# Tzigane

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Composition by Maurice Ravel

For other uses, see [Tzigane (disambiguation)](/source/Tzigane_(disambiguation)).

Tzigane by Maurice Ravel First page of first edition Other name Rhapsodie de concert Key D major Catalogue M. 76 Composed 1924 Dedication Jelly d'Arányi Published 1924 Scoring violin luthéal violin piano violin orchestra

***Tzigane*** is a [rhapsodic](/source/Rhapsody_(music)) composition by the [French](/source/France) composer [Maurice Ravel](/source/Maurice_Ravel) featuring a virtuosic violin part. The original instrumentation was for [violin](/source/Violin) and piano (with optional [luthéal](/source/Luth%C3%A9al) attachment). The first performance took place in London on 26 April 1924 with the dedicatee, [Jelly d'Arányi](/source/Jelly_d'Ar%C3%A1nyi), on the violin and Henri Gil-Marchex at the piano. In his biographical sketch of 1928[1] Ravel termed it a *rapsodie de concert*, as "a virtuoso piece in the style of a Hungarian rhapsody".[2] It consists of "a string of successive variations juxtaposed without development".[3]

## Background

In the early 1920s, Ravel had been planning a piece for violin and piano for his closest female friend, [Hélène Jourdan-Morhange](/source/H%C3%A9l%C3%A8ne_Jourdan-Morhange). Around the same time Ravel became acquainted with Hungarian violinist d'Arányi when she played his [Sonata for Violin and Cello](/source/Sonata_for_Violin_and_Cello_(Ravel)) with [Hans Kindler](/source/Hans_Kindler) in London at a private soirée, and afterwards regaled the composer with a selection of folk-tunes from her country until 5 in the morning.[4] In the ensuing two years Jourdan-Morhange retired from playing due to a chronic illness. Ravel put aside the [sonata](/source/Violin_Sonata_No._2_(Ravel)) he had intended for Jourdan-Morhange and was inspired to write a virtuoso piece that "could not be anything but Hungarian". During composition, Ravel consulted with both Jourdan-Morhange and d'Arányi on the violin figuration, studied the [Paganini](/source/Niccol%C3%B2_Paganini) [Caprices](/source/24_Caprices_for_Solo_Violin_(Paganini)), and studied [Liszt](/source/Franz_Liszt)'s *[Hungarian Rhapsodies](/source/Hungarian_Rhapsodies)* that were supplied to him by [Lucien Garban](/source/Lucien_Garban).[2] It is dedicated to Jelly d'Arányi.

Ravel [orchestrated](/source/Orchestration) the piano part in July 1924,[5] and also created a version of the piano score noted for luthéal accompaniment. The autograph manuscript for the orchestrated version is held by the [Morgan Library & Museum](/source/Morgan_Library_%26_Museum).[6]

The name of the piece is derived from the generic [European](/source/Europe) term for "[gypsy](/source/Romani_people)" (in [French](/source/French_language): gitan, tsigane or tzigane rather than the [Hungarian](/source/Hungarian_language) *cigány*) although it does not use any authentic Gypsy melodies.

## Music

*Tzigane* is a late entry into the gypsy-themed violin virtuoso concert piece; the most prominent prior works being [Sarasate](/source/Pablo_de_Sarasate)'s *[Zigeunerweisen](/source/Zigeunerweisen)* from 1878 and [Vittorio Monti](/source/Vittorio_Monti)'s *[Czárdás](/source/Cs%C3%A1rd%C3%A1s_(Monti))*. Ravel's audience would also have been familiar with a *style hongrois* that had suffused light music and the Parisian café scene.[2]

