{{short description|British film production company}} {{For|the television channel|Film4}} {{More citations needed|date=December 2025}} {{Use British English|date=February 2018}} {{Use dmy dates|date=February 2018}} {{Infobox company | name = Film4 Productions | former_name = Channel Four Films<br>FilmFour<br>FilmFour International | logo = Film4 logo 2018.svg | logo_size = 170px | logo_caption = Logo used since 2018 | type = Film production company | founded = 1982 | hq_location = [[London]], [[England]], United Kingdom | num_locations = 2 | owner = <!-- Per [[Template:Infobox company]], it states: "If the company is majority-owned by a single entity and as such is a subsidiary or division, omit the owner field and use the parent field instead." --> | parent = [[Channel Four Television Corporation]] | key_people = [[Tessa Ross]] | products = [[film|Motion Pictures]] | website = {{URL|https://www.film4productions.com/}} }} {{Channel Four Television Corporation|sidebar=yes}} '''Film4 Productions''' is a British film [[production company]] and the feature film division of [[Channel Four Television Corporation|Channel 4 Television Corporation]]. Founded in 1982, the company develops and co-finances films from British and international [[Filmmaking|filmmakers]].<ref>{{Cite web |title=About Film4 Productions - Film4 |url=https://www.film4productions.com/about |access-date=2026-01-04 |website=Film4 Productions |language=en}}</ref>
The company's productions have won numerous awards, including multiple Academy Awards,<ref>{{Cite news |last=Shoard |first=Catherine |date=2019-02-15 |title=How Film4 became a pint-sized Oscars powerhouse |url=https://www.theguardian.com/film/2019/feb/15/film4-oscars-academy-awards-nominations-bbc-films-british-film-institute-netflix |access-date=2026-01-12 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref> and British Academy Film Awards including Outstanding British Film and Film Not in the English Language in 2024,<ref>{{Cite web |title=Film |url=https://www.bafta.org/awards/film/ |access-date=2026-01-12 |website=Bafta |language=en}}</ref> collectively winning 43 [[Academy Awards|Oscars]] and 97 [[British Academy Film Awards|BAFTAs]] since its inception.<ref>{{cite web|title=British Independent Film Awards - Film 4|url=https://www.bifa.film/news/sponsor/film4/}}</ref>{{primary source inline|date=January 2026}}
== History == Film4 began when founding Chief Executive, [[Jeremy Isaacs]], assisted by deputy chairman [[Richard Attenborough]], convinced the board of directors of Channel 4 to provide an initial annual budget of £6 million to make films.<ref name=sns>{{cite magazine|magazine=[[Sight and Sound]]|date=November 1992|title=Writers' Television|pages=28–31|last=Saynor|first=James}}</ref> The newly formed Channel Four Films was established with a mandate to make around 20 productions annually.<ref name="Rothschild2008">{{cite book|last=Rothschild|first=Hannah|author-link=Hannah Rothschild (film maker)|url=http://25by4.channel4.com/chapter_25/article_2/print|title=Labour of Love, C4 at 25|date=2008|archive-url=https://web.archive.org/web/20090703121821/http://25by4.channel4.com/chapter_25/article_2/print |archive-date=3 July 2009}}</ref> Isaacs wanted the station to avoid association with 'single plays' or dramas and came up with the name ''Film on Four''.
[[Christopher Morahan]] was offered the job as Commissioning Editor for Fiction but turned it down. Instead BBC producer [[David Rose (producer)|David Rose]], who was near retirement, was appointed.<ref name="sns" /><ref>{{cite news|newspaper=Sunday Mercury|title=Why Channel Four needs roots in the regions|last=Whitehouse|first=Peter|page=10|location=Birmingham|date=22 February 1981}}</ref>
The company's first backed feature was [[Neil Jordan|Neil Jordan's]] debut ''[[Angel (1982 Irish film)|Angel]]'' (1982),<ref name="4at15">{{cite magazine |last=Tutt |first=Louise |date=26 September 1997 |title=Hope & Glory |magazine=[[Screen International]] |pages=30–36}}</ref> while [[Stephen Frears]]' ''Walter'' was the company's first film broadcast on Channel 4, screened in the evening of the station's launch on 2 November 1982.{{Citation needed|date=January 2026}} ''[[P'tang, Yang, Kipperbang]]'' was screened the following day.<ref name="BFI" />
Originally, Channel Four Film's productions were intended solely for television broadcast, as the industry's "holdback" system restricted TV companies from investing in theatrical films.{{Citation needed|date=January 2026}} However, an agreement with the [[Cinema Exhibitors' Association|Cinema Exhibitors Association]] soon allowed limited cinema releases for productions with budgets under £1.25 million.<ref name="BFI">{{cite web|first=Michael|last=Brooke|url=http://www.screenonline.org.uk/film/id/1304135/index.html|title=Channel 4 and Film|website=BFI screenonline|access-date=}}</ref> Channel Four Films went on to collaborate with key British production entities such as the [[BFI Production Board]], [[Goldcrest Films]], and [[Merchant Ivory Productions|Merchant Ivory]],<ref name="BFI" /> and by 1984 was investing in roughly one-third of all feature films made in the United Kingdom.<ref name="Emmanuel">Susan Emanuel [http://www.museum.tv/eotvsection.php?entrycode=channelfour "Channel Four - British Programming Service"] {{Webarchive|url=https://web.archive.org/web/20101204182139/http://www.museum.tv/eotvsection.php?entrycode=channelfour |date=4 December 2010 }}, Museum of Broadcast Communications website; Susan Emmanuel "Channel Four — British Programming Service", in Horace Newcomb (ed) ''Encyclopedia of Television: Volume 1, A-C'', New York: Fitzroy Dearborn, 2004, p487</ref> Their first theatrical success was ''[[The Draughtsman's Contract]]'' (1982), although it was mainly a BFI production.<ref name=sns/>
