# Witches' Flight

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Painting by Francisco Goya

Witches' Flight Vuelo de Brujas (Spanish) Artist Francisco Goya Year 1797–98 Medium Oil on canvas Dimensions 43.5 cm × 30.5 cm (17+1⁄8 in × 12 in) Location Museo del Prado, Madrid

***Witches' Flight*** ([Spanish](/source/Spanish_language): *Vuelo de Brujas*, also known as ***Witches in Flight*** or ***Witches in the Air***) is an oil-on-canvas painting completed in 1798 by the Spanish painter [Francisco Goya](/source/Francisco_Goya).

The work was part of a series of six paintings related to [witchcraft](/source/Witchcraft) acquired by the [Duke](/source/Pedro_T%C3%A9llez-Gir%C3%B3n%2C_9th_Duke_of_Osuna) and [Duchess of Osuna](/source/Mar%C3%ADa_Josefa_Pimentel%2C_Duchess_of_Osuna) in 1798.[a] It has been described as "the most beautiful and powerful of Goya's Osuna witch paintings."[2]

## Description

At center point are three semi-nude witches wearing either penitential *[coroza](/source/Sanbenito)* or [dunce caps](/source/Dunce_cap).[3]} bearing aloft a writhing nude figure, their mouths close to their victim, as if to [devour him](/source/Human_cannibalism) or [suck his blood](/source/Vampirism).[b] Below, two figures in peasants' garb recoil from the spectacle: one has thrown himself to the ground covering his ears, the other attempts to escape by covering himself with a blanket, making the [*fig* hand gesture](/source/Fig_sign) to [ward off](/source/Apotropaic_magic) the [evil eye](/source/Evil_eye). Finally, a donkey emerges on the right, seemingly oblivious to the rest of the scene.

## Interpretation

Goya, *[Witches' Sabbath](/source/Witches'_Sabbath_(Goya%2C_1798))*, 1798. [Museo Lázaro Galdiano](/source/Museo_L%C3%A1zaro_Galdiano), Madrid

The general scholarly consensus is that the painting represents a rationalist critique of superstition and ignorance, particularly in religious matters: the witches' *[corozas](/source/Capirote)* are not only emblematic of the violence of the [Spanish Inquisition](/source/Spanish_Inquisition) (the upward flames indicate that they have been condemned as unrepentant heretics and will be burned at the stake),[5][c] but are also reminiscent of episcopal [mitres](/source/Mitre), bearing the characteristic double points. The accusations of religious tribunals are thus reflected back on themselves, whose actions are implicitly equated with superstition and ritualised sacrifice.[6] The bystanders can then be understood either as appalled but unable to do anything or willfully ignorant and unwilling to intervene.[6][5][2]

The donkey is a traditional symbol of ignorance.[7]

## Provenance

The painting was sold to the Duke and Duchess of Osuna on 27 June 1798, to decorate their villa [La Alameda](/source/Parque_de_El_Capricho), on the outskirts of Madrid. It was then sold in 1896 at the public auction of the Osuna estate to Ramón Ibarra, and again in 1985 to [Jaime Ortiz Patiño](/source/Jaime_Ortiz-Patino). Finally, it was acquired by the [Prado](/source/Museo_del_Prado) in 1999, where it remains to this day.[8]

## See also

- [List of works by Francisco Goya](/source/List_of_works_by_Francisco_Goya)

- *[Witches' Sabbath (The Great He-Goat)](/source/Witches'_Sabbath_(The_Great_He-Goat))*, Goya, c. 1820–1823

## Footnotes

1. **[^](#cite_ref-2)** The six paintings were *Witches' Flight*, *[The Spell](https://en.wikipedia.org/w/index.php?title=The_Spell_(painting)&action=edit&redlink=1)*, *[Witches' Sabbath](/source/Witches'_Sabbath_(Goya%2C_1798))*, *[The Witches' Kitchen](/source/The_Witches'_Kitchen)*, *[The Devil's Lamp](/source/The_Devil's_Lamp)*, and *[The Stone Guest](https://en.wikipedia.org/w/index.php?title=The_Stone_Guest_(painting)&action=edit&redlink=1)*.[1]

1. **[^](#cite_ref-6)** The Spanish-language page for the painting alternatively suggests that they are blowing air on their victim, as indicated by their swollen cheeks.[4]

1. **[^](#cite_ref-8)** The Spanish-language page for the painting instead identifies the markings as snakes.[4]

## Notes

1. **[^](#cite_ref-1)** ["Sotheby's to sell original receipt for Goya painting in Danny Boyle's art heist movie Trance"](http://artdaily.org/news/62787/Sotheby-s-to-sell-original-receipt-for-Goya-painting-in-Danny-Boyle-s-art-heist-movie-Trance). ArtDaily. 24 May 2013. Retrieved 31 August 2013.

