{{Short description|English actress (1845 – c. 1926)}} {{For|those of a similar name|Carolyn Hill (disambiguation)}} {{Use dmy dates|date=December 2024}} {{Infobox person | name = Caroline Hill | image = Caroline Hill as Mirza in W. S. Gilbert's The Palace of Truth.jpg | caption =Hill as Mirza in ''The Palace of Truth'' (1870) | birth_date = June 1845 | birth_place = York, England | death_date = c. {{death year and age|1926|1845}} | spouse = Herbert Kelcey }} '''Caroline Lucreza Brook Hill''' (June 1845<ref name=Feather/> – {{ca}} 1926<ref name=death>Caroline Kelcey, January 1926, Dartford, Kent. England & Wales, Civil Registration Death Index, 1916–2007</ref>) was an English actress.<ref>{{cite news|title= Histrionic Geography|newspaper= The Stage|date=2 March 1893|page= 9}}</ref> She began acting as a child actor in the company of Samuel Phelps and soon joined the company of J. B. Buckstone at the Haymarket Theatre. There she created roles in several new plays, including some by W. S. Gilbert, in whose plays she continued to act later in her career. She played at various London and provincial theatres in the 1870s. Hill married actor Herbert Kelcey in 1883, with whom she had begun to appear on stage. The couple played mostly in New York City in the 1880s, and Hill continued to act through the 1890s, mostly in England.
==Early life and career== Hill was born in York, the youngest child of the comic actor John Brownlow Hill and his wife, also an actress, Caroline Bessie {{nee}} Knights.<ref name=Feather>Featherstone, W. Paul. [https://featherstone.one-name.net/getperson.php?personID=I4723&tree=3 "Caroline Lucreza Brook Hill"], Featherstone One Name Study. Retrieved 29 July 2022</ref> She began to act as a child, in about 1861, in roles such as Mamilius in ''A Winter's Tale'' and Arthur in ''The Life and Death of King John'', in the company of Samuel Phelps at Sadler's Wells Theatre.<ref>[http://internetshakespeare.uvic.ca/Annex/Texts/Jn/intro/StageHistory/section/Herbert%20Beerbohm%20Tree's%20production,%201899 "''King John'': Performance History"] {{Webarchive|url=https://web.archive.org/web/20121006020644/http://internetshakespeare.uvic.ca/Annex/Texts/Jn/intro/StageHistory/section/Herbert%20Beerbohm%20Tree%27s%20production%2C%201899 |date=6 October 2012 }}. Internet Shakespeare Editions, Retrieved 26 April 2011</ref> A young relative was the actress Agnes Knights, with whom she appeared in ''New Babylon'' at the Duke's Theatre.<ref>{{cite news|title= A chat with Miss Agnes Knights|newspaper= The Era|date= 1 August 1896|page= 11}}</ref>
In a review of a production of ''Mrs White'' in July 1862 at the Haymarket Theatre, Hill is described as "from the Theatre Royal, Edinburgh".<ref>{{cite news|title = Musical and Dramatical Talk|newspaper= Sporting Life|date= 2 July 1862|page= 4}}</ref> Hill was in the cast of Joseph Stirling Coyne's farce ''Duck Hunting'' in March 1863.<ref>{{cite news|title= The Morning Post|newspaper= Morning Post|date= 31 March 1863|page= 4}}</ref> With the company of J. B. Buckstone at the Haymarket, she created original roles, earning critical praise. These included roles in ''The Favourite of Fortune'' (1866), ''Mary Warner'' (1869), ''New Men and Old Acres'' (1869; with Madge Kendal),<ref>{{cite book|title= New Men and Old Acres|author= Tom Taylor|publisher= Robert M DeWitt|year= 1896|page= 2}}</ref> ''The Palace of Truth'' (1870; as Mirza) and ''Pygmalion and Galatea'' (1871; as Cynisca), the last two by W. S. Gilbert. She also appeared in a revival of ''All for Her'' by John Palgrave Simpson and Herman Charles Merivale.<ref name=Culme>Culme, John. [http://www.gabrielleray.150m.com/ArchiveTextH/CarolineHill.html Caroline Hill] {{webarchive |url=https://web.archive.org/web/20040622132236/http://www.gabrielleray.150m.com/ArchiveTextH/CarolineHill.html |date=22 June 2004 }} via Footlight Notes</ref> During this time, she was married to (in 1867) and divorced from (in 1869) Henry Reginald Featherstonhaugh of Paddington, then part of Middlesex. The couple had one surviving child, a son, Albany Featherstonhaugh (1867–1954).<ref name=Feather/><ref>"Henry Reginald Featherstonhaugh", London, England, Church of England Marriages and Banns, 1754–1938, p. 104; Henry Reginald Featherstonhaugh, England & Wales, Civil Divorce Records, 1858–1918; and Albany Featherstonhaugh, England & Wales, National Probate Calendar</ref>
