| Former name | Media Rights Capital (2004–2013) |
|---|---|
| Trade name | MRC |
| Founded | 2004 (age 22) |
| Founders | Modi Wiczyk Asif Satchu |
| Hq location | 750 N. San Vicente Blvd. |
| Hq location city | West Hollywood, California 90069 |
| Hq location country | U.S. |
| Area served | Worldwide |
| Key people | Modi Wiczyk (co-chairman) Asif Satchu (co-chairman) Scott Tenley (CEO) |
| Industry | Film Television |
| Website | www.mrcentertainment.com |
MRC II Distribution Company, L.P.,[1] doing business as MRC (formerly Media Rights Capital), is an American film and television studio founded by Modi Wiczyk and Asif Satchu in 2004. Based in West Hollywood, California, MRC develops, finances, and produces film and television in partnership with the industry's leading creative artists.[2]
The original business plan, called Another New Ballgame, was written in 1999[3] as part of a class assignment while the two attended Harvard Business School.[4] The plan quickly gained notoriety throughout Hollywood and was deemed controversial for predicting the decline of the traditional "Hollywood system" alongside the emergence of a new order driven by internet-based distribution and independent studios fueled by talent agencies.
MRC is famous for many firsts in Hollywood. It was the first studio to establish a deeply-integrated partnership with major talent agency, Endeavor Talent Agency, which would become a model for future alliances between agencies and studios.[5] Their deals for Alejandro González Iñárritu's Babel and Sacha Baron Cohen's Brüno,[4] the follow-up to Borat, were early examples of artists owning copyrights, selling films for significantly more than their cost, and having true control over production and marketing.[6]
The company was an early innovator in the creator economy. It produced Seth MacFarlane's Cavalcade of Cartoon Comedy (2008) for YouTube, the platform's earliest Hollywood-backed scripted series.[7] The show became YouTube's second-most-subscribed-to sponsor channel during its run and was notable for being the first show distributed exclusively online through Google's AdSense network, syndicating content across thousands of partner sites.[8] The success of Cavalcade positioned MRC as one of the first studios to merge storytelling with tech-driven distribution.
MRC's Television division developed, produced, and financed House of Cards (2013), the first original series ordered directly by Netflix, launching the streaming era of prestige television.[9] The series was the first streaming-exclusive drama to receive Emmy nominations and introduced the "binge" model of releasing all episode simultaneously.[10]
Since then, MRC has developed a reputation for financing and producing critically acclaimed films and series while maintaining a philosophy centered on supporting artists and filmmakers.[11] The company's continued success[12] has been attributed to its ability to challenge traditional Hollywood conventions,[4] to embrace emerging technologies and business models, and to maintain close partnerships[13] with creative visionaries.[14]
Film productions by MRC include Ted, Baby Driver, Knives Out, American Fiction, and Saltburn. Representative co-financed films include 22 Jump Street, Furious 7, the Hotel Transylvania sequels, and The SpongeBob Movie: Sponge on the Run.[15] MRC's television credits include House of Cards, Ozark, The Great, The Terminal List, Poker Face, and Ted. Upcoming productions include Ted: The Animated Series, and M.I.A..
MRC has collaborated with numerous prominent filmmakers, including Jason Bateman, Chloe Domont, Emerald Fennell, David Fincher, Ricky Gervais, Alejandro González Iñárritu, Rian Johnson, Seth MacFarlane, Walter Salles, and Edgar Wright.
