{{Short description|2011 science fiction novelette by Yoon Ha Lee}} "'''Ghostweight'''" is a 2011 science fiction novelette<ref name=locus>[http://www.sfadb.com/Locus_Awards_2012 Locus Awards 2012]</ref> by American writer Yoon Ha Lee, first published in ''Clarkesworld Magazine'' #52 (January 2011).<ref>[http://clarkesworldmagazine.com/lee_01_11/ ''Ghostweight''], the text in '' Clarkesworld''</ref> An audio version read by Kate Baker is also available.<ref>[http://clarkesworldmagazine.com/audio_01_11/ ''Ghostweight'', Audio version]</ref>
==Plot summary==
It is a story of Lisse, a girl from a ruined world who steals a war spaceship to seek revenge. She is from the people who carry (and communicate with) actual "ghosts" of their ancestors (the tradition called "ghostweight").<ref>[http://strangehorizons.com/non-fiction/reviews/conservation-of-shadows-by-yoon-ha-lee/ ""] a review in ''Strange Horizons''</ref>
The philosophy and the plot of the story are closely associated with origami. Origami serves as a metaphor for history: "It is not true that the dead cannot be folded. Square becomes kite becomes swan; history becomes rumor becomes song. Even the act of remembrance creases the truth."<ref>Molly Brown, "King Arthur and the Knights of the Postmodern Fable"; in: ''The Middle Ages in Popular Culture: Medievalism and Genre - Student Edition'', 2015, [https://books.google.com/books?id=vQ1HCgAAQBAJ&pg=PT163 p. 163]</ref> A major element of the plot is the weaponry called ''jerengjen'' of space mercenaries, which unfold from flat shapes: "In the streets, jerengjen unfolded prettily, expanding into artillery with dragon-shaped shadows and sleek four-legged assault robots with wolf-shaped shadows. In the skies, jerengjen unfolded into bombers with kestrel-shaped shadows." The story says that the word means the art of paper folding in the mercenaries' main language. In an interview, when asked about the subject, the author says that he became fascinated with dimensions after reading the novel ''Flatland''.<ref>{{cite web|url=http://www.sfsignal.com/archives/2013/05/interview-yoon-ha-lee/|title=Interview: Yoon Ha Lee, Author of Conservation of Shadows, on Writing and Her Attraction to Space Opera|publisher=SF Signal|date=30 May 2013|accessdate=27 March 2017|quote=|archive-date=10 June 2017|archive-url=https://web.archive.org/web/20170610092317/http://www.sfsignal.com/archives/2013/05/interview-yoon-ha-lee/|url-status=dead}}</ref>
==Reception==
The story was a finalist of the 2012 Theodore Sturgeon Memorial Award nominations.<ref>[http://www.sfadb.com/Theodore_Sturgeon_Memorial_Award_2012 "Theodore Sturgeon Memorial Award 2012"]</ref>
It was nominated for 2012 Locus Awards<ref name=locus/> and received honors of 2014 Carl Brandon Awards.<ref>[http://www.sfadb.com/Carl_Brandon_Awards_2014 Carl Brandon Awards 2014 summary]</ref>
It was selected by Gardner Dozois for ''The Year's Best Science Fiction: Twenty-Ninth Annual Collection''.
The story was reprinted in Yoon Ha Lee's collection ''Conservation of Shadows'', ''The Humanity of Monsters'' ({{ISBN|1771483601}}, 2015), and in the 2017 collection ''Galactic Empires'' ({{ISBN|159780617X}}, a selection by Neil Clarke of ''Clarkesworld'').
Paul Kincaid notices that while the story is fast-paced and the reader is not left confused, the story lacks a clear resolution.<ref>[https://lareviewofbooks.org/article/the-widening-gyre-2012-best-of-the-year-anthologies/ "The Widening Gyre: 2012 Best of the Year Anthologies"], in ''Los Angeles Review of Books''</ref>
==References== {{reflist}}
Category:2011 short stories Category:Fiction about origami Category:Science fiction short stories Category:Works originally published in Clarkesworld Magazine