Advertisements appeared in December 1871 and January 1872 offering lessons by her for pupils wishing to prepare for the stage at her address in Notting Hill.<ref>{{cite news|title= Miss Caroline Hill, Theatre Royal, Haymarket|newspaper= The Era|date= 24 December 1871|page= 1}}</ref><ref>{{cite news|title= Miss Caroline Hill, Theatre Royal, Haymarket|newspaper= The Era|date= 14 January 1872|page= 1}}</ref> In 1874 Hill performed for charity with the Canterbury Old Stagers, an amateur group, at Colchester Theatre, Tom Taylor's comedy ''Nine Points of the Law''. The comedietta ''Tears'' followed, in which Hill played Mrs Vivien.<ref>{{cite news|title= The Canterbury Old Stagers|newspaper= Essex Standard|date= 6 November 1874|page= 8}}</ref> She performed at the Mirror Theatre in 1875, described as "lively and picquant in a character well suited to her powers" in ''Self'' by John Oxenford and Horace Wigan.<ref>{{cite news|title= Mirror Theatre|newspaper= Morning Post|date= 29 September 1875|page= 5}}</ref> Hill was Mary Rivers in ''All for Her'' at St James's Theatre in March the following year.<ref>{{cite news|title= All for her| newspaper= London Evening Standard|date= 13 March 1876|page= 4}}</ref> She was in the cast of ''Delicate Ground'' at the Royal Princess's Theatre in June 1876.<ref>{{cite news|title= Royal Princess's Theatre|newspaper= Morning Post|date= 1 June 1876|page= 4}}</ref>
left|thumb|upright|Photograph of Hill A full page photo of Hill appears on the cover of ''The Illustrated Sporting and Dramatic News'' of 4 November 1876.<ref>{{cite news|title= Miss Caroline Hill|newspaper= Illustrated Sporting & Dramatic News|date= 4 November 1876|page= 14}}</ref> In 1877 at the Theatre Royal, Bath, in The Annual Amateur Performance, she performed with amateurs in ''The Honey Moon'' by John Tobin.<ref>{{cite news|title= Theatre Royal, Bath|newspaper= Bath Chronicle|date= 5 April 1877|page= 4}}</ref> Back at the Haymarket that April, she reprised her role of Mirza in ''The Palace of Truth''.<ref>{{cite news|title= Haymarket Theatre|newspaper= Illustrated Sporting & Dramatic News|date= 28 April 1877|page= 5}}</ref> At the Theatre Royal, Nottingham, Hill played Lilian Herries in April 1878, when she was described as one of the most charming actresses on the English stage.<ref>{{cite news|title= Miss Caroline Hill|newspaper= The Era|date= 7 April 1878|page= 9}}</ref> In July 1878 she was in ''Dan'l Druce, Blacksmith'', by W. S. Gilbert, at the Gaiety Theatre.<ref>{{cite news|title= Public Amusements|newspaper= Irish Times|date= 19 July 1878|page= 2}}</ref> The following month at her Benefit night at Theatre Royal, Edinburgh, Hill played Maud Callender in ''The Vagabond'' by Gilbert.<ref>{{cite news|title= Theatre Royal|newspaper= The Scotsman|date= 31 August 1878|page= 4}}</ref> In November she took a 12 night engagement at Theatre Royal, Landport, in the comedy-drama ''A Scrap of Paper!'' by John Palgrave Simpson.<ref>{{cite news|title= Amusements & c.|newspaper= Portsmouth Evening News|date= 18 November 1878|page= 1}}</ref>
