# Tony Anthony (actor)

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American actor (born 1937)

For other people with the same name, see [Tony Anthony (disambiguation)](/source/Tony_Anthony_(disambiguation)).

Tony Anthony Anthony as "The Stranger" during the production of A Stranger in Town (1967) Born Tony Roger Petitto (1937-10-16) October 16, 1937 (age 88) Clarksburg, West Virginia, U.S. Other name Tony Petitto Alma mater Carnegie Mellon School of Drama Occupations Film actor, producer, screenwriter, director Years active 1959–1998 Partner Luciana Paluzzi (1960s–1970s)[1]

**Tony Anthony** (born **Tony Roger Petitto**; October 16, 1937)[2][3] is an American actor, producer, screenwriter and director best known for his starring roles in [Spaghetti Westerns](/source/Spaghetti_Western), most of which were produced with the aid of his friends and associates [Allen Klein](/source/Allen_Klein) and [Saul Swimmer](/source/Saul_Swimmer). These films consist of *The Stranger* series – *[A Stranger in Town](/source/A_Stranger_in_Town_(1967_film))* (1967), *[The Stranger Returns](/source/The_Stranger_Returns)* (1967), *[The Silent Stranger](/source/The_Silent_Stranger)* (1968) and *[Get Mean](/source/Get_Mean)* (1975) – and the *[Zatoichi](/source/Zatoichi)*-inspired *[Blindman](/source/Blindman)* (1971).[4] Anthony also wrote, produced and starred in *[Comin' at Ya!](/source/Comin'_at_Ya!)* (1981) and *[Treasure of the Four Crowns](/source/Treasure_of_the_Four_Crowns)* (1983), the first film being largely credited with beginning the 1980s revival of [3D](/source/3D_film) films in Hollywood.[1][2][5][6]

## Early career

Anthony was born Tony Roger Petitto in [Clarksburg, West Virginia](/source/Clarksburg%2C_West_Virginia).[2] With his friend [Saul Swimmer](/source/Saul_Swimmer) directing, Anthony and Peter Gayle produced the half-hour children's short *[The Boy Who Owned a Melephant](/source/The_Boy_Who_Owned_a_Melephant)* (1959), narrated by actress [Tallulah Bankhead](/source/Tallulah_Bankhead).[7][8] The three men would become frequent collaborators.[9] The film won a Gold Leaf award at the Venice International Children's Film Festival.[10] Following that short, Anthony and Swimmer co-wrote the Swimmer-directed [independent features](/source/Independent_film) *[Force of Impulse](/source/Force_of_Impulse)* (1961), a [Romeo and Juliet](/source/Romeo_and_Juliet) story about a [high school football](/source/High_school_football) player who turns to robbery, filmed in [Miami Beach, Florida](/source/Miami_Beach%2C_Florida), and *[Without Each Other](https://en.wikipedia.org/w/index.php?title=Without_Each_Other&action=edit&redlink=1)* (1962). Anthony then moved to Italy to film *[Wounds of Hunger](https://en.wikipedia.org/w/index.php?title=Wounds_of_Hunger&action=edit&redlink=1)* and *[La ragazza in prestito](https://en.wikipedia.org/w/index.php?title=La_ragazza_in_prestito&action=edit&redlink=1)*. Swimmer had moved to England, where he befriended [Allen Klein](/source/Allen_Klein).[1]

## Spaghetti westerns

Anthony was in Europe when [Sergio Leone](/source/Sergio_Leone)'s westerns were setting box office records, but had not yet been released in America. Anthony contacted Klein, then a major stockholder at [Metro-Goldwyn-Mayer](/source/Metro-Goldwyn-Mayer), about releasing a [spaghetti western](/source/Spaghetti_western), for which he had played the lead role, in the United States. Anthony had also served as an uncredited executive producer on the film, having raised $40,000 with another American, James Hagar.[1] The film Klein released was called *[A Stranger in Town](/source/A_Stranger_in_Town_(1967_film))*, starring Anthony as the Stranger, a shotgun-wielding [antihero](/source/Antihero) who helps a group of Mexican bandits steal gold from the US Army and [Federales](/source/Federales), and then steals it right back from them. Released by MGM to compete with [United Artists](/source/United_Artists)' *[Dollars Trilogy](/source/Dollars_Trilogy)* starring [Clint Eastwood](/source/Clint_Eastwood), it became a surprise success, and spawned three sequels in which Anthony reprised his role.[1]

