# Walidah Imarisha

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{{short description|American writer, activist, and educator}}
{{Infobox writer <!-- for more information see [:Template:Infobox writer/doc](/source/%3ATemplate%3AInfobox_writer%2Fdoc) -->
| name         = Walidah Imarisha 
| image        = Walidah Imarisha on The Laura Flanders Show.jpg
| caption      = Imarisha discusses ''Octavia's Brood'' on ''[The Laura Flanders Show](/source/The_Laura_Flanders_Show)'' in 2015
| occupation   = Writer, activist
| nationality  = American
| genre        = Visionary fiction
}}

'''Walidah Imarisha''' ({{langx|am|ወሊዳ ኢማሪሻ}}) is an American writer, activist, educator and spoken word artist.

==Career==

===Writing===
Imarisha is co-editor, with [Adrienne Maree Brown](/source/Adrienne_Maree_Brown), of ''Octavia's Brood: Science Fiction Stories From Social Justice Movements'',<ref>{{cite news|last1=Mirk|first1=Sarah|author-link=Sarah Mirk|title=(Re)Writing the Future: Social Justice and Science Fiction|url=http://bitchmagazine.org/post/rewriting-the-future-social-justice-and-science-fiction|access-date=2015-03-06|publisher=Bitch Media|date=2014-12-15}}</ref> named after the legendary science fiction writer [Octavia Butler](/source/Octavia_Butler).<ref>{{cite news|url=http://www.yesmagazine.org/peace-justice/science-fiction-post-ferguson-world-walidah-imarisha|title=Science Fiction and the Post-Ferguson World: "There Are as Many Ways to Exist as We Can Imagine"|last1=Hansen|first1=Mary|date=December 3, 2014|access-date=2015-03-06|publisher=Yes! Magazine}}</ref> She also co-edited ''Another World Is Possible'', the first anthology out in response to the [9/11 attacks](/source/9%2F11_attacks).

Imarisha is the author of the poetry collection ''Scars/Stars'' (Drapetomedia, 2013)<ref>{{cite news|last1=Smith|first1=Donovan|title=The Black Experience: Local Author Weaves Personal Tales into a Fascinating Read|url=http://portlandobserver.com/news/2014/feb/26/black-experience/|access-date=2015-03-06|publisher=The Portland Observer|date=2014-02-26|archive-date=2015-03-08|archive-url=https://web.archive.org/web/20150308122746/http://portlandobserver.com/news/2014/feb/26/black-experience/|url-status=dead}}</ref> and the nonfiction book focused on criminal justice issues, ''Angels with Dirty Faces: Dreaming Beyond Bars''  ([AK Press](/source/AK_Press)/IAS, 2016), which won the 2017 Oregon Book Award for Creative Nonfiction. She was a member of the poetry duo Good Sista/Bad Sista, and appeared on Puerto Rican [punk](/source/punk_rock) band [Ricanstruction](/source/Ricanstruction)'s second album, ''Love and Revolution''. Her words have been featured in Total Chaos: The Art And Aesthetics of Hip Hop, Letters From Young Activists, Daddy, Can I Tell You Something, Word Warriors: 35 Women Leaders in the Spoken Word Revolution, The Quotable Rebel, Near Kin: A Collection of Words and Art Inspired by Octavia Butler, [Joe Strummer](/source/Joe_Strummer): Punk Rock Warlord, Stories for Chip: A Tribute to [Samuel R. Delany](/source/Samuel_R._Delany), and Life During Wartime: Resisting Counterinsurgency.<ref>{{cite web|title=College of Liberal Arts & Sciences: Black Studies|url=http://www.pdx.edu/blackstudies/walidah-imarisha-biography-0|website=Portland State University|access-date=2015-03-06|archive-date=2015-02-26|archive-url=https://web.archive.org/web/20150226102450/http://www.pdx.edu/blackstudies/walidah-imarisha-biography-0|url-status=dead}}</ref>

Imarisha was also one of the founders, and the first editor, of the [political hip hop](/source/political_hip_hop) publication ''[AWOL Magazine](/source/AWOL_Magazine)''. She served on the editorial board for the national [Left Turn Magazine](/source/Left_Turn), and was the director and co-producer of the Katrina documentary ''Finding Common Ground in [New Orleans](/source/New_Orleans)''.