At the Duke's Theatre in 1879, she appeared in ''New Babylon'' by Paul Meritt.<ref name=Culme/> In 1881 she was in the cast of ''Youth'' at the Theatre Royal, Drury Lane,<ref>{{cite news|title= Theatre Royal, Drury-Lane|newspaper= Daily Telegraph|date= 12 October 1881|page= 4}}</ref> where in 1882 she appeared in ''Pluck'', by Henry Pettitt and Augustus Harris, as Florence Templeton.<ref>{{cite news|title= The Theatres|newspaper= St. James's Gazette|date= 17 August 1882|page= 1}}</ref> In March 1882 Hill appeared as Bess with her future husband Herbert Kelcey as Harold Armytage in George Robert Sims's ''The Lights o' London'' at Theatre Royal, South Shields.<ref>{{cite news|title= The Lights O' London|newspaper= Shields Daily Gazette|date= 29 March 1882|page= 3}}</ref> They both appeared in Pettit and George Conquest's play ''Queen's Evidence'' at the Pavilion Theatre in July 1882, as Gilbert and Kate Medland.<ref>{{cite news| title= The Pavilion Theatre|newspaper= East London Observer|date= 29 July 1882|page= 6}}</ref> Hill married Kelcey in 1883.<ref>{{cite news|title= Herbert Kelcey|newspaper= The Referee|date= 29 July 1883|page= 3}}</ref>
==New York and later years== Invited to New York with her husband by Lester Wallack in 1883, Hill was a success in the role of Lady Dolly Vanderdecken in "Moths" at Wallack's Theatre. The following year, she played Fanny Gainsborough in ''The Pulse of New York'', then appeared in ''Confusion'' and ''Old Love Letters'', together with her husband, at the Park Theatre in Brooklyn, New York. She portrayed Lady Hilda in ''Broken Hearts'', by W. S. Gilbert, at the Madison Square Theatre in 1885.<ref>[https://www.nytimes.com/1885/02/13/archives/mr-thorntons-matinee.html "Mr. Frank Thornton's 'special matinee' at the Madison-Square Theatre"]. ''The New York Times'', 13 February 1885, Retrieved 26 April 2011</ref> The next year, she starred as the wife of the title character in ''Jim, the Penman'' in an American summer tour.<ref>[https://www.nytimes.com/1886/07/20/archives/jim-the-penman-in-chicago.html "''Jim, the Penman'' in Chicago"]. ''The New York Times'', 20 July 1886, Retrieved 26 April 2011</ref>
Hill and her husband were reported as being in London in 1890: "Miss Hill has been before the public a good many years, and is still young; but it is not every lady of her age on whom nearly a quarter of a century of stage service leaves so insignificant a mark."<ref>{{cite news|title= Miss Caroline Hill|newspaper= London & Provincial Entr'acte|date= 12 July 1890|page= 4}}</ref> In October 1890 Hill was at the Standard Theatre, New York, in ''Reckless Temple'', by Augustus Thomas, as Mrs Billingsley, where her performance was described as "something of a disappointment".<ref>{{cite news|title= New York|newspaper= The Era|date= 15 November 1890|page= 17}}</ref> She returned to England in the early 1890s when her marriage with Kelcey ended.{{citation needed|date=September 2021}} In 1892, she played Lady Jones in ''The Guardsman'' by George R. Sims and Cecil Raleigh at the Court Theatre; a reviewer wrote that she "doesn't look as if she is out of her teens, plays with great spirit and success as a fashionable society lady".<ref>{{cite news|title= The Guardsman|newspaper= Sporting Times|date= 22 October 1892|page= 2}}</ref> She remained at that theatre until at least 1893.<ref>{{cite news|title= Court Theatre|newspaper= Globe|date= 14 January 1893|page= 14}}</ref> In 1896 Hill played Dora Thornhaugh in ''Home'' at the Haymarket Theatre.<ref>{{cite news|title= Home at Her Majesty's|newspaper= Dundee Evening Telegraph|date= 6 March 1896|page= 2}}</ref>
She participated in the Lydia Thompson Farewell, a five-hour Benefit for the latter actress, staged at the Lyceum Theatre, on 2 May 1899.<ref>{{cite news|title= The Lydia Thompson Farewell|newspaper= The Stage|date= 4 May 1899|page= 17}}</ref>
Hill died in Dartford, Kent, in late 1925 or early 1926.<ref name=death/>
==Notes== {{Reflist}}
==External links== * [https://web.archive.org/web/20100528225934/http://www.picturehistory.com/product/id/20109 Caroline Hill] at Picturehistory.com
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{{DEFAULTSORT:Hill, Caroline}} Category:1845 births Category:1920s deaths Category:19th-century English actresses Category:Actresses from York