In 1983, the Business Development Department was established to oversee TV and film sales,<ref name="element">{{cite magazine|magazine=[[Screen International]]|date=26 September 1997|page=30|title=The Four Element|last=Tutt|first=Louise}}</ref> and the company began investing in international titles, including [[Wim Wenders|Wim Wenders']] ''[[Paris, Texas (film)|Paris, Texas]]'' (1984) and [[Jan Švankmajer|Jan Švankmajer's]] ''[[Alice (1988 film)|Alice]]'' (1988).<ref name="BFI" /> In 1985, FilmFour International was founded as a separate sales arm to handle international distribution and co-financing, supporting projects such as [[Andrei Tarkovsky|Andrei Tarkovsky's]] ''[[The Sacrifice (1986 film)|The Sacrifice]]'' (1986).<ref name="element" /><ref name="4at15" /><ref name="BFI" />
Channel Four Films achieved its first major critical and commercial success with Stephen Frears's ''[[My Beautiful Laundrette]]'' (1985).<ref name="timeline" /> Originally shot in [[16 mm film|16mm]] for television, it received international acclaim after screening at the [[Edinburgh International Film Festival|Edinburgh Film Festival]] and was subsequently released theatrically by [[Orion Classics]], becoming an international hit.<ref>{{Cite web|url=http://www.screenonline.org.uk/film/id/443819/index.html|title=BFI Screenonline: My Beautiful Laundrette (1985)|website=www.screenonline.org.uk|access-date=2019-02-01}}</ref><ref>{{Cite web|url=https://www.artforum.com/film/howard-hampton-on-my-beautiful-laundrette-54128|title=Laundry Days|website=www.artforum.com|date=3 August 2015 |language=en-US|access-date=2019-02-01}}</ref><ref name="4at15" /> By 1987, the company had an interest in half of all films produced in the UK,<ref>David Rose quoted by Dorothy Hobson in ''Channel 4: The Early Years and the Jeremy Isaacs Legacy'', London: I.B Tauris, 2008, p.64</ref> and had secured a licensing deal with Orion Classics for US distribution of titles including ''[[Rita, Sue and Bob Too]]'' and ''[[A Month in the Country (film)|A Month in the Country]]''.{{Citation needed|date=January 2026}}
Throughout the 1980s, Channel Four Films supported a number of British independent films that achieved critical attention, such as those by [[Ken Loach]], [[Mike Leigh]], [[Stephen Frears]], and [[Hanif Kureishi]],{{Citation needed|date=January 2026}} and produced films including ''[[Wish You Were Here (1987 film)|Wish You Were Here]]'', ''[[Dance with a Stranger]]'', ''[[Mona Lisa (film)|Mona Lisa]]'', and ''[[Letter to Brezhnev]]''.{{Citation needed|date=January 2026}} Mike Leigh later described ''Film on Four'' as having "saved the British film industry...This is a non-negotiable, historical fact of life and anybody who suggests that this isn't the case is simply either suffering from some kind of ignorance or has got some terrible chip."<ref name="Rothschild2008" /> David Rose remained in his role until 1990,<ref name="timeline">{{cite news|first=Jason|last=Deans|url=https://www.theguardian.com/media/2002/jul/08/channel4.broadcasting|title=Timeline: FilmFour - where did it all go wrong?|newspaper=[[The Guardian]]|date=8 July 2002|access-date=}}</ref> approving the production of 136 films, half of which received theatrical releases.<ref>{{cite news|first=Jeremy|last=Isaacs|url=https://www.independent.co.uk/news/media/happy-birthday-to-the-leader-with-the-golden-touch-532406.html |title=Happy Birthday to the leader with the golden touch|newspaper=[[The Independent]]|date=8 November 2004}}</ref>
Following Rose's departure, [[David Aukin]] became Head of Drama in 1990, later retitled Head of Film in 1997.<ref name="timeline" /> Under his leadership, the company enjoyed further international success with Neil Jordan's ''[[The Crying Game]]'' (1992),<ref name="4at15" /> which was nominated for the [[Academy Award for Best Picture]],<ref name="timeline" /> alongside ''[[Howards End (film)|Howards End]]'' and ''[[Damage (1992 film)|Damage]]'' that same year.{{Citation needed|date=January 2026}} Mike Leigh's ''[[Naked (1993 film)|Naked]]'' and Ken Loach's ''[[Raining Stones]]'' were both entered into competition at the [[1993 Cannes Film Festival]],<ref name="timeline" /> and subsequent releases such as ''[[Four Weddings and a Funeral]]'' (1994), the [[List of highest-grossing films in the United Kingdom|highest-grossing UK film of all time]], and ''[[Trainspotting (film)|Trainspotting]]'' (1996) became global box office hits.<ref name="4at15" />
In the mid-1990s, Channel 4 entered a joint venture with [[The Samuel Goldwyn Company]] to distribute films in the UK, later forming Film Four Distributors in 1995 after Goldwyn withdrew.<ref>{{Cite magazine|date=10 July 1995|title=Ch. 4 heads into distrib'n alone|page=|magazine=[[Variety (magazine)|Variety]]|last=Dawtrey|first=Adam|url=https://variety.com/1995/film/features/ch-4-heads-into-distrib-n-alone-99130411/|access-date=8 September 2022}}</ref> Film Four Distributors' first release was ''[[Blue Juice]]'' in September 1995.<ref>{{cite magazine|magazine=[[Screen International]]|date=22 September 1995|page=41|title=UK Box Office}}</ref> Its first major successes included ''[[Secrets & Lies (film)|Secrets & Lies]]'' and ''[[Brassed Off]]'' (both 1996).<ref name="4at15" /><ref>{{cite magazine|magazine=[[Screen International]]|date=8 November 1996|last=Duncan|first=Celia|page=22|title=Blowing Your Own Trumpet}}</ref><ref name="FFD">{{cite magazine|magazine=[[Screen International]]|date=26 September 1997|page=31|title=The Four Man|last=Tutt|first=Louise}}</ref> In 1998, the company was rebranded as FilmFour, with an increased annual budget of £32 million for 8–10 films.<ref name="timeline" /> [[East Is East (1999 film)|''East Is East'']] (1999) became its most successful self-funded production,<ref name="timeline" /> and a three-year deal with [[Warner Bros.|Warner Bros]], followed in 2000, its first collaboration, ''[[Charlotte Gray (film)|Charlotte Gray]]'' (2001), underperformed.{{Citation needed|date=January 2026}}