===="Visionary Fiction"====
Imarisha (together with ''Octavia's Brood'' co-editor Adrienne Maree Brown) describes her genre of fiction as "[visionary fiction](/source/visionary_fiction)":

<blockquote>We believe that radical science fiction is actually better termed visionary fiction because it pulls from real life experience, inequalities and movement building to create innovative ways of understanding the world around us, paint visions of new worlds that could be, and teach us new ways of interacting with one another. Visionary fiction engages our imaginations and hearts, and guides our hands as organizers."<ref>{{Cite news |title=Quick Hit: 'Octavia's Brood' available for pre-order |url=https://geekfeminism.org/2015/02/10/quick-hit-octavias-brood-available-for-pre-order/ |work=Geek Feminism Blog |date=2015-02-11 |access-date=2018-08-30 |language=en-US}}</ref></blockquote>

===Teaching===
Walidah has taught in Stanford University's Program of Writing and Rhetoric, Pacific Northwest College of the Arts' Master's in Critical Studies Program, [Portland State University](/source/Portland_State_University)'s [Black Studies](/source/Black_Studies) Department,<ref>{{cite news|url=http://www.portlandmercury.com/BlogtownPDX/archives/2014/12/08/world-building-as-resistance-walidah-imarisha-and-grace-dillon-talk-revolutionary-science-fiction|title=World-Building as Resistance: Walidah Imarisha and Grace Dillon Talk Revolutionary Science Fiction|last1=Burbank|first1=Megan|date=December 8, 2014|access-date=2015-03-06|publisher=The Portland Mercury}}</ref> [Oregon State University](/source/Oregon_State_University)'s Women Gender Sexuality Studies Department, and [Southern New Hampshire University](/source/Southern_New_Hampshire_University)'s English Department. She presented all over Oregon as a public scholar with Oregon Humanities' Conversation Project for six years on topics such as [Oregon](/source/Oregon) Black history,<ref>{{cite web|title=A Hidden History|publisher=Oregon Humanities|author=Walidah Imarisha|date=August 13, 2013|url=https://oregonhumanities.org/rll/magazine/skin-summer-2013/a-hidden-history/}}</ref> alternatives to incarceration, and the [history of hip hop](/source/history_of_hip_hop).<ref>{{cite web|title=Are the Gods Afraid of Black Sexuality?: Religion and the Burdens of Black Sexual Politics|url=http://iraas.com/node/367|publisher=Columbia Institute for Research in African-American Studies|access-date=2015-03-06}}</ref>

===Organizing===
Walidah spent six years on the board of the [Central Committee for Conscientious Objectors](/source/Central_Committee_for_Conscientious_Objectors), and helped to found the Human Rights Coalition, a group of prisoners' families and former prisoners with three chapters in Pennsylvania.

==References==
{{Reflist}}

==External links==
{{Wikiquote}}
* [https://www.walidah.com/ Personal website]

{{Authority control}}

{{DEFAULTSORT:Imarisha, Walidah}}
Category:21st-century African-American women writers
Category:21st-century African-American writers
Category:21st-century American women writers
Category:African Americans in Oregon
Category:African-American activists
Category:African-American feminists
Category:African-American history of Oregon
Category:African-American novelists
Category:Afrofuturist writers
Category:American anti-racism activists
Category:American feminist writers
Category:American people of Ethiopian descent
Category:American science fiction writers
Category:American women academics
Category:American women novelists
Category:Black studies scholars
Category:Feminist science fiction
Category:Living people
Category:Novelists from Oregon
Category:Oregon State University faculty
Category:Portland State University faculty
Category:Prison abolitionists
Category:American prison reformers
Category:Southern New Hampshire University faculty
Category:American women science fiction and fantasy writers
Category:Writers from Portland, Oregon
Category:Year of birth missing (living people)

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Adapted from the Wikipedia article [Walidah Imarisha](https://en.wikipedia.org/wiki/Walidah_Imarisha) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Walidah_Imarisha?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.
