# Tarantella

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{{Short description|Italian folk dance}}
{{About|the Italian folk dance style}}
{{Distinguish|Tarantula}}
{{Use American English|date=March 2025}}

[[File:Tarantella dance pattern.png|thumb|upright=1.2|Tarantella [rhythm](/source/rhythm)<ref name="Blatter">Blatter, Alfred (2007). ''Revisiting music theory: a guide to the practice'', p. 28. {{ISBN|0-415-97440-2}}.</ref>]]
'''Tarantella''' ({{IPA|it|taranˈtɛlla|lang}}) is a group of various [southern Italian](/source/Southern_Italy) [folk dances](/source/Italian_folk_dance) originating in the regions of [Calabria](/source/Calabria), [Campania](/source/Campania), [Sicilia](/source/Sicilia), and [Apulia](/source/Apulia). It is characterized by a fast [upbeat](/source/Beat_(music)) tempo, usually in [{{music|time|6|8}} time](/source/Time_signature) (sometimes {{music|time|12|8}} or {{music|time|4|4}}), accompanied by [tambourine](/source/tambourine)s.<ref>Morehead, P.D., ''Bloomsbury Dictionary of Music'', London, Bloomsbury, 1992.</ref> It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''[sonu a ballu](/source/Calabrian_tarantella)'' in Calabria, ''tammurriata'' in Campania, and ''[pizzica](/source/pizzica)'' in [Salento](/source/Salento). Tarantella is popular in southern Italy, [Greece](/source/Greece), and [Malta](/source/Malta). The term may appear as ''tarantello'' in a [linguistically masculine](/source/Grammatical_gender) construction.

==History==
thumb|Italian girl dancing the tarantella, 1846
[[File:Feiernde Neapolitaner.jpg|thumb|Italians in [Naples](/source/Naples) dancing the tarantella]]
The present [southern part of Italy](/source/Southern_Italy) was not part of a single country until the mid to late 19th century.<ref>{{Cite book |last=Collier |first=Martin |url=https://books.google.com/books?id=YG9kZBJdKJwC&dq=italian+unification&pg=PP6 |title=Italian Unification, 1820-71 |date=2003 |publisher=Heinemann |isbn=978-0-435-32754-5 |language=en}}</ref> The place was a colony of [ancient Greece](/source/ancient_Greece), and even ''[Napoli](/source/Naples)'' comes from the Greek word ''Neapolis'', which means 'New City'. Before the [unification of Italy](/source/unification_of_Italy), it was part of the [Kingdom of Naples](/source/Kingdom_of_Naples) and the [Kingdom of Sicily](/source/Kingdom_of_Sicily) ("Sikelia" is the original name of this island as a colony of Ancient Greece), and later the [Kingdom of Two Sicilies](/source/Kingdom_of_Two_Sicilies) when the two reigns merged. Before the unification of Italy, it  was ruled by Spain and briefly by Austria. There was the ancient Greek city of Tarantas found by Spartans.

In the Italian [province of Taranto](/source/province_of_Taranto) (taking its name from Tarantas), [Apulia](/source/Apulia), the bite of a locally common type of [wolf spider](/source/Lycosa_tarantula), ''Lycosa tarantula'' (''Lycos'' in Greek means 'wolf'), named "tarantula" after the region,<ref>[Linnaeus](/source/Carl_Linnaeus) named the spider ''[Lycosa tarantula](/source/Lycosa_tarantula)'' in 1758.</ref> was popularly believed to be highly venomous and to lead to a hysterical condition known as [tarantism](/source/tarantism).<ref>{{cite news |url=http://nla.gov.au/nla.news-article22646978 |title=POISONOUS SPIDER BITES. |newspaper=[The Queenslander](/source/The_Queenslander) |date=8 September 1923 |access-date=1 September 2013 |page=2 |via=National Library of Australia}}</ref> This type of [dance](/source/Tarantella) became known as the tarantella. R. Lowe Thompson proposed that the dance is a survival from a "[Dianic](/source/Diana_(mythology)) or [Dionysiac](/source/Dionysus) cult", driven underground.<ref>R.Lowe Thompson. ''The History of the Devil''. Paul, Trench, Tubner, and Co. (1929), p. 164.</ref> John Compton later proposed that the [Roman Senate](/source/Roman_Senate) had suppressed these ancient [Bacchanalian](/source/Bacchanalia) [rites](/source/Ritual). In 186 BC, the tarantella went underground, reappearing under the guise of emergency therapy for bite victims.<ref>John Compton. ''The Life of the Spider''. Mentor Books (1954), p. 56f.</ref>

==Courtship versus tarantism dances==
The stately courtship tarantella danced by a couple or couples, short in duration, is graceful and elegant and features characteristic music. On the other hand, the supposedly curative or symptomatic tarantella was danced solo by a victim of a ''[Lycosa tarantula](/source/Lycosa_tarantula)'' spider bite (not to be confused with what is commonly known as a [tarantula](/source/tarantula) today); it was agitated in character, lasted for hours or even up to days, and featured characteristic music. However, other forms of the dance were and still are dances of couples usually either mimicking courtship or a sword fight. The confusion appears to derive from the fact that the spiders, the condition, its sufferers (''tarantolati''), and the dances all have names similar to the city of [Taranto](/source/Taranto).<ref name="Toschi">Toschi, Paolo (1950). Proceedings of the Congress Held in Venice September 7th to 11th, 1949: "A Question about the Tarantella", ''Journal of the International Folk Music Council'', Vol. 2 (1950), p. 19. Translated by N. F.</ref>