The Film Four Lab, a unit focused on producing low-budget, experimental features, was set up in 1998, headed by Robin Gulch.<ref name=":1">{{Cite web |last=Dawtrey |first=Adam |date=1998-10-22 |title=Film Four preps low-budget pic arm |url=https://variety.com/1998/film/news/film-four-preps-low-budget-pic-arm-1117481678/ |access-date=2026-01-10 |website=Variety |language=en-US}}</ref> In February of 2003, Gulch stepped down. Later that year, Peter Carlton was appointed as his successor.<ref name=":2">{{Cite web |date=2003-02-14 |title=Film Four Lab looses its head |url=https://cineuropa.org/en/newsdetail/19939/ |access-date=2026-01-10 |website=Cineuropa - the best of european cinema |language=en}}</ref><ref name=":3">{{Cite web |last=Dams |first=Tim |title=Carlton takes over at UK's Film Four Lab |url=https://www.screendaily.com/carlton-takes-over-at-uks-film-four-lab/4014361.article |access-date=2026-01-10 |website=Screen |language=en}}</ref>
Mounting financial losses led to significant restructuring in 2002, with the company reintegrated into Channel 4's drama department.{{Citation needed|date=January 2026}} The brand was relaunched as Film4 Productions in 2006 to coincide with the rebranding of the Film Four channel as [[Film4]].<ref>{{Cite news |last=Gibson |first=Owen |date=2006-07-03 |title=Channel hopping |url=https://www.theguardian.com/media/2006/jul/03/channel4.broadcasting |access-date=2025-11-04 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref>
The [[Film4.0]] initiative was launched in 2011, funding such films as [[Ben Wheatley]]'s ''[[A Field in England]]'' (2013) and the [[Nick Cave]] musical documentary ''[[20,000 Days on Earth]]'' (2014).{{Citation needed|date=January 2026}} Eventually, the Film4.0 brand was quietly dropped.<ref>{{Cite web |last=Gant |first=Charles |title=An oral history of Film4: senior executives talk four decades of transforming British film |url=https://www.screendaily.com/features/an-oral-history-of-film4-senior-executives-talk-four-decades-of-transforming-british-film/5187230.article |access-date=2026-01-10 |website=Screen |language=en}}</ref>
== Leadership == {{Expand section|date=January 2026}} {| class="wikitable" |+ !Years !Name !Position !Notes !Ref. |- |1982 - 1990 |[[David Rose (producer)|David Rose]] |Commissioning Editor for Fiction | |<ref name="timeline" /> |- |1990 - |[[David Aukin]] |Head of Drama (later retitled Head of Film in 1997) | |<ref name="timeline" /> |} {| class="wikitable" |+Film Four Lab Leadership 1998 - Present !Years !Name !Position !Notes !Ref. |- |1998 - 2023 |Robin Gulch |rowspan="2" | Head of The Film Four Lab | |<ref name=":1" /> |- |2023 - |Peter Carlton | |<ref name=":2" /><ref name=":3" /> |} Since Film4 returned to Channel 4 in 2002, the company has been run by a small number of senior executives responsible for film commissioning and production. {| class="wikitable" |+Film4 Leadership 2002 - Present !Years !Name !Position !Notes !Ref. |- |2002 - 2014 |[[Tessa Ross]] |Head of Film4 and Channel 4 drama | | |- |2014 - 2016 |[[David Kosse]] |rowspan="2" | Director of Film4 | | |- |2016 - 2022 |[[Daniel Battsek]] |Subsequently became Chair |<ref name=":0">{{Cite web |last=Ritman |first=Alex |date=2024-01-09 |title=Daniel Battsek Leaving Film4, Ollie Madden to Take Over Leadership Role |url=https://variety.com/2024/film/global/daniel-battsek-leaving-film4-ollie-madden-1235865972/ |access-date=2026-01-15 |website=Variety |language=en-US}}</ref> |- |2017 - 2022 | rowspan="3" |Ollie Madden |Head of Creative | | rowspan="3" |<ref name=":0" /> |- |2022 - 2025 |Director of Film4 | rowspan="2" |Left to join Netflix. |- |2024 - 2025 |Oversaw Channel 4's drama commissioning. |- |2022-2023 | rowspan="3" |Farhana Bhula |Senior Commissioning Executive | | |- |2023 - 2025 |Head of Creative | | |- |2025 - |Director of Film4 | | |}
==Films and production slate == Film4’s productions include titles that have received awards or recognition, including:
* ''[[Poor Things (film)|Poor Things]]'' (Yorgos Lanthimos), winner of the Oscar®, BAFTA, and Venice [[Golden Lion]] * [[The Zone of Interest (film)|''The Zone of Interest'']] (Jonathan Glazer), recipient of the Oscar®, BAFTA, and [[Cannes Film Festival|Cannes]] Grand Prix * ''[[Earth Mama]]'' (Savanah Leaf), winner of a BAFTA * ''[[How to Have Sex]]'' (Molly Manning Walker), awarded the [[Un Certain Regard]] prize at Cannes * ''[[All of Us Strangers]]'' (Andrew Haigh), recipient of a [[British Independent Film Awards|BIFA]] * (Rebecca Lenkiewicz), and (Eloise King).
Film4's 2025–2026 production slate includes: * ''[[Animol]]'' (Ashley Walters) * ''[[Sweetsick]]'' (Alice Birch) * ''[[Wild Horse Nine]]''
Upcoming releases include: * ''[[The Voice of Hind Rajab]]'' (Kaouther Ben Hania), winner of the [[Silver Lion]] Grand Jury Prize at the 82nd Venice Film Festival * [[The Thing with Feathers (film)|''The Thing With Feathers'']] (Dylan Southern) * ''[[The History of Sound]]'' (Oliver Hermanus) * [[H Is for Hawk (film)|''H is for Hawk'']] (Philippa Lowthorpe) * ''[[Rose of Nevada]]'' (Mark Jenkin) * ''Sacrifice'' (Romain Gavras) * ''Surviving Earth'' (Thea Gajic).
== Awards and recognition == {{More citations needed section|date=December 2025}} Film4 Productions has received recognition for its contribution to the UK film industry, when, in 2023, it was honoured with the Special Recognition Award for Outstanding Contribution to UK Film at [[Screen International|Screen International’s]] Big Screen Awards. The award celebrates companies or individuals whose work has shaped the UK film industry and supported the development of filmmakers’ careers.<ref>{{cite web|title=Film4 Productions - Special Recognition Award for Outstanding Contribution to UK Film - Big Screen Awards ~ Screen Daily|url=https://www.screendaily.com/news/film4-to-receive-outstanding-contribution-to-uk-film-honour-at-2023-big-screen-awards/5187259.article}}</ref>
== Notable productions == The following is a list of some of the most notable films produced or co-financed by Film4.
