Doghead (comics)

{{Infobox graphic novel  | title = Doghead | foreigntitle = | image = Doghead_by_Al_Columbia.jpg | imagesize =  | alt = | caption = | publisher = Tundra Publishing | date = 1992 | issues = | series = | main_char_team = | creator = Al Columbia | writers =  | artists =  | pencillers =  | inkers =  | colourists =  | letterers =  | editors =  | single_creator = Y | origpublication = | origissues = | origdate =  | origlanguage = | origisbn = | origedinfo = | origisbn2 = | origedinfo2 = | origisbn3 = | origedinfo3 =  | origisbn9 = | origedinfo9 = | transpublisher = | transdate = | transisbn = | pages = 48 | translator = | previous = | previous-date = | next = | next-date = }} '''''Doghead''''' is a 48-page graphic novel by Al Columbia. His first solo publication, it was released by Tundra Publishing in 1992 while he was involved with Alan Moore's ill-fated ''Big Numbers'' series. It contains two short stories in black and white (the Pixies-inspired "Broken Face" and "Patio Lanterns") and one ("Poster Child") painted in full color.

''Doghead'''s reception was lukewarm. A 1995 review by Vincent Aliberti dismissed it as "Dave McKean and Bill Sienkiewicz impersonations, some fine colour work and an occasional exchange of witty dialogue",<ref>Aliberti, Vincent. Review of ''The Biologic Show'' No. 0. ''Crash: The Quarterly Comic Book Review'' Volume 1 #2, Winter 1995, 62.</ref> and Marshall Pryor in ''The Comics Journal'' called it "forgettable, but lovely, work [...] most notable for its experimentation with disturbing single images and animation-style movement, strengths of [Columbia's] later comics."<ref>Pryor, Marshall. "Young Cartoonist Profiles: Al Columbia", ''The Comics Journal'' #205, June 1998, 80.</ref> Writing in 2002, Paul Gravett allowed that ''Doghead'' was "indebted" to Sienkiewicz and McKean but saw "hints of [Columbia's] emerging singular identity" in it as well.<ref>{{cite web|url=http://www.paulgravett.com/articles/article/al_columbia/|title=Al Columbia: Columbia's Voyage of Discovery|last=Gravett|first=Paul|date=2006-10-08|website=paulgravett.com|access-date=2021-10-12|archive-url=https://web.archive.org/web/20210308035552/http://www.paulgravett.com/articles/article/al_columbia/|archive-date=2021-03-08|url-status=live}}</ref> Columbia told an interviewer in 1992 that "OK, it's derivative... I suppose in ''Doghead'' I felt obligated to do some crowd pleasing. I felt obligated to do something impressive... I felt I had to show people: 'Look, I can do this'. Maybe that was a mistake, but it was the most honest thing I could do. I make no apologies for my influences. I mean, I'm only twenty-one."<ref>"Al Columbia: Out of the Shadows", interview, ''Comic Collector'' #6, 35-36 (Colchester: Aceville Publications, August 1992)</ref> (Contrary to this avowal, the last page of ''Doghead'' includes Columbia's "apologies" to some of his early sources of inspiration, including Black Francis, Nick Cave, William S. Burroughs, David Lynch, Franz Kafka, and J. G. Ballard.)

==Contents== * "Broken Face" * "Patio Lanterns" * "Poster Child"

==References== {{Reflist}}

Category:Comics by Al Columbia Category:Tundra Publishing titles Category:One-shot comic titles Category:Horror comics Category:American black comedy comics Category:1992 comics debuts Category:1992 comics endings