{{Short description|American painter (1855–1920)}} {{redirect|Emma Cooper|the Australian film producer|Australians in Film}} {{Infobox artist | name = Emma Lampert Cooper | image = Portrait of Emma Lampert Cooper by Colin Campbell Cooper.jpg | caption = ''Portrait of Emma Lampert Cooper''<br />by Colin Campbell Cooper | birth_name = Emma Esther Lampert | birth_date = {{birth date|1855|02|24}} | birth_place = [[Nunda (village), New York|Nunda, NY]] | death_date = {{death date and age|1920|06|30|1855|02|24}} | death_place = [[Pittsford (village), New York|Pittsford, NY]] | known_for = [[Painting]] | spouse = [[Colin Campbell Cooper]] (m. 1897) | training = [[Art Students League of New York|Art Students League]] | movement = [[Realism (arts)|Realism]] | notable_works = | patrons = | awards = {{plain list | * [[World's Columbian Exposition|Chicago's World's Fair in 1893]] * [[Louisiana Purchase Exposition|St. Louis World's Fair of 1904]] (bronze) }} }} [[File:Emma Lampert Cooper - The Breadwinner.jpg|thumb|Emma Lampert Cooper, ''The Breadwinner,'' honored at the Chicago World's Exposition in 1893]] [[File:Emma Lampert Cooper, in her studio, circa 1900.jpg|thumb|Emma Lampert Cooper, in her studio, circa 1900]] [[File:Emma Lampert Cooper (1855-1920), Spring Landscape, water color.jpg|thumb|Emma Lampert Cooper water color: Spring Landscape]] '''Emma Lampert Cooper''' (February 24, 1855 – July 30, 1920) was a painter from [[Rochester, New York]], described as "a painter of exceptional ability".<ref>[[William H. Gerdts]]. ''[https://books.google.com/books?id=5QK13m2nKVEC&pg=PA69 East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist]''. Hudson Hills; 2006. {{ISBN|978-1-55595-269-3}}., p. 13</ref> She studied in Rochester, New York, in New York City under [[William Merritt Chase]], Paris at the [[Académie Delécluse]] and in the Netherlands under [[Hein Kever]]. Cooper won awards at several World's Expositions, taught art and was an art director. She met her husband, [[Colin Campbell Cooper]] in the Netherlands and the two traveled, painted and exhibited their works together.
==Early life== Emma Esther Lampert was born in [[Nunda (village), New York|Nunda, New York]], on February 24, 1855,<ref name="Love, Peters, p. 91">Richard H. Love; Carl William Peters. ''[https://books.google.com/books?id=dIn6EkBlJSUC&pg=PA91 Carl W. Peters: American Scene Painter from Rochester to Rockport]''. University Rochester Press; 1 January 1999. {{ISBN|978-1-58046-024-8}}. p. 91</ref><ref name="passport">Emma E. Lampert record, passport issued July 3, 1891. National Archives and Records Administration (NARA); Washington D.C.; Passport Applications, 1795–1905; Collection Number: ARC Identifier 566612 / MLR Number A1 508; NARA Series: M1372; Roll #: 377.</ref> to Henry and Jenette (Smith) Lampert.<ref name="RAC bio" /> That year her father – born in [[Hanover, Germany]] – was a tanner and two other German tanners and a servant were living in the house with the family. Emma had an older sister name Mary, younger sisters Carrie and Adella, and a younger brother named Henry. The family lived in Rochester, New York and her father was a leather wholesaler by 1870.<ref>Emma E. Lampert record, 1855 New York state census. Nunda Village, [[Livingston, New York]]. Census of the state of New York, for 1855. Microfilm. New York State Archives, Albany, New York.</ref><ref>Emma E. Lampert record, 1870 federal census. 1870 U.S. census, population schedules. NARA microfilm publication M593, 1,761 rolls. Washington, D.C.: National Archives and Records Administration, n.d.</ref> Her father registered for the draft for the [[American Civil War]] in June 1863. He died June 10, 1880.<ref>Henry Lampert record, Sons of the American Revolution Membership Applications, 1889–1970. Louisville, Kentucky: National Society of the Sons of the American Revolution. Microfilm, 508 rolls.</ref><ref>Henry Lampert record, National Archives and Records Administration (NARA); Washington, D.C.; Consolidated Lists of Civil War Draft Registration Records (Provost Marshal General's Bureau; Consolidated Enrollment Lists, 1863–1865); Record Group: 110, Records of the Provost Marshal General's Bureau (Civil War); Collection Name: Consolidated Enrollment Lists, 1863–1865 (Civil War Union Draft Records); ARC Identifier: 4213514; Archive Volume Number: 3 of 7.</ref>
===Education and early career=== Emma graduated from [[Wells College]] in Aurora, NY, in 1875. Classes at that time were very small and college life was centered around Old Main. The students lived in pairs in Old Main. Cooper was a founding member of the eastern association of Wells College Alumni. Her classmates remember Emma as being a fine skater, who once skated across [[Cayuga Lake]]. She did it at much surprise and worry of the college staff. Following her skating episode, Emma drove across the lake with a horse and cutter. It was the first time a horse and cutter made it across the lake in Aurora.
