{{short description|Argentine artist (born 1961)}} {{Infobox artist | name = Guillermo Kuitca | image = Guillermo Kuitca.jpg | birth_date = {{Birth date and age|1961|01|22}} | birth_place = Buenos Aires, Argentina | education = | alma_mater = | known_for = Painting }}
'''Guillermo Kuitca''' (born 1961) is an Argentine artist, who continues to work and live in Buenos Aires. Kuitca's work has been shown extensively around the globe, and is included in many important public collections, including The Tate Gallery, England; The Metropolitan Museum of Art, New York, NY; Hirshhorn Museum and Sculpture Garden, Washington, DC; the North Carolina Museum of Art, Raleigh; Albright-Knox Art Gallery, Buffalo, NY and The Daros Collection, Zürich, Switzerland,{{cn|date=February 2018}} and at the Walker Art Center in Minneapolis.{{r|mn}} Kuitca represented Argentina at the 2007 Venice Biennale.<ref name="surp">{{Cite web|url=https://www.nytimes.com/2007/06/03/arts/design/03shee.html|title=Surprise Breaks Out of the Box (or Cube)|accessdate=2008-03-09|date=2007-06-03|author=Hilarie Sheets|work=The New York Times}}</ref> Recurrent themes of travel, maps, memory, and migration can be found in Kuitca’s work. He won the Konex Award from Argentina in 1992 and 2002.
==Early and mid-1980s== In the early and mid-1980s, Kuitca made works which incorporate theater imagery. Many paintings from this period feature figures on a stage-like platform, with titles often inspired by plays, literature and music.
==Late 1980s and early 1990s== In the late 1980s and early 1990s, Kuitca began to integrate the subjects of architecture and topography in his work, often exploring the confluence of communal and private spaces. The floor plans of public institutions, such as those found in the “Tablada Suite” series, geographical maps, and genealogical charts begin to serve as important references during this period".{{cn|date=February 2018}} In 1992, Kuitca created his first works which incorporated the image of a painted bed, “often small and forlorn on the canvas.” <ref name="w2 art">Belcove, Julie L. "Guillermo Kuitca ." W 1 Nov 2009: pp. 168-175 . Print.</ref> Afterwards, the artist used the motif of an apartment floor plan, middle-class and compact, with only one bathroom. This floor plan would eventually lead to maps, theater plans and baggage carousels.
==1990s and early 2000s== Kuitca continued to explore organizational systems, in his “Neufert Suite” (1998) and “Encyclopédie” (2002) series. In his “Global Order” (2002) works, Kuitca combines a world map with architectural plans for interior spaces, “identifying borders and notions of ‘place’ as the changing products of human invention.”{{cn|date=February 2018}}
==Maps== Kuitca is well known “for his use of maps – particularly his transcriptions of topography onto mattresses”. Kuitca says he uses the image of a map “to get lost… not to get oriented.”<ref name="w2 art"/> Stemming from his experimentation with aerial views of floor plans, Kuitca moved to maps because “he liked the way they occupy a space somewhere between the abstract and the representational.”<ref name="duville">Duville, Matias. "Guillermo Kuitca ." Art World 1 Jan2009: pp. 132-137. Print.</ref>
== Exhibitions ==
* ''Projects 30: Guillermo Kuitca'', The Museum of Modern Art, New York, 1991<ref>{{Cite web|url=https://www.moma.org/calendar/exhibitions/345|title=Projects 30: Guillermo Kuitca|website=The Museum of Modern Art|language=en|access-date=2019-04-24}}</ref>
==References== {{commons}} {{reflist|60em|refs=
<ref name=mn>Frank Bures (July 15, 2010). [http://mnartists.org/article.do?rid=268342 Everything and More: Guillermo Kuitca, cartography and digging up the bones of life]. MN Artists.</ref>
}}
{{Authority control}} {{DEFAULTSORT:Kuitca, Guillermo}} Category:Argentine artists Category:1961 births Category:Living people Category:Artists from Buenos Aires Category:Argentine contemporary artists