The composition is in one movement, with an approximate duration of ten minutes, scored for strings and harp, double woodwinds, two horns in F, one trumpet in C, celesta, triangle, timbre (snare drum), and cymbal.[7] The opening is marked 'Lento, quasi cadenza' and is for solo violin, playing on the G string for the first 28 bars; [Jankélévitch](/source/Vladimir_Jank%C3%A9l%C3%A9vitch) describes the preamble ([Lassan](/source/Lassan_(music))) as "superior exercises – [runs](/source/Glossary_of_music_terminology#run), [staccato](/source/Staccato) notes, [trills](/source/Trill_(music)) and [mordents](/source/Mordent)". Then follow a succession of "gipsy improvisations – the [Friska](/source/Friska), then the [Czardas](/source/Cs%C3%A1rd%C3%A1s)", at the end of which "the rhapsody becomes impatient and runs feverishly through all kinds of successive [tonalities](/source/Tonality) without retaining any of them".[3]

Rhythmical, structural, and melodic elements in common with Liszt's Hungarian Rhapsodies have been identified. Liszt's attempts to mimic the cimbalom may have inspired Ravel to create a version of the score that included the use of the luthéal, a new piano attachment (first patented in 1919) with several tone-colour [registrations](/source/Registration_(organ)) which could be engaged by pulling stops above the keyboard.[2] One of these registrations had a [cimbalom](/source/Cimbalom)-like sound, which fitted well with the [verbunkos](/source/Verbunkos) style of the composition.[8] The original score of *Tzigane* included instructions for these register-changes during execution. The luthéal, however, did not achieve permanence. By the end of the 20th century the first print of the accompaniment with luthéal was still available at the publishers, but by that time the attachment had long since disappeared from use.

## Noteworthy performances

- April 26, 1924: Premiere (violin and piano), by Jelly d'Arányi and Henri Gil-Marchex in London at [Aeolian Hall](/source/Aeolian_Hall_(London)).[9]

- October 15, 1924: Premiere (violin and piano with luthéal), by [Samuel Dushkin](/source/Samuel_Dushkin) and [Beveridge Webster](/source/Beveridge_Webster) in Paris at [Salle Gaveau](/source/Salle_Gaveau)[9]

- October 19, 1924: Premiere (violin and orchestra), by Samuel Dushkin with [Pierre Monteux](/source/Pierre_Monteux) conducting the [Concertgebouw](/source/Concertgebouw_Orchestra) in Amsterdam[10]

- November 30, 1924: first performance in Paris of orchestrated version, and first performance of orchestrated version by d'Arányi, with [Gabriel Pierné](/source/Gabriel_Piern%C3%A9) and the [Concerts Colonne](/source/Concerts_Colonne).

- January 1930: [Gramophone](/source/Gramophone_Company) released the first commercial recording, made from a live performance by Lucien Schwartz, violinist in the Orchestre Pasdeloup, with Ravel in the audience.[11]

## Critical reception

The critical reception of *Tzigane* has been generally unfavorable, categorizing the work as kitsch.

Contemporaries Jourdan-Morhange, [Szigeti](/source/Joseph_Szigeti), and [Sauguet](/source/Henri_Sauguet) all expressed doubts on the music's value, labelling it pastiche and finding "music has surrendered too much place to instrumental acrobatics". *Tzigane* did not rate a mention in [Alexis Roland-Manuel](/source/Alexis_Roland-Manuel)'s 1938 biography of Ravel.[2]

Recent critique has been as unfavorable. While noting the work's enduring popularity with performers and record labels, [Roger Nichols](/source/Roger_Nichols_(musical_scholar)) and [Robert Orledge](/source/Robert_Orledge) have both noted *Tzigane* is not one of Ravel's compositionally great works.[2]

Nevertheless, the work is popular with performers and is frequently recorded.

## References

1. **[^](#cite_ref-1)** Dictated to Roland-Manuel, and quoted in Roland-Manuel. *Maurice Ravel*. [Dennis Dobson](/source/Dennis_Dobson) Ltd, London, 1947, p91.