With these films, some felt Anthony's persona was not the typical tough spaghetti western hero; the Stranger was vulnerable and sneaky, with a sardonic sense of humor.[2] Anthony recalled that director [Luigi Vanzi](https://en.wikipedia.org/w/index.php?title=Luigi_Vanzi&action=edit&redlink=1) constantly described the character to him as "a bad guy but you do good in spite of yourself. You're not [Gary Cooper](/source/Gary_Cooper). You're not [John Wayne](/source/John_Wayne). You're not the ['tall in the saddle'](/source/Tall_in_the_Saddle) cowboy. You're the [street guy](/source/Average_Joe). The audience can identify with you because you look like the guy that goes into movie theaters and says 'Well, I could be like him'."[1] Anthony himself described the Stranger as "a dirty coal-mining cowboy".[1] The second Stranger film, *[The Stranger Returns](/source/The_Stranger_Returns)* has a golden stagecoach as its [MacGuffin](/source/MacGuffin) and a [Stelvio Cipriani](/source/Stelvio_Cipriani) score that had several [cover versions](/source/Cover_version) by various orchestras. Anthony's willingness to experiment with the genre resulted in the third series entry, *[The Silent Stranger](/source/The_Silent_Stranger)* with another Cipriani score. Considered by some the first "East-meets-West Western", predating *[Red Sun](/source/Red_Sun)* by three years,[11] its release was delayed for seven years in the US due to a dispute between Klein and MGM, and never received a European release.[1] Anthony later declared the film his best and lamented the cuts that MGM made to it.[1]

His next film was *[Blindman](/source/Blindman)*, a spaghetti western variation on the *[Zatoichi](/source/Zatoichi)* series. Anthony plays a blind gunslinger hired to escort 50 mail-order brides to their husbands. By that time, Klein had been the manager of the Beatles, and Swimmer had directed many of their music videos and concert films. Both were producers on *Blindman*, and their presence led to [Ringo Starr](/source/Ringo_Starr) accepting a supporting role as one of the bandits.[12] Starr would produce Anthony's next film, which Swimmer would direct: a [road movie](/source/Road_movie) called *[Come Together](/source/Come_Together_(film))*. In this film, Anthony plays an American stuntman working on spaghetti westerns in Rome. The film contains behind the scenes-footage of a Spaghetti Western being shot.[13]

In 1975, long after the heyday of the genre, Anthony starred as the Stranger for a fourth time in *[Get Mean](/source/Get_Mean)* produced by [Ron Schneider](/source/Ronnie_Schneider). A unique film often compared to [Sam Raimi](/source/Sam_Raimi)'s *[Army of Darkness](/source/Army_of_Darkness)*, the film takes place in Spain, where the Stranger has to battle invading [Vikings](/source/Vikings) and [Moors](/source/Moors) after escorting a princess there. It failed to find a wide audience.[14]

## 3D years

In 1981, Anthony returned to the spaghetti well for *[Comin' at Ya!](/source/Comin'_at_Ya!)*, a [3D](/source/3D_film) [western](/source/Western_film) he wrote, produced, and starred in. In order for the film to receive a wide release, Anthony designed a low-cost projection lens which was cheaper than conventional 3-D lenses.[1]

Anthony would star in one more 3D film, *[Treasure of the Four Crowns](/source/Treasure_of_the_Four_Crowns)*. Anthony next announced a 3D science-fiction movie called *Seeing is Believing*,[15][16] but with the 3D craze over, it could not find a financier and was never made.[1]

## Later career

Anthony's last acting role was in *[Treasure of the Four Crowns](/source/Treasure_of_the_Four_Crowns)*. He went on to occasionally produce films, such as *[Wild Orchid](/source/Wild_Orchid_(film))* and the spaghetti-western throwback *[Dollar for the Dead](/source/Dollar_for_the_Dead)*, and ran an optical equipment company that he said sold an estimated $1 million worth of lenses up to the release of *[Jaws 3-D](/source/Jaws_3-D)* in 1983.[1]

