{{Short description|none}} [[File:The Delhi Durbar 1911.webm|thumb|Excerpt from the surviving fragment of ''With Our King and Queen Through India'' (1912), the first feature-length film in natural color, filmed in Kinemacolor]] This is a list of early feature-length color films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major-studio favorite. About a third of the films are thought to be lost films, with no prints surviving. Some have survived incompletely or only in black-and-white copies made for TV broadcast use in the 1950s.
==Background== The earliest attempts to produce color films involved either tinting the film broadly with washes or baths of dyes, or painstakingly hand-painting certain areas of each frame of the film with transparent dyes. Stencil-based techniques such as Pathéchrome were a labor-saving alternative if many copies of a film had to be colored: each dye was rolled over the whole print using an appropriate stencil to restrict the dye to selected areas of each frame. The Handschiegl color process was a comparable technique. Because transparent dyes did not impact the clarity or detail of the image seen on the screen, the result could look rather naturalistic, but the choice of what colors to use, and where, was made by a person, so they could be very arbitrary and unlike the actual colors.
Edward Raymond Turner's process, tested in 1902, was the first to capture full natural color on motion picture film, but it proved to be mechanically impractical. A simplified two-color version, introduced as Kinemacolor in 1909, was successful until 1915, but the special projector it required and its inherent major technical defects contributed to its demise. Technicolor, originally also a two-color process capable of only a limited range of hues, was commercialized in 1922 and soon became the most widely used of the several two-color processes available in the 1920s.
Beginning in 1932, Technicolor introduced a new full-color process, "Process 4", now commonly called "three-strip Technicolor" because the special camera used for live-action filming yielded separate black-and-white negatives for each of the three primary colors. The final print, however, was a single full-color strip of film that did not need any special handling. This became the standard process used by the major Hollywood studios until the mid-1950s.
==List of films== {{sticky-header}} {|class="wikitable sortable sticky-header" width="100%" ! width="5%"|Year ! width="20%"|Title ! width="15%"|Country ! width="20%"|Color process ! width="10%"|Length ! width="30%"|Production company |- bgcolor=#F0F8FF | 1903 | ''La vie et la passion de Jésus Christ'' | {{flagicon|France|1830}} France | Pathéchrome | | Pathé Frères |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. Also known as ''The Passion Play'' and ''Vie et Passion du Christ''. Not released as a single feature, but as 32 individual shorts in three different groupings and shot at different times. Some scenes are partially hand colored (e.g. [https://www.youtube.com/watch?v=xo8GCWawhsI 88 min. copy on YouTube (with Dutch intertitles)]). The later scenes feature different actors and costumes to the earlier scenes.<ref>Abel, Richard (1998) ''[https://books.google.com/books?id=VnPUIY1FapsC&pg=PA576 The Ciné Goes to Town: French Cinema, 1896-1914]''. University of California Press {{ISBN|9780520912915}}, p. 576</ref> On DVD.
|- bgcolor=#F0F8FF | {{sort|1912.1|1912}} | ''With Our King and Queen Through India'' | {{flagicon|United Kingdom}} United Kingdom | Kinemacolor | 16,000 ft. | Natural Color Kinematograph Company |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First feature-length documentary capturing natural color rather than colorization techniques. The original footage ran for 2½ hours (16,000 ft.), presented in two different programs. The main film of the Delhi Durbar itself was shot on 12 December 1911. The rest of the film was made in other locations in India up to 30 December 1911, of which only a ten-minute extract still exists. Released in UK on 2 February 1912.<ref>McKernan, Luke (2009). ''[http://academic.csuohio.edu/kneuendorf/frames/color/McKernan2009.pdf 'The modern Elixir of Life': Kinemacolor, royalty and the Delhi Durbar] {{Webarchive|url=https://web.archive.org/web/20160303235002/http://academic.csuohio.edu/kneuendorf/frames/color/McKernan2009.pdf |date=2016-03-03 }},'' in ''Film History'', Vol. 21, pp. 122–136.</ref> |- bgcolor="#F0F8FF" | {{sort|1912.2|1912}} | ''Making of the Panama Canal'' | {{flagicon|United States}} United States | Kinemacolor |2 hours | Kinemacolor Company of America |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6" |Most successful Kinemacolor documentary after ''With Our King and Queen Through India''. The film was nine reels long and ran for 2 hours. It was also shown by Charles Urban in Britain. Only black and white stills remain.<ref name=":22">{{Cite book |last=McKernan |first=Luke |title=Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925 |publisher=University of Exeter Press |year=2018 |isbn=978-0859892964}}</ref> |- bgcolor=#F0F8FF | {{sort|1912.3|1912}} | ''{{sort|Miracle|The Miracle}}'' | {{flagicon|United Kingdom}} United Kingdom | Éclair process | 7,000 feet | Joseph Menchen (personal project) |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First full-color (hand-colored) dramatic feature film. Filmed in Austria in October 1912; hand-colored in Paris by seventy people;<ref name=NYT_Filmshow>{{cite news |url=https://timesmachine.nytimes.com/timesmachine/1912/12/09/100563268.pdf |title=Film show in Covent Garden |work=New York Times |date=9 December 1912}}</ref> UK release on 21 December 1912 at the Royal Opera House, Covent Garden. Original UK length 7,000 feet;<ref name=NYT_Filmshow /> censored versions showed at 5,000 and 5,500 feet. Designed to be accompanied by score for full symphony orchestra and chorus by Engelbert Humperdinck. A B&W print of a cut version is extant, held at the CNC Archives, France. [https://www.youtube.com/watch?v=vbIAQYKGkRs Available on YouTube] and [https://www.youtube.com/watch?v=eun9BoCrg_s final scene only], with extracts of the score recorded in 1932. |- bgcolor=#F0F8FF | {{sort|1914.1|1914}} | ''{{sort|World|The World, the Flesh and the Devil}}'' | {{flagicon|United Kingdom}} United Kingdom | Kinemacolor | | Natural Color Kinematograph Company |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First feature-length narrative film in natural color. Lost. |- bgcolor=#F0F8FF | {{sort|1914.2|1914}} | ''Little Lord Fauntleroy'' | {{flagicon|United Kingdom}} United Kingdom | Kinemacolor | | Natural Color Kinematograph Company |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Lost film. Only black and white stills remain. |- bgcolor=#F0F8FF | 1914–15 | ''With the Fighting Forces of Europe'' | {{flagicon|United Kingdom}} United Kingdom | Kinemacolor |{{Circa}} 20,000 ft<ref>{{Cite news |date=22 November 1914 |title=Scala Theatre |work=Weekly Dispatch}}</ref> | Color Films Ltd. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6" |Documentary film about the First World War, produced by Color Films Ltd., successor to the Natural Color Kinematograph Company. Some scenes were reused from the pre-war period, but many were shot during the war, particularly on the Western Front. The film was released shortly after the outbreak of war in 1914 and was constantly updated with new material until 1915. For this reason, the length of the film varied, with contemporary accounts reporting around 20,000 feet. The film has been lost.