{|class="wikitable sortable" style="width:98%" ! width = 5% | '''Year''' ! width = 35% | '''Title''' ! class="unsortable" |'''Notes''' |- | rowspan="9" |1982 |''[[Angel (1982 Irish film)|Angel]]'' | |- |''[[Experience Preferred... But Not Essential]]'' | |- |''[[Giro City]]'' | |- |''[[Hero (1982 film)|Hero]]'' | |- |''[[Moonlighting (film)|Moonlighting]]'' | |- |''[[P'tang, Yang, Kipperbang]]'' | |- |''[[Remembrance (1982 film)|Remembrance]]'' | |- |''[[The Draughtsman's Contract]]'' |Co-production with [[British Film Institute]] |- |''[[Walter (1982 film)|Walter]]'' | |- | rowspan="2" |1983 |''[[Red Monarch]]'' |Co-production with [[Goldcrest Films]] and [[Enigma Productions]] |- |''[[The Ploughman's Lunch]]'' |Co-production with [[Goldcrest Films]] and [[Michael White (producer)|Michael White]] |- |1984 |''[[Paris, Texas (film)|Paris, Texas]]'' |Co-production with [[Westdeutscher Rundfunk]] |- | rowspan="6" |1985 |''[[A Room with a View (1985 film)|A Room with a View]]'' |Co-production with [[Merchant Ivory Productions]] and [[Goldcrest Films]] |- |''[[A Zed and Two Noughts]]'' |Co-production with [[British Film Institute]] and [[Artificial Eye (distribution)|Artificial Eye]] |- |''[[Dance with a Stranger]]'' | |- |''[[My Beautiful Laundrette]]'' |Co-production with SAF Productions and [[Working Title Films]] |- |''[[She'll Be Wearing Pink Pyjamas]]'' | |- |''[[The Supergrass]]'' |Co-production with [[The Comic Strip]] and [[Michael White (producer)|Michael White]] |- | rowspan="3" |1986 |''[[Comrades (1986 film)|Comrades]]'' |Co-production with now-defunct [[National Film Finance Corporation]] |- |''[[When the Wind Blows (1986 film)|When the Wind Blows]]'' |Co-production with [[Stephen J. Friedman (producer)|Kings Road Entertainment]] |- |''[[Zastrozzi, A Romance]]'' | |- | rowspan="7" |1987 |''[[A Month in the Country (film)|A Month in the Country]]'' |Co-production with [[Euston Films]] |- |''[[Eat the Rich (film)|Eat the Rich]]'' |Co-production with [[Michael White (producer)|Michael White]] |- |''[[Hidden City (film)|Hidden City]]'' | |- |''[[The Belly of an Architect]]'' |Co-production with [[Hemdale Film Corporation]] |- |''[[Rita, Sue and Bob Too]]'' | |- |''[[Sammy and Rosie Get Laid]]'' |Co-production with [[Working Title Films]] |- |''[[Wish You Were Here (1987 film)|Wish You Were Here]]'' | |- | rowspan="3" |1988 |''[[Drowning by Numbers]]'' | |- |''[[High Hopes (1988 film)|High Hopes]]'' | |- |''[[Stormy Monday (film)|Stormy Monday]]'' |Co-production with [[Atlantic Entertainment Group]] |- |1989 |''[[Queen of Hearts (1989 film)|Queen of Hearts]]'' |Co-production with [[Nelson Entertainment]], [[TVS Television]] and [[Cinecom]] |- | rowspan="2" |1990 |''God on the Rocks'' | |- |''[[Life Is Sweet (film)|Life Is Sweet]]'' | |- | rowspan="8" |1991 |''[[Blonde Fist]]'' | |- |''[[Hear My Song]]'' | |- |''[[London Kills Me]]'' |Co-production with [[PolyGram Filmed Entertainment]] and [[Working Title Films]] |- |''[[Night on Earth]]'' |Co-production with [[JVC Entertainment]], [[Victor Music Industries]], [[Le Studio Canal +]] and [[Pandora Film]] |- |''[[Prospero's Books]]'' |Co-production with [[Canal+ (French TV channel)|Canal+]], [[Eurimages]], [[VPRO]], [[NHK]], [[Cineplex Odeon Films]] and [[Palace Pictures]] |- |''[[Riff-Raff (1991 film)|Riff-Raff]]'' | |- |''[[The Miracle (1991 film)|The Miracle]]'' | |- |''[[The Pope Must Die]]'' |Co production with [[Miramax Films]], Palace Pictures and [[Michael White (producer)|Michael White]] |- | rowspan="7" |1992 |''[[Damage (1992 film)|Damage]]'' |Co-production with [[Le Studio Canal+]] and [[Canal+ (French TV channel)|Canal+]] |- |''[[Dust Devil (film)|Dust Devil]]'' |Co-production with [[Miramax Films]] |- |''[[Howards End (film)|Howards End]]'' | |- |''[[Peter's Friends]]'' |Co-production with [[The Samuel Goldwyn Company]] |- |''[[The Crying Game]]'' |Co-production with British Screen, Eurotrustees, Nippon Film Development and Finance and Palace Pictures |- |''[[Waterland (film)|Waterland]]'' | |- |''[[Wild West (1992 film)|Wild West]]'' | |- | rowspan="6" |1993 |''[[Wittgenstein (film)|Wittgenstein]]'' |Co-production with the [[British Film Institute]] |- | ''[[Bad Behaviour (1993 film)|Bad Behaviour]]'' | |- |''[[Bhaji on the Beach]]'' | |- | ''[[Blue (1993 film)|Blue]]'' | Co-production with [[BBC Radio 3]] and [[Arts Council of Great Britain]] |- | ''[[Raining Stones]]'' | |- |''[[The Baby of Mâcon]]'' |Co-production with [[UGC (cinema operator)|UGC]] and [[Canal+ (French TV channel)|Canal+]] |- | rowspan="11" |1994 |''[[Backbeat (film)|Backbeat]]'' |Co-production with [[PolyGram Filmed Entertainment]] |- |''[[Bandit Queen]]'' |Co-production with [[Kaleidoscope Entertainment]] |- |''[[Death and the Maiden (film)|Death and the Maiden]]'' |Co-production with [[Capitol Films]], [[Canal+ (French TV channel)|Canal+]], [[TF1]] and [[Fine Line Features]] |- |''[[Four Weddings and a Funeral]]'' |Co-production with [[PolyGram Filmed Entertainment]] and [[Working Title Films]] |- |''[[Ladybird, Ladybird (film)|Ladybird, Ladybird]]'' | |- | ''[[Shallow Grave (1994 film)|Shallow Grave]]'' | |- |''[[Shopping (1994 film)|Shopping]]'' |Co-production with [[Kaz Kuzui|Kuzui Enterprises]] and [[PolyGram Filmed Entertainment]] |- |''[[Sister My Sister]]'' | |- |''[[The Acid House]]'' | |- |''[[The Madness of King George]]'' |Co-production with [[The Samuel Goldwyn Company]] |- |''[[A Pin for the Butterfly]]'' | |- | rowspan="5" | 1995 | ''[[Angels & Insects]]'' | Co-production with [[The Samuel Goldwyn Company]] |- |''[[Blue Juice]]'' | |- |''[[Institute Benjamenta]]'' |Co-production with [[Pandora Film]] |- |''[[Nothing Personal (1995 film)|Nothing Personal]]'' |Co-production with [[Irish Film Board|Bórd Scannán na hÉireann/Irish Film Board]] |- |''[[The Neon Bible (film)|The Neon Bible]]'' |Co-production with [[Artificial Eye]] |- | rowspan="10" |1996 |''[[Beautiful Thing (film)|Beautiful Thing]]'' | |- |''[[American Buffalo (film)|American Buffalo]]'' |Co-production with [[Capitol Films]] |- |''[[Brassed Off]]'' |Co-production with [[Miramax