1. ^ [***a***](#cite_ref-hughes2003_3-0) [***b***](#cite_ref-hughes2003_3-1) Hughes, Robert (2003). [*Goya*](https://books.google.com/books?id=9wihUsJGg8sC&q=%22witches+in+the+air%22+goya&pg=PT253). Harvill. [ISBN](/source/ISBN_(identifier)) [978-1-84343-054-4](https://en.wikipedia.org/wiki/Special:BookSources/978-1-84343-054-4).

1. **[^](#cite_ref-4)** ["The Witches' Flight"](https://web.archive.org/web/20120219101607/http://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-witches-flight/). Museo del Prado. Archived from [the original](http://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-witches-flight/) on 19 February 2012. Retrieved 30 August 2013.

1. ^ [***a***](#cite_ref-Vuelo_de_brujas_5-0) [***b***](#cite_ref-Vuelo_de_brujas_5-1) ["Vuelo de brujas"](http://www.museodelprado.es/goya-en-el-prado/obras/ficha/goya/vuelo-de-brujas/?tx_gbgonline_pi1%5Bgocollectionids%5D=47-48&tx_gbgonline_pi1%5Bgosort%5D=b).

1. ^ [***a***](#cite_ref-curbet2002_7-0) [***b***](#cite_ref-curbet2002_7-1) Curbet, Joan (November 9, 2002). ["'Hallelujah to your dying screams of torture': representations of ritual violence in English and Spanish Romanticism"](https://books.google.com/books?id=ofIS6ZAdsZAC&q=flames+vuelos&pg=PA168). In Hormer, Avril (ed.). *European Gothic: A Spirited Exchange, 1760-1790*. Manchester University Press. pp. 168–169. [ISBN](/source/ISBN_(identifier)) [978-0-7190-6064-9](https://en.wikipedia.org/wiki/Special:BookSources/978-0-7190-6064-9).

1. ^ [***a***](#cite_ref-boime1993_9-0) [***b***](#cite_ref-boime1993_9-1) Boime, Albert (1993). [*Art in an Age of Bonapartism: 1800-1815*](https://books.google.com/books?id=TN1GznRC3nMC&q=%22witches+in+flight%22&pg=PA258). University of Chicago Press. p. 258. [ISBN](/source/ISBN_(identifier)) [978-0-226-06335-5](https://en.wikipedia.org/wiki/Special:BookSources/978-0-226-06335-5).

1. **[^](#cite_ref-10)** ["Vuelo de brujas"](http://www.museodelprado.es/goya-en-el-prado/obras/ficha/goya/vuelo-de-brujas/?tx_gbgonline_pi1%5Bgocollectionids%5D=47-48&tx_gbgonline_pi1%5Bgosort%5D=b). Museo del Prado. Retrieved 30 August 2013.

1. **[^](#cite_ref-pradoes_11-0)** ["Vuelo de brujas"](http://www.museodelprado.es/goya-en-el-prado/obras/ficha/goya/vuelo-de-brujas/?tx_gbgonline_pi1%5Bgocollectionids%5D=47-48&tx_gbgonline_pi1%5Bgosort%5D=b). Museo del Prado. Retrieved 30 August 2013. ["Sotheby's to sell original receipt"](http://artdaily.org/news/62787/Sotheby-s-to-sell-original-receipt-for-Goya-painting-in-Danny-Boyle-s-art-heist-movie-Trance).

## References

- Boime, Albert (1993). [*Art in an Age of Bonapartism: 1800-1815*](https://books.google.com/books?id=TN1GznRC3nMC&q=%22witches+in+flight%22&pg=PA258). University of Chicago Press. p. 258. [ISBN](/source/ISBN_(identifier)) [978-0-226-06335-5](https://en.wikipedia.org/wiki/Special:BookSources/978-0-226-06335-5).