<ref name=":2">{{Cite book |last=McKernan |first=Luke |title=Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925 |publisher=University of Exeter Press |year=2018 |isbn=978-0859892964}}</ref> |- bgcolor=#F0F8FF | 1915 | ''Britain Prepared'' | {{flagicon|United Kingdom}} United Kingdom | Kinemacolor inserts | | Jury's Imperial Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First British propaganda film. Extant. |- bgcolor=#F0F8FF | 1916 | ''Joan the Woman'' | {{flagicon|United States|1912}} United States | Handschiegl color process inserts | | Famous Players–Lasky |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives complete with color sequences. Directed by Cecil B. DeMille. (Color was billed as the "DeMille-Wyckoff Process") |- bgcolor=#F0F8FF | {{sort|1917.1|1917}} | ''{{sort|Gulf|The Gulf Between }}'' | {{flagicon|United States|1912}} United States | Technicolor feature | | Technicolor Corporation |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First American film shot in color. Lost film. Only a few frames from test prints, showing star Grace Darmond, have survived. |- bgcolor=#F0F8FF | {{sort|1917.2|1917}} | ''{{sort|Devil|The Devil-Stone}}'' | {{flagicon|United States|1912}} United States | Handschiegl color process inserts | | Famous Players–Lasky |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Directed by Cecil B. DeMille. Only two reels survive in AFI collection at Library of Congress. |- bgcolor=#F0F8FF | {{sort|1918.1|1918}} | ''Cupid Angling'' | {{flagicon|United States|1912}} United States | Douglass Natural Color feature | | Douglass Natural Color Film Inc. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Lost film. Only feature film made in this process. |- bgcolor=#F0F8FF | {{sort|1918.2|1918}} | ''Our Navy'' | {{flagicon|United States|1912}} United States | Prizma feature | | Prizma |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First feature film shot in Prizmacolor. |- bgcolor=#F0F8FF | {{sort|1920.1|1920}} | ''Treasure Island'' | {{flagicon|United States|1912}} United States | Hand coloring (Handschiegl?) | | Paramount Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Lost film. |- bgcolor=#F0F8FF | {{sort|1920.2|1920}} | ''Roman Candles'' | {{flagicon|United States|1912}} United States | Handschiegl color process inserts | | Cineart |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Prints exist. |- bgcolor=#F0F8FF | {{sort|1920.3|1920}} |''Way Down East'' |{{flagicon|United States|1912}} United States |Technicolor insert | |D. W. Griffith Productions |- | colspan="6" |Extant in black-and-white only. |- bgcolor=#F0F8FF | {{sort|1921.1|1921}} | ''Bali the Unknown'' | {{flagicon|United States|1912}} United States | Prizma feature | | Prizma Inc. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Five-reel documentary opened 27 February 1921 at Capitol Theatre in NYC. Considered lost.<ref>{{cite web |title=List of 7200 Lost U.S. Silent Feature Films 1912-29 |url=https://www.loc.gov/static/programs/national-film-preservation-board/documents/lost_silent.pdf#page=4 |publisher=Library of Congress |year=2016}}</ref> |- bgcolor=#F0F8FF | {{sort|1921.2|1921}} | ''{{sort|Three|The Three Musketeers}}'' | {{flagicon|United States|1912}} United States | Handschiegl color process inserts | | United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Restored in 2022. |- bgcolor=#F0F8FF | {{sort|1922.1|1922}} | ''{{sort|Toll|The Toll of the Sea }}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 3190 ft. | Technicolor / Metro Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| The first natural-color feature film made in Hollywood. The final two reels are apparently lost. On DVD. |- bgcolor=#F0F8FF | {{sort|1922.2|1922}} | ''{{sort|bli|A Blind Bargain}}'' | {{flagicon|United States|1912}} United States | Handschiegl color process inserts | 188 ft. | Goldwyn Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1922.3|1922}} | ''{{sort|Glorious|The Glorious Adventure}}'' | {{flagicon|United States|1912}} United States/<br />{{flagicon|United Kingdom}} United Kingdom | Prizma feature | | United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Directed by J. Stuart Blackton. Extant at BFI National Archive. On DVD. |- bgcolor=#F0F8FF | {{sort|1922.4|1922}} | ''Flames of Passion'' | {{flagicon|United Kingdom}} United Kingdom | Prizma insert | | Astra Film |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Directed by Graham Cutts. Lost film. |- bgcolor=#F0F8FF | {{sort|1922.5|1922}} | ''Foolish Wives'' | {{flagicon|United States|1912}} United States | Hand coloring inserts | | Universal Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Hand coloring by Gustav Brock. |- bgcolor=#F0F8FF | {{sort|1923.1|1923}} | ''Red Lights'' | {{flagicon|United States|1912}} United States | Handschiegl color inserts | | Goldwyn Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black-and-white only. |- bgcolor=#F0F8FF | {{sort|1923.2|1923}} | ''{{sort|Ten|The Ten Commandments}}'' | {{flagicon|United States|1912}} United States | Technicolor inserts, Handschiegl color inserts | | Paramount Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives complete. On DVD. |- bgcolor=#F0F8FF | {{sort|1923.3|1923}} | ''Vanity Fair'' | {{flagicon|United States|1912}} United States | Prizma insert | | Goldwyn Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Directed by Hugo Ballin. Lost film. |- bgcolor=#F0F8FF | {{sort|1923.4|1923}} | ''{{sort|Virgin|The Virgin Queen}}'' | {{flagicon|United Kingdom}} United Kingdom | Prizma insert | | J. Stuart Blackton Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Directed by J. Stuart Blackton. Status unknown. |- bgcolor=#F0F8FF | {{sort|1923.5|1923}} | ''I Pagliacci'' | {{flagicon|United Kingdom}} United Kingdom | Prizma insert | | Napoleon Films |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Starring Lillian Hall-Davis. Status unknown. |- |{{sort|1923.6|1923}} |''Maytime'' |{{flagicon|United States|1912}} United States |Technicolor insert |200 ft. |B. P. Schulberg Productions |- | colspan="6" |Partially restored. |- bgcolor=#F0F8FF | {{sort|1924.1|1924}} | ''{{sort|Uninvited|The Uninvited Guest}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | | Metro Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Preservation status unknown. |- bgcolor=#F0F8FF | {{sort|1924.2|1924}} | ''Cytherea'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 230 ft. | Technicolor / Goldwyn Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. First Technicolor film shot under artificial light. |- bgcolor=#F0F8FF | {{sort|1924.3|1924}} | ''Wanderer of the Wasteland'' | {{flagicon|United States|1912}} United States | Technicolor feature | 3854 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First western in color. Lost film. |- bgcolor=#F0F8FF | {{sort|1924.4|1924}} | ''Venus of the South Seas'' | {{flagicon|United States|1912}} United States | Prizma insert | | Lee-Bradford Corp. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. Restored by the Library of Congress in 2004. Final reel is in Prizma. |- bgcolor=#F0F8FF | {{sort|1924.5|1924}} | ''The Heritage of the Desert'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 34 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Starring Bebe Daniels. Unknown status. |- bgcolor=#F0F8FF | {{sort|1924.6|1924}} | ''Greed'' | {{flagicon|United States|1912}} United States | Handschiegl color process inserts | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Short version of film extant, coloring lost (a few specimen frames may survive). On DVD. |- bgcolor=#F0F8FF | {{sort|1924.7|1924}} | ''{{sort|Dancemood|The Dance of the Moods}}'' | {{flagicon|United Kingdom}} United Kingdom | Friese-Greene Natural Color (formerly Biocolour) | | Friese-Greene Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|It is currently unknown if this is a feature or short film. |- bgcolor=#F0F8FF | {{sort|1924.8|1924}} | ''Moonbeam Magic'' | {{flagicon|United Kingdom}} United Kingdom | Friese-Greene Natural Color (formerly Biocolour) | | Spectrum Films |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Produced by Claude Friese-Greene. Status unknown, possibly at BFI National Archive. |- bgcolor=#F0F8FF | {{sort|1925.01|1925}} | ''Ben-Hur'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 1029 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1925.01|1925}} | ''Cyrano de Bergerac'' | {{flagicon|Italy|1861}} Italy/{{flagicon|France|1830}} France | Pathéchrome feature | 9501 ft. | Unione Cinematografica Italiana |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Starring Pierre Magnier. Extant. |- bgcolor=#F0F8FF | {{sort|1925.03|1925}} | ''{{sort|Phantom|The Phantom of the Opera}}'' | {{flagicon|United States|1912}} United States |Technicolor inserts, Kelley Color /Handschiegl color | 497 ft. | Universal Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|One color segment survives. On DVD. |- bgcolor=#F0F8FF | {{sort|1925.04|1925}} | ''{{sort|Merry|The Merry Widow}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 136 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Film survives, including two-minute color sequence. |- bgcolor=#F0F8FF | {{sort|1925.05|1925}} | ''Stage Struck'' | {{flagicon|United States|1912}} United States | Technicolor inserts | | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant with color sequences. Restored by George Eastman House. Starring Gloria Swanson. |- bgcolor=#F0F8FF | {{sort|1925.06|1925}} | ''Pretty Ladies'' | {{flagicon|United States|1912}} United States | Technicolor insert | 597 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1925.07|1925}} | ''His Supreme Moment'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 517 ft. | First National Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1925.08|1925}} | ''{{sort|Big|The Big Parade}}'' | {{flagicon|United States|1912}} United States | Applied color by Technicolor | 154 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Feature and color exists. On DVD. |- bgcolor=#F0F8FF | {{sort|1925.09|1925}} | ''So This Is Marriage'' | {{flagicon|United States|1912}} United States | Technicolor insert | 729 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1925.1|1925}} | ''{{sort|Splendid|The Splendid Road}}'' | {{flagicon|United States|1912}} United States | Handschiegl color inserts | | First National Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Status unknown. |- bgcolor=#F0F8FF | {{sort|1925.11|1925}} | ''Seven Chances'' | {{flagicon|United States|1912}} United States | Technicolor insert | 275 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant with color. On DVD. |- bgcolor=#F0F8FF | {{sort|1925.12|1925}} | ''{{sort|Kingmain|The King on Main Street}}'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 105 ft. | Famous Players–Lasky |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives complete. |- bgcolor=#F0F8FF | {{sort|1925.13|1925}} | ''Lights of Old Broadway'' | {{flagicon|United States|1912}} United States | Technicolor inserts, Handschiegl color process inserts | | Cosmopolitan Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in Library of Congress. |- |1925 |''Peacock Feathers'' |{{flagicon|United States|1912}} United States |Technicolor insert |82 ft. |Universal Pictures |- | colspan="6" |Lost film. |- bgcolor=#F0F8FF | {{sort|1926.01|1926}} | ''Fig Leaves'' | {{flagicon|United States|1912}} United States | Technicolor insert | 969 ft. | Fox Film |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1926.02|1926}} | ''Beverly of Graustark'' | {{flagicon|United States|1912}} United States | Technicolor insert | 354 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF |{{sort|1926.02|1926}} |''Monte Carlo'' |{{flagicon|United States|1912}} United States |Technicolor inserts |1000 ft. |Metro-Goldwyn-Mayer |- | colspan="6" |Extant. |- bgcolor=#F0F8FF |{{sort|1926.03|1926}} |''Into Her Kingdom'' |{{flagicon|United States|1912}} United States |Technicolor insert |221 ft. |First National Pictures |- | colspan="6" |Lost film. |- bgcolor=#F0F8FF |{{sort|1926.03|1926}} |''The Yankee Señor'' |{{flagicon|United States|1912}} United States |Technicolor insert |475 ft. |Fox |- | colspan="6" |Extant. |- bgcolor=#F0F8FF |1926 |''The Far Cry'' |{{flagicon|United States|1912}} United States |Technicolor insert |807 ft. |First National Pictures |- | colspan="6" |Extant. |- bgcolor=#F0F8FF |1926 |''Hell's Four Hundred'' |{{flagicon|United States|1912}} United States |Technicolor insert |321 ft. |Fox |- | colspan="6" |Extant. |- bgcolor=#F0F8FF | {{sort|1926.03|1926}} | ''{{sort|Open|The Open Road}}'' | {{flagicon|United Kingdom}} United Kingdom | Friese-Greene Natural Color (formerly Biocolour) | | Friese-Greene Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Series of documentary films shot between 1924 and 1926. A print was restored and shown on the BBC in 2006. On DVD. |- bgcolor=#F0F8FF | {{sort|1926.04|1926}} | ''{{sort|Last|Gli ultimi giorni di Pompeii}}'' | {{flagicon|Italy|1861}} Italy | Pathéchrome feature | 12083 ft. | Società Italiana Grandi Films |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. US Title: ''The Last Days of Pompeii'' On DVD. |- bgcolor=#F0F8FF | {{sort|1926.05|1926}} | ''Irene'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 972 ft. | First National Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives complete with color sequences. |- bgcolor=#F0F8FF | {{sort|1926.06|1926}} | ''Beau Geste'' | {{flagicon|United States|1912}} United States | Technicolor inserts | | Paramount Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1926.07|1926}} | ''{{sort|Flaming|The Flaming Forest}}'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 203 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant at Library of Congress. |- bgcolor=#F0F8FF | {{sort|1926.08|1926}} | ''{{sort|American|The American Venus}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 1574 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. Two trailers, and brief clip of color insert, survive at the Library of Congress. |- bgcolor=#F0F8FF | {{sort|1926.09|1926}} | ''Volcano'' | {{flagicon|United States|1912}} United States | Handschiegl color inserts | | Paramount Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant at Library of Congress. Preserved by UCLA Film and Television Archive and The Museum of Modern Art. |- bgcolor=#F0F8FF | {{sort|1926.1|1926}} | ''Mike'' | {{flagicon|United States|1912}} United States | Handschiegl color inserts | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant at Library of Congress. Complete print of 70 minutes found at Library of Congress in December 2015. |- bgcolor=#F0F8FF | {{sort|1926.11|1926}} | ''{{sort|Black|The Black Pirate}}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 8124 ft. | United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Original Technicolor Process 2 print survives at the BFI National Archive. Commonly seen version was created from surviving negatives. Outtakes survive in black-and-white. On DVD. |- bgcolor=#F0F8FF | {{sort|1926.12|1926}} | ''{{sort|Fire|The Fire Brigade}}'' | {{flagicon|United States|1912}} United States | Technicolor inserts, Handschiegl color inserts | 692 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Film extant, but color is incomplete. At Library of Congress. |- bgcolor=#F0F8FF | {{sort|1926.13|1926}} | ''{{sort|Joy|The Joy Girl}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 285 ft. | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|A copy may survive in the Museum of Modern Art film archive. |- bgcolor=#F0F8FF | {{sort|1926.14|1926}} | ''Flames'' | {{flagicon|United States|1912}} United States | Handschiegl color inserts | | Associated Exhibitors |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|One reel exists in the Library of Congress. |- bgcolor=#F0F8FF | {{sort|1926.15|1926}} | ''{{sort|Girl|The Girl from Montmartre}}'' | {{flagicon|United States|1912}} United States | Handschiegl color inserts | | First National Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Preserved by Warner Bros. from original negative and nitrate handschiegl print. |- bgcolor=#F0F8FF |1927 |''Long Pants'' |{{flagicon|United States|1912}} United States |Technicolor insert |950 ft. |First National Pictures |- | colspan="6" |Extant. |- bgcolor=#F0F8FF |1927 |''White Pants Willie'' |{{flagicon|United States|1912}} United States |Technicolor insert |533 ft. |First National Pictures |- | colspan="6" |Extant. |- bgcolor=#F0F8FF |1927 |''The Girl From Rio'' |{{flagicon|United States|1912}} United States |Technicolor insert |125 ft. |Gotham Productions |- | colspan="6" |Extant. |- bgcolor=#F0F8FF |1927 |''Frisco Sally Levy'' |{{flagicon|United States|1912}} United States |Technicolor insert |381 ft. |Metro-Goldwyn-Mayer |- | colspan="6" |Extant. |- bgcolor=#F0F8FF | {{sort|1927.1|1927}} | ''{{sort|Kingking|The King of Kings}}'' | {{flagicon|United States|1912}} United States | Technicolor inserts | | DeMille Productions / Pathé Exchange |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives complete. On DVD. |- bgcolor=#F0F8FF | {{sort|1927.2|1927}} | ''Winners of the Wilderness'' | {{flagicon|United States|1912}} United States | Technicolor insert | 180 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|16mm print extant. Starring Joan Crawford. On DVD. |- bgcolor=#F0F8FF | {{sort|1927.3|1927}} | ''Annie Laurie'' | {{flagicon|United States|1912}} United States | Technicolor insert | 204 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant with color at the Library of Congress. |- bgcolor=#F0F8FF | {{sort|1927.4|1927}} | ''{{sort|Wizard|The Wizard}}'' | {{flagicon|United States|1912}} United States | Hand coloring | | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1927.5|1927}} | ''Napoléon'' | {{flagicon|France|1830}} France | Keller-Dorian process sequences | | Abel Gance / Gaumont |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Extant. Keller-Dorian process proved to be impractical. |- bgcolor=#F0F8FF | {{sort|1927.6|1927}} | ''La revue des revues'' | {{flagicon|France|1830}} France | Pathéchrome inserts | | |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Extant. |- bgcolor=#F0F8FF | {{sort|1927.7|1927}} | ''Casanova'' | {{flagicon|France|1830}} France/<br />{{flagicon|Germany|Weimar}} Germany | Pathéchrome insert | | Ciné-Alliance / Deulig Film / Pathé |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. Based on operetta by Ralph Benatzky. |- bgcolor=#F0F8FF |1928 |''The Garden of Eden'' |{{flagicon|United States|1912}} United States |Technicolor insert |277 ft. |First National Pictures |- | colspan="6" |Extant. |- bgcolor=#F0F8FF |1928 |''The Actress'' |{{flagicon|United States|1912}} United States |Technicolor insert |121 ft. |Metro-Goldwyn-Mayer |- | colspan="6" |Extant. |- bgcolor=#F0F8FF |1928 |''Revenge'' |{{flagicon|United States|1912}} United States |Technicolor insert |329 ft. |United Artists |- | colspan="6" |Lost film. |- bgcolor=#F0F8FF |1928 |''The Big Hop'' |{{flagicon|United States|1912}} United States |Technicolor insert |500 ft. |Buck Jones Productions |- | colspan="6" |Lost film. |- bgcolor=#F0F8FF | {{sort|1928.1|1928}} | ''The Woman and the Puppet'' | {{flagicon|France|1830}} France | Keller-Dorian process | | Société des Cinéromans / Pathé |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Extant. Directed by Jacques de Baroncelli. |- bgcolor=#F0F8FF | {{sort|1928.2|1928}} | ''None but the Brave'' | {{flagicon|United States|1912}} United States | Technicolor insert | 549 ft. | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Status unknown. |- bgcolor=#F0F8FF | {{sort|1928.3|1928}} | ''{{sort|Wedding|The Wedding March }}'' | {{flagicon|United States|1912}} United States | Technicolor insert, hand coloring | 294 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. Directed by Erich von Stroheim. |- bgcolor=#F0F8FF | {{sort|1928.4|1928}} | ''Red Hair'' | {{flagicon|United States|1912}} United States | Technicolor insert | 57 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. Color tests survive at UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1928.5|1928}} | ''{{sort|Viking|The Viking}}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 8398 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. The first Technicolor feature with sound (synchronized music score and sound effects only, no dialog or "live" sound). On DVD. |- bgcolor=#F0F8FF | {{sort|1928.6|1928}} | ''{{sort|Water|The Water Hole}}'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 332 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Status unknown. |- bgcolor=#F0F8FF | {{sort|1928.7|1928}} | ''Court-Martial'' | {{flagicon|United States|1912}} United States | Technicolor insert | 473 ft. | Columbia Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Status unknown. |- bgcolor=#F0F8FF | {{sort|1929.01|1929}} | ''Redskin'' | {{flagicon|United States|1912}} United States | Mostly Technicolor with sepia-toned sequences | 4463 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Synchronized music score and sound effects but no dialog or "live" sound. Survives complete. On DVD. |- bgcolor=#F0F8FF | {{sort|1929.01|1929}} | ''{{sort|Desert|The Desert Song}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 306 ft. | Warner Bros. Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black-and-white only. The first all-talking feature with color sequences. |- bgcolor=#F0F8FF | {{sort|1929.02|1929}} | ''On with the Show!'' | {{flagicon|United States|1912}} United States | Technicolor feature | 9592 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black-and-white. 20-second color clip exists in private collection. The first all-color all-talking feature. On DVD. |- bgcolor=#F0F8FF | {{sort|1929.03|1929}} | ''Harmony Heaven'' | {{flagicon|United Kingdom}} United Kingdom | Pathéchrome sequences | | British International Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant at BFI National Archive. |- bgcolor=#F0F8FF | {{sort|1929.04|1929}} | ''{{sort|rom|A Romance of Seville}}'' | {{flagicon|United Kingdom}} United Kingdom | Pathéchrome feature | | British International Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Sound version released July 1930. First British sound film released in color, using the Pathéchrome stencil-coloring process. On DVD. |- bgcolor=#F0F8FF | {{sort|1929.05|1929}} | ''Devil-May-Care'' | {{flagicon|United States|1912}} United States | Technicolor insert | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Prints survive. |- bgcolor=#F0F8FF | {{sort|1929.06|1929}} | ''{{sort|Show|The Show of Shows}}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 9987 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Only survives in black-and-white except "Chinese Fantasy" number with Myrna Loy and Nick Lucas and part or all of "Meet My Sister" number. On DVD with latter number in black-and-white (color footage only recently discovered). |- bgcolor=#F0F8FF | {{sort|1929.07|1929}} | ''Pointed Heels'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 270 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant complete at UCLA Film and Television Archive. Broadcast master is in black-and-white. |- bgcolor=#F0F8FF | {{sort|1929.08|1929}} | ''Paris'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 3645 