# Warren Neidich > Mediated Wiki article. Canonical URL: https://mediated.wiki/source/Warren_Neidich > Markdown URL: https://mediated.wiki/source/Warren_Neidich.md > Source: https://en.wikipedia.org/wiki/Warren_Neidich > Source revision: 1352849030 > License: Creative Commons Attribution-ShareAlike 4.0 International (https://creativecommons.org/licenses/by-sa/4.0/) {{short description|American artist (born 1958)}} {{Use mdy dates|date=July 2018}} {{Infobox artist | name = Warren Neidich | image = Neidich_portrait.jpg | caption = Warren Neidich performance at [The Drawing Center](/source/The_Drawing_Center) in 2009.
Photograph by Chris Lee. | birth_date = | birth_place = | death_date = | death_place = | field = [Contemporary art](/source/Contemporary_art) | training = | movement = | works = | patrons = | awards = [Vilém Flusser](/source/Vil%C3%A9m_Flusser) Theory Award 2010, presented at [Transmediale](/source/Transmediale),{{cite web|url=https://transmediale.de/award-winners-2010|title=Award Winners 2010 – transmediale|website=transmediale.de|access-date=January 29, 2018}} [Fulbright Program](/source/Fulbright_Program) Scholar Fellowship, Fine Arts Category, 2013{{cite web|url=https://www.cies.org/grantee/warren-neidich|title=Warren Neidich – Fulbright Scholar Program|website=cies.org|access-date=January 29, 2018|archive-date=January 6, 2018|archive-url=https://web.archive.org/web/20180106063731/https://www.cies.org/grantee/warren-neidich|url-status=dead}} }} '''Warren Neidich''' ({{IPAc-en|ˈ|n|aɪ|d|ɪ|k}} {{Respell|NYE|dik}}{{cite web|url=https://vimeo.com/49965895|title=Cathérine Hug in conversation with Warren Neidich|date=September 22, 2012|access-date=7 May 2020}}) is an American artist who lives in [Berlin](/source/Berlin) and Los Angeles.[http://www.barbaraseiler.ch/artists/warren-neidich/ Artist page, Galerie Barbara Seiler]. Retrieved 28 October 2017 He was a professor at Kunsthochschule Weißensee School of Art,{{Cite web|url=https://www.lifepr.de/inaktiv/weissensee-kunsthochschule-berlin-0/Warren-Neidich-New-at-the-Academy-Public-Lecture/boxid/621014|title=Warren Neidich: New at the Academy – Public Lecture – Weißensee Kunsthochschule Berlin – Pressemitteilung|website=lifepr.de|access-date=28 October 2017}}{{cite web|url=http://www.kh-berlin.de/personen/show/prof-dr-warren-neidich-3524.html|title=Personen – Weißensee Kunsthochschule Berlin|website=kh-berlin.de|access-date=January 29, 2018}} Berlin and Goldsmiths, London.{{Cite web|url=https://www.otis.edu/search?qq=warren+neidich|title=Search Otis|website=Otis College of Art and Design|access-date=28 October 2017|archive-date=October 28, 2017|archive-url=https://web.archive.org/web/20171028201524/https://www.otis.edu/search?qq=warren+neidich|url-status=dead}} Neidich is founding director of the Saas-Fee Summer Institute of Art (SFSIA).{{cite web|url=http://saasfeesummerinstituteofart.com/about/|title=About – Saas-Fee Summer Institute of Art|website=saasfeesummerinstituteofart.com|access-date=January 29, 2018}} He has collaborated with artists, curators and critics including: [Barry Schwabsky](/source/Barry_Schwabsky) (co-director of SFSIA), [Armen Avanessian](/source/Armen_Avanessian), [Nicolas Bourriaud](/source/Nicolas_Bourriaud), [Tiziana Terranova](/source/Tiziana_Terranova), [Franco Berardi](/source/Franco_Berardi), [Hans-Ulrich Obrist](/source/Hans-Ulrich_Obrist), [Isaac Julien](/source/Isaac_Julien),{{Cite web|url=http://saasfeesummerinstituteofart.com/program-2017/|title=Program {{!}} Saas-Fee Summer Institute of Art|website=saasfeesummerinstituteofart.com|access-date=28 October 2017|archive-date=October 28, 2017|archive-url=https://web.archive.org/web/20171028202627/http://saasfeesummerinstituteofart.com/program-2017/|url-status=dead}} [Hito Steyerl](/source/Hito_Steyerl),{{Cite web|url=http://saasfeesummerinstituteofart.com/program-2015/|title=Program 2015 {{!}} Saas-Fee Summer Institute of Art|website=saasfeesummerinstituteofart.com|access-date=29 October 2017|archive-date=October 30, 2017|archive-url=https://web.archive.org/web/20171030022721/http://saasfeesummerinstituteofart.com/program-2015/|url-status=dead}} [Chris Kraus (American writer)](/source/Chris_Kraus_(American_writer)),{{Cite news|url=http://www.warrenneidich.com/apparatus-1998/|title=Apparatus (1998) – Warren Neidich|date=August 1, 1997|work=Warren Neidich|access-date=15 January 2018}} and many others. His work has been exhibited at numerous institutions including: [MoMA PS1](/source/MoMA_PS1),{{Cite web|url=https://www.moma.org/research-and-learning/research-resources/archives/ps1_artists/artists_n|title=Museum of Modern Art {{!}} MoMA|website=The Museum of Modern Art|access-date=28 October 2017}} [Whitney Museum of American Art](/source/Whitney_Museum_of_American_Art),{{Cite web|url=http://collection.whitney.org/artist/7719/WarrenNeidich|title=Whitney Museum of American Art: Warren Neidich|website=collection.whitney.org|access-date=28 October 2017|archive-date=October 29, 2017|archive-url=https://web.archive.org/web/20171029012719/http://collection.whitney.org/artist/7719/WarrenNeidich|url-status=dead}} [LACMA – Los Angeles County Museum of Art](/source/LACMA),{{Cite web|url=http://unframed.lacma.org/2017/03/22/interview-collector-deborah-irmas-not-selfie-photographic-self-portraits-audrey-and|title=Interview with Collector Deborah Irmas on "This Is Not a Selfie: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection" {{!}} Unframed|website=unframed.lacma.org|date=March 22, 2017 |access-date=28 October 2017}}{{Cite web|url=https://collections.lacma.org/search/site/warren+neidich|title=Site {{!}} LACMA Collections|website=collections.lacma.org|access-date=28 October 2017}} [California Museum of Photography](/source/California_Museum_of_Photography), ICA – [Institute of Contemporary Arts](/source/Institute_of_Contemporary_Arts), London, [Museum Ludwig](/source/Museum_Ludwig), Cologne, and [Walker Art Center](/source/Walker_Art_Center), [Minneapolis](/source/Minneapolis), Minnesota.