Films]] and Prominent Features |- |''[[Carla's Song]]'' |Co-production with [[Glasgow Film Office]] and [[Televisión Española]] |- | ''[[Secrets & Lies (film)|Secrets & Lies]]'' | Co-production with [[Ciby 2000]] |- |''[[The Pillow Book (film)|The Pillow Book]]'' |Co-production with [[Canal+ (French TV channel)|Canal+]] |- |''[[Trainspotting (film)|Trainspotting]]'' | |- |''[[Trojan Eddie]]'' |Co-production with [[Irish Film Board|Bórd Scannán na hÉireann/Irish Film Board]] |- |''[[True Blue (1996 film)|True Blue]]'' | |- |''[[Walking and Talking]]'' |Co-production with [[Miramax Films]], [[Zenith Productions]], [[Pandora Film]], Mikado Films (France), Electric, TEAM Communications Group, [[PolyGram Filmed Entertainment]] and [[Good Machine]] |- | rowspan="6" |1997 |''[[A Life Less Ordinary]]'' |Co-production with [[PolyGram Filmed Entertainment]] and [[20th Century Fox]] |- |''[[Bent (1997 film)|Bent]]'' |Co-production with [[Arts Council of England]] |- |''[[Career Girls]]'' | |- |''[[Fever Pitch (1997 film)|Fever Pitch]]'' | |- |''[[Welcome to Sarajevo]]'' |Co-production with [[Miramax Films]] |- |''[[The Woodlanders (1997 film)|The Woodlanders]]'' |Co-production with [[Pathé]] Productions and [[Arts Council of England]] |- | rowspan="10" |1998 |''[[Croupier (film)|Croupier]]'' |Co-production with [[Arte]] and [[Westdeutscher Rundfunk]] |- |''[[Dancing at Lughnasa (film)|Dancing at Lughnasa]]'' |Co-production with [[Sony Pictures Classics]], [[Irish Film Board|Bórd Scannán na hÉireann/Irish Film Board]], [[Raidió Teilifís Éireann]] and [[Capitol Films]] |- |''[[Elizabeth (film)|Elizabeth]]'' |Co-production with [[PolyGram Filmed Entertainment]], Meridian and [[Working Title Films]] |- |''[[Hilary and Jackie]]'' | |- |''[[Martha, Meet Frank, Daniel and Laurence]]'' | |- |''[[My Name Is Joe]]'' | |- |''[[Orphans (1998 film)|Orphans]]'' |Co-production with [[Scottish Arts Council]] and [[Glasgow Film Office]] |- |''[[The Land Girls]]'' |Co-production with [[PolyGram Filmed Entertainment]], [[Gramercy Pictures]], [[Intermedia Films]] and [[Canal+ (French TV channel)|Canal+]] |- |''[[The Red Violin]]'' |Co-production with [[New Line Cinema]], [[Lionsgate Films|Lionsgate]], [[Telefilm Canada]] and [[CITY-TV]] |- |''[[Velvet Goldmine]]'' |Co-production with [[Newmarket Capital Group]], [[Miramax Films]], [[Killer Films]] and [[Zenith Entertainment]] |- | rowspan="9" |1999 |''[[With or Without You (1999 film)|With or Without You]]'' |Co-production with [[Miramax Films]] and [[Revolution Films]] |- |''[[Buena Vista Social Club (film)|Buena Vista Social Club]]'' |Co-production with [[Road Movies Filmproduktion]] and [[Arte]] |- |''[[Dogma (film)|Dogma]]'' |Produced by [[View Askew]] |- |''[[East Is East (1999 film)|East Is East]]'' | |- |''[[Gregory's Two Girls]]'' | |- |''[[Holy Smoke!]]'' |Co-production with [[Miramax Films]] |- |''[[Sunshine (1999 film)|Sunshine]]'' |Co-production with [[Alliance Atlantis]], [[Eurimages]], [[Telefilm Canada]], [[The Movie Network]], [[Kinowelt]], [[TV2 (Hungary)|TV2]], [[ORF (broadcaster)|ORF]] and [[Paramount Classics]] |- |''[[The Debt Collector (1999 film)|The Debt Collector]]'' | |- |''[[The Straight Story]]'' |Co-production with [[StudioCanal]] and [[Walt Disney Pictures]] |- | rowspan="7" |2000 |''[[Dancer in the Dark]]'' |Co-production with [[Canal+ (French TV channel)|Canal+]], [[France 3 Cinéma]], [[Zentropa]] and [[Fine Line Features]] |- |''[[Bread and Roses (2000 film)|Bread and Roses]]'' | |- |''[[Gangster No. 1]]'' |Co-production with [[Medienboard Berlin-Brandenburg]], [[Road Movies Filmproduktion]] and [[BSkyB]] |- |''[[Purely Belter]]'' | |- |''[[Sexy Beast]]'' |Co-production with Kanzaman, [[Fox Searchlight Pictures]] and [[Recorded Picture Company]] |- |''[[The House of Mirth (2000 film)|The House of Mirth]]'' |Co-production with [[Granada Productions]], [[Kinowelt]], [[Arts Council of England]], [[Showtime Networks]] and [[The Scottish Arts Council]] |- |''[[The Filth and the Fury]]'' |Co-production with [[Jersey Films]] |- | rowspan="14" |2001 |''[[Birthday Girl (2001 film)|Birthday Girl]]'' |Co-production with [[Miramax Films]], [[Mirage Enterprises]] and [[HAL Films]] |- |''[[Charlotte Gray (film)|Charlotte Gray]]'' |Co-production with [[Ecosse Films]] and [[Warner Bros.]] |- |''[[Christmas Carol: The Movie]]'' |Co-production with [[UK Film Council]] |- |''[[Buffalo Soldiers (2001 film)|Buffalo Soldiers]]'' |Co-production with [[Good Machine]] and [[Miramax Films]] |- |''[[Dog Eat Dog (2001 film)|Dog Eat Dog]]'' |Co-production with [[Tiger Aspect Productions]] |- |''[[Gabriel and Me]]'' |Co-production with [[Pathé]], [[Isle of Man Film]] and [[UK Film Council]] |- |''[[K-PAX (film)|K-PAX]]'' |Co-production with [[Universal Pictures]] and [[Intermedia Films]] |- |''[[Invincible (2001 drama film)|Invincible]]'' |Co-production with [[Fine Line Features]] |- |''[[Late Night Shopping]]'' |Co-production with [[Scottish Screen]] and [[Glasgow Film Office]] |- |''[[Lucky Break (2001 film)|Lucky Break]]'' |Co-production with [[Paramount Pictures]] and [[Miramax Films]] |- |''[[Series 7: The Contenders]]'' |Co-production with [[USA Films]] |- |''[[The Navigators (film)|The Navigators]]'' |Co-production with [[Road Movies Filmproduktion]], [[Westdeutscher Rundfunk]] and [[Arte]] |- |''The Low Down'' |Co-production with British Screen, Oil Factory and Sleeper Films |- | ''[[Very Annie Mary]]'' | Co-production with [[Canal+ (French TV channel)|Canal+]] |- | rowspan="3" | 2002 | ''[[24 Hour Party People]]'' | Co-production with [[United Artists]], [[UK Film Council]], [[Revolution Films]] and [[Baby Cow Productions]] |- |''[[Death to Smoochy]]'' |Co-production with Senator Film and [[Warner Bros.]] |- | ''[[Once Upon a Time in the Midlands]]'' | Co-production with [[UK Film Council]] |- | rowspan="3" | 2003 | ''[[The Actors]]'' | Co-production with [[Miramax Films]] and [[Irish Film Board|Bórd Scannán na hÉireann/Irish Film Board]] |- |''[[To Kill a King (film)|To Kill a King]]'' |Co-production with [[Natural Nylon]] and [[HanWay Films]] |- | ''[[Touching the Void (film)|Touching the Void]]'' | Co-production with [[Channel 4]], [[UK Film Council]], [[John Smithson|Darlow Smithson Productions]] and [[PBS]] |- | rowspan="4" | 2004 | ''[[Dead Man's Shoes (2004 film)|Dead Man's Shoes]]'' | |- | ''[[Enduring Love (film)|Enduring Love]]'' | Co-production with [[Pathé]], [[UK Film Council]] and [[Ingenious Media|Ingenious Film Partners]] |- | ''[[Shaun of the Dead]]'' | Co-production with [[Big Talk Productions]], [[Working Title Films]], [[StudioCanal]], [[Universal Pictures]] and [[Rogue Pictures]] |- |''[[The Motorcycle Diaries (film)|The Motorcycle Diaries]]'' | |- | rowspan="4" |2005 |''[[Brothers of the Head]]'' |Co-production with [[Regional screen agencies|Screen East]] and [[Regional screen agencies|EM Media]] |- | ''[[The League of Gentlemen's Apocalypse]]'' | Co-production with [[Universal Pictures]] and [[Tiger Aspect]] |- | ''[[Me and You and Everyone We Know]]'' | |- | ''[[The King (2005 film)|The King]]'' | |- | rowspan="4" |2006 |''[[Deep Water (2006 film)|Deep Water]]'' | |- |''[[Venus (2006 film)|Venus]]'' |Co-production with [[UK Film Council]] and [[Miramax Films]] |- |''[[The Last King of Scotland (film)|The Last King of Scotland]]'' |Co-production with [[DNA Films]] and [[Fox Searchlight Pictures]] |- |''[[This Is England]]'' |Co-production with [[UK Film Council]], [[Optimum Releasing]], [[Screen Yorkshire]] and [[Warp Films]] |- | rowspan="7" |2007 | ''[[Funny Games (2007 film)|Funny Games]]'' | Co-production with [[Warner Independent Pictures]] and [[Tartan Films]] |- | ''[[And When Did You Last See Your Father?]]'' | Co-production with [[Sony Pictures Classics]], [[UK Film Council]], [[Regional screen agencies|EM Media]], [[Tiger Aspect]], [[Irish Film Board|Bórd Scannán na hÉireann/Irish Film Board]] and [[European Development Fund]] |- |''[[In the Shadow of the Moon (2007 film)|In the Shadow of the Moon]]'' |Co-production with [[Discovery Channel|Discovery Films]] and [[Passion Pictures]] |- | ''[[Joe Strummer: The Future Is Unwritten]]'' | |- |''[[Hallam Foe]]'' |Co-production with [[Ingenious Media|Ingenious Film Partners]], [[Glasgow Film Office]], [[Scottish Screen]] and [[Sigma Films]] |- |''[[Mister Lonely]]'' |Co-production with [[Recorded Picture Company]] |- | ''[[Straightheads]]'' | Co-production with [[Ingenious Media|Ingenious Film Partners]] and [[UK Film Council]] |- | rowspan="8" |2008 |''[[Slumdog Millionaire]]'' |Co-production with [[Celador|Celador Films]] |- |''[[How to Lose Friends & Alienate People (film)|How to Lose Friends & Alienate People]]'' |Co-production with [[UK Film Council]] |- | ''[[Hunger (2008 film)|Hunger]]'' | |- |''[[Franklyn (film)|Franklyn]]'' |Co-production with [[Recorded Picture Company]], [[HanWay Films]] and [[UK Film Council]] |- | ''[[Happy-Go-Lucky (2008 film)|Happy-Go-Lucky]]'' | Co-production with [[Ingenious Media|Ingenious Film Partners]] and [[Summit Entertainment]] |- | ''[[In Bruges]]'' | Co-production with [[Focus Features]] |- | ''[[A Complete History of My Sexual Failures]]'' | Co-production with [[Warp Films]], [[Screen Yorkshire]], [[Regional screen agencies|EM Media]], [[Madman Entertainment]] and [[UK Film Council]] |- | ''[[Donkey Punch (2008 film)|Donkey Punch]]'' | Co-production with [[Regional screen agencies|EM Media]], [[Madman Entertainment]], [[Screen Yorkshire]], [[UK Film Council]] and [[Warp Films|Warp X Productions]] |- | rowspan="6" |2009 |''[[Bunny and the Bull]]'' |Co-production with [[Warp Films|Warp X Productions]], [[Wild Bunch (film company)|Wild Bunch]], [[Optimum Releasing]], [[Screen Yorkshire]] and [[UK Film Council]] |- |''[[Looking for Eric]]'' |Co-production with [[Icon Entertainment International]] and [[Wild Bunch (film company)|Wild Bunch]] |- | ''[[Hush (2009 film)|Hush]]'' | Co-production with [[Warp X]], [[Pathé]], [[Screen Yorkshire]], [[UK Film Council]] and [[Optimum Releasing]] |- | ''[[Nowhere Boy]]'' | Co-production with [[UK Film Council]], [[Ecosse Films]] and [[The Weinstein Company]] |- | ''[[The Lovely Bones (film)|The Lovely Bones]]'' | Co-production with [[DreamWorks Pictures]] and [[Paramount Pictures]] |- | ''[[The Scouting Book for Boys]]'' | Co-production with [[Celador]] Films, [[Regional screen agencies|Screen East]] and [[Pathé]] |- | rowspan="6" | 2010 | ''[[Four Lions]]'' | Co-production with [[Warp Films]], [[Wild Bunch (film company)|Wild Bunch]] and [[Optimum Releasing]] |- | ''[[127 Hours]]'' | Co-production with [[Pathé]], [[Fox Searchlight Pictures]], Everest Entertainment, [[Cloud Eight Films]], [[John Smithson|Darlow Smithson Productions]] and [[Warner Bros. Pictures]] |- | ''[[Another Year (film)|Another Year]]'' | Co-production with [[Thin Man Films]] |- | ''[[Neds (film)|Neds]]'' | Co-production with [[Scottish Screen]], [[UK Film Council]] and [[Wild Bunch (film company)|Wild Bunch]] |- | ''[[Never Let Me Go (2010 film)|Never Let Me Go]]'' | Co-production with [[DNA Films]] and [[Fox Searchlight Pictures]] |- | ''[[Submarine (2010 film)|Submarine]]'' | Co-production with [[Red Hour Films]] and [[Warp Films]] |- | rowspan="14" | 2011 | ''[[Attack the Block]]'' | Co-production with [[Big Talk Productions]], [[StudioCanal]] and [[UK Film Council]] |- | ''[[Kill List]]'' | Co-production with [[UK Film Council]], [[Warp X]], [[Screen Yorkshire]] and Rook Films |- | ''[[One Day (2011 film)|One Day]]'' | Co-production with [[Focus Features]], [[Random House]] Films and [[Color Force (film company)|Color Force]] |- | ''[[Shame (2011 film)|Shame]]'' | Co-production with [[Fox Searchlight Pictures]], [[UK Film Council]], [[See-Saw Films]], [[HanWay Films]] and [[Momentum Pictures]]/[[Alliance Films]] |- | ''[[The Deep Blue Sea (2011 film)|The Deep Blue Sea]]'' | Co-production with [[UK Film Council]] and [[Artificial Eye (distribution)|Artificial Eye]] |- | ''[[The Eagle (2011 film)|The Eagle]]'' | Co-production