- Curbet, Joan (November 9, 2002). ["'Hallelujah to your dying screams of torture': representations of ritual violence in English and Spanish Romanticism"](https://books.google.com/books?id=ofIS6ZAdsZAC&q=flames+vuelos&pg=PA168). In Hormer, Avril (ed.). *European Gothic: A Spirited Exchange, 1760-1790*. Manchester University Press. pp. 167–170. [ISBN](/source/ISBN_(identifier)) [978-0-7190-6064-9](https://en.wikipedia.org/wiki/Special:BookSources/978-0-7190-6064-9).

- Hagen, Rose-Marie; Hagen, Rainer (2003). [*Francisco Goya, 1746-1828*](https://books.google.com/books?id=S-Fu4fGHnlAC&q=%22witches+in+the+air+%28ill.%29%22&pg=PA36). Taschen. p. 36. [ISBN](/source/ISBN_(identifier)) [978-3-8228-1823-7](https://en.wikipedia.org/wiki/Special:BookSources/978-3-8228-1823-7).

- Hughes, Robert (2003). [*Goya*](https://books.google.com/books?id=9wihUsJGg8sC&q=%22witches+in+the+air%22+goya&pg=PT253). Harvill. [ISBN](/source/ISBN_(identifier)) [978-1-84343-054-4](https://en.wikipedia.org/wiki/Special:BookSources/978-1-84343-054-4).

- Nash, Elizabeth (2001). [*Madrid: A Cultural and Literary Companion*](https://books.google.com/books?id=y91AY-zuME0C&q=%22Witches%27+Flight%22&pg=PA113). Interlink Books. p. 113. [ISBN](/source/ISBN_(identifier)) [978-1-56656-368-0](https://en.wikipedia.org/wiki/Special:BookSources/978-1-56656-368-0).

- ["Sotheby's to sell original receipt for Goya painting in Danny Boyle's art heist movie Trance"](http://artdaily.org/news/62787/Sotheby-s-to-sell-original-receipt-for-Goya-painting-in-Danny-Boyle-s-art-heist-movie-Trance). ArtDaily. 24 May 2013. Retrieved 31 August 2013.

- ["The Witches' Flight"](https://web.archive.org/web/20120219101607/http://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-witches-flight/). Museo del Prado. Archived from [the original](http://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-witches-flight/) on 19 February 2012. Retrieved 30 August 2013.

- ["Vuelo de Brujas"](http://www.museodelprado.es/goya-en-el-prado/obras/ficha/goya/vuelo-de-brujas/?tx_gbgonline_pi1%5Bgocollectionids%5D=47-48&tx_gbgonline_pi1%5Bgosort%5D=b). Museo del Prado. Retrieved 30 August 2013.

## External links

- Media related to [El vuelo de brujos (Goya)](https://commons.wikimedia.org/wiki/Category:El_vuelo_de_brujos_(Goya)) at Wikimedia Commons