1877 The Rochester Club was formed, and Cooper was its vice president, marking the beginning of a long relationship with the club. She held the positions of vice president, secretary, and president and was a member until 1895. From 1870 to 1886, Cooper had a studio in the historic power buildings in Rochester, NY. Within Rochester, she had a "notable influence" on the city's art community. She then returned to New York City to study at the Art Students League and Cooper Union under William Merritt Chase. Cooper studied in Paris at the [[Académie Delécluse]] for 18 months in the mid-1880s and under Hein Kever in the Netherlands in 1891.
===Educator=== From 1891 to 1893, Cooper taught painting and was the Art Director at the [[Clifton Springs, NY]], foster school opened between 1876 and 1885. From 1893 to 1897, Cooper taught at the Mechanic's Institute of The [[Rochester Institute of Technology]].
===Marriage=== In 1897, while working and living in [[Dordrecht]], she met painter [[Colin Campbell Cooper]]. They married on June 9, 1897, in Rochester, New York. The couple traveled abroad between 1898 and 1902, living in the [[Laren, North Holland|Laren]] artist colony in the Netherlands for one year. Then, they primarily lived in New York City, and also traveled extensively to Europe and her hometown, Rochester.<ref>[[William H. Gerdts]]. ''[https://books.google.com/books?id=5QK13m2nKVEC&pg=PA69 East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist]''. Hudson Hills; 2006. {{ISBN|978-1-55595-269-3}}., pp. 18, 54, 58</ref> They were in India in 1913, reputedly both having been commissioned by a patroness from the United States to create paintings. The works from that trip were exhibited in Rochester, New York in 1915.<ref>[[William H. Gerdts]]. ''[https://books.google.com/books?id=5QK13m2nKVEC&pg=PA69 East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist]''. Hudson Hills; 2006. {{ISBN|978-1-55595-269-3}}. p. 71, 130</ref> Because of her work in the United States and abroad, she was considered knowledgeable of the international art community.<ref name="Love, Peters, p. 91" />
===Art works and exhibitions=== Her subjects were primarily still life and landscapes from her travels. She closed her Rochester studio in 1886 and traveled to Paris.<ref name="RAC bio" /> In 1887 she exhibited ''Hillside at Picardy'' at the [[Paris Salon]]. For her painting ''Breadwinner,'' Cooper was given an award at the [[World's Columbian Exposition|Chicago's World's Fair in 1893]]<ref name="Leonard p. 329">John William Leonard; William Frederick Mohr; Frank R. Holmes. ''[https://books.google.com/books?id=0V1IAAAAYAAJ&pg=PA329 Who's who in New York City and State]''. L.R. Hamersly Company; 1907. p. 329</ref><ref name="Love, Peters, p. 101">Richard H. Love; Carl William Peters. ''[https://books.google.com/books?id=dIn6EkBlJSUC&pg=PA101 Carl W. Peters: American Scene Painter from Rochester to Rockport]''. University Rochester Press; 1 January 1999. {{ISBN|978-1-58046-024-8}}. p. 101</ref> and the [[Cotton States and International Exposition]] in Atlanta in 1895.<ref name="Leonard p. 329" /> Cooper was awarded a gold medal at the 1902 American Art Society exhibition in Philadelphia.<ref name="RAC bio" /> She exhibited oil and watercolor paintings at the [[Louisiana Purchase Exposition|St. Louis World's Fair of 1904]] and won a bronze medal for a ''Weaving Homespun''<ref>James H. Lambert, Pennsylvania, Louisiana Purchase Exposition Commission. ''[https://books.google.com/books?id=lfPNAAAAMAAJ&pg=PA57 The story of Pennsylvania at the World's Fair St. Louis, 1904]''. The Pennsylvania Commission; 1905. p. 57, 335, 336.</ref> and another bronze medal.