref name=v/> until Mercedes McCambridge was ready to replace Hagen for the evening performances. She played with separate casts, opposite different actors. "After that stint, there was nothing more I could do on stage as an actress, so I turned to my greater fondness for writing, adapting, and producing." thumb|Haila Stoddard and Whitfield Connor

===Later life=== Following the death of Helen Bonfils in 1972, she incorporated with The Elitch Theatre Company, which produced 25 summer seasons in ''America's Oldest Summer Theatre'' in Denver, Colorado between 1962 and 1987. She simultaneously associated with Lucille Lortel to produce summer seasons at the White Barn Theatre in Westport, Connecticut, was on the Board of Directors of New Dramatists in New York City, and a Founding Member of the Westport (CT) Theatre Artists Workshop.

Stoddard died at her home<ref name="p">{{cite web |last1=Gioia |first1=Michael |title=Life of Haila Stoddard, Broadway Actress and Producer, To Be Celebrated in Connecticut |url=http://www.playbill.com/article/life-of-haila-stoddard-broadway-actress-and-producer-to-be-celebrated-in-connecticut-com-179768 |website=Playbill |publisher=Playbill, Inc. |access-date=11 April 2019 |archive-url=https://archive.today/20190411205515/http://www.playbill.com/article/life-of-haila-stoddard-broadway-actress-and-producer-to-be-celebrated-in-connecticut-com-179768 |archive-date=11 April 2019 |date=June 3, 2011 |url-status=live }}</ref> in Weston, Connecticut from cardiopulmonary arrest at age 97.<ref name="opa">{{cite book |last1=Lentz |first1=Harris M III |title=Obituaries in the Performing Arts, 2011 |date=2014 |publisher=McFarland |isbn=978-0-7864-9134-6 |page=333 |url=https://books.google.com/books?id=SAqdwE8hZKsC&q=%22Haila+Stoddard%22&pg=PA333 |access-date=11 April 2019 |language=en}}</ref>

==References== {{reflist|2}}

==External links== *[http://hdl.handle.net/10079/fa/beinecke.stoddardhaila Haila Stoddard Playscript Collection] is held at the [http://www.library.yale.edu/beinecke Beinecke Rare Book and Manuscript Library] at Yale University. *{{IMDb name|0831001}} *{{IBDB name}} *{{iobdb name|16433}}

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{{DEFAULTSORT:Stoddard, Haila}} Category:American women dramatists and playwrights Category:American stage actresses Category:American theatre directors Category:American women theatre directors Category:American theatre managers and producers Category:Actresses from Los Angeles Category:1913 births Category:2011 deaths Category:20th-century American dramatists and playwrights Category:20th-century American women writers Category:People from Weston, Connecticut Category:21st-century American women