{{Cite web|url=https://walkerart.org/collections/artists/warren-neidich|title=Walker Art Center|website=walkerart.org|access-date=28 October 2017}} In relation to his exhibitions and extended theories he has edited and published over 10 books, including ''Neuromacht,'' Merve Verlag (German), 2017'', the Psychopathologies of Cognitive Capitalism: Part One (2013), Two (2014), and Three (2017)'', Archive Books (English), the ''Noologist's Handbook and Other Art Experiments'', Anagram, 2013, ''From Noopower to Neuropower: How Mind Becomes Matter'', 2010{{Cite web|url=http://xenopraxis.net/readings/neidich_noopowerneuropower.pdf|title=540 541 From Noopower to Neuropower: How Mind Becomes Matter 5 Paolo Virno, A Grammar of the Multitude, translated by Isabella Bertoletti, James Cascaito|website=xenopraxis.net}} and, ''Cognitive Architecture. From Biopolitics to Noopolitics. Architecture & Mind in the Age of Communication and Information'', 2010.{{Cite book|title=Cognitive architecture: from bio-politics to noo-politics ; architecture & mind in the age of communication and information|last1=Hauptmann|first1=Deborah|last2=Neidich|first2=Warren|last3=Angelidakis|first3=Andreas|date=2010|publisher=010 Publishers|isbn=9789064507250|location=Rotterdam|language=en|oclc = 702610443}} He was collaborator, along with [Elena Bajo](/source/Elena_Bajo) and others, on [Exhibition 211](/source/Exhibition_211) in New York, 2009. ==Main themes== A major theme in Neidich's practice can widely be summarised as '''neuroaesthetics''' (not to be confused with mainstream [neuroesthetics](/source/neuroesthetics)), an area of critical and constructive thought, which can loosely be seen as the confluent impact of the brain on a cultured environment and, importantly, vice versa, upon which he began lecturing in 1996 at the [School of Visual Arts](/source/School_of_Visual_Arts) in New York City. His website artbrain.org, which includes ''The Journal of Neuro-Aesthetic Theory'', was published online in 1997.{{Cite web|url=http://www.artbrain.org/category/journal-neuro-aesthetic-theory/journal-neuro-aesthetic-theory-1/|title=Artbrain: Journal of Neuro-Aesthetic Theory No. 1 (1997–99)|website=artbrain.org|access-date=13 December 2017|archive-date=April 2, 2018|archive-url=https://web.archive.org/web/20180402074710/http://www.artbrain.org/category/journal-neuro-aesthetic-theory/journal-neuro-aesthetic-theory-1/|url-status=dead}} Cognitive capitalism ([cognitive-cultural economy](/source/cognitive-cultural_economy)), 'critical' [neuroscience](/source/neuroscience), [neuroplasticity](/source/neuroplasticity), post-[Workerism](/source/Workerism), [immaterial labor](/source/immaterial_labor), and [epigenesis](/source/Epigenesis_(biology)) are recurring themes since 1996, while earlier themes, between 1985 and 1996, were interested in culturally based work about race, politics, [historical reenactment](/source/historical_reenactment), fictive documentary, [staging](/source/staging_(theatre)), photographic practice, the archive, and [anachronistic](/source/anachronistic) technology. On these topics he has published several books including: Neuromacht, 2017,{{Cite web|url=https://www.merve.de/index.php/book/show/466|title=Merve – Warren Neidich: Neuromacht, Kunst im Zeitalter des kognitiven Kapitalismus|website=merve.de|access-date=29 October 2017}} [Psychopathologie](/source/Psychopathology)s of Cognitive Capitalism: Part One,{{Cite journal|last=Neidich|first=Warren|title=Psychopathologies of Cognitive Capitalism Part 1|url=https://www.academia.edu/8370045}} Two,{{Cite news|url=https://www.ici-berlin.org/events/the-psychopathologies-of-cognitive-capitalism/|title=The Psychopathologies of Cognitive Capitalism |work=ICI Berlin|access-date=29 October 2017}}{{Cite journal|last=Neidich|first=Warren|title=Psychopathologies of Cognitive Capitalism Part 2|url=https://www.academia.edu/10801026}} and Three,{{Cite web|url=http://www.rampub.com/search?q=neidich&x=0&y=0|title=RAM Publications|website=rampub.com|access-date=29 October 2017}} ''The Noologist's Handbook and Other Art Experiments'', 2013,{{Cite web|url=http://www.archivekabinett.org/2013/09/08/berlin-works-the-noologists-handbook-and-other-art-experiments/|title=Warren Neidich Berlin Works – Archive Kabinett|website=archivekabinett.org|access-date=29 October 2017}}"The Inner Perspective of the Noologist's Mind", by Suzana Milevska, in Warren Neidich, The Noologist's Handbook and Other Art Experiments, Ed. Suzana Milevska, Archive Books, 2013, {{ISBN|9783943620085}} ''From Noopower to Neuropower: How Mind Becomes Matter'', 2010"From Noopower to Neuropower: How Mind Becomes Matter", by Warren Neidich, in [Cognitive](/source/Cognitive) Architecture: From Bio-politics to Noo-politics, edited by Deborah Hauptmann and Warren Neidich, 010 Publishers, Rotterdam, 2010, {{ISBN|9789064507250}}."[http://www.sarai.net/publications/readers/06-turbulence/07_warren.pdf Neurobiopolitics of Global Consciousness]" and ''Cognitive Architecture (From Biopolitics to Noopolitics. Architecture & Mind in the Age of Communication and Information)'', 2010,{{Cite web|url=https://www.naibooksellers.nl/cognitive-architecture-from-biopolitics-to-noopolitics-architecture-mind-in-the-age-of-communication-and-information-deborah-hauptmann-warren-neidich.html|title=Cognitive Architecture. From Biopolitics to NooPolitics Architecture & Mind in the Age of Communication and Information {{!}} Deborah Hauptmann, Warren Neidich {{!}} 9789064507250|website=www.naibooksellers.nl|language=nl|access-date=29 October 2017}} and ''Blow Up: Photography, Cinema and the Brain'', 2003.