<ref name="RAC bio" /><ref name="Leonard p. 329" /> Her works were exhibited at the [[Paris Exposition of 1900]].<ref name="Leonard p. 329" /><ref>Richard H. Love; Carl William Peters. ''[https://books.google.com/books?id=dIn6EkBlJSUC&pg=PA111 Carl W. Peters: American Scene Painter from Rochester to Rockport]''. University Rochester Press; 1 January 1999. {{ISBN|978-1-58046-024-8}}. p. 111-112</ref> Cooper's paintings were exhibited with her husband' in shows in Rochester, Chicago, New York and Philadelphia, and Buffalo between 1902 and 1910.<ref>[[William H. Gerdts]]. ''[https://books.google.com/books?id=5QK13m2nKVEC&pg=PA69 East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist]''. Hudson Hills; 2006. {{ISBN|978-1-55595-269-3}}. p. 62</ref> In 1915 she showed paintings of India alongside works by [[Alice Schille]], [[Adelaide Deming]] and [[Helen Watson Phelps]] in New York.<ref>{{cite web|url=https://archive.org/details/frick-31072001493826|title=Group exhibition of recent paintings by Helen Watson Phelps, Alice Schille, Adelaide Deming and Emma Lampert Cooper [electronic resource] : pictures of India, Mar. 1–13, 1915|work=Internet Archive|access-date=4 March 2016}}</ref>
{{Quote box |title = |quote = A woman who followed the advice of these etiquette books to look, smell, feel, and "think" like a flower attained femininity by becoming a human flower for the aesthetic consumption of others. |source = "Floral Femininity: A Pictorial Definition"<ref name="jstor.org">Annette Stott. [https://www.jstor.org/stable/3109092 "Floral Femininity: A Pictorial Definition".] ''American Art.'' The University of Chicago Press. '''6''': 2 (Spring, 1992). p. 61.</ref> |align = left |width = 30em |border = 0px |bgcolor = LightSteelBlue |qstyle = |quoted = 1 |salign = right }} [[File:Emma Lampert Cooper - Villa Terrace - Florence, Italy.jpg|thumb|Emma Lampert Cooper, ''Villa Terrace'', oil painting, made before 1910, Arcetri, Florence, Italy]] [[File:Emma Lampert Cooper - Stone House - made before her death in 1920.jpg|thumb|Emma Lampert Cooper, ''Stone House'']] Cooper became an artist during the 19th century when there was a significant number of women who became successful, educated artists, a rarity before that time, except for a few like [[Angelica Kauffman]] and [[Louise Élisabeth Vigée Le Brun]] (1755–1842).<ref name="Stott p. 75">Annette Stott. [https://www.jstor.org/stable/3109092 "Floral Femininity: A Pictorial Definition".] ''American Art.'' The University of Chicago Press. '''6''': 2 (Spring, 1992). p. 75.</ref> The emerging women artists created works with a different perspective than men, challenged the limited concepts of femininity and created a genre of floral-female landscape paintings, in which "the artist placed one woman or more in a flower garden setting and manipulated composition, color, texture and form to make the women look as much like flowers as possible." These artists were among the educated, sophisticated "[[New Woman|New Women]]" beginning in the late 19th century, whose influence was largely ignored by art scholars.<ref name="jstor.org"/>
Cooper was a successful landscape painter and academic figure who began as a children's book illustrator and painter of miniatures and flower paintings. Realizing the difficulty in making the transition to a successful painter, particularly of landscape and figure paintings, Cooper warned other women artists of that difficulty. She, however, was able to overcome the obstacles and become successful.<ref name="Stott p. 75" />