In late August 2009, Anthony announced he had taken the "over and under 3-D" format of *Comin' At Ya!* and converted it to "digital 3-D" as a part of the film's reissue.[17] Following an exhibition at [Fantastic Fest](/source/Fantastic_Fest) in [Austin, Texas](/source/Austin%2C_Texas) on September 25, 2011,[18] the film was restored and digitalized for a 30th anniversary theatrical re-release and played in [theaters throughout Texas](/source/Alamo_Drafthouse_Cinema) starting on February 24, 2012.[2][5][6]

## Filmography

Year Title Role Notes 1959 The Boy Who Owned a Melephant —N/a Producer and co-screenwriter 1961 Force of Impulse Toby Marino Also producer and story 1962 Without Each Other (also known as Pity Me Not) (never distributed) Sam Lux Also executive producer (uncredited) and co-story, co-screenwriter 1964 Engagement Italiano Franco Also executive producer (uncredited) 1964 Beautiful Families Luigi Segment: "La cernia" Also executive producer (uncredited) 1965 Let's Talk About Men —N/a Executive producer (uncredited)[1] The Wounds of Hunger (theatrical release: 1967) Luis Ortega Also executive producer (uncredited) 1967 A Stranger in Town (also known as For a Dollar in the Teeth) The Stranger Also executive producer (uncredited)[1] The Stranger Returns (also known as A Man, a Horse, a Gun, Shoot First... Laugh Last!) The Stranger Also executive producer (uncredited) and story 1968 The Silent Stranger (also known as The Horseman and the Samurai, The Stranger in Japan) (theatrical release: 1975) The Stranger Also producer and story 1971 Come Together Tony Also co-director (uncredited), producer, and screenwriter Blindman Blindman Also producer, screenwriter and story 1973 Pete, Pearl & the Pole (also known as 1931: Once Upon a Time in New York) Pete Di Benedetto Also producer and story 1975 Get Mean (also known as Beat a Dead Horse, Vengeance of the Barbarians, The Stranger Gets Mean) The Stranger Also producer and story 1981 Comin' at Ya! H.H. Hart Also producer and story (as Tony Pettito) 1983 Treasure of the Four Crowns J.T. Striker Also producer and story (as Tony Pettito) 1989 Wild Orchid —N/a Producer 1989 Honeymoon Academy —N/a Producer 1998 Dollar for the Dead —N/a Producer

## References

1. ^ [***a***](#cite_ref-zpr_1-0) [***b***](#cite_ref-zpr_1-1) [***c***](#cite_ref-zpr_1-2) [***d***](#cite_ref-zpr_1-3) [***e***](#cite_ref-zpr_1-4) [***f***](#cite_ref-zpr_1-5) [***g***](#cite_ref-zpr_1-6) [***h***](#cite_ref-zpr_1-7) [***i***](#cite_ref-zpr_1-8) [***j***](#cite_ref-zpr_1-9) [***k***](#cite_ref-zpr_1-10) [***l***](#cite_ref-zpr_1-11) [***m***](#cite_ref-zpr_1-12) [***n***](#cite_ref-zpr_1-13) Bayless, Jason (February 17, 2010). ["The Tony Anthony Interview – Re-broadcast"](https://web.archive.org/web/20111017093257/http://zombie-popcorn.com/?p=6685). Zombie Popcorn Radio. Archived from [the original](http://zombie-popcorn.com/?p=6685) on October 17, 2011. Retrieved September 18, 2012.

1. ^ [***a***](#cite_ref-cowboys_2-0) [***b***](#cite_ref-cowboys_2-1) [***c***](#cite_ref-cowboys_2-2) [***d***](#cite_ref-cowboys_2-3) [***e***](#cite_ref-cowboys_2-4) [Leydon, Joe](/source/Joe_Leydon) (February 23, 2012). ["Back in the Saddle with 'Comin' At Ya!'"](http://www.cowboysindians.com/Blog/February-2012/Back-in-the-saddle-with-Comin-At-Ya/). *[Cowboys & Indians](/source/Cowboys_%26_Indians_(magazine))*. [Archived](https://web.archive.org/web/20120920040000/http://www.cowboysindians.com/Blog/February-2012/Back-in-the-saddle-with-Comin-At-Ya/) from the original on September 20, 2012. Retrieved September 18, 2012.