v t e Francisco Goya List of works Paintings Consecration of Aloysius Gonzaga as Patron Saint of Youth (c. 1763) The Holy Family with Saints Joachim and Anne (c. 1769) The Victorious Hannibal Seeing Italy from the Alps for the First Time (1770–1771) The Rape of Europa (1772) Christ Crucified (1780) The Greasy Pole (1786–87) The Drunk Mason (1786–1787) Paintings for the alameda of the Dukes of Osuna (1786–1787) Saint Bernard of Clairvaux Curing a Cripple (1787) Yard with Lunatics (1793–1794) Prison Interior (1793–1794) Assault of Thieves (1793–1794) The Duchess of Alba and la Beata (1795) Witches' Flight (1797–1798) The Bewitched Man (1797–1798) Witches' Sabbath (1798) La maja desnuda (c. 1797–1800) La maja vestida (1800–1805) Allegory of Industry (c. 1805) Majas on a Balcony (c. 1808–1812) The Water Bearer (1808–1812) The Knifegrinder (1808–1812) Still Life of a Lamb's Head and Flanks (1808–1812) Dead Turkey (1808-1812) The Colossus (after 1808) Allegory of the City of Madrid (1810) Truth, Time and History (1812–1814) The Madhouse (1812–1819) The Inquisition Tribunal (1812–1819) The Second of May 1808 (1814) The Third of May 1808 (1814) The Junta of the Philippines (1815) A Village Bullfight (1815–1819) The Burial of the Sardine (c. 1816) A Procession of Flagellants (c. 1816) The Forge (c. 1817) Bullfight (1824) Murals Adoration of the Name of God (1772) Life of the Virgin (1774) Portraits The Family of the Infante Don Luis (1783–84) The Duke and Duchess of Osuna and their Children (1787–88) Manuel Osorio Manrique de Zúñiga (The Red Boy) (c. 1788) Self-Portrait at an Easel (c. 1790–1795) La Tirana (1792) La Tirana (1794) The Marquise de la Solana (1795) The White Duchess (1795) Charles IV (c. 1795) The Black Duchess (1797) Bernardo de Iriarte (1797) Ferdinand Guillemardet (1798–1799) Charles IV in his Hunting Clothes (1799) Maria Luisa of Parma (1799–1800) The Countess of Chinchon (1800) Charles IV of Spain and His Family (1800–18) Manuel Godoy (1801) Doña Isabel de Porcel (1804–1805) The Marchioness of Santa Cruz (1805) Doña Antonia Zárate (1805) Doña Antonia Zárate (1810–1811) The Duke of Wellington (1812) Josefa Bayeu (1814–1816) Ferdinand VII (1815) Self-Portrait at 69 years (1815) Juan Antonio Cuervo (1819) Tío Paquete (c. 1819-1820) Self-Portrait with Dr Arrieta (1820) Don Ramón Satué (1823) The Milkmaid of Bordeaux (1825–1827) Tapestry cartoons (list) The Boar Hunt (1775) The Parasol (c. 1777) Boys Playing Soldiers (1778–79) Children in a Chariot (1779) The Swing (1779) La novillada (1780) The Threshing Floor (1786) Summer (1786–87) The Drunk Mason (1786–1787) Blind Man's Bluff (1789) Black Paintings (c. 1819–1823) Saturn Devouring His Son Judith and Holofernes Witches' Sabbath (The Great He-Goat) A Pilgrimage to San Isidro La Leocadia Two Old Men Men Reading Man Mocked by Two Women Fight with Cudgels Pilgrimage to the Fountain of San Isidro Atropos Asmodea Two Old Ones Eating Soup The Dog Print series Los Caprichos (1797–98) And So Was His Grandfather The Sleep of Reason Produces Monsters The Prisoners (1810–1815) The Disasters of War (1810–1820) This is worse (c. 1812–13) La Tauromaquia (1815–16) Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón (1815-1816) Los Disparates (1815–1823) A way of flying (c. 1815–16) The Bulls of Bordeaux (1824–25) Museums Casa natal de Goya (Fuendetodos) Museo del Grabado de Goya (Fuendetodos) Museo Goya (Zaragoza) Goya Museum (Castres) Depictions The Naked Maja (1958 film) Goya, a Story of Solitude (1971 film) Goya or the Hard Way to Enlightenment (1971 film) Goya: A Life in Song (1989 album) Goya in Bordeaux (1999 film) Volavérunt (1999 film) Goya's Ghosts (2006 film) The Ministry of Time – Episode 25: Time of the Enlightened (2017) Related Quinta del Sordo Leocadia Zorrilla Rosario Weiss Zorrilla Goya Awards Goyescas (1915 opera) Goyescas (1942 film)