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Picture lost except 3 fragments at '''Seaver Center'''. International silent soundtrack extant as well as talking reel 7. |- bgcolor=#F0F8FF | {{sort|1929.09|1929}} | ''Gold Diggers of Broadway'' | {{flagicon|United States|1912}} United States | Technicolor feature | 9122 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Two incomplete reels and some short fragments extant. Complete soundtrack extant. |- bgcolor=#F0F8FF | {{sort|1929.1|1929}} | ''Sally'' | {{flagicon|United States|1912}} United States | Technicolor feature | 9280 ft. | First National-Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. Two-minute color sequence also extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1929.11|1929}} | ''Glorifying the American Girl'' | {{flagicon|United States|1912}} United States | Technicolor insert | 897 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant complete at UCLA Film and Television Archive. On DVD. |- bgcolor=#F0F8FF | {{sort|1929.12|1929}} | ''{{sort|Broadway|The Broadway Melody}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 307 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black-and-white only. On DVD. |- bgcolor=#F0F8FF | {{sort|1929.14|1929}} | ''Sunny Side Up'' | {{flagicon|United States|1912}} United States | Multicolor inserts | | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black-and-white only. |- bgcolor=#F0F8FF | {{sort|1929.15|1929}} | ''{{sort|Hollywood|The Hollywood Revue of 1929}}'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 1360 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1929.16|1929}} | ''Broadway'' | {{flagicon|United States|1912}} United States | Technicolor insert | 198 ft. | Universal |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives in a talking version and a silent version made for theaters without sound equipment. The talking version is missing the final reel, the color sequence, which does survive in the silent version. |- bgcolor=#F0F8FF | {{sort|1929.17|1929}} | ''Married in Hollywood'' | {{flagicon|United States|1912}} United States | Multicolor insert | | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Only final reel in Multicolor survives at UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1929.18|1929}} | ''Red Hot Rhythm'' | {{flagicon|United States|1912}} United States | Multicolor insert | | Pathé Exchange |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Only one number in color, the title song, survives. |- bgcolor=#F0F8FF | {{sort|1929.19|1929}} | ''This Thing Called Love'' | {{flagicon|United States|1912}} United States | Multicolor insert | | Pathé Exchange |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film except for color sequence. |- bgcolor=#F0F8FF | {{sort|1929.2|1929}} | ''{{sort|Dancelif|The Dance of Life}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 779 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black-and-white. |- bgcolor=#F0F8FF | {{sort|1929.21|1929}} | ''Footlights and Fools'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 1183 ft. | First National-Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1929.22|1929}} | ''His First Command'' | {{flagicon|United States|1912}} United States | Multicolor inserts | | Pathé Exchange |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black-and-white. Status of Multicolor sequences unknown. |- bgcolor=#F0F8FF | {{sort|1929.23|1929}} | ''It's a Great Life'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 1391 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. On DVD from Warner Archive Collection. |- bgcolor=#F0F8FF | {{sort|1929.24|1929}} | ''{{sort|Mysterious|The Mysterious Island}}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 8569 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Extant at UCLA Film and Television Archive. Complete Technicolor print was discovered in Prague, December 2013 and premiered at the 33rd Pordenone Silent Film Festival in October 2014. On DVD.<ref>{{cite web |title=Le Giornate del Cinema Muto, Pordenone 4-11 ottobre 2014: Calendario, 33 |url=http://www.cinetecadelfriuli.org/gcm/allegati/2014_CalendarioGCM_w3.pdf |publisher=Cineteca del Friuli |date=2014 |archive-url=https://web.archive.org/web/20150301064823/http://www.cinetecadelfriuli.org/gcm/allegati/2014_CalendarioGCM_w3.pdf |archive-date=1 March 2015 |url-status=live | access-date=3 September 2025}}</ref> |- bgcolor=#F0F8FF | {{sort|1929.25|1929}} | ''Rio Rita'' | {{flagicon|United States|1912}} United States | Technicolor insert | 2680 ft. | RKO Radio Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives in a cut re-release copy with all color sequences. On DVD. |- bgcolor=#F0F8FF | {{sort|1929.26|1929}} | ''{{sort|wil|William Fox Movietone Follies of 1929}}'' | {{flagicon|United States|1912}} United States | Multicolor inserts | | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1929.27|1929}} | ''{{sort|Great|The Great Gabbo}}'' | {{flagicon|United States|1912}} United States | Multicolor inserts | | Sono Art-World Wide Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives in black-and-white except for missing color musical number "The Ga-Ga Bird".<!-- contemporary mentions and ad art indicate that at least one of the surviving numbers was also originally in Multicolor --> On DVD. |- bgcolor=#F0F8FF | {{sort|1929.28|1929}} | ''Smiling Irish Eyes'' | {{flagicon|United States|1912}} United States | Technicolor inserts | | First National Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. Soundtrack discs survive at UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1930.01|1930}} | ''{{sort|Rogue|The Rogue Song}}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 9565 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. Complete soundtrack extant on discs.<!-- not, strictly speaking, a "Vitaphone" soundtrack, as formerly described --> Trailer and fragments preserved at UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1930.02|1930}} | ''{{sort|Life|The Life of the Party}}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 7202 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1930.03|1930}} | ''Hold Everything'' | {{flagicon|United States|1912}} United States | Technicolor feature | 7280 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. Complete soundtrack extant on discs.<!-- not, strictly speaking, a "Vitaphone" soundtrack, as formerly described --> |- bgcolor=#F0F8FF | {{sort|1930.04|1930}} | ''{{sort|Vagabond|The Vagabond King}}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 9413 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Only complete copy restored by UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1930.05|1930}} | ''Just for a Song'' | {{flagicon|United Kingdom}} United Kingdom | Pathécolor sequences | | Gainsborough Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1930.06|1930}} | ''Alf's Button'' | {{flagicon|United Kingdom}} United Kingdom | Pathécolor sequences | | British Gaumont |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1930.07|1930}} | ''Paramount on Parade'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 2517 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Plotless all-star revue. Most survives, but one black-and-white and one color sequence are missing, the color finale with Maurice Chevalier survives only in black-and-white, and the sound for two of the color sequences is missing. Restored by UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1930.09|1930}} | ''Under a Texas Moon'' | {{flagicon|United States|1912}} United States | Technicolor feature | 7501 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First all-talking Western film shot entirely in