The dance originated in the [Apulia](/source/Apulia) region, and spread throughout the [Kingdom of the Two Sicilies](/source/Kingdom_of_the_Two_Sicilies). The Neapolitan tarantella is a [courtship dance](/source/Courtship_display) performed by couples whose "rhythms, melodies, gestures, and accompanying songs are quite distinct" featuring faster more cheerful music. Its origins may further lie in "a fifteenth-century fusion between the Spanish [Fandango](/source/Fandango) and the [Moresque](/source/Moresca) ''ballo di sfessartia''". The "[magico-religious](/source/Magic_and_religion)" tarantella is a solo dance performed supposedly to cure through perspiration the delirium and contortions attributed to the bite of a spider at harvest (summer) time. The dance was later applied as a supposed cure for the behavior of neurotic women (''carnevaletto delle donne'').<ref name="Ettlinger">Ettlinger, Ellen (1965). Review of "La Tarantella Napoletana" by Renato Penna (''Rivista di Etnografia''), ''Man'', Vol. 65 (Sep. – Oct. 1965), p. 176.</ref>

There are several traditional tarantella groups: Cantori di Carpino, Officina Zoé, Uccio Aloisi gruppu, Canzoniere Grecanico Salentino, Selva Cupina, and I Tamburellisti di Torrepaduli.

The tarantella is most frequently played with a [mandolin](/source/mandolin), a guitar, an [accordion](/source/accordion), and [tambourine](/source/tambourine)s; [flute](/source/flute), [fiddle](/source/fiddle), [trumpet](/source/trumpet), and [clarinet](/source/clarinet) are also used.

The tarantella is a dance in which the dancer and the [drum](/source/drum) player constantly try to upstage each other by playing faster or dancing longer than the other, subsequently tiring one person out first.

==Tarantism==
{{Main|Tarantism}}
[Tarantism](/source/Tarantism), as a ritual, is supposed to have roots in the ancient myths. Reportedly, victims who had collapsed or were convulsing would begin to dance with appropriate music and be revived as if a tarantula had bitten them. The music used to treat [dancing mania](/source/dancing_mania) appears to be similar to that used in the case of tarantism, although little is known about either. [Justus Hecker](/source/Justus_Hecker) (1795–1850), describes in his work ''Epidemics of the Middle Ages'': <blockquote>A convulsion infuriated the human frame [...]. Entire communities of people would join hands, dance, leap, scream, and shake for hours [...]. Music appeared to be the only means of combating the strange epidemic [...] lively, shrill tunes, played on trumpets and fifes, excited the dancers; soft, calm harmonies, graduated from fast to slow, high to low, prove efficacious for the cure.<ref>Hecker, Justus. Quoted in Sear, H. G. (1939).</ref></blockquote> The music used against spider bites featured drums and [clarinet](/source/clarinet)s, was matched to the pace of the victim, and is only weakly connected to its later depiction in the tarantellas of [Chopin](/source/Fr%C3%A9d%C3%A9ric_Chopin), [Liszt](/source/Franz_Liszt), [Rossini](/source/Gioachino_Rossini), and Heller.<ref>Sear, H. G. (1939). "Music and Medicine", p. 45, ''Music & Letters'', Vol. 20, No. 1 (Jan. 1939), pp. 43–54. Note that Sear may mistake the Neapolitan and Apulian tarantellas and that those by Romantic composers to which he refers may have been intended as Neapolitan.</ref>

While most serious proponents speculated as to the direct physical benefits of the dancing rather than the power of the music, a mid-18th century medical textbook gets the prevailing story backwards, describing that tarantulas will be compelled to dance by violin music.<ref name="Rishton"/> It was thought that the ''Lycosa tarantula'' [wolf spider](/source/wolf_spider) had lent the name "tarantula" to [an unrelated family of spiders](/source/tarantula), having been the species associated with [Taranto](/source/Taranto), but since ''L. tarantula'' is not inherently deadly,<ref name= "Rishton">{{cite journal|author-link =Tim Rishton|last =Rishton|first = Timothy J.|title =Plagiarism, Fiddles and Tarantulas|journal =The Musical Times|volume = 125|number = 1696|date =  June 1984|pages = 325–327|doi =10.2307/960905|jstor =960905|url = http://www.rishton.info/pubs/tarantulas.html|url-access =subscription}}</ref> the highly venomous Mediterranean black widow, ''[Latrodectus tredecimguttatus](/source/Latrodectus_tredecimguttatus)'', may have been the species originally associated with Taranto's manual grain harvest.

==See also==
* [List of tarantellas used in media and literature](/source/List_of_tarantellas)

==References==
{{Reflist}}

== Relevant literature ==
* Inserra, Incoronata. 2017. ''Global Tarantella: Reinventing Southern Italian Folk Music and Dances''. Urbana-Champaign: University of Illinois Press. 226 pages. {{ISBN|978-0-252-08283-2}}.
* {{Cite book|last=Snodgrass|first=Mary Ellen|title=The Encyclopedia of World Folk Dance|year=2016|publisher=Rowman & Littlefield|isbn=9781442257498|url=https://books.google.com/books?id=DMGpDAAAQBAJ}}

{{Circle dance}}
{{Authority control}}

Category:Tarantella
Category:Taranto

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Adapted from the Wikipedia article [Tarantella](https://en.wikipedia.org/wiki/Tarantella) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Tarantella?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.