v t e Museo del Prado Buildings Villanueva building Casón del Buen Retiro Hall of Realms Cloister of Saint Jerome Paintings Spanish Esquivel: José de Espronceda Gisbert: Execution of Torrijos and his Companions on the Beach at Málaga Goya: Allegory of Industry – Asmodea – Atropos – Blind Man's Bluff – Boys Playing Soldiers – Charles IV of Spain and His Family – Los caprichos – Christ Crucified – The Clothed Maja – The Colossus – The Countess of Chinchon – Los disparates – The Dog – The Drunk Mason – The Duchess of Alba and la Beata – Fight with Cudgels – Josefa Bayeu – Judith and Holofernes – La Leocadia – Man Mocked by Two Women – La novillada – Portrait of the Marchioness of Santa Cruz – Men Reading – The Milkmaid of Bordeaux – The Naked Maja – The Parasol – A Pilgrimage to San Isidro – Pilgrimage to the Fountain of San Isidro – Saturn Devouring His Son – The Second of May 1808 – Self-Portrait at 69 years – Summer – The Third of May 1808 – Two Old Men – Two Old Ones Eating Soup – The Victorious Hannibal Seeing Italy from the Alps for the First Time – Witches' Flight – Witches' Sabbath (The Great He-Goat) El Greco: The Nobleman with his Hand on his Chest – Adoration of the Shepherds – Doña María de Aragón Altarpiece – Annunciation – Christ Carrying the Cross – The Fable – The Flight into Egypt – Holy Face of Jesus – Holy Trinity – Julián Romero and Saint Julian – Portrait of a Doctor – Portrait of a Gentleman – Portrait of a Young Nobleman – Portrait of an Elderly Man – Portrait of an Unknown Gentleman – Portrait of Jerónimo de Cevallos – Portrait of Rodrigo Vázquez de Arce – Saint Andrew and Saint Francis – Saint Anthony of Padua – Saint Bernardino of Siena [1] – Saint James the Great – Saint John the Evangelist – Saint Paul – Saint Sebastian – Saint Thomas the Apostle – Holy Trinity – The Saviour – Virgin Mary Luna: The Death of Cleopatra Maíno: Adoration of the Magi – Portrait of a Gentleman – The Recovery of Bahía de Todos los Santos Murillo: Adoration of the Shepherds (1650) – Aranjuez Immaculate Conception – The Christ Child and the Infant John the Baptist with a Shell – Christ on the Cross (1675, 1677) – The Conversion of Saint Paul – The Good Shepherd – The Holy Family with a Little Bird – The Immaculate Conception of El Escorial – The Immaculate Conception of Los Venerables – The Martyrdom of Saint Andrew – Our Lady of the Rosary – The Patrician's Dream – Rebecca and Eleazar Pradilla: Doña Joanna the Mad Ribera: Jacob's Dream – Democritus – Isaac and Jacob – Ixion – Tityos – The Martyrdom of Saint Philip – The Blind Sculptor Sánchez Gallque: The Mulattos of Esmeraldas [2] Velázquez: Las Meninas – The Triumph of Bacchus – Las Hilanderas – The Surrender of Breda – Mars Resting – Equestrian Portrait of Philip IV – Equestrian Portrait of Elisabeth of France – Equestrian Portrait of Prince Balthasar Charles – Equestrian Portrait of Philip III – Equestrian Portrait of Margarita of Austria – Equestrian Portrait of the Count-Duke of Olivares – Adoration of the Magi – Apollo in the Forge of Vulcan – Christ Crucified – Coronation of the Virgin – View of the Garden of the Villa Medici – Prince Balthasar Charles as a Hunter – Portrait of the Infante Don Carlos – Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis – The Jester Barbarroja – The Jester Calabacillas – The Jester Don Diego de Acedo – The Jester Don John of Austria – Portrait of Francisco Lezcano – Infanta Margarita Teresa in a Pink Dress – Portrait of Maria Anna – Portrait of Juan Martínez Montañés – The Nun Jerónima de la Fuente – Portrait of Pablo de Valladolid – Portrait of Philip IV in Armour – Portrait of Mariana of Austria – Portrait of Sebastián de Morra Zurbarán: Agnus Dei – The Death of Hercules – The Defence of Cádiz Against the English – Hercules and the Hydra – Hercules Separates Mounts Calpe and Abylla – Hercules Fighting the Nemean Lion – Saint Elizabeth of Portugal – Saint Luke Painting the Crucifixion – Saint Peter Nolasco's Vision of Saint Peter the Apostle – Still Life with Pots – The Vision of Saint Peter Nolasco Dutch, Flemish, German Anonymous: The Fountain of Life Baldung: The Ages and Death Bosch: The Garden of Earthly Delights – Adoration of the Magi – Cutting the Stone – The Haywain Triptych – Head of a Halberdier – The Seven Deadly Sins and the Four Last Things – The Temptation of St Anthony Bouts: Triptych with Scenes from the Life of the Virgin Bruegel the Elder: The Triumph of Death – The Wine of Saint Martin's Day – Excursion in the Countryside of Infanta Isabel Clara Eugenia – Life in the Countryside – The Infanta Isabel Clara Eugenia in the Mariemont Park (with de Momper) – Landscape (with de Momper) – The Five Senses (with Rubens) Campin: Marriage of the