{{Cite book|url=https://www.goodreads.com/book/show/428982.Warren_Neidich|title=Warren Neidich|website=goodreads.com|isbn=978-1-891024-80-1 |access-date=29 October 2017 |last1=Neidich |first1=Warren |date=2003 |publisher=D.A.P./Distributed Art Publishers }}{{Cite web|url=http://sensesofcinema.com/2005/book-reviews/blow_up/|title=Brain Sculpting and Cinema: Blow-Up: Photography, Cinema and the Brain by Warren Neidich • Senses of Cinema|website=sensesofcinema.com|access-date=29 October 2017|date=October 20, 2005}} Neidich's work has examined the co-evolution of the history of art, brain, and mind, which provides a critical foundation to his understanding of neuroaesthetics as an [ontologic](/source/ontologic) process. The key to neuroaesthetics is the investigation of apparatuses in which a network of heterogeneous discourses is administered. As the world and technology change, so to the apparatuses which organize it, and the cognitive strategies with which one can understand it. This is especially true of the information age, which distributes such apparatuses non-linearly and profusely. Neidich's work is inspired by [Michael Snow](/source/Michael_Snow), [Stan Brakhage](/source/Stan_Brakhage), [Jean-Luc Godard](/source/Jean-Luc_Godard) and the [Apparatus Theory](/source/Apparatus_Theory) of [Stephen Heath](/source/Stephen_Heath). ==Studies and teaching== Warren Neidich has studied in diverse fields since 1970 including Photography, [Psychology](/source/Psychology), [Biology](/source/Biology), (BA Magna Cum Laude [Washington University in St. Louis](/source/Washington_University_in_St._Louis)), [Neurobiology](/source/Neurobiology) (as research fellow at [California Institute of Technology](/source/California_Institute_of_Technology), under the laboratory of [Roger Wolcott Sperry](/source/Roger_Wolcott_Sperry) who later won the 1981 [Nobel Prize in Physiology and Medicine](/source/Nobel_Prize_in_Physiology_and_Medicine)) and Architecture, he is also a Board Certified [Ophthalmologist](/source/Ophthalmologist) from [Tulane Medical Center](/source/Tulane_Medical_Center). Neidich has collaborated with [Goldsmiths College](/source/Goldsmiths_College) on several occasions since 2003, when he served as a visiting artist and lecturer. In 2005, he organized the first symposium on Neuroaesthetics {{citation | title=Conference on Neuroaesthetics | author=Warren Neidich | publisher=Goldsmiths College | date=May 20, 2005 | url=http://www.gold.ac.uk/cultural-studies/neuroaesthetics/ | access-date=29 August 2009 }}{{Dead link|date=December 2024 |bot=InternetArchiveBot |fix-attempted=yes }} and in 2014, with [Mark Fisher](/source/Mark_Fisher_(theorist)), he organized a symposium titled 'The Psychopathologies of Cognitive Capitalism: The Cognitive Turn Organized'.{{Cite news|url=https://www.gold.ac.uk/calendar/?id=7444|title=The Psychopathologies of Cognitive Capitalism: The Cognitive Turn Organized by Mark Fisher and Warren Neidich|work=Goldsmiths, University of London|access-date=24 November 2017}} At the Delft School of Design, [Delft University of Technology](/source/Delft_University_of_Technology) in the Netherlands (where he was a PhD candidate under Professor Dr. Arie Graafland), in 2008,, he co-organized "Architecture in Mind: From Biopolitics to Noo politics."{{citation | title= Architecture and The Mind: from bio-politics to noo-politics| author=Warren Neidich | publisher=Delft School of Design | date= October 31, 2008 | url=http://www.delftschoolofdesign.eu/workshops/4/ | access-date=29 August 2009 }} ==Art practice and theories== ===Early works (1985–1996)=== From 1985 to 1997 Neidich worked on a number of projects investigating the relationship between power and representation, focusing on reenactment, staging, fictive documentary and performance. Major works from this time include the [American Civil War](/source/American_Civil_War) studies [The Battle of Chickamauga](/source/The_Battle_of_Chickamauga) and Amputation without Anaesthesia exhibited at The Photographic Resource Center, Boston in 1991 and "''American History Reinvented''" (1986–1991) at Burden Gallery, [Aperture Foundation](/source/Aperture_Foundation), New York City, in 1989.{{citation | title=American History Reinvented | author=Warren Neidich | publisher=Slash Seconds | year=1991 | url=http://www.slashseconds.org/issues/002/004/articles/wneidich/index.php| access-date=29 August 2009 }} Neidich's appropriation of historical moments by means of photography has been discussed by [John Welchman](/source/John_Welchman),{{citation | title=Art after Appropriation: Essays on Art in the 1990s | author=John Welchman | publisher=Routledge | date= September 14, 2001 | isbn=9057010437 }} [Christopher Phillips](/source/Christopher_Phillips),{{Cite web|url=http://warrenneidich.com/texts/phillips_necessary_fictions.pdf|title=Necessary Fictions: Warren Neidich's Early-American Cover-Ups|last=Phillips|first=Christopher|access-date=January 22, 2018|archive-date=January 22, 2018|archive-url=https://web.archive.org/web/20180122125735/http://warrenneidich.com/texts/phillips_necessary_fictions.pdf|url-status=dead}} Graham Clarke,{{citation | title= The Photograph| author=Graham Clarke | publisher=[Oxford University Press](/source/Oxford_University_Press) | date= May 8, 1997 | url=https://books.google.com/books?id=CPJgiGcr0VgC&q=the+photograph+graham+clarke&pg=PA3 | isbn= 978-0-19-284200-8 | access-date=29 August 2009 }} and [David Joselit](/source/David_Joselit).{{Cite book|url=https://listart.mit.edu/exhibitions/warren-neidich-historical-interventions|title=HISTORICAL IN(TER)VENTIONS|last=Joselit|first=David|date=May 1, 1991|publisher=Massachusetts Inst Technology|isbn=9780938437383|location=Cambridge, (Mass.)|language=en}} The series of altered photographs "Unknown Artist", which recast the early 20th-century art coterie as a social rather than an individual phenomenon, were installed at Berlin's Paris Bar in 1994 in collaboration with [Martin Kippenberger](/source/Martin_Kippenberger) and Michel Wertle.