color. Survives in a complete color copy. |- bgcolor=#F0F8FF | {{sort|1930.09|1930}} | ''Whoopee!'' | {{flagicon|United States|1912}} United States | Technicolor feature | 8681 ft. | United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives in at least one complete color copy. |- bgcolor=#F0F8FF | {{sort|1930.1|1930}} | ''{{sort|School|The School for Scandal}}'' | {{flagicon|United Kingdom}} United Kingdom | Raycolor feature | | Albion Films |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Only feature film photographed in this process. Lost film. |- bgcolor=#F0F8FF | {{sort|1930.11|1930}} | ''Elstree Calling'' | {{flagicon|United Kingdom}} United Kingdom | Pathéchrome Inserts | | British International Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant at BFI National Archive. Co-directed by Alfred Hitchcock. |- bgcolor=#F0F8FF | {{sort|1930.12|1930}} | ''Hell's Angels'' | {{flagicon|United States|1912}} United States | Multicolor insert | 866 ft. | United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Color sequence and film survive complete. Scene filmed in Multicolor, printed by Technicolor. |- bgcolor=#F0F8FF | {{sort|1930.13|1930}} | ''Knowing Men'' | {{flagicon|United Kingdom}} United Kingdom | Talkicolor feature | | United Artists Corporation |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Second British sound feature in color. Extant in black-and-white at BFI National Archive. |- bgcolor=#F0F8FF | {{sort|1930.14|1930}} | ''King of Jazz'' | {{flagicon|United States|1912}} United States | Technicolor feature | 9320 ft. | Universal |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1930.15|1930}} | ''Chasing Rainbows'' | {{flagicon|United States|1912}} United States | Technicolor insert | 1249 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Black-and-white parts survive, color sequences are completely lost. |- bgcolor=#F0F8FF | {{sort|1930.16|1930}} | ''They Learned About Women'' | {{flagicon|United States|1912}} United States | Technicolor insert | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black and white only. |- bgcolor=#F0F8FF | {{sort|1930.17|1930}} | ''Good News'' | {{flagicon|United States|1912}} United States | Multicolor insert | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Color was used for the finale, which is now completely lost. The rest survives. |- bgcolor=#F0F8FF | {{sort|1930.20|1930}} | ''Madam Satan'' | {{flagicon|United States|1912}} United States | Multicolor inserts | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Color was used for the airship party sequences, but the rest of the sequences only survive in black and white. |- bgcolor=#F0F8FF | {{sort|1930.18|1930}} | ''Showgirl in Hollywood'' | {{flagicon|United States|1912}} United States | Technicolor insert | 832 ft. | First National-Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1930.19|1930}} | ''Bride of the Regiment'' | {{flagicon|United States|1912}} United States | Technicolor feature | 7418 ft. | First National-Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Picture lost except for a 20-second color clip. Complete soundtrack extant. |- bgcolor=#F0F8FF | {{sort|1930.21|1930}} | ''Puttin' On the Ritz'' | {{flagicon|United States|1912}} United States | Technicolor insert | 953 ft. | United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1930.22|1930}} | ''Mammy'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 1497 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. The first Al Jolson film with color. |- bgcolor=#F0F8FF | {{sort|1930.23|1930}} | ''Call of the Flesh'' | {{flagicon|United States|1912}} United States | Technicolor insert | 721 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1930.24|1930}} | ''Bright Lights'' | {{flagicon|United States|1912}} United States | Technicolor feature | 6416 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1930.25|1930}} | ''Children of Pleasure'' | {{flagicon|United States|1912}} United States | Technicolor insert | ~700 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives complete in black-and-white. Color sequences extant in sections. |- bgcolor=#F0F8FF | {{sort|1930.26|1930}} | ''General Crack'' | {{flagicon|United States|1912}} United States | Technicolor insert | 532 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives in a silent copy with no color sequences made for theaters without sound equipment. |- bgcolor=#F0F8FF | {{sort|1930.27|1930}} | ''The Melody Man'' | {{flagicon|United States|1912}} United States | Technicolor insert | 826 ft. | Columbia Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1930.28|1930}} | ''Follow Thru'' | {{flagicon|United States|1912}} United States | Technicolor feature | 8383 ft. | Paramount |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1930.29|1930}} | ''{{sort|March|The March of Time}}'' | {{flagicon|United States|1912}} United States | Technicolor inserts | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Production never completed. Several musical sequences extant. |- bgcolor=#F0F8FF | {{sort|1930.3|1930}} | ''New Movietone Follies of 1930'' | {{flagicon|United States|1912}} United States | Multicolor inserts | | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. Only copy at UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1930.31|1930}} | ''{{sort|Florodora|The Florodora Girl}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 608 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1930.32|1930}} | ''Mamba'' | {{flagicon|United States|1912}} United States | Technicolor feature | 6998 ft. | Tiffany Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant complete. First all-color all-talking feature which was not a musical. On DVD. |- bgcolor=#F0F8FF | {{sort|1930.33|1930}} | ''Sweet Kitty Bellairs'' | {{flagicon|United States|1912}} United States | Technicolor feature | 5846 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. On DVD. |- bgcolor=#F0F8FF | {{sort|1930.34|1930}} | ''Son of the Gods'' | {{flagicon|United States|1912}} United States | Technicolor insert | 442 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1930.35|1930}} | ''Song of the Flame'' | {{flagicon|United States|1912}} United States | Technicolor feature | 6501 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Picture lost except 2 fragments at '''Seaver Center'''. Complete soundtrack extant. |- bgcolor=#F0F8FF | {{sort|1930.36|1930}} | ''Song of the West'' | {{flagicon|United States|1912}} United States | Technicolor feature | 7189 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Picture lost except for a minute-long color clip. On DVD from Warner Archive Collection. |- bgcolor=#F0F8FF | {{sort|1930.37|1930}} | ''Viennese Nights'' | {{flagicon|United States|1912}} United States | Technicolor feature | 9191 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant, preserved at UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1930.38|1930}} | ''Golden Dawn'' | {{flagicon|United States|1912}} United States | Technicolor feature | 7546 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black-and-white only. Color fragment found circa 2015. |- bgcolor=#F0F8FF | {{sort|1930.39|1930}} | ''Peacock Alley'' | {{flagicon|United States|1912}} United States | Technicolor insert | 651 ft. | Tiffany |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant; color sequence is at the Library of Congress. |- bgcolor=#F0F8FF | {{sort|1930.4|1930}} | ''No, No, Nanette'' | {{flagicon|United States|1912}} United States | Technicolor inserts | 3895 ft. | First National-Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|BFI National Archive holds a 35 mm incomplete nitrate print 160 ft. |- bgcolor=#F0F8FF | {{sort|1930.41|1930}} | ''{{sort|Lottery|The Lottery