with [[Focus Features]] |- | ''[[The Emperor's New Clothes (2001 film)|The Emperor's New Clothes]]'' | |- | ''[[The Future (film)|The Future]]'' | Co-production with [[Medienboard Berlin-Brandenburg]] |- | ''[[The Great Bear (film)|The Great Bear]]'' | |- | ''[[The Inbetweeners Movie]]'' | Co-production with [[Bwark Productions]], [[Christopher Young|Young Films]] and [[Entertainment Film Distributors]] |- |''[[The Iron Lady (film)|The Iron Lady]]'' |Co-production with [[Pathé]], [[UK Film Council]] and [[The Weinstein Company]] |- | ''[[The Woman in the Fifth]]'' | Co-production with [[UK Film Council]], [[Canal+ (French TV channel)|Canal+]], [[Orange Cinéma Séries]] and [[Artificial Eye (distribution)|Artificial Eye]] |- | ''[[Tyrannosaur (film)|Tyrannosaur]]'' | Co-production with [[Warp X]], Inflammable Films, [[UK Film Council]], [[Screen Yorkshire]], EM Media, and [[Optimum Releasing]] (as StudioCanal UK) |- | ''[[Wuthering Heights (2011 film)|Wuthering Heights]]'' | Co-production with [[HanWay Films]], [[Ecosse Films]], [[UK Film Council]], [[Goldcrest Films]] and [[Screen Yorkshire]] |- | rowspan="5" |2012 | ''[[Hyde Park on Hudson]]'' |Co-production with [[Tinopolis|Daybreak Pictures]] and [[Focus Features]] |- | ''[[Berberian Sound Studio]]'' |Co-production with [[Warp Films|Warp X Productions]], [[Screen Yorkshire]] and [[UK Film Council]] |- | ''[[On the Road (2012 film)|On the Road]]'' |Co-production with [[American Zoetrope]], [[Marin Karmitz|MK2]], [[France Télévisions]], [[Canal+ (French TV channel)|Canal+]], [[Ciné+]], [[France 2]] Cinéma and [[Vanguard Films]] |- | ''[[Sightseers]]'' | Co-production with [[Big Talk Productions#Big Talk Pictures|Big Talk Pictures]] |- | ''[[Seven Psychopaths]]'' | Co-production with [[British Film Institute]], [[HanWay Films]] and [[CBS Films]] |- | rowspan="13" | 2013 | ''[[A Field in England]]'' | |- | ''[[For Those in Peril (2013 film)|For Those in Peril]]'' |Co-production with [[Warp Films|Warp X Productions]] |- | ''[[How I Live Now (film)|How I Live Now]]'' | Co-production with [[British Film Institute]], [[Magnolia Pictures]] and [[Passion Pictures]] |- | ''[[Le Week-End]]'' | |- | ''[[12 Years a Slave (film)|12 Years a Slave]]'' | Co-production with [[Regency Enterprises]], [[River Road Entertainment]] and [[Plan B Entertainment|Plan B]] |- | ''[[Starred Up]]'' | Co-production with [[Creative Scotland]], [[Northern Ireland Screen]] and [[Sigma Films]] |- | ''[[The Double (2013 film)|The Double]]'' | Co-production with [[Alcove Entertainment]] and [[British Film Institute]] |- | ''[[The Look of Love (film)|The Look of Love]]'' | Co-production with [[StudioCanal UK]], [[Revolution Films]] and [[Baby Cow Productions]] |- | ''[[Trance (2013 film)|Trance]]'' | Co-production with [[Pathé]], [[Fox Searchlight Pictures]] and [[Christian Colson|Cloud Eight Films]] and [[Indian Paintbrush (company)|Indian Paintbrush]] |- | ''[[Under the Skin (2013 film)|Under the Skin]]'' | Co-production with [[British Film Institute]], [[FilmNation Entertainment]], [[Scottish Screen]], [[Nick Wechsler (film producer)|Nick Wechsler Productions]] and [[A24 Films]] |- | ''[[The Spirit of '45]]'' | |- | ''[[The Stone Roses: Made of Stone]]'' | Co-production with [[Warp Films]] |- | ''[[The Selfish Giant (2013 film)|The Selfish Giant]]'' | Co-production with [[British Film Institute]] |- | rowspan="12" |2014 |''[[20,000 Days on Earth]]'' |Co-production with [[British Film Institute]] |- |''[[A Most Wanted Man (film)|A Most Wanted Man]]'' |Co-production with [[FilmNation Entertainment]] |- |''[['71 (film)|<nowiki/>'71]]'' |Co-production with [[British Film Institute]], [[Screen Yorkshire]], [[Creative Scotland]] and [[Warp Films]] |- |''[[Black Sea (2014 film)|Black Sea]]'' |Co-production with [[Focus Features]] |- | ''[[Cuban Fury]]'' | Co-production with [[British Film Institute]] |- | ''[[Ex Machina (film)|Ex Machina]]'' | Co-production with [[Universal Pictures]] and [[DNA Films]] |- |''[[Frank (film)|Frank]]'' | |- |''[[Life (2014 film)|Life]]'' |Co-production with [[See-Saw Films]], [[Telefilm Canada]] and [[Screen Australia]] |- |''[[Jimmy's Hall]]'' | |- |''[[Mr. Turner]]'' |Co-production with [[British Film Institute]], [[Focus Features]] International and [[Thin Man Films]] |- | ''[[The Inbetweeners 2]]'' | Co-production with [[Bwark Productions]] |- | ''[[The Riot Club]]'' | Co-production with [[Universal Pictures]], [[British Film Institute]], [[HanWay Films]] and [[Pinewood Studios|Pinewood Pictures]] |- | rowspan="10" | 2015 | ''[[Macbeth (2015 film)|Macbeth]]'' | Co-production with [[StudioCanal]], DMC Film, [[Anton Capital Entertainment]], [[Creative Scotland]] and [[See-Saw Films]] |- | ''[[High-Rise (film)|High-Rise]]'' | Co-production with [[Recorded Picture Company]], [[HanWay Films]] and the [[British Film Institute]] |- | ''[[The Lobster]]'' | Co-production with [[Irish Film Board]], [[Eurimages]], [[Netherlands Film Fund]], [[British Film Institute]], [[Canal+ (French TV channel)|Canal+]], [[Ciné+]], [[National Center of Cinematography and the moving image|CNC]], [[Institut Français]], Greek Film Centre, Element Pictures, Scarlet Films, Faliro House, Haut et Court and Lemming Films |- | ''[[45 Years]]'' | Co-production with [[British Film Institute]] |- | ''[[Amy (2015 film)|Amy]]'' | Co-production with [[Universal Music]], Playmaker Films & Krishwerkz Entertainment |- | ''[[Carol (film)|Carol]]'' | Co-production with [[Number 9 Films]] and [[Killer Films]] |- | ''[[Catch Me Daddy]]'' | Co-production with [[British Film Institute]] and [[Screen Yorkshire]] |- | ''[[Suffragette (film)|Suffragette]]'' | Co-production with [[20th Century Fox]], [[Pathé]], [[BFI]], [[Ingenious Media]], [[Canal+ (French TV channel)|Canal+]], [[Ciné+|Cine+]] and Ruby Films |- |''[[Slow West]]'' |Co-production with the [[New Zealand Film Commission]] and [[See-Saw Films]] |- | ''[[Room (2015 film)|Room]]'' | Co-production with [[Element Pictures]] and [[No Trace