To date, MRC's productions have been nominated for 120 Emmy Awards, 38 Golden Globe Awards, 17 Academy Awards, and 5 GRAMMY Awards. Its films have grossed over $6 billion worldwide at the box office.[2]
History
Early history
MRC was founded by Modi Wiczyk and Asif Satchu in 2006,[16] and its early investors included Guggenheim Partners, AT&T, WPP Group, Goldman Sachs and ABRY Partners.[17][18] The company was established as a financer-producer, packaging film projects for sale to film studios, and holding ownership stakes in the production.[19][20]
In 2007, it funded filmmakers such as Robert Rodriguez, Ricky Gervais, Walter Salles, Ryan Murphy, Richard Kelly, Bennett Miller and Todd Field.[21] The same year, it entered into an agreement with Warner Bros. Pictures to allow Warner to distribute three of the eight pictures over a $250 million feature production funding.[22] MRC launched a television division of the studio in early 2008.[23]
In 2008, The CW leased its Sunday-night schedule to MRC beginning in the 2008–09 television season. MRC scheduled the reality show In Harm's Way and the dramas Valentine and Easy Money.[24] In November 2008, after all four shows drew poor viewership, The CW announced that it would withdraw from the agreement.[25] The network returned the Sunday timeslots to its affiliates in the 2009–10 season.[26]
In March 2010, it was reported that MRC had made an offer to acquire Focus Features from Universal Pictures, but that the deal had fallen through.[27] In April of that year, MRC sold the upcoming Seth MacFarlane film Ted to Universal.[28] Later in December, MRC would reach a distribution agreement with Universal, under which it would provide distribution and marketing services for up to 20 MRC films over the next five years. The agreement would give the option for Universal to invest in the films, but was not a first-look deal, and also gave MRC the option to pre-sell distribution rights in specific territories.[29][20]
After acquiring rights to produce a U.S. remake of the BBC miniseries House of Cards, MRC would sell the series to the streaming service Netflix in 2011.[30][31][32]
On February 1, 2018, Eldridge Industries, a holding company owned by former Guggenheim Partners president Todd Boehly, announced that it would contribute its media assets — including The Hollywood Reporter, Dick Clark Productions, and Billboard, and merge them with MRC into a new company known as Valence Media.[33] In October 2018, MRC formed a joint venture with United Talent Agency known as Civic Center Media, which seeks to back projects involving its members via MRC.[34][35]
2019–2022: Valence Media and PMRC
In December 2019, Valence Media acquired Nielsen Holdings' music data business, with the division being rebranded as MRC Data.[36]
In 2020, Valence Media rebranded as MRC.[37]
On September 23, 2020, it was announced that Penske Media Corporation, owner of The Hollywood Reporter's main competitor Variety, would assume operations of the MRC Media & Info publications under a joint venture with MRC known as PMRC. In turn, MRC would form a second joint venture to develop content tied to PMRC publications.[38]
In September 2021, former E! president Adam Stotsky became the new president of MRC Live & Alternative, replacing the outgoing Amy Thurlow. At this time, Dick Clark Productions was folded into MRC Live & Alternative and discontinued as a brand.[39]
2022–present: Unwinding of the Valence merger
In August 2022, Eldridge agreed with Wiczyk and Satchu to divide MRC's assets, effectively undoing the 2018 Valence Media merger. Eldridge re-acquired the company's live and alternative division (which reinstated the Dick Clark Productions banner), as well as MRC's share of the PMRC joint venture, Luminate (the former MRC Data), and investments in studios including A24 and Fulwell 73. The remaining MRC entity, in which Eldridge will retain a minority stake, will retain its scripted film and TV production entity as well as investments in Civic Center Media and T-Street Productions.[40] Wiczyk and Satchu became chairmen of the company in 2023.[41]
Filmography
Film projects
Films produced or co-financed by MRC have included:
| Year | Title | Details | ||||
|---|---|---|---|---|---|---|
| Director(s) | Co-production company(s) | Distributor(s) | Budget | Gross | ||
| 2006 | Babel[42] | Alejandro González Iñárritu | Paramount Vantage Anonymous Content Zeta Film Central Films | Paramount Pictures (English-speaking territories, Latin America and Spain) StudioCanal (France) Summit Entertainment (International) | $25 million | $135.3 million |
| 2008 | Linha de Passe | Walter Salles Daniela Thomas | Pathé Videofilmes | Universal Pictures | ||
| 2009 | Brüno | Larry Charles | Four by Two Films Everyman Pictures | $42 million | $138.8 million | |
| Shorts | Robert Rodriguez | Imagenation Abu Dhabi Troublemaker Studios | Warner Bros. Pictures | $20 million | $29 million | |
| The Invention of Lying | Ricky Gervais Matthew Robinson | Radar Pictures Lynda Obst Productions | Warner Bros. Pictures (United States) Focus Features (International) | $18.5 million | $32.7 million | |
| The Box | Richard Kelly | Radar Pictures | Warner Bros. Pictures (North America) The Weinstein Company (International) | $30 million | $33.3 million | |
| 2010 | Devil | John Erick Dowdle | The Night Chronicles | Universal Pictures | $10 million | $62.6 million |
| 2011 | The Adjustment Bureau[42] | George Nolfi | Gambit Pictures Electric Shepherd Productions | $62 million | $127.8 million | |
| 30 Minutes or Less | Ruben Fleischer | Columbia Pictures Red Hour Productions | Sony Pictures Releasing | $28 million | $40.7 million | |
| 2012 | Ted[42] | Seth MacFarlane | Fuzzy Door Productions Bluegrass Films Smart Entertainment | Universal Pictures | $50–65 million | $549.4 million |
| 2013 | Elysium | Neill Blomkamp | TriStar Pictures QED International Alphacore Kinberg Genre | Sony Pictures Releasing | $115 million | $286.1 million |
| 2014 | A Million Ways to Die in the West | Seth MacFarlane | Fuzzy Door Productions Bluegrass Films | Universal Pictures | $40 million | $87.2 million |
| 22 Jump Street[43] | Phil Lord Christopher Miller | Columbia Pictures Metro-Goldwyn-Mayer LStar Capital Original Film Cannell Studios Storyville 75 Year Plan Productions | Sony Pictures Releasing | $50–84.5 million | $331.3 million | |
| Think Like a Man Too | Tim Story | Screen Gems Will Packer Productions | $24 million | $70.2 million | ||
| Sex Tape | Jake Kasdan | Columbia Pictures LStar Capital Escape Artists | $40 million | $126.3 million | ||
| 2015 | Chappie | Neill Blomkamp | Columbia Pictures LStar Capital Kinberg Genre | $49 million | $102.1 million | |
| Furious 7 | James Wan | Original Film One Race Films China Film Co., Ltd. | Universal Pictures | $190 million | $1.515 billion | |
| Ted 2 | Seth MacFarlane | Fuzzy Door Productions Bluegrass Films | $68 million | $215.9 million | ||
| Hotel Transylvania 2 | Genndy Tartakovsky | Columbia Pictures Sony Pictures Animation LStar Capital | Sony Pictures Releasing | $80 million | $474.8 million | |
| 2017 | Baby Driver | Edgar Wright | TriStar Pictures Big Talk Productions Working Title Films | $34 million | $226.9 million | |
| The Dark Tower | Nikolaj Arcel | Columbia Pictures Imagine Entertainment Weed Road Pictures | $66 million | $113.2 million | ||
| 2018 | Hotel Transylvania 3: Summer Vacation | Genndy Tartakovsky | Columbia Pictures Sony Pictures Animation | $65–80 million | $528.6 million | |
| Mortal Engines | Christian Rivers | Scholastic Entertainment Silvertongue Films Perfect World Pictures WingNut Films | Universal Pictures | $100–150 million | $83.7 million | |
| 2019 | Dora and the Lost City of Gold | James Bobin | Paramount Players Nickelodeon Movies Walden Media Burr! Productions | Paramount Pictures | $49 million | $120.6 million |
| Knives Out | Rian Johnson | T-Street Productions Ram Bergman Productions | Lionsgate | $40 million | $312.9 million | |
| 2020 | The Lovebirds | Michael Showalter | Paramount Pictures 3 Arts Entertainment Quinn's House | Netflix | $16 million | |
| 2021 | The SpongeBob Movie: Sponge on the Run[44] | Tim Hill | Paramount Animation Nickelodeon Movies United Plankton Pictures | Paramount Pictures (Canada and China) Paramount+ (United States) Netflix (International) | $60 million | $4.8 million |