{{Cite news|url=http://www.warrenneidich.com/unknown-artist-1992-94/|title=Unknown Artist (1992–94) – Warren Neidich|date=February 3, 1994|work=Warren Neidich|access-date=22 January 2018}} In 1994, Neidich's photography-based sculptural installation ''Collective Memory'' and ''Collective Amnesia'' (1991–94) used the culturally-constructed story of [Anne Frank](/source/Anne_Frank) to reflect upon pop culture's vulgarization of history. Neidich's slide show projection "Beyond the Vanishing Point: Media Myth in America" was shown at N.Y. Kunsthalle, NYC in 1995. It traced a journey across America fifty years after [Jack Kerouac](/source/Jack_Kerouac), culminating in a surrealist photographic exposé of the media encampment that grew outside the courthouse during the [O.J. Simpson trial](/source/O._J._Simpson_murder_case) in Los Angeles (1995–97). The book Camp O.J., published by D.A.P.{{Cite book|url=http://www.artbook.com/0970626304.html|title=Warren Neidich Camp O.J. Artbook {{!}} D.A.P. 2001 Catalog Bayly Art Museum Books Exhibition Catalogues 9780970626301|website=www.artbook.com|access-date=22 January 2018}} exposed the condition of [infotainment](/source/infotainment). ===The introduction of Neuroaesthetics (1996–2002)=== In 1996 Neidich, began to explore the phenomenological conditions surrounding the cultural and historical aspects of his work. These research projects took the form of texts and lectures entitled "Neuroaesthetics", first delivered at the [School of Visual Arts](/source/School_of_Visual_Arts) in New York, 1995–1996, when Neidich was visiting lecturer in the Department of Photography and Related Media under [Charles Traub](/source/Charles_H._Traub). In 1997, with the help of Nathalie Angles, the current director of ''Residency Unlimited'',{{Cite web|url=http://www.residencyunlimited.org/ru-team/nathalie-angles-executive-director/|title=Residency Unlimited {{!}} Nathalie Anglès – Executive Director|website=www.residencyunlimited.org|access-date=22 January 2018}} he launched the platform artbrain.org, consisting of ''The Journal of Neuroaesthetics'' and ''Netspace Gallery''. Neuroaesthetics, (differing from the scientific approach with the same name often spelled [neuroesthetics](/source/neuroesthetics)), believes that artists in all their modes such as poetry, cinema, installation art and architecture, using their own spaces, apparatuses, materials, sense of time, and performative gestures, can elaborate truths about the [noumenal](/source/noumenal) and [phenomenal](/source/phenomenal) world on part with those generated by the sciences. These truths compete effectively in the marketplace of ideas. The [post-structuralist](/source/post-structuralist) brain/mind/body/world complex, in which cultural mutations are transposed into parallel changes in the mind, brain and body, expressed in works such as "Brainwash" (1997), Neidich's first application of his hybrid [dialectics](/source/dialectics), developed greater tenacity in 1999 when Neidich curated "Conceptual Art as Neurobiological Praxis" at Thread Waxing Space in New York{{citation|title=Seeing Eye|date=May 20, 1999|url=http://www.villagevoice.com/1999-04-20/art/seeing-eye/|archive-url=https://web.archive.org/web/20121018213011/http://www.villagevoice.com/1999-04-20/art/seeing-eye/|url-status=dead|archive-date=October 18, 2012|author=Sue Spaid|work=The Village Voice|access-date=29 August 2009|author-link=Sue Spaid}} which "''rather than being a show about the collaboration between art and science or a reductive methodology of how the brain works, the exhibition attempted to promote the idea of a becoming brain''" and included artists: [Uta Barth](/source/Uta_Barth), [Sam Durant](/source/Sam_Durant), [Charline von Heyl](/source/Charline_von_Heyl), [Jason Rhoades](/source/Jason_Rhoades), [Liam Gillick](/source/Liam_Gillick), [Douglas Gordon](/source/Douglas_Gordon), [Thomas Ruff](/source/Thomas_Ruff), Simon Grennan and [Christopher Sperandio](/source/Christopher_Sperandio), and others.{{Cite news|url=http://www.warrenneidich.com/conceptual-art-as-neurobiological-praxis-1999/|title=Conceptual Art as Neurobiological Praxis (1999) – Warren Neidich|date=January 3, 2007|work=Warren Neidich|access-date=16 January 2018}} Neidich's video-works from this period include ''Apparatus'', ''Memorial Day'' (1998), ''Kiss'', and ''Law of Loci''(1998–99). The exhibitions "The Mutated Observer Part 1" (2001), and "The Mutated Observer Part 2" (2002) at the [California Museum of Photography](/source/California_Museum_of_Photography) showcased a number of handmade apparatuses, so-called "''Hybrid Dialectics''", in [vitrines](/source/Dispaly_case) adjacent to those of the museum's collection. ===Recent work (2006–2017)=== Neidich's essay ''The Neurobiopolitics of Global Consciousness'', published in the Sarai Reader '''Turbulence''' in 2006,{{Cite web|url=http://sarai.net/sarai-reader-06-turbulence/|title=Sarai Reader 06: Turbulence : s a r a i|website=sarai.net|date=October 10, 2006 |access-date=15 January 2018}} clearly connected the ideas of [neural plasticity](/source/neural_plasticity), [epigenesis](/source/epigenesis_(biology)) and Empire. Topics such as Neuro [biopolitics](/source/biopolitics) were extended to include the political impact of [immaterial labor](/source/immaterial_labor) and the [Information Age](/source/Information_Age) on the production of architecture and built space, specifically in relation to the ways in which intense sensory and perceptual effect are now used to organize cultural attention. These ideas later evolved into a series of performative drawings staged in his studio at [IASPIS](/source/IASPIS) in Stockholm (2008) and at [The Drawing Center](/source/The_Drawing_Center), New York (2009). The same year Neidich also organized the conference "The Power of Art"{{citation|title=The Power of Art|date=July 10, 2009|url=http://zine.artcat.com/2009/07/art-and-power-at-the-drawing-c.php|author=B. Blagojevic|publisher=ArtCat Zine|access-date=29 August 2009|archive-date=December 30, 2009|archive-url=https://web.archive.org/web/20091230093834/http://zine.artcat.com/2009/07/art-and-power-at-the-drawing-c.php|url-status=dead}} at