Cooper was a member of the [[Women's International Art Club]] in London, [[Pennsylvania Academy of Fine Arts]] and the [[Women's Art Association of Canada]]. In New York, she was a member of [[Woman's Art Club of New York|Woman's Art Club]], [[National Arts Club]], and the [[New York Watercolor Club]].<ref name="RAC bio" /><ref name="Leonard p. 329" /> She was a charter member of the [[Rochester Art Club]] and the Philadelphia Water Color Club.<ref name="RAC bio" />
===Collections=== Cooper's paintings are held in private and public collections, including the [[Memorial Art Gallery]] of the [[University of Rochester]];<ref>Memorial Art Gallery, University of Rochester.</ref> [[Strong Museum]] in Rochester, New York;<ref>[http://siris-artinventories.si.edu/ipac20/ipac.jsp?&profile=all&source=~!siartinventories&uri=full=3100001~!286540~!0#focus ''Gray Day, Mystic, Connecticut, (painting).''] Art Inventories Catalog. Smithsonian American Art Museum. Retrieve March 30, 2014.</ref> [[Weatherspoon Art Museum]] in Greensboro, North Carolina;<ref>[http://siris-artinventories.si.edu/ipac20/ipac.jsp?&profile=all&source=~!siartinventories&uri=full=3100001~!51067~!0#focus ''Life Work.''] Art Inventories Catalog. Smithsonian American Art Museum. Retrieve March 30, 2014.</ref> and [[Wells College]] in Aurora, New York.<ref>[http://siris-artinventories.si.edu/ipac20/ipac.jsp?&profile=all&source=~!siartinventories&uri=full=3100001~!103991~!0#focus ''Holy Man's Tomb at Agra, (painting).''] Art Inventories Catalog. Smithsonian American Art Museum. Retrieve March 30, 2014.</ref>
==''Carpathia''== The couple was among the first class passengers on the Cunard liner {{RMS|Carpathia}} en route from New York to [[Gibraltar]] in April 1912, when it picked up the survivors of the {{RMS|Titanic}}.<ref>Pamela Wall, Sara Arnold. [https://www.antiquesandfineart.com/articles/article.cfm?request=980 "Outside Perspectives: Visiting Artists in Charleston."] ''Antiques & Fine Art''. 11th Anniversary, 2011. p. 305 p. 305</ref><ref>[https://www.wildlifeart.org/Artists/ArtistDetails/index.php?aID=425 Colin Campbell Cooper Biography.] {{webarchive|url=https://web.archive.org/web/20101222120624/http://www.wildlifeart.org/artists/artistDetails/index.php?aID=425 |date=2010-12-22 }} ''[[National Museum of Wildlife Art]]''</ref><ref>Ruth Lilly Westphal, Martin E. Petersen, Janet B. Dominik. ''Plein Air Painters of California: The North.'' Irvine, CA: Westphal Publishing. 1986. {{ISBN|0-9610520-1-5}} p. 61</ref> They aided in the rescue of survivors<ref name="Mental Floss">[http://mentalfloss.com/article/21095/titanic-hero-colin-campbell-cooper-jr "Titanic Hero Colin Campbell Cooper, Jr."] ''Mental Floss''. March 10, 2009. Retrieved March 30, 2014.</ref> and shared their room and took care of survivor [[Renee Harris]], the wife of theatre manager [[Henry B. Harris]], who had perished in the sinking.<ref>RMS Titanic History and Biography. [http://www.encyclopedia-titanica.org/titanic-survivor/irene-harris.html Irene Harris.] Encyclopedia Titanica.</ref> Colin Campbell Cooper subsequently made several paintings of the ''Titanic''.<ref name="Mental Floss" />
<gallery widths="230px" heights="170px"> File:Colin Campbell Cooper, Rescue of the Survivors of the Titanic by the Carpathia.jpg|[[Colin Campbell Cooper]], ''Rescue of the Survivors of the Titanic by the Carpathia'', 1912, Midwest Museum of Art </gallery>
==Death== She died in 1920<ref>[[William H. Gerdts]]. ''[https://books.google.com/books?id=5QK13m2nKVEC&pg=PA69 East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist]''. Hudson Hills; 2006. {{ISBN|978-1-55595-269-3}}. p. 54</ref> at home of her sister, Mrs. John Steele<ref>New York Times. Emma E. Lampert obituary. August 21, 1920. ''New York Times.''</ref> in Pittsford, New York on July 30. She is buried in [[Mount Hope Cemetery, Rochester|Mount Hope Cemetery]] in Rochester, New York.<ref name="RAC bio">Rochester Art Club. [http://www.rochesterartclub.org/history/biographies.html Biographies of Founders.] {{webarchive|url=https://web.archive.org/web/20130909150403/http://www.rochesterartclub.org/history/biographies.html |date=2013-09-09 }} Rochester Art Club. Retrieved February 7, 2014.</ref>