Virgin – Werl Triptych de Crayer: Caritas Romana (1625) David: Rest on the Flight into Egypt Dürer: Adam and Eve – Self-Portrait van Dyck: Self-portrait with Sir Endymion Porter – The Betrayal of Christ – The Brazen Serpent – Diana and a Nymph Surprised by a Satyr – Saint Rosalia – The Crowning with Thorns van Hemessen: The Surgeon Francken the Younger: The Sciences and the Arts Jordaens: Apollo as Victor over Pan – Meleager and Atalanta – The Painter's Family Memling: Adoration of the Magi Mengs: Portrait of José Nicolás de Azara de Momper: Landscape with Sea and Mountains – A Farm – Flemish Market and Washing Place – Landscape with Skaters – The Infanta Isabel Clara Eugenia in the Mariemont Park (with Brueghel the Elder) – Landscape (with Brueghel the Elder) Patinir: Landscape with Charon Crossing the Styx Rembrandt: Judith at the Banquet of Holofernes Rubens: The Judgement of Paris (1638) – The Three Graces – Adoration of the Magi – The Dance of the Villagers – Diana and Callisto – Equestrian Portrait of the Duke of Lerma – The Fall of Man – The Garden of Love – The Birth of the Milky Way – The Rape of Europa – The Rape of Ganymede – Saint George and the Dragon – Saturn – The Triumph of the Church – Deucalion and Pyrrha – The Five Senses (with Brueghel the Elder) Stom: The Incredulity of Saint Thomas Strobel: Feast of Herod with the Beheading of St John the Baptist Teniers the Younger: Archduke Leopold Wilhelm in his Painting Gallery in Brussels (1651) Verhaecht: Alpine Landscape van der Weyden: The Descent from the Cross – Durán Madonna Italian Fra Angelico: Annunciation Anguissola: Portrait of Elisabeth of Valois – Portrait of Infanta Isabella Clara Eugenia [3] – Portrait of Giovanni Battista Caselli Barocci: Nativity Bellini: Madonna and Child with Saint Mary Magdalene and Saint Ursula Botticelli: The Story of Nastagio Degli Onesti, part one Caravaggio: David and Goliath Carracci: Assumption of the Virgin – Mural Paintings from the Herrera Chapel – Venus, Adonis and Cupid Correggio: Noli me tangere – Madonna and Child with the Infant John the Baptist A. Gentileschi: The Birth of Saint John the Baptist O. Gentileschi: The Finding of Moses (1633) Leonardo: Mona Lisa (by his studio) Lotto: Portrait of Marsilio Cassotti and His Bride Faustina Mantegna: Death of the Virgin Parmigianino: Holy Family with Angels – Portrait of Camilla Gonzaga and Her Three Sons – Portrait of Pier Maria Rossi di San Secondo – Saint Barbara Raphael: Portrait of a Cardinal – Christ Falling on the Way to Calvary – Madonna of the Rose – Visitation – La Perla Romano: Holy Family under an Oak Tree Andrea del Sarto: Sacrifice of Isaac Tintoretto: Christ Washing the Disciples' Feet – Joseph and Potiphar's Wife – Judith and Holofernes (by his studio) – The Washing of the Feet Tiepolo: The Immaculate Conception Titian: The Bacchanal of the Andrians – Equestrian Portrait of Charles V – The Fall of Man – Alfonso d'Avalos Addressing his Troops – Danaë Receiving the Golden Rain (1565) – The Entombment – La Gloria – Virgin and Child Between Saints Anthony of Padua and Roch – Mater Dolorosa with Clasped Hands – Philip II in Armour – Portrait of Charles V with a Dog – Portrait of Federico II Gonzaga – Portrait of Isabella of Portugal – Sisyphus – Tityus – Religion saved by Spain – Salome - Self-Portrait (1567) – Saint Margaret and the Dragon – Venus and Adonis (1554) – Venus and Musician (1550, 1555) – The Virgin and Child with Saint George and Saint Dorothy – The Worship of Venus Veronese: Venus and Adonis – Christ Among the Doctors – The Finding of Moses French Anonymous: Agony in the Garden with the Donor Louis I of Orléans Baudry: The Pearl and the Wave van Loo: The Family of Philip V (1743) Lorrain: Landscape with St Paula of Rome Embarking at Ostia – The Ford – Landscape with St María de Cervelló – Landscape with the Burial of St Serapia – Landscape with the Finding of Moses – Landscape with the Temptation of St Anthony – Landscape with Tobias and Raphael Poussin: Parnassus – Landscape with Three Figures – Saint Cecilia Ranc: The Family of Philip V (1723) – Portrait of Ferdinand VI as a Boy Watteau: Marriage Contract and Country Dancing Vouet: Time Defeated by Love, Beauty and Hope Other British paintings Sculptures Rome The Apotheosis of Claudius Castor and Pollux [1] On display at El Greco Museum in Toledo [2] On display at Museo de América in Madrid [3] On display at the Spanish Embassy in Paris Category

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Adapted from the Wikipedia article [Witches' Flight](https://en.wikipedia.org/wiki/Witches'_Flight) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Witches'_Flight?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.