The Drawing Center, New York. In 2008 Onomatopee published Neidich's book ''Lost Between the Extensivity-Intensivity Exchange'' for which he outlined that the "inauguration of the 21st century could be described as a time of cultural torpor resulting from free floating anxiety, ambivalence, and wavering", going on to say, "the condition, suggested by the title, that of being lost in the ‘in-between zone’ of extensive and intensive labor and two evolving partially incommensurable world views, the local (tribal) and global (cosmopolitan) or the nation-state and the Earthling, merged"{{Cite web|url=http://www.onomatopee.net/project.php?progID=7ad80315fbfe9f57b4a55a647b6aeb7f|title=onomatopee|website=onomatopee.net|access-date=21 December 2017}}{{Cite web|url=http://www.onomatopee.net/backoffice/docs/Warren_Neidich_EDIT.pdf|title=An aftermath essay by Warren Neidich|website=onomatopee|access-date=December 22, 2017|archive-date=January 25, 2016|archive-url=https://web.archive.org/web/20160125015544/http://www.onomatopee.net/backoffice/docs/Warren_Neidich_EDIT.pdf|url-status=dead}}
''"What has become obvious to me is that in our moment of cognitive capitalism in which the brain and mind are the new factories of the twenty-first century, forms of activism invented during industrial capitalism like refusal to work, absenteeism, and labor strikes are no longer up to the task"'' – Warren Neidich 2017{{Cite journal|last=Neidich|first=Warren|title=Acid Architecture: Trans-Thinking in the Age of Cognitive Capitalism|url=https://www.academia.edu/31692968}}{{Cite web|url=https://www.artandeducation.net/schoolwatch/164079/saas-fee-summer-institute-of-art-a-berlin-intensive-at-the-juncture-of-theory-praxis-and-art|title=Saas-Fee Summer Institute of Art: A Berlin Intensive at the Juncture of Theory, Praxis, and Art – School Watch – Art & Education|website=artandeducation.net|access-date=21 December 2017}}
In ''Pizzagate'' (2017) Neidich returned to his earlier work on apparatus entitled 'Hybrid Dialectics' (1997–2003).{{Cite journal|last=Neidich|first=Warren|title=On Visualized Vision in the Early Work of Warren Neidich, Suzanne Neubauer, Theory, Culture and Society|journal=Theory, Culture & Society |year=2010 |volume=27 |issue=7–8 |page=306 |doi=10.1177/0263276410383717 |s2cid=55544660 |url=https://www.academia.edu/3077422}} In the work he delineates the new apparatuses of the knowledge economy like [clickbait](/source/clickbait) and [memes](/source/memes) as they produce new forms of subjectivity. ===Drive-By-Art=== In May 2020, in response to the impact of the COVID-19 epidemic, Neidich curated the exhibition Drive-By-Art (Public Art in This Moment of Social Distancing) which took place at various locations, first in the Hamptons and then later in Los Angeles. The exhibitions featured work by 174 artists spread over multiple locations in "an attempt to bring back a sense of solidarity to the artistic and cultural community".{{Cite web | title=Archived copy | url=https://www.drive-by-art.org/wp-content/uploads/2020/05/Press-Release-LA-Drive-By-Art.pdf | archive-url=https://web.archive.org/web/20200708054859/https://www.drive-by-art.org/wp-content/uploads/2020/05/Press-Release-LA-Drive-By-Art.pdf | archive-date=2020-07-08}} The exhibition was featured in numerous publications including Artforum, Time, The Chicago Tribune and The New York Times. ==Saas-Fee Summer Institute of Art== The Saas-Fee Summer Institute of Art (SFSIA) is a nomadic academy that originated in [Saas-Fee](/source/Saas-Fee), Switzerland in 2015, and moved to [Berlin](/source/Berlin) in 2016 where it could engage with the local active art scene. SFSIA maintains the moniker today simply as a nod to its origins.{{Cite web|url=https://www.artandeducation.net/schoolwatch/164079/saas-fee-summer-institute-of-art-a-berlin-intensive-at-the-juncture-of-theory-praxis-and-art|title=Saas-Fee Summer Institute of Art: A Berlin Intensive at the Juncture of Theory, Praxis, and Art – School Watch – Art & Education|website=artandeducation.net|access-date=5 January 2018}} It was founded by fine artist and theorist Warren Neidich, and is co-directed by art critic and poet [Barry Schwabsky](/source/Barry_Schwabsky). The school has included many notable collaborators in workshops or as speakers. SFSIA was born as a parallel program to the activities at the neighboring [European Graduate School](/source/European_Graduate_School) (EGS), sharing the evening public program, however with no formal connection. Schwabsky, in conversation with Jennifer Teets for Art & Education, has described his desire for the school to respond to a "crisis" across the sector wherein art academies are "controlled by administrators—not by faculty—an ever-expanding layer of bureaucrats who are removed from the real needs of students and the realities of teaching and research." Each year SFSIA has approached a new theme, the founding being 'Art and the Politics of Estrangement' (2015),{{Cite web|url=http://saasfeesummerinstituteofart.com/program-2015/|title=Program & Faculty 2015 {{!}} Saas-Fee Summer Institute of Art|website=saasfeesummerinstituteofart.com|access-date=15 January 2018|archive-date=October 30, 2017|archive-url=https://web.archive.org/web/20171030022721/http://saasfeesummerinstituteofart.com/program-2015/|url-status=dead}} followed by 'Art and the Politics of Individuation: Affect and the Multiple Body in Cognitive Capitalism' (2016){{Cite web|url=http://saasfeesummerinstituteofart.com/program-2016/|title=Program & Faculty 2016 {{!}} Saas-Fee Summer Institute of Art|website=saasfeesummerinstituteofart.com|access-date=15 January 2018|archive-date=January 16, 2018|archive-url=https://web.archive.org/web/20180116004502/http://saasfeesummerinstituteofart.com/program-2016/|url-status=dead}} and 'Art & the Politics of Collectivity' (2017).{{Cite web|url=http://saasfeesummerinstituteofart.com/program-2017/|title=Program {{!