In January 1940, a retrospective exhibition of her works was held at George H. Brodhead Fine Arts in Rochester.<ref name="RAC bio" /> Her and her husband's papers are held in the manuscript collection of the River Campus Libraries at the [[University of Rochester]].<ref>[http://www.lib.rochester.edu/index.cfm?page=834 Emma Lampert Cooper papers], Manuscript Collection, River Campus Library, University of Rochester.</ref>
==Works==
===Europe or North America=== {{Div col|colwidth=30em}} * ''A Corner in the Studio,'' oil, 1882–1897<ref name="SAAM" /> * ''A Dutch Cavalier'', water color, Memorial Art Gallery, University of Rochester<ref name="MAG">Memorial Art Gallery. [http://collections.si.edu/search/results.htm?q=Cooper+Emma+Lampert Emma Lampert Cooper]. Memorial Art Gallery, University of Rochester. Retrieved February 7, 2014.</ref> * ''Adobe House,'' oil, {{circa|1900}}, private collection<ref name="SAAM" /> * ''An Old Mill, Holland,'' water color, 1897–1917<ref name="SAAM" /> * ''At Colorado Springs, Colorado,'' oil, at "Cragsmoor Artist's Vision of Nature" exhibition, Cragsmoor Free Library, New York in 1977<ref name="SAAM" /> * ''Bee Hives in a French Garden'', drawing, 1888, Memorial Art Gallery, University of Rochester<ref name="MAG" /> * ''Behind the Dunes''<ref name="Love, Peters, p. 101" /> * ''Brittany Farmyard,'' oil, 1882–1897<ref name="SAAM" /> * ''Canal in Holland,'' water color, {{circa|1885–1897}}<ref name="SAAM" /> * ''Cape Cod Vista,'' oil, Memorial Art Museum, University of Rochester<ref name="SAAM" /> * ''Courtyard'', oil, private owner<ref>Richard H. Love; Carl William Peters. ''[https://books.google.com/books?id=dIn6EkBlJSUC&pg=PA112 Carl W. Peters: American Scene Painter from Rochester to Rockport]''. University Rochester Press; 1 January 1999. {{ISBN|978-1-58046-024-8}}. p. 112</ref> * ''Crooked Houses,'' oil, {{circa|1897–1910}}<ref name="SAAM" /> * ''Dutch Interior,'' oil, 1882–1897<ref name="SAAM" /> * ''Geranium,'' oil<ref name="SAAM" /> * ''Gray Day,'' oil, 1882–1897<ref name="SAAM" /> * ''Gray Day, Mystic, Connecticut,'' oil, 1882–1897<ref name="SAAM" /> * ''Hillside in Picardy''<ref name="Love, Peters, p. 101" /> * ''Landscape, Autumn,'' water color, {{circa|1897–1920}}<ref name="SAAM" /> * ''Landscape, France,'' oil, 1882–1897<ref name="SAAM" /> * ''Life Work,'' oil, labor interior scene, Weatherspoon Art Museum, Greensboro, North Carolina<ref name="SAAM" /> * ''Little Shop,'' oil, {{circa|1900}}<ref name="SAAM" /> * ''Little Shop, Holland,'' oil, at "A Century of women artists in Cragsmoor: original works by women artists who have created in Cragsmoor during the past 100 years," Cragsmoor, N.Y.: Cragsmoor Free Library, 1979<ref name="SAAM" /> * ''Morning Near Riverdale,'' oil, {{circa|1885}}, Wells College, Aurora, New York<ref name="SAAM" /> * ''New England Vista,'' oil, Memorial Art Gallery, University of Rochester<ref name="SAAM" /> * ''Old Well, Pittfield, New York,'' water color, {{circa|1885–1897}}, Strong Museum, One Manhattan Square, Rochester, New York <ref name="SAAM" /> * ''On a French River'', painting, Memorial Art Gallery, University of Rochester<ref name="MAG" /> * ''Rose Covered Verandah,'' oil, 1897–1920<ref name="SAAM" /> * ''Roses – still life,'' oil, in 1987 at Lagakos-Turak Gallery, Philadelphia<ref name="SAAM" /> * ''San