Bride}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 358 ft. | United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Color sequence survives at the George Eastman House. On DVD. |- bgcolor=#F0F8FF | {{sort|1930.42|1930}} | ''Lord Byron of Broadway'' | {{flagicon|United States|1912}} United States | Technicolor insert | 878 ft. | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1930.43|1930}} | ''Leathernecking'' | {{flagicon|United States|1912}} United States | Technicolor insert | 1474 ft. | RKO |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Survives in Warner Bros. vault. |- bgcolor=#F0F8FF | {{sort|1930.44|1930}} | ''Hit the Deck'' | {{flagicon|United States|1912}} United States | Technicolor insert | 3772 ft. | RKO |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Lost film. |- bgcolor=#F0F8FF | {{sort|1930.45|1930}} | ''Dixiana'' | {{flagicon|United States|1912}} United States | Technicolor insert | 2006 ft. | RKO |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1930.46|1930}} | ''{{sort|cuc|The Cuckoos}}'' | {{flagicon|United States|1912}} United States | Technicolor insert | 833 ft. | RKO |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. |- bgcolor=#F0F8FF | {{sort|1931.01|1931}} | ''Delicious'' | {{flagicon|United States|1912}} United States | Multicolor inserts | | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. |- bgcolor=#F0F8FF | {{sort|1931.02|1931}} | ''Woman Hungry'' | {{flagicon|United States|1912}} United States | Technicolor feature | 6119 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1931.03|1931}} | ''Manhattan Parade'' | {{flagicon|United States|1912}} United States | Technicolor feature | 6692 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|16mm Safety color print (ca. 3200 ft) is held at UCLA Film and Television Archive. |- bgcolor=#F0F8FF | {{sort|1931.04|1931}} | ''50 Million Frenchmen'' | {{flagicon|United States|1912}} United States | Technicolor feature | 6480 ft. | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. On DVD. |- bgcolor=#F0F8FF | {{sort|1931.05|1931}} | ''Kiss Me Again'' | {{flagicon|United States|1912}} United States | Technicolor feature | | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white. On DVD. Two fragments in color are held at '''Seaver Center'''. |- bgcolor=#F0F8FF | {{sort|1931.06|1931}} | ''{{sort|Hawk|The Hawk}}'' | {{flagicon|United States|1912}} United States | Multicolor feature | | Romantic Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Shot as the first feature entirely in Multicolor, it had a very limited release. Five years later using the new process Cinecolor it was re-edited and re-recorded as "Phantom of Santa Fe". On DVD. |- bgcolor=#F0F8FF | {{sort|1931.07|1931}} | ''{{sort|Runaround|The Runaround}}'' | {{flagicon|United States|1912}} United States | Technicolor feature | 5714 ft. | RKO |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant only in black-and-white, except for color first reel at Museum of Modern Art. On DVD. |- bgcolor=#F0F8FF | {{sort|1931.08|1931}} | ''Fanny Foley Herself'' | {{flagicon|United States|1912}} United States | Technicolor feature | 6699 ft. | RKO |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Complete copy at BFI National Archive under title ''Top of the Bill''. Technicolor trailer extant at George Eastman House. |- bgcolor=#F0F8FF | {{sort|1931.09|1931}} | ''Flying High'' | {{flagicon|United States|1912}} United States | Technicolor inserts | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant in black and white.
|- bgcolor=#F0F8FF | {{sort|1932.09|1932}} | ''Tex Takes a Holiday'' | {{flagicon|United States|1912}} United States | Multicolor feature | | Argosy Productions Corporation |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Final feature-length film shot entirely in Multicolor. Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1932.2|1931}} | ''Carnival'' | {{flagicon|United Kingdom|1912}} United Kingdom | Sequences in British Multicolor | | British & Dominions Film Corporation |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant.<ref>{{Cite web |title=Buy cinema tickets for Carnival + intro by Josephine Botting, Curator, BFI National Archive |url=https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=carnival-intro&BOparam::WScontent::loadArticle::context_id= |access-date=3 November 2024 |website=BFI Southbank}}</ref> |- bgcolor=#F0F8FF | {{sort|1932.1|1932}} | ''Doctor X'' | {{flagicon|United States|1912}} United States | Technicolor feature | 7048 ft | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1932.11|1932}} | ''{{sort|Girl|The Girl from Calgary}}'' | {{flagicon|United States|1912}} United States | Magnacolor insert | | Chardwick Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First reel was shot in color. Extant, status of color sequence is unknown. |- bgcolor=#F0F8FF | {{sort|1932.12|1932}} | ''{{sort|Death|The Death Kiss}}'' | {{flagicon|United States|1912}} United States | Hand-colored inserts | | Sono Art-World Wide Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. Hand color by Gustav Brock. |- bgcolor=#F0F8FF | {{sort|1933.1|1933}} | ''Mystery of the Wax Museum'' | {{flagicon|United States|1912}} United States | Technicolor feature | 7184 ft | Warner Bros. |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1933.2|1933}} | ''Sairandhri'' | {{flagicon|India|British}} India | UFAcolor feature | | Prabhat Film Company |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First color film shot in India, but processed and printed in Germany. Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1934.1|1934}} | ''Radio Parade of 1935'' | {{flagicon|United Kingdom}} United Kingdom | Dufaycolor inserts | | British International Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Two sequences were filmed in Dufaycolor. Extant. |- bgcolor=#F0F8FF | {{sort|1934.2|1934}} | ''Adventure Girl'' | {{flagicon|United States|1912}} United States | Hand-colored fire scene | | Van Beuren Studios |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant. Hand color by Gustav Brock. |- bgcolor=#F0F8FF | {{sort|1934.3|1934}} | ''Sweden, Land of the Vikings'' | {{flagicon|United States|1912}} United States | Cinecolor feature | | |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First feature-length film in Cinecolor. On DVD. |- bgcolor=#F0F8FF | {{sort|1934.4|1934}} | ''{{sort|Cat|The Cat and the Fiddle}}'' | {{flagicon|United States|1912}} United States | Technicolor, Process 4 insert | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Black-and-white with final reel in color. First use of three-strip Technicolor in a feature-length film. On DVD. |- bgcolor=#F0F8FF | {{sort|1934.5|1934}} | ''{{sort|House|The House of Rothschild}}'' | {{flagicon|United States|1912}} United States | Technicolor, Process 4 insert | | Twentieth Century Pictures / United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Black-and-white with final sequence in color. |- bgcolor=#F0F8FF | {{sort|1934.6|1934}} | ''Hollywood Party'' | {{flagicon|United States|1912}} United States | Technicolor, Process 4 insert | | Metro-Goldwyn-Mayer |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Black-and-white with animated cartoon sequence in color. |- bgcolor=#F0F8FF | {{sort|1934.7|1934}} | ''Kid Millions'' | {{flagicon|United States|1912}} United States | Technicolor, Process 4 insert | | Samuel Goldwyn Productions / United Artists |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Black-and-white with "Ice Cream Factory" musical finale in color. |- bgcolor=#F0F8FF | {{sort|1934.8|1934}} | ''Seetha Kalyanam'' | {{flagicon|India|British}} India | Hand-colored film | | Prabhat Film Company |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Tamil-language film. First hand-colored film in South India. Lost film. |- bgcolor=#F0F8FF | {{sort|1935.1|1935}} | ''Karnaval cvetov'' | {{flagicon|Soviet Union|1924}} Soviet Union | Russian two-color process feature | | Mezhrabpomfilm |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First Russian color film. Extant complete. On DVD. |- bgcolor=#F0F8FF | {{sort|1935.2|1935}} | ''Jeunes filles à marier'' | {{flagicon|France|1830}} France | Franciacolor feature | | Paris Color Films |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First French feature in natural color. Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1935.3|1935}} | ''Legong: Dance of the Virgins'' | {{flagicon|United States|1912}} United States | Technicolor Process 3 (two-color) feature | 5054 ft | DuWorld Pictures (US) / Paramount (intl) |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Produced by Constance Bennett and Henri de la Falaise. Feature-length documentary filmed entirely in two-color Technicolor, one of the last uses of the older process. Restored in 1999 by UCLA Film and Television Archive. On DVD. |- bgcolor=#F0F8FF | {{sort|1935.4|1935}} | ''{{sort|Little|The Little Colonel}}'' | {{flagicon|United States|1912}} United States | Technicolor, Process 4 insert | | Fox |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Black-and-white with one Technicolor sequence |- bgcolor=#F0F8FF | {{sort|1935.5|1935}} | ''Becky Sharp'' | {{flagicon|United States|1912}} United States | Technicolor, Process 4 feature | | Pioneer Pictures / RKO |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First feature-length film entirely in three-strip Technicolor. On DVD. |- bgcolor=#F0F8FF | {{sort|1935.6|1935}} | ''Radha Kalyanam'' | {{flagicon|India|British}} India | Hand-colored film | | Meenakshi Films |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Tamil-language film. Hand-colored film. Lost film. |- bgcolor=#F0F8FF | {{sort|1935.7|1935}} | ''Rathnavali'' | {{flagicon|India|British}} India | Hand-colored film | | Saraswathy Talkies |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Tamil-language hand-colored film. Lost film. |- bgcolor=#F0F8FF | {{sort|1936.01|1936}} | ''Kliou the Killer'' | {{flagicon|United States|1912}} United States | Technicolor, Process 3 (two-color) feature | 4917 ft | Bennett Pictures / DuWorld Pictures (US) |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Final two-color Technicolor feature. Extant only in black and white. On DVD. |- bgcolor=#F0F8FF | {{sort|1936.02|1936}} | ''{{sort|Trail|The Trail of the Lonesome Pine}}'' | {{flagicon|United States|1912}} United States | Technicolor, Process 4 feature | | Walter Wanger Productions / Paramount Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First three-strip Technicolor feature filmed outdoors by natural light. |- bgcolor=#F0F8FF | {{sort|1936.03|1936}} | ''We're in the Legion Now'' | {{flagicon|United States|1912}} United States | Magnacolor feature | | George A. Hirliman Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Also known as ''The Rest Cure''. Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1936.04|1936}} | ''The Phantom of Santa Fe'' | {{flagicon|United States|1912}} United States | Cinecolor feature | | Burroughs-Tarzan Enterprises |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Filmed in Multicolor five years earlier as ''The Hawk''; re-edited version released in Cinecolor as ''Phantom of Santa Fe''. Extant. On DVD. |- bgcolor=#F0F8FF | {{sort|1936.05|1936}} | ''{{sort|Terre|La terre qui meurt}}'' | {{flagicon|France|1830}} France | Franciacolor feature | | Paris Color Films |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Also known as ''The Land That Dies''. Restored in 1992. On DVD. |- bgcolor=#F0F8FF | {{sort|1936.06|1936}} | ''Pagliacci'' | {{flagicon|Italy|1861}} Italy/<br />{{flagicon|United Kingdom}} United Kingdom | UFAcolor inserts | | Trafalgar Film Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant with color. On DVD. |- bgcolor=#F0F8FF | {{sort|1936.07|1936}} | ''{{sort|Nightingale|Solovey-Solovushko}}'' | {{flagicon|Soviet Union|1924}} Soviet Union | Russian two-color Process feature | | Mezhrabpomfilm |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First Russian feature-length narrative film in color. Extant. |- bgcolor=#F0F8FF | {{sort|1936.08|1936}} | ''Bajo el sol de Loreto'' | {{flagicon|Peru|1825}} Peru | Unknown color process feature | | |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"| Also known as ''Under Loreto's Sun''. First Peruvian color feature film. Extant. |- bgcolor=#F0F8FF | {{sort|1936.09|1936}} | ''{{sort|Devil|The Devil on Horseback}}'' | {{flagicon|United States|1912}} United States | Hirlicolor feature | | George A. Hirliman Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Long presumed lost until found in private collection in the 1980s. Complete at UCLA Film and Television Archive. On DVD. |- bgcolor=#F0F8FF | {{sort|1936.1|1936}} | ''{{sort|Bold|The Bold Caballero}}'' | {{flagicon|United States|1912}} United States | Magnacolor feature | | Republic Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First "Zorro" film shot in color. Extant complete. On DVD. |- bgcolor=#F0F8FF | {{sort|1936.11|1936}} | ''Captain Calamity'' | {{flagicon|United States|1912}} United States | Hirlicolor feature | | George A. Hirliman Productions |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Extant complete. On DVD. |- bgcolor=#F0F8FF | 1937 | ''Kisan Kanya'' | {{flagicon|India|British}} India | Cinecolor feature | | Imperial Pictures |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First Hindi color film made entirely in India. |- bgcolor=#F0F8FF | 1937 | ''The Wedding'' (''Wesele księżackie w Złakowie Borowym'') | {{flagicon|Poland|1928}} Poland | Agfacolor | | Tadeusz Jankowski |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|First Polish color film (10 minutes, sound). Film (16 mm reel) survived in The National Museum of Ethnography in Warsaw.<ref>{{cite web | url=https://ethnomuseum.pl/blog/o-roli-obserwatora-w-filmie-etnograficznym/ | title=O roli obserwatora w filmie etnograficznym 1 : Państwowe Muzeum Etnograficzne w Warszawie }}</ref> |- bgcolor=#F0F8FF | 1938 | ''The Land of My Mother'' | {{flagicon|Poland|1928}} Poland | Eastman Kodak | | Ève Curie and Romuald Gantkowski |- class="expand-child" style="border-bottom: 3px solid silver;" | colspan="6"|Second Polish color film (37 minutes, sound). Film (35 mm reel) survived in The Polish Institute and Sikorski Museum in London. Later Ève Curie added sound commentary about the Second World War.<ref>Archived at [https://ghostarchive.org/varchive/youtube/20211205/LyLkWwIF5YE Ghostarchive]{{cbignore}} and the [https://web.archive.org/web/20201017195349/https://www.youtube.com/watch?v=LyLkWwIF5YE Wayback Machine]{{cbignore}}: {{cite web| url = https://www.youtube.com/watch?v=LyLkWwIF5YE| title = SIK 1068 - Land of my mother (35mm copy) | website=YouTube| date = 28 November 2017 }}{{cbignore}}</ref> |}
==See also== * Color motion picture film * List of color film systems * List of film formats * List of lost films * List of incomplete or partially lost films * List of rediscovered films * Multicolor * Prizmacolor
==References== {{Reflist}}
==External links== * [https://zauberklang.ch/filmcolors/ Timeline of Historical Film Colors] * [http://www.silentera.com/PSFL/indexes/colorCinematography.html color Cinematography of the Silent Era] * [https://web.archive.org/web/20080810022854/http://www.freewebs.com/vitaphone1/color.html Early color features filmography (1917-1935) from Wayback Machine]
Early color feature films Category:Articles containing video clips Category:Early color films