}} Saas-Fee Summer Institute of Art|website=saasfeesummerinstituteofart.com|access-date=15 January 2018|archive-date=October 28, 2017|archive-url=https://web.archive.org/web/20171028202627/http://saasfeesummerinstituteofart.com/program-2017/|url-status=dead}} The 2018 program circulates around the theme of 'Art and Politics in the Age of Cognitive Capitalism' and will take place in Los Angeles and Berlin.{{Cite web|url=http://saasfeesummerinstituteofart.com/program-faculty-otis-summer-2018/|title=Program & Faculty {{!}} Los Angeles {{!}} 2018 {{!}} Saas-Fee Summer Institute of Art|website=saasfeesummerinstituteofart.com|access-date=15 January 2018|archive-date=January 16, 2018|archive-url=https://web.archive.org/web/20180116004504/http://saasfeesummerinstituteofart.com/program-faculty-otis-summer-2018/|url-status=dead}} '''List of collaborators:'''{{Cite web|url=http://saasfeesummerinstituteofart.com/|title=Saas-Fee Summer Institute of Art|website=saasfeesummerinstituteofart.com|access-date=5 January 2018}} {{div col|colwidth=15em}} * Elena Agudio (2017) * Marie-Luise Angerer (2017) * [Julieta Aranda](/source/Julieta_Aranda) (2016) * [Armen Avanessian](/source/Armen_Avanessian) (2015) * [Defne Ayas](/source/Defne_Ayas) (2017) * [Elena Bajo](/source/Elena_Bajo) (2016) * Heidi Ballet (2017) * [Franco Berardi](/source/Franco_Berardi) 'Bifo' (2015, 2017) * [Benjamin Bratton](/source/Benjamin_Bratton) (2015) * [Nicolas Bourriaud](/source/Nicolas_Bourriaud) (2017) * [Arne De Boever](/source/Arne_De_Boever) (2017) * [Yann Moulier-Boutang](/source/Yann_Moulier-Boutang) (2017) * [Mathieu Copeland](/source/Mathieu_Copeland) (2015, 2017) * [Jodi Dean](/source/Jodi_Dean) (2017) * Nikola Dietrich (2017) * [Keller Easterling](/source/Keller_Easterling) (2015) * Gale Elston (2015) * Oriol Fontdevila (2016) * Anselm Franke (2015) * [Charles Gaines](/source/Charles_Gaines_(artist)) (2015) * Julieta Gonzalez (2017) * [Krist Gruijthuijsen](/source/Krist_Gruijthuijsen) (2017) * [Anke Hennig](/source/Anke_Hennig) (2015) * Robby Herbst (2017) * Helen Hester (2017) * Yuk Hui (2017) * [Isaac Julien](/source/Isaac_Julien) (2017) * [Sanford Kwinter](/source/Sanford_Kwinter) (2015) * Brandon LaBelle (2017) * Quinn Latimer (2015) * Dan Levenson (2017) * Deborah Ligorio (2017) * [Isabell Lorey](/source/Isabell_Lorey) (2017) * Jens Maier-Rothe (2017) * Antonia Majaca (2017) * Lambros Malafouris (2017) * [Augustin Maurs](/source/Augustin_Maurs) (2017) * Achim Menges (2015) * [Ari Benjamin Meyers](/source/Ari_Benjamin_Meyers) (2017) * [Suzana Milevska](/source/Suzana_Milevska) (2015) * [Hans Ulrich Obrist](/source/Hans_Ulrich_Obrist) (2017) * [Matteo Pasquinelli](/source/Matteo_Pasquinelli) (2017) * Peter Pelbart (2017) * [Susan Philipsz](/source/Susan_Philipsz) (2016) * [John Rajchman](/source/John_Rajchman) (2015) * Gerald Raunig (2015, 2017) * Dorothee Richter (2015) * [Tomás Saraceno](/source/Tom%C3%A1s_Saraceno) (2016) * Aaron Schuster (2016) * [Hito Steyerl](/source/Hito_Steyerl) (2015) * [Ludwig Seyfarth](/source/Ludwig_Seyfarth) (2017) * Eric Golo Stone (2015) * Jennifer Teets (2017) * Ana Teixeira Pinto (2016) * [Tiziana Terranova](/source/Tiziana_Terranova) (2017) * Ben Vickers (2015, 2017) * Anuradha Vikram (2017) * [Joanna Warsza](/source/Joanna_Warsza) (2017) * Markus Weisbeck (2017) * Ming Wong (2017) {{div col end}} ==Exhibitions== ===Selected solo exhibitions=== *''The Politics of Color'', [Kunstverein am Rosa-Luxemburg-Platz](/source/Kunstverein_am_Rosa-Luxemburg-Platz) e.V., Berlin, DE (2017){{cite web|url=http://www.rosa-luxemburg-platz.net/warren-neidichcolor-of-politics/|title=Warren Neidich, Color of Politics|date=April 15, 2017|access-date=January 29, 2018}}{{cite web|url=http://www.berlinartlink.com/2017/06/20/activism-the-politics-of-color-warren-neidich-at-kunstverein-am-rosa-luxemburg-platz/|title=Activism // 'The Politics of Color': Warren Neidich at Kunstverein am Rosa-Luxemburg-Platz – Berlin Art Link|work=Berlin Art Link |date=June 20, 2017|access-date=January 29, 2018}} *''The Palinopsic Field'', [Los Angeles Contemporary Exhibitions](/source/Los_Angeles_Contemporary_Exhibitions), Los Angeles, CA (2016){{cite web|url=http://welcometolace.org/event/the-palinopsic-field/|title=Upcoming Events Warren Neidich: The Palinopsic Field|website=welcometolace.org|access-date=January 29, 2018}} *''The Artists’ Library'', LAXART, Los Angeles, CA{{cite web|url=http://www.laxart.org/initiatives/view/warren-neidich-the-artists-library-2/#images|title=LA> *[Manifesta](/source/Manifesta) 10 Parallel Program, curated by Joanna Warsza, Saint Petersburg, RU (2014){{cite web|url=http://www.warrenneidich.com/nsa-usa/|title=NSA/USA: Sound as Prophecy – Manifesta 10, 2014 – Warren Neidich|date=October 14, 2013|access-date=January 29, 2018}} *[The Townhouse Gallery](/source/The_Townhouse_Gallery), Cairo, EG (2013){{cite web|url=http://www.cuipcairo.org/en/events/lecture-artistic-research-21st-century-warren-neidich|title=Lecture: Artistic Research in the 21st Century by Warren Neidich – Cairo Urban Initiatives Platform|website=cuipcairo.org|access-date=January 29, 2018}}{{cite web|url=https://www.facebook.com/events/431543463607455/|title=Experimental Performance by Warren Neidich – عرض تجريبي للفنان وارن نيديش|website=facebook.com|access-date=January 29, 2018}}{{Primary source inline|date=July 2018}}{{cite web|url=http://www.slashseconds.co.uk/warren-neidich/14/274/submission/how-do-you---/|title=How do you... /Warren Neidich /seconds /issue #14|website=slashseconds.co.uk|access-date=January 29, 2018}} *Fons Welters Gallery, Amsterdam, NL(2011){{cite web|url=http://www.photography-now.com/artist/warren-neidich|title=Warren Neidich - artist, news & exhibitions - photography-now.com|website=photography-now.com|access-date=January 29, 2018}} *Galerie Moriarty, Madrid (2011) *Glenn Horowitz Gallery, East Hampton, NY, US (2010){{cite