# Selma Kronold > Mediated Wiki article. Canonical URL: https://mediated.wiki/source/Selma_Kronold > Markdown URL: https://mediated.wiki/source/Selma_Kronold.md > Source: https://en.wikipedia.org/wiki/Selma_Kronold > Source revision: 1310082766 > License: Creative Commons Attribution-ShareAlike 4.0 International (https://creativecommons.org/licenses/by-sa/4.0/) **Selma Kronold** (18 August 1861 — 9 October 1920) was an American operatic soprano and pianist. Her repertoire included more than forty-five operas in three different languages. She took part in the musicals *[The Magic Melody, or Fortunnio's Song](/source/Le_pont_des_soupirs)* and *[At the Lower Harbor](/source/A_Basso_Porto).*[1] ## Life and career Selma Kronold, was born in [Kraków](/source/Krak%C3%B3w) to a family with Jewish roots. Her father was Adolph Kronold, her mother was Louise (Hirschberg) Kronold, and she was the sister of cellist [Hans Kronold](/source/Hans_Kronold) (1872–1922); and a cousin of Polish pianist and composer [Moritz Moszkowski](/source/Moritz_Moszkowski).[2] She received her initial training in a convent, according to her own account, where she was also taught her first piano lessons.[3] Moving to Germany, she studied with [Arthur Nikisch](/source/Arthur_Nikisch) at the [Royal Conservatory](/source/University_of_Music_and_Theatre_Leipzig) in Leipzig and later with [Désirée Artôt](/source/D%C3%A9sir%C3%A9e_Art%C3%B4t) at the [Conservatoire de Paris](/source/Conservatoire_de_Paris),[3] where she began her association with conductor [Anton Seidl](/source/Anton_Seidl).[3] She subsequently engaged with impresario Angelo Neumann's Wagner Opera Company between 1882 and 1883,[3] when she apparently moved to the United States around 1885, joining the [Metropolitan Opera Company](/source/Metropolitan_Opera).[3] After that she traveled back to Berlin where she studied for two more years, adding about thirty other operas to her repertoire.[4] In 1890, Kronold married with Dutch-born violinist [Jan Koert](/source/Jan_Koert), but divorced him ten years later due to their conflicting professional careers.[5] She worked for many different opera companies, among them the New American Opera Company, the [Damrosch German Opera](/source/Damrosch_Opera_Company), [Gustav Hinrichs Company](/source/Music_of_Philadelphia#Late_19th_century), the [Italian Opera Company](/source/Her_Majesty's_Theatre), the [Royal Opera House](/source/Berlin_State_Opera), and The Castle Square Opera Company among others. She retired from the stage life in 1904, shortly after engaging herself in charity work, helping thus found and establish the Catholic Oratorio Society of New York in order to bring understanding and promote oratorios in their religious ideal.[6] She died of pneumonia on 9 October 1920 and was buried at the Mount Pleasant Cemetery, in Hawthorne, Westchester County, New York, US. ## Repertoire - *[Der Freischütz](/source/Der_Freisch%C3%BCtz)* as Agatha (1877) - *[Der Trompeter von Säkkingen](/source/Der_Trompeter_von_S%C3%A4kkingen)* as Marie (1889) - *[Carmen](/source/Carmen)* as Micaëla (1889) - *[Cavalleria Rusticana](/source/Cavalleria_Rusticana)* as Santuzza (1891) - *[Die Walküre](/source/Die_Walk%C3%BCre)* as Helmwige (1891) - *[Guillaume Tell](/source/Guillaume_Tell)* as Mathilde (1891) - *[Fra Diavolo](/source/Fra_Diavolo_(opera))* as Marguerite (1891) - *[Il trovatore](/source/Il_trovatore)* as Leonora (1891) - *[Martha](/source/Martha_(opera))* as Lady Harriet Durham (1891) - *[La gioconda](/source/La_Gioconda_(opera))* as La gioconda (1891) - *[Aida](/source/Aida)* as Aida (1891) - *[Fidelio](/source/Fidelio)* as Leonore (1891) - *[Tannhäuser](/source/Tannh%C3%A4user_(opera))* as Elisabeth (1892) and as Venus (1894) - *[L'Africaine](/source/L'Africaine)* as Selika (1892) - *[Don Giovanni](/source/Don_Giovanni)* as Donna Anna (1892) and as Donna Elvira (1896) - *[L'amico Fritz](/source/L'amico_Fritz)* as Suzel (1892) - *[Un ballo in maschera](/source/Un_ballo_in_maschera)* as Amelia (1892) - *[La juive](/source/La_juive)* as Rachel (1892) - *[Der fliegende Holländer](/source/Der_fliegende_Holl%C3%A4nder)* as Senta (1892) - *[Faust](/source/Faust_(opera))* as Marguerite (1892) - *[Les Huguenots](/source/Les_Huguenots)* as Valentine (1892) - *[Le nozze di Figaro](/source/Le_nozze_di_Figaro)* as La contessa d’Almaviv (1892) - *[Lucrezia Borgia](/source/Lucrezia_Borgia_(opera))* as Donna Lucrezia Borgia (1892) - *[I Pagliatti](/source/Pagliacci)* as Nedda (1893) - *[Ernani](/source/Ernani)* as Elvira (1893) - *[Götterdämmerung](/source/G%C3%B6tterd%C3%A4mmerung)* as Gutrune (1894) - *[Gabriella](/source/Gabriella_di_Vergy)* as Gabriella (1894) - *[Manon Lescaut](/source/Manon_Lescaut)* as Manon Lescaut (1894) - *[Lohengrin](/source/Lohengrin_(opera))* as [Elsa von Brabant](/source/Elsa_von_Brabant) (1895) - *[Hänsel und Gretel](/source/H%C3%A4nsel_und_Gretel_(opera))* as Knusperhexe (1895) - *[Otello](/source/Otello)* as Desdemona (1896) - *[Das Rheingold](/source/Das_Rheingold)* as Woglinde (1899) - *[At the Lower Harbor](/source/A_Basso_Porto)* as Maria (1900) - *[The Magic Melody, or Fortunnio's Song](/source/Le_pont_des_soupirs)* as (1900)[n 1] ## Notes 1. According to music critic Jim McPherson in *The Opera Quarterly*, vol. 18, no. 4 (autumn 2002), p. 524 (The Savage Innocents: Part I, King of the Castle: Henry W. Savage and the Castle Square Opera Company), [Jacques Offenbach](/source/Jacques_Offenbach)'s *Le pont des soupirs* was "rejigged" in America as *The Magic Melody, or Fortunnio's Song.* ## References 1. ["The Magic Melody, At the Lower Harbor (aka. Fortunnio's Song)"](http://ibdb.com/production.php?id=415961). *Internet Broadway Database*. Retrieved 11 December 2014. 1. ["Dictionary of Women Worldwide: 25,000 Women Through the Ages"](https://web.archive.org/web/20150924170159/http://www.highbeam.com/doc/1G2-2588813248.html). *HighBeam Research*. Cengage Learning. Archived from [the original](http://www.highbeam.com/doc/1G2-2588813248.html) on 24 September 2015. Retrieved 8 December 2014. 1. Edward T. James, Janet Wilson Jamesr (1971). [*Notable American Women, 1607–1950: A Biographical Dictionary, Volume 1*](https://books.google.com/books?id=rVLOhGt1BX0C&q=Selma+Kronold&pg=RA1-PA349). Harvard University Press. p. 349. ISBN 0674627342. 1. [Judy Barrett Litoff](/source/Judy_Barrett_Litoff) & Judith McDonnell (1994). [*European Immigrant Women in the United States: A Biographical Dictionary*](https://books.google.com/books?id=1ZyYa0cAPbkC&q=selma+kronold+who+was&pg=PA170). Taylor & Francis. p. 171. ISBN 0824053060. 1. ["Kronold Leaves Opera To Live Near Convent"](https://timesmachine.nytimes.com/timesmachine/1904/10/03/100475760.pdf). *The New York Times*. 3 October 1904. Retrieved 8 December 2014. 1. ["Catholic Encyclopedia"](https://www.newadvent.org/cathen/11270a.htm). *Newadvent.org*. Retrieved 11 December 2014. ## External links - [Opera in Philadelphia – Performance Chronology 1875–1899](http://hamilton.francocorelli.nl/ph/pha.pdf) Research by John Curtis (1867-1927) — Edited by Frank Hamilton --- Adapted from the Wikipedia article [Selma Kronold](https://en.wikipedia.org/wiki/Selma_Kronold) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Selma_Kronold?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.