| The Sparks Brothers[45] | Edgar Wright | Complete Fiction Pictures | Focus Features (worldwide) Universal Pictures (International) | $1.2 million | ||
| Peter Rabbit 2: The Runaway[44] | Will Gluck | Columbia Pictures Animal Logic 2.0 Entertainment Olive Bridge Entertainment | Sony Pictures Releasing | $45 million | $154 million | |
| 2022 | Hotel Transylvania: Transformania | Derek Drymon Jennifer Kluska | Columbia Pictures Sony Pictures Animation | Amazon Studios (worldwide) Sony Pictures Releasing (China) | $75 million | $18.5 million |
| Jerry & Marge Go Large | David Frankel | Paramount Players Levantine Films | Paramount+ | |||
| Persuasion[46] | Carrie Cracknell | Bisous Pictures Mad Chance Fourth and Twenty Eight Films | Netflix | |||
| The Last Rider | Alex Holmes | New Black Films | Roadside Attractions (United States and Canada) Dogwoof (International) | $253,770 | ||
| 2023 | The Blackening | Tim Story | The Story Company Tracy Yvonne Productions Artists First Catchlight Studios | Lionsgate (worldwide) Universal Pictures (International) | $5 million | $18.6 million |
| Fair Play | Chloe Domont | T-Street Star Thrower Entertainment | Netflix | |||
| Milli Vanilli | Luke Korem | MTV Entertainment Studios Keep on Running Pictures | Paramount+ | |||
| Self Reliance | Jake Johnson | Clown Show Lonely Island Classics Walcott Productions | Hulu Neon (United States) Republic Pictures (International) | |||
| Saltburn | Emerald Fennell | Metro-Goldwyn-Mayer Lie Still LuckyChap Entertainment | Amazon MGM Studios (United States) Warner Bros. Pictures (United Kingdom/Ireland) | $21.1 million | ||
| American Fiction | Cord Jefferson | T-Street Almost Infinite 3 Arts Entertainment | Orion Pictures (through Amazon MGM Studios) | $10 million | $23 million | |
| The Contestant | Clair Titley | Misfits Entertainment | Hulu | |||
| 2024 | The Greatest Night in Pop | Bao Nguyen | Republic Pictures Dorothy Street Pictures MakeMake Entertainment | Netflix | ||
| Snack Shack | Adam Carter Rehmeier | Paperclip Limited T-Street | Republic Pictures | $4.5 million | $455,708 | |
| Blink | Edmund Stenson Daniel Roher | Fishbowl Films Eyesteel Film | Walt Disney Pictures (through Walt Disney Studios Motion Pictures; United States and Canada) National Geographic Documentary Films (Worldwide) | |||
| 2025 | SLY LIVES! (aka The Burden of Black Genius) | Ahmir "Questlove" Thompson | Onyx Collective Two One Five Entertainment RadicalMedia Stardust Films Network Entertainment Sony Music Entertainment ID8 Multimedia | Hulu (United States) Disney+ (worldwide) | ||
| G20 | Patricia Riggen | JuVee Productions Mad Chance Productions | Amazon MGM Studios | |||
| All of You | William Bridges | Republic Pictures Ryder Picture Company | Apple TV+ | |||
| All the Devils Are Here | Barnaby Roper | T-Street Productions | Republic Pictures | |||
| The SpongeBob Movie: Search for SquarePants | Derek Drymon | Paramount Animation Nickelodeon Movies | Paramount Pictures | $64 million | $169.1 million | |
| 2026 | The Gallerist | Cathy Yan | MountainA Concordia Studio Slow Pony | |||
| The Only Living Pickpocket in New York | Noah Segan | T-Street Productions | Sony Pictures Classics[47] | |||
| Wuthering Heights | Emerald Fennell | LuckyChap Entertainment | Warner Bros. Pictures | $80 million | $241.3 million | |
| A Place in Hell[48] | Chloe Domont | Republic Pictures T-Street Productions | Neon (United States) Republic Pictures (International) | |||
| TBA | Eloise[49] | Amy Sherman-Palladino | HandMade Films Simon & Schuster Maximum Effort | Netflix | ||
| Good People, Bad Things[50] | Ninian Doff | Present Company Inc. Hoorae Media | ||||
| Mother's Helper[51] | Bridget Moloney | Ryder Picture Company | ||||
| The Best Is Yet to Come[52] | Jon Turteltaub | Gidden Media Chapter 2 | Lionsgate | |||
| The Love Hypothesis[53] | Claire Scanlon | Amazon MGM Studios | ||||
| They Know[54] | Bill Hader | Hanarply | ||||
| Unabomber[55] | Janus Metz Pedersen | 2.0 Entertainment | Netflix | |||
| White Elephant[56] | Eli Craig | Radio Silence Productions Project X Entertainment | ||||
Television projects
References
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