web|url=https://www.timeout.com/newyork/own-this-city-blog/art-day-trips-warren-neidichs-book-exchange-at-glenn-horowitz-bookseller|title=Art day trips: Warren Neidich's "Book Exchange" at Glenn Horowitz Bookseller – Things to Do, Blogs, Time Out New York blog – reviews, guides, things to do, film – Time Out New York|website=Time Out New York|access-date=January 29, 2018|archive-date=November 15, 2017|archive-url=https://web.archive.org/web/20171115082731/https://www.timeout.com/newyork/own-this-city-blog/art-day-trips-warren-neidichs-book-exchange-at-glenn-horowitz-bookseller|url-status=dead}} *Gallery Magnus Müller, Berlin (2008){{cite web|url=http://www.magnusmuller.com/view-exhibition.php?id=20|title=Magnus Müller Temporary :: Exhibitions|website=magnusmuller.com|access-date=January 29, 2018}} *[Trolley Gallery](/source/Trolley_Gallery), London (2007){{Cite web | url=http://www.trolleybooks.com/exhibitionSingle.php?exhibId=48 | title=Trolley Gallery – Blanqui's Cosmology | access-date=April 13, 2010 | archive-date=July 17, 2011 | archive-url=https://web.archive.org/web/20110717105050/http://www.trolleybooks.com/exhibitionSingle.php?exhibId=48 | url-status=dead }} *Andrew Mummery Gallery, New York (2006){{cite web|url=http://www.warrenneidich.com/earthling-1-10/|title=Earthling (2006) – Warren Neidich|date=February 4, 2013|access-date=January 29, 2018}} *[Storefront for Art and Architecture](/source/Storefront_for_Art_and_Architecture), New York (2002){{Cite web |url=http://www.storefrontnews.org/archive_dete.php?objID=37 |title=Storefront for Art and Architecture | |access-date=August 29, 2009 |archive-date=June 27, 2009 |archive-url=https://web.archive.org/web/20090627082453/http://www.storefrontnews.org/archive_dete.php?objID=37 |url-status=dead }} *[Laguna Art Museum](/source/Laguna_Art_Museum), Laguna Beach, CA (2001){{Cite web| url=http://www.warrenneidich.com/press/ArtinAmerica1.pdf | title=Art in America | access-date=November 14, 2017 | archive-date=November 15, 2017 | archive-url=https://web.archive.org/web/20171115082744/http://www.warrenneidich.com/press/ArtinAmerica1.pdf | url-status=dead}} *[UCR/California Museum of Photography](/source/UCR%2FCalifornia_Museum_of_Photography), Riverside, CA (2001){{cite web|url=http://138.23.124.165/exhibitions/neidich/default.html|title=warren neidich|website=138.23.124.165|access-date=January 29, 2018|archive-date=November 15, 2017|archive-url=https://web.archive.org/web/20171115082923/http://138.23.124.165/exhibitions/neidich/default.html|url-status=dead}} *[Villa Arson](/source/Villa_Arson), Nice, France (1994){{cite web|url=http://archives.villa-arson.org/archives_des_expositions.php?page=exposition_unique&id_exposition=1994NEID&titre=Cultural+Residue&sous_titre=|title=Exposition Cultural Residue : données|website=archives.villa-arson.org|access-date=January 29, 2018}}{{cite book|url=http://doc.macval.fr/doc/SYRACUSE/78642/warren-neidich-cultural-residue-contamination-decontamination-exposition-galerie-de-l-ecole-villa-ar|title=Warren Neidich : cultural residue : contamination-decontamination : [exposition] Galerie de l'Ecole, Villa Arson, Nice, 21 janvier – 13 février 1994|website=doc.macval.fr|year=1994|publisher=Villa Arson. Nice |access-date=January 29, 2018}} *Photographic Resource Center, [Boston University](/source/Boston_University) (1991){{Cite web |url=http://www.bu.edu/prc/19901991.htm |title=Photographic Resource Cednter at Boston University | past exhibitions |access-date=November 14, 2017 |archive-date=March 20, 2017 |archive-url=https://web.archive.org/web/20170320025310/http://www.bu.edu/prc/19901991.htm |url-status=dead }} *[MIT](/source/MIT)'s [List Visual Arts Center](/source/List_Visual_Arts_Center), Cambridge, MA (1991){{cite web|url=https://listart.mit.edu/exhibitions/warren-neidich-historical-interventions|title=Warren Neidich: Historical In(ter)ventions|website=MIT List Visual Arts Center|access-date=January 29, 2018|date=April 11, 2014}} *[Aperture Foundation](/source/Aperture_Foundation), New York (1989){{Cite web| title=American History Reinvented | url=http://www.slashseconds.org/issues/002/004/articles/wneidich/index.php | archive-url=https://web.archive.org/web/20080828214853/http://www.slashseconds.org/issues/002/004/articles/wneidich/index.php | archive-date=2008-08-28}} ===Selected group exhibitions=== *''The Search Drive, Globale: Infosphäre'' at [Center for Art and Media Karlsruhe](/source/Center_for_Art_and_Media_Karlsruhe), curated by [Peter Weibel](/source/Peter_Weibel), Daria Mille and Giulia Bini, [Karlsruhe](/source/Karlsruhe) (2015){{Cite web|url=http://zkm.de/en/event/2015/09/globale-infosphere|title=Globale: Infosphere {{!}} September 5, 2015 (All day) to January 31, 2016 (All day) {{!}} ZKM|website=zkm.de|access-date=25 November 2017|archive-date=November 8, 2017|archive-url=https://web.archive.org/web/20171108220227/http://zkm.de/en/event/2015/09/globale-infosphere|url-status=dead}} *''The Fax Show'', [Drawing Center](/source/Drawing_Center), curated by João Ribas, New York (2009){{Cite web|url=http://curatorsintl.org/exhibitions/fax1|title=Fax – Exhibitions – Independent Curators International|website=curatorsintl.org|access-date=25 November 2017}} *''Everything is connected he, he, he,'' [Astrup Fearnley Museum of Modern Art](/source/Astrup_Fearnley_Museum_of_Modern_Art), Oslo, Norway (2004){{Cite news|url=http://www.afmuseet.no/en/utstillinger/2004/everything-is-connected-he-he-he|title=Everything is connected he, he, he|last=Museet|first=Astrup Fearnley|work=Astrup Fearnley Musee|access-date=25 November 2017|archive-date=December 1, 2017|archive-url=https://web.archive.org/web/20171201030556/http://www.afmuseet.no/en/utstillinger/2004/everything-is-connected-he-he-he|url-status=dead}} *''Bitstreams'', [Whitney Museum of American Art](/source/Whitney_Museum_of_American_Art), New York (2001){{Cite web|url=http://whitney.org/www/bitstreams/bitstreams.html|title=BitStreams|website=whitney.org|access-date=25 November 2017}} *''Ports