Diego Exposition 1916'', oil, interior scene, private collection<ref name="SAAM" /> * ''Side Door of a Manor House, Touraine,'' oil, 1897–1920<ref name="SAAM" /> * ''Spurting Rock,'' water color, 1885–1897<ref name="SAAM" /> * ''Still Life,'' water color, 1897–1920<ref name="SAAM" /> * ''The Breadwinner,'' water color, 1891, Memorial Art Gallery, University of Rochester<ref name="SAAM" /><ref name="MAG" /> * ''The Farm House,'' water color, {{circa|1885–1897}}<ref name="SAAM" /> * ''The Marsh,'' oil<ref name="SAAM" /> * ''Through the Meadows in Holland''<ref name="Love, Peters, p. 101" /> * ''Untitled (landscape with bridge)'', painting, Memorial Art Gallery, University of Rochester<ref name="MAG" /> * ''Weaving Homespun, Canada'', oil, {{circa|1904}}, Memorial Art Gallery, University of Rochester<ref name="SAAM" /><ref name="MAG" /> * ''Wheelwright at Work,'' oil, figure drawing, {{circa|1880}}<ref name="SAAM" /> * ''Wheelwright at Work,'' oil, interior scene, {{circa|1880}}<ref name="SAAM" /> * ''Windmills,'' oil, 1897–1920<ref name="SAAM" /> * ''Young Boys in Landscape,'' oil, in 1987 at Lagakos-Turak Gallery, Philadelphia<ref name="SAAM" /> {{div col end}}
===India=== Works made in India in 1913 and exhibited in the Memorial Art Gallery in Rochester and Milwaukee in 1915 include:<ref>[https://archive.org/stream/cu31924100355506#page/n1/mode/2up ''An Exhibition of paintings made in India by Colin Campbell Cooper and Emma Lampert Cooper, a collection of paintings, miniatures, and sculpture from the Guild of Boston Artists, miniatures by Mathias Sandor the Memorial Art Gallery, Rochester, New York, October 30th to November 28th, 1915.''] Rochester, New York: The Gallery, 1915.</ref><ref>''[https://books.google.com/books?id=pU_rAAAAMAAJ&pg=PA212 Magazine of Art]''. American Federation of Arts; 1916. p. 212.</ref> {{Div col|colwidth=30em}} * ''Bazaar at Little Agra'' * ''Bombay Street'' * ''Candy bazaar, Agra'' * ''Ceylon House Servant'' * ''Chauk bazaar, Lucknow'' * ''Delhi Fruit Stand'' * ''Dye house at Udaipur'' * ''Entrance to a Temple, Jaipur'' * ''Holy Man's Tomb at Agra,'' oil, {{circa|1895}}, Wells College, Aurora, New York<ref name="SAAM">[http://collections.si.edu/search/results.htm?fq=name%3A%22Cooper%2C+Emma+Lampert%22&q=Cooper+Emma+Lampert&start=0 Search: Emma Lampert Cooper.] Collections Search Center. Smithsonian American Art Museum. Retrieved March 30, 2014.</ref> * ''Leogryphs, Rangood, Burma'', water color * ''Native quarter, Bombay'', water color * ''Snake charmer'' * ''Street corner, Udaipur'' * ''Street of dye houses'', Little Agra * ''Temple at Little Agra'' * ''Tomb at Agra,'' water color * ''Water carrier'' {{div col end}}
==References== {{reflist|20em}}
==Further reading== *{{cite web|title=Emma Lampert Cooper pages|url=https://rbscp.lib.rochester.edu/finding-aids/D66|publisher=Rare Books, Special Collections, and Preservation, River Campus Libraries, University of Rochester}}
{{New Woman (late 19th century)}} {{Authority control}}
{{DEFAULTSORT:Cooper, Emma Lampert}} [[Category:1855 births]] [[Category:1920 deaths]] [[Category:Burials at Mount Hope Cemetery (Rochester)]] [[Category:Rochester Institute of Technology alumni]] [[Category:Artists from Rochester, New York]] [[Category:Wells College alumni]] [[Category:Painters from New York (state)]] [[Category:People from Nunda, New York]] [[Category:19th-century American painters]] [[Category:20th-century American painters]] [[Category:Students of William Merritt Chase]] [[Category:American people of German descent]] [[Category:Académie Delécluse alumni]] [[Category:19th-century American women painters]] [[Category:20th-century American women painters]]