1. ^ [***a***](#cite_ref-:0_2-0) [***b***](#cite_ref-:0_2-1) [***c***](#cite_ref-:0_2-2) [***d***](#cite_ref-:0_2-3) [***e***](#cite_ref-:0_2-4) [***f***](#cite_ref-:0_2-5) Huebner, Steven (February 2020). ["Ravel's Tzigane : Artful Mask or Kitsch?"](https://www.cambridge.org/core/product/identifier/S1478572219000367/type/journal_article). *Twentieth-Century Music*. **17** (1): 63–86. [doi](/source/Doi_(identifier)):[10.1017/S1478572219000367](https://doi.org/10.1017%2FS1478572219000367). [ISSN](/source/ISSN_(identifier)) [1478-5722](https://search.worldcat.org/issn/1478-5722).

1. ^ [***a***](#cite_ref-Jank_3-0) [***b***](#cite_ref-Jank_3-1) Jankélévitch, Vladimir. *Ravel* (translated by Margaret Crosland, Evergreen Profile Book 3. Grove Press, New York & [John Calder](/source/John_Calder), London, 1959, p61.

1. **[^](#cite_ref-4)** [Larner, Gerald](/source/Gerald_Larner). *Maurice Ravel*. [Phaidon Press Ltd](/source/Phaidon_Press), London, 1996, p179–180.

1. **[^](#cite_ref-5)** Nichols, Roger (2011-01-01). [*Ravel*](https://www.google.com/books/edition/Ravel/qN8a8S9HuVQC). Yale University Press. p. 263. [ISBN](/source/ISBN_(identifier)) [978-0-300-10882-8](https://en.wikipedia.org/wiki/Special:BookSources/978-0-300-10882-8).

1. **[^](#cite_ref-6)** ["Tzigane, for violin and orchestra : autograph manuscript, 1924 July"](https://www.themorgan.org/music-manuscripts-and-printed-music/115540). *The Morgan Library & Museum*. 2021-07-09. Retrieved 2025-05-24.

1. **[^](#cite_ref-7)** Ravel. Tzigane – Rapsodie de Concert pour Violon et Orchestre. [Durand & Cie](/source/Auguste_Durand#A._Durand_&_fils), Paris, 1957.

1. **[^](#cite_ref-Cotte_8-0)** [Cotte, Roger](/source/Roger_Cotte) J. V. 2001. "Luthéal [Piano-Luthéal]". *[The New Grove Dictionary of Music and Musicians](/source/The_New_Grove_Dictionary_of_Music_and_Musicians)*, second edition, edited by [Stanley Sadie](/source/Stanley_Sadie) and [John Tyrrell](/source/John_Tyrrell_(professor_of_music)). London: Macmillan Publishers.

1. ^ [***a***](#cite_ref-:1_9-0) [***b***](#cite_ref-:1_9-1) Zank, Stephen (2013-05-24). [*Maurice Ravel: A Guide to Research*](https://www.google.com/books/edition/Maurice_Ravel/tKGNUoSTprsC). Routledge. p. 348. [ISBN](/source/ISBN_(identifier)) [978-1-135-17344-9](https://en.wikipedia.org/wiki/Special:BookSources/978-1-135-17344-9).

1. **[^](#cite_ref-10)** Canarina, John. *Pierre Monteux, Maître*. Pompton Plains, New Jersey: Amadeus Press, 2003, p341.

1. **[^](#cite_ref-11)** ["Tzigane"](https://english-raveledition.format.com/tzigane). *Ravel Edition English*. Retrieved 2025-05-24.

## Further reading

- Huebner, Steven (February 2020). "Ravel's *Tzigane*: Artful Mask or Kitsch?". *Twentieth-Century Music*. **17** (1): 63–86. [doi](/source/Doi_(identifier)):[10.1017/S1478572219000367](https://doi.org/10.1017%2FS1478572219000367). [S2CID](/source/S2CID_(identifier)) [211644867](https://api.semanticscholar.org/CorpusID:211644867).

## External links

- [Tzigane](https://imslp.org/wiki/Tzigane_(Ravel,_Maurice)): Scores at the [International Music Score Library Project](/source/International_Music_Score_Library_Project)

- [Tzigane: Movie](https://www.youtube.com/watch?v=XBMgg_qSbq4)

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Adapted from the Wikipedia article [Tzigane](https://en.wikipedia.org/wiki/Tzigane) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Tzigane?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.