of Entry: William S. Burroughs and the Arts'', [Los Angeles County Museum of Art](/source/Los_Angeles_County_Museum_of_Art), curated by Robert Sobieszek, Los Angeles (1996){{Cite web|url=http://ccp.arizona.edu/sites/default/files/finding-aid-pdfs/ag232_sobieszek_2.pdf|title=Finding aid for the Robert Sobieszek Archive, 1836–2005|access-date=November 25, 2017|archive-date=December 1, 2017|archive-url=https://web.archive.org/web/20171201040228/http://ccp.arizona.edu/sites/default/files/finding-aid-pdfs/ag232_sobieszek_2.pdf|url-status=dead}} *''Photography of Invention'', (touring exhibition), [Smithsonian American Art Museum](/source/Smithsonian_American_Art_Museum), [Museum of Contemporary Art, Chicago](/source/Museum_of_Contemporary_Art%2C_Chicago) and [Walker Art Center](/source/Walker_Art_Center), curated by Joshua Smith (1989){{Cite book|url=https://mitpress.mit.edu/books/photography-invention|title=Photography of Invention|publisher=MIT Press|date=March 14, 1989|isbn=9780262192804|access-date=25 November 2017 |last1=Smith |first1=Joshua P. }} *[Queens Museum](/source/Queens_Museum), [Queens](/source/Queens), New York (1988){{cite book |editor1-last=Milevska |editor1-first=Suzana |title=Warren Neidich: The Noologist's Handbook and Other Art Experiments |date=2013 |publisher=Archive Books |location=Berlin |isbn=978-2-918252-18-4 |page=307 |url=https://archive.org/details/warrenneidichnoo0000unse/page/307/ |access-date=16 June 2024}} *[Museum Ludwig](/source/Museum_Ludwig), [Cologne](/source/Cologne), Germany (1988) *[White Columns](/source/White_Columns), New York (1988) ==Public projects== *2004 Madrid Abierto Public Sculpture, Madrid, Spain ==Books== * ''The Color of Politics'', BOM DIA BOA TARDE BOA NOITE, 2018. *''Neuromacht,'' Merve Verlag (German), 2017.{{Cite web|url=https://www.deutscher-apotheker-verlag.de/shop/produkt/9783883963471/neuromacht|title=Neuromacht – Shop – Mediengruppe Deutscher Apotheker Verlag|website=deutscher-apotheker-verlag.de|access-date=24 November 2017}} *''Psychopathologies of Cognitive Capitalism: Part One (2013), Two (2014), and Three (2017)'', Archive Books (English).{{Cite web|url=http://www.rampub.com/search?q=neidich&x=0&y=0|title=RAM Publications|website=rampub.com|access-date=24 November 2017}} *''The Noologist's Handbook and Other Art Experiments'', Anagram, 2013.{{Cite web|url=http://www.archivekabinett.org/2013/09/08/berlin-works-the-noologists-handbook-and-other-art-experiments/|title=Warren Neidich Berlin Works – Archive Kabinett|website=archivekabinett.org|access-date=24 November 2017}} *''From Noopower to Neuropower: How Mind Becomes Matter'', 2010. *''Cognitive Architecture. From Biopolitics to Noopolitics. Architecture & Mind in the Age of Communication and Information'', 2010. *''Lost Between the Extensivity/Intensivity Exchange,'' Onomatopee, 2009.{{Cite web|url=https://www.antennebooks.com/product/lost-between-the-extensivity-intensivity-exchange/|title=Lost Between the Extensivity / Intensivity Exchange – Antenne Books|website=antennebooks.com|access-date=24 November 2017}} *''Earthling,'' Pointed Leaf Press, New York, NY, 2005.{{Cite web|url=https://www.barnesandnoble.com/w/earthling-barry-swaksky/1118942825#|title=Earthling|last=Noble|first=Barnes &|website=Barnes & Noble|access-date=13 December 2017}} *''Blow-up: Photography, Cinema and the Brain'', DAP/UCR/California Museum of Photography, 2003.{{Cite web|url=http://www.e-flux.com/announcements/42891/warren-neidich/|title=Warren Neidich – Announcements – e-flux|website=e-flux.com|access-date=24 November 2017}} *''Camp O.J.,'' Bayly Art Museum, 2001.{{Cite book|title=Warren Neidich: Camp O.J.|last1=Hunt|first1=David|last2=Neidich|first2=Warren|last3=Margulies|first3=Stephen|date=May 2, 2001|publisher=Bayly Art Museum|isbn=9780970626301|editor-last=Stainback|editor-first=Charles|location=Charlottesville|language=en}} *''Cultural Residue: Contamination and Decontamination,'' Villa Arson, Nice, France, 1994.{{Cite book|url=http://e-artexte.ca/23305/|title=Warren Neidich : Cultural Residue : Contamination-Decontamination|last=Philip|first=Popcock|year=1994|website=e-artexte.ca|access-date=13 December 2017|publisher=Galerie de l'École, Villa Arson}} *''Unknown Artist,'' Fricke and Schmid, 1994. *''Historical in (Tervention),'' MIT List Visual Arts Center, 2001.{{Cite web|url=https://listart.mit.edu/exhibitions/warren-neidich-historical-interventions|title=Warren Neidich: Historical In(ter)ventions|website=MIT List Visual Arts Center|access-date=13 December 2017|date=April 11, 2014}} *''American History Reinvented,'' Aperture, 1989.{{Cite book|title=American History Reinvented|last=Neidich|first=Warren|date=January 1, 1989|publisher=Aperture|isbn=9780893813710|edition=1st|location=New York|language=en}} ==References== {{reflist}} ==External links== {{Commons}} *{{Official website|http://www.warrenneidich.com/}} *[http://www.americanhistoryreinvented.com American History Reinvented] *[http://www.artbrain.org Artbrain.org] *[https://www.exhibition211.blogspot.com/ Exhibition 211] an exhibition space in New York City that ran from March to August 2009, initiated by: [Elena Bajo](/source/Elena_Bajo), Eric Anglès, Jakob Schillinger, Nathalie Anglès and Warren Neidich *[http://www.ideabooks.nl/index.php?op=video&title=24482&what=c&u=&page=19 Lost Between the Extensivity/Intensivity Exchange Book] *[https://www.drive-by-art.org drive-by-art.org] *[https://sfsia.art SFSIA] {{Authority control}} {{DEFAULTSORT:Neidich, Warren}} Category:American contemporary artists Category:Living people Category:1958 births Category:Washington University in St. Louis alumni Category:Delft University of Technology alumni Category:California Institute of Technology fellows --- Adapted from the Wikipedia article [Warren Neidich](https://en.wikipedia.org/wiki/Warren_Neidich) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Warren_Neidich?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.