Camping]] |- | rowspan="5" | 2016 | ''[[American Honey (film)|American Honey]]'' | Co-production with Parts & Labor, Pulse Films, ManDown Pictures, [[British Film Institute]], and Maven Pictures |- | ''[[Billy Lynn's Long Halftime Walk (film)|Billy Lynn's Long Halftime Walk]]'' | Co-production with [[TriStar Pictures]] |- | ''[[Free Fire (film)|Free Fire]]'' | Co-production with [[British Film Institute]] |- | ''[[Trespass Against Us]]'' | Co-production with Potboiler Productions |- | ''[[Una (film)|Una]]'' | Co-production with [[Bron Studios]], Jean Doumanian Productions, and WestEnd Films |- | rowspan="9" | 2017 | ''[[Disobedience (2017 film)|Disobedience]]'' | Co-production with [[FilmNation Entertainment]] and [[Element Pictures]] |- | ''[[The Killing of a Sacred Deer]]'' | Co-production with [[Element Pictures]], Newsparta Films & [[A24]] |- | ''[[Three Billboards Outside Ebbing, Missouri]]'' | Co-production with [[Fox Searchlight Pictures]] and [[Blueprint Pictures]] |- | ''[[T2 Trainspotting]]'' |Co-production with [[TriStar Pictures]], [[Cloud Eight Films]] and [[DNA Films]] |- |''[[How to Talk to Girls at Parties (film)|How to Talk to Girls at Parties]]'' |Co-production with [[HanWay Films]], [[See-Saw Films]] and Little Punk |- |''[[Beast (2017 film)|Beast]]'' |Co-production with [[British Film Institute]] |- |''[[Journeyman (film)|Journeyman]]'' | |- |''[[Lean on Pete]]'' |Co-production with [[British Film Institute]] |- |''[[You Were Never Really Here]]'' |Co-production with [[Why Not Productions]], [[British Film Institute]] and Page 114 |- | rowspan="10" |2018 |''[[Mary Magdalene (2018 film)|Mary Magdalene]]'' |Co-production with [[Universal Pictures]], Porchlight Films, [[Affirm Films]], [[Columbia Pictures]] and [[See-Saw Films]]<ref>{{cite web|url=https://www.screendaily.com/news/rooney-mara-drama-mary-magdalene-held-back/5121532.article|title=Rooney Mara drama 'Mary Magdalene' held back for next year's awards season|website=[[Screen International]]|first=Jeremey|last=Kay|date=21 August 2017|access-date=21 August 2017}}</ref>) |- |''[[The Favourite (2018 film)|The Favourite]]'' |Co-production with [[Fox Searchlight Pictures]] and [[Element Pictures]] |- |''[[The Festival (film)|The Festival]]'' |Co-production with [[Entertainment Film Distributors]] |- |''[[The Little Stranger (film)|The Little Stranger]]'' |Co-production with [[Pathé]], [[Canal+ (French TV channel)|Canal+]] and [[Element Pictures]] |- |''[[Cold War (2018 film)|Cold War]]'' |Co-production with [[British Film Institute]] and [[Marin Karmitz|MK2]] |- | ''[[American Animals]]'' | |- |''[[An Evening with Beverly Luff Linn]]'' |Co-production with [[British Film Institute]] |- |''[[Been So Long (film)|Been So Long]]'' |Co-production with [[Netflix]] and [[British Film Institute]] |- |''[[Peterloo (film)|Peterloo]]'' |Co-production with [[British Film Institute]], [[Amazon Studios]] and [[Thin Man Films]] |- |''[[Widows (2018 film)|Widows]]'' |Co-production with [[20th Century Fox]], [[Regency Enterprises]] and [[See-Saw Films]] |- | rowspan="8" |2019 |''[[How to Build a Girl]]'' |Co-production with Tango Entertainment, [[British Film Institute]], Monumental Pictures, Protagonist Pictures |- | ''[[Rocks (film)|Rocks]]'' | |- | ''[[Saint Maud]]'' | Co-production with [[British Film Institute]], Escape Plan Productions and [[StudioCanal]] |- | ''[[The Personal History of David Copperfield]]'' | Co-production with [[FilmNation Entertainment]] |- | ''[[Greed (2019 film)|Greed]]'' | Co-production with [[Columbia Pictures]] and [[Revolution Films]] |- | ''[[Dirt Music (film)|Dirt Music]]'' |Co-production with [[ScreenWest]] |- | ''[[Fighting with My Family]]'' | Co-production with [[Metro-Goldwyn-Mayer]], [[WWE Studios]] and [[Seven Bucks Productions]] |- | ''[[True History of the Kelly Gang (film)|True History of the Kelly Gang]]'' | Co-production with [[Film Victoria]] and [[Screen Australia]] |- |2020 |''[[Dream Horse (film)|Dream Horse]]'' |Co-production with Cornerstone Films, [[Ingenious Media]], [[Raw TV|Raw]], [[Topic Studios]], FFilm Cymru Wales, [[Bleecker Street]], [[Sony Pictures Worldwide Acquisitions]] and [[Warner Bros. Pictures]] |- | rowspan="3" |2021 |[[Boxing Day (2021 film)|Boxing Day]] |Co-production with [[British Film Institute]], Rocket Science, DJ Films, Studio 113 and [[Warner Bros. Pictures]] |- |''[[Everybody's Talking About Jamie (film)|Everybody's Talking About Jamie]]'' |Co-production with [[New Regency Pictures]], [[20th Century Fox]] and [[Warp Films]] |- |''[[Last Night in Soho]]'' |Co-production with [[Focus Features]] and [[Working Title Films]] |- | rowspan="2" |2022 |''[[The Banshees of Inisherin]]'' | |- |''[[Brian and Charles]]'' |Co-production with [[British Film Institute]] and Mr Box Productions |- | rowspan="3" |2023 |''[[The Zone of Interest (film)|Zone of Interest]]'' | |- |''[[All of Us Strangers]]'' | Co-production with [[Blueprint Pictures]] and [[Searchlight Pictures]] |- |''[[Poor Things (film)|Poor Things]]'' |Co-production with [[Searchlight Pictures]] and [[Element Pictures]] |- | rowspan="5" |2024 |''[[Kinds of Kindness]]'' |Co-production with [[Searchlight Pictures]] and [[Element Pictures]] |- |''[[We Live in Time]]'' | |- |[[Love Lies Bleeding (2024 film)|''Love Lies Bleeding'']] | |- |''[[Sister Midnight]]'' | |- |''[[The Shadow Scholars]]'' | |- |2025 |[[Hot Milk (film)|''Hot Milk'']] | |- |2026 | | |}
== References == {{reflist}}
{{Authority control}}
== External links == {{sister project links|auto=y|d=y}} * {{official website |url=https://www.film4productions.com/ |name=Film4 Productions}}
{{Channel Four Television Corporation}} {{Cinema of the United Kingdom}} {{BAFTA Outstanding British Contribution to Cinema Award}}
[[Category:Channel 4]] [[Category:Film production companies of the United Kingdom]] [[Category:BAFTA Outstanding British Contribution to Cinema Award]] [[Category:1982 establishments in England]] [[Category:British companies established in 1982]]