1. **[^](#cite_ref-ugo_3-0)** ["Celebrity Birthday: October 16"](http://celebritywonder.ugo.com/celebrity-birthday/date_10_16.html). [UGO.com](/source/UGO.com). Retrieved September 18, 2012.

1. **[^](#cite_ref-Frayling2006_4-0)** Frayling, Christopher (April 2, 2006). [*Spaghetti Westerns: Cowboys And Europeans from Karl May to Sergio Leone*](https://books.google.com/books?id=z9Tjh55dlDUC&pg=PA82). I.B.Tauris. pp. 82–. [ISBN](/source/ISBN_(identifier)) [9781845112073](https://en.wikipedia.org/wiki/Special:BookSources/9781845112073). Retrieved June 28, 2012.

1. ^ [***a***](#cite_ref-austinchronicle_5-0) [***b***](#cite_ref-austinchronicle_5-1) Whittaker, Richard (March 4, 2012). ["Comin' Back at Ya! Tony Anthony resurrects his 3D Western for Drafthouse Films"](http://www.austinchronicle.com/blogs/screens/2012-03-04/comin-back-at-ya/). *[Austin Chronicle](/source/Austin_Chronicle)*. Retrieved September 18, 2012.

1. ^ [***a***](#cite_ref-fsr_6-0) [***b***](#cite_ref-fsr_6-1) Simpson, Don (February 28, 2012). ["Austin Cinematic Limits: Comin' At Ya! ... Texas!"](https://web.archive.org/web/20120407235325/http://www.filmschoolrejects.com/features/austin-cinematic-limits-comin-at-ya-texas.php). *Austin Cinematic Limits*. FilmSchoolRejects.com. Archived from [the original](http://www.filmschoolrejects.com/features/austin-cinematic-limits-comin-at-ya-texas.php) on April 7, 2012. Retrieved September 18, 2012.

1. **[^](#cite_ref-7)** Oliver, Phillip, [Tallulah: A Passionate Life](http://home.hiwaay.net/~oliver/tbmelephant.htm) (website) ([WebCitation archive](https://web.archive.org/web/20110515071543/http://home.hiwaay.net/~oliver/tbmelephant.htm))

1. **[^](#cite_ref-8)** Carrier, Jeffrey L., *Tallulah Bankhead: A Bio-Bibliography* (Greenwood Press, 1991; [ISBN](/source/ISBN_(identifier)) [0-313-27452-5](https://en.wikipedia.org/wiki/Special:BookSources/0-313-27452-5), [ISBN](/source/ISBN_(identifier)) [978-0-313-27452-7](https://en.wikipedia.org/wiki/Special:BookSources/978-0-313-27452-7), p. [146](https://www.amazon.com/gp/reader/0313274525?p=S00H&keywords=The+Boy+Who+Owned+a+Melephant)).

1. **[^](#cite_ref-9)** [Kilgallen, Dorothy](/source/Dorothy_Kilgallen) (September 13, 1960). "Voice of Broadway". (Syndicated column) via the [Schenectady Gazette](/source/Schenectady_Gazette). p. [16](https://news.google.com/newspapers?nid=1917&dat=19600913&id=OWgtAAAAIBAJ&sjid=44kFAAAAIBAJ&pg=572,1878053). The youngest film producers in the United States – 22-year-old Peter Gayle, Saul Swimmer and Tony Anthony – are negotiating for the film rights to [Arthur Miller](/source/Arthur_Miller)'s '[\[A\] Memory of Two Mondays](/source/A_Memory_of_Two_Mondays)'.

1. **[^](#cite_ref-10)** Carrier, p. [146](https://www.amazon.com/gp/reader/0313274525?p=S00H&keywords=The+Boy+Who+Owned+a+Melephant)

1. **[^](#cite_ref-11)** Weisser, Thomas (1992). *Spaghetti Westerns: the Good, the Bad, and the Violent; A Comprehensive, Illustrated Filmography of 558 Eurowesterns and their Personnel, 1961–1977*. [Jefferson, North Carolina](/source/Jefferson%2C_North_Carolina): [McFarland & Company](/source/McFarland_%26_Company). p. 301. [ISBN](/source/ISBN_(identifier)) [0899506887](https://en.wikipedia.org/wiki/Special:BookSources/0899506887).

1. **[^](#cite_ref-12)** Goodman, Fred (2015). *Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll*. Boston, New York: Houghton Mifflin Harcourt. p. 203. [ISBN](/source/ISBN_(identifier)) [978-0-547-89686-1](https://en.wikipedia.org/wiki/Special:BookSources/978-0-547-89686-1).

1. **[^](#cite_ref-13)** ["Come Together – DVD-R"](http://www.somethingweird.com/product_info.php?products_id=22799). *[Something Weird Video](/source/Something_Weird_Video)*. Retrieved September 20, 2016.

1. **[^](#cite_ref-Get_14-0)** *Get Mean* (DVD). Los Angeles, California: [Blue Underground](/source/Blue_Underground). 1975.

1. **[^](#cite_ref-15)** Boyer, Peter J. (June 18, 1981). ["Debating The Rating For 'Raiders'"](https://news.google.com/newspapers?id=tSMhAAAAIBAJ&sjid=-mcEAAAAIBAJ&pg=5314,1310749&dq=seeing-is-believing&hl=en). *The Los Angeles Times*. Retrieved September 18, 2012.

1. **[^](#cite_ref-16)** Hicks, Christopher (February 11, 1982). ["In new and old films, 3D is coming back"](https://news.google.com/newspapers?id=oVwzAAAAIBAJ&sjid=U4MDAAAAIBAJ&pg=7089,3634476&dq=seeing-is-believing&hl=en). *[The Deseret News](/source/The_Deseret_News)*. Retrieved September 18, 2012.

1. **[^](#cite_ref-17)** ["CominAtYaNoir3D.com"](https://web.archive.org/web/20130111133315/http://www.cominatyanoir3d.com/). Archived from [the original](http://cominatyanoir3d.com/) on January 11, 2013. Retrieved September 20, 2012.

1. **[^](#cite_ref-18)** Ary, John (September 25, 2011). ["Interview with Tony Anthony, Pioneer of Modern 3-D"](https://www.youtube.com/watch?v=dv3g945UMT8). *[Ain't It Cool TV](/source/Ain't_It_Cool_News)*. [Archived](https://ghostarchive.org/varchive/youtube/20211219/dv3g945UMT8) from the original on December 19, 2021. Retrieved September 18, 2012.

## External links

- [Tony Anthony](https://www.imdb.com/name/nm0031026/) at [IMDb](/source/IMDb_(identifier))

- [Tony Anthony interviewed on *Zombie Popcorn*](http://zombie-popcorn.com/the-tony-anthony-interview-re-broadcast/) [Archived](https://web.archive.org/web/20170208035121/http://zombie-popcorn.com/the-tony-anthony-interview-re-broadcast/) February 8, 2017, at the [Wayback Machine](/source/Wayback_Machine)

v t e Films by Tony Anthony Films written The Boy Who Owned a Melephant (1959) Force of Impulse (1961) The Stranger Returns (1967) The Silent Stranger (1968) Come Together (1971, also co-director) Blindman (1971) Pete, Pearl & the Pole (1973) Get Mean (1975) Comin' at Ya! (1981) Treasure of the Four Crowns (1983) As producer Let's Talk About Men (1965) Wild Orchid (1989) Honeymoon Academy (1989) Dollar for the Dead (1998)

Authority control databases International ISNI VIAF WorldCat National United States France BnF data Spain Poland Other Yale LUX

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Adapted from the Wikipedia article [Tony Anthony (actor)](https://en.wikipedia.org/wiki/Tony_Anthony_(actor)) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Tony_Anthony_(actor)?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.