# Ron Taylor (actor)

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American actor, singer and writer (1952–2002)

For other people with the same name, see [Ron Taylor](/source/Ron_Taylor_(disambiguation)).

Ron Taylor Taylor as Coach Wingate in Twin Peaks Born Ronald James Taylor (1952-10-16)October 16, 1952 Galveston, Texas, U.S. Died January 16, 2002(2002-01-16) (aged 49) Los Angeles, California, U.S. Occupations Actor, singer and writer Years active 1977–2002 Spouse DeBorah Sharpe ​ (m. 1980)​ Children 1

**Ronald James Taylor** (October 16, 1952 – January 16, 2002) was an American actor, singer and writer. He grew up in [Galveston, Texas](/source/Galveston%2C_Texas), and later moved to New York City to attend the [American Academy of Dramatic Arts](/source/American_Academy_of_Dramatic_Arts). After graduating, Taylor began working in musical theater, appearing in *[The Wiz](/source/The_Wiz)* (1977), before getting his break with the 1982 [off-Broadway](/source/Off-Broadway) production *[Little Shop of Horrors](/source/Little_Shop_of_Horrors_(musical))*. Taylor voiced the killer plant Audrey II in the show, which ran for five years and over 2,000 performances.

Taylor created and starred in the musical revue *[It Ain't Nothin' But the Blues](/source/It_Ain't_Nothin'_But_the_Blues)*, which charted the history of [blues](/source/Blues) music from its African origin to American success. Originally performed at high schools in [Denver](/source/Denver) as a 45-minute piece, the revue was expanded to two hours, played around the country and opened on [Broadway](/source/Broadway_theater) in 1999. It was met with critical acclaim, ran for eight months, and saw Taylor receive two [Tony Award](/source/Tony_Award) nominations.

He also had numerous television roles, appearing in *[Family Matters](/source/Family_Matters)*, *[The Simpsons](/source/The_Simpsons)*, *[Twin Peaks](/source/Twin_Peaks)*, *[Star Trek: Deep Space Nine](/source/Star_Trek%3A_Deep_Space_Nine)*, *[Ally McBeal](/source/Ally_McBeal)*, *[Matlock](/source/Matlock_(1986_TV_series))* and *[L.A. Law](/source/L.A._Law)*. His performance in the latter, as a singer who performed the American national anthem "[The Star-Spangled Banner](/source/The_Star-Spangled_Banner)" at baseball games, led him to perform the anthem at several real-life sporting events. Taylor was married and had one son. He died in January 2002 after suffering a heart attack.

## Early life

Taylor was born on October 16, 1952, in [Galveston](/source/Galveston%2C_Texas), Texas to Marian and Robert "Bruno" Taylor and had two sisters, Roberta and Frances.[1][2][3][4] He attended [O'Connell High School](/source/O'Connell_College_Preparatory_School),[5] and [Wharton County Junior College](/source/Wharton_County_Junior_College), where he was a football player, and a participant in the school choir and theater. The choir teacher suggested he join after overhearing him singing [The Temptations](/source/The_Temptations).[1] He favoured music over football, and at the age of 19 attended the [American Academy of Dramatic Arts](/source/American_Academy_of_Dramatic_Arts) in New York,[1][3] intending to become a singer.[6]

## Career

### Theater

#### Early theater work

"Being in the box bothered me at first, because I am used to being on stage, and when you sing on stage, there is open space; you can throw your voice all the way to the end of the house. When you are in that small space, it plays a psychological trick on you. You feel you have nowhere to sing to. I had to keep telling myself: 'O.K., I have a microphone right here, I don't have to push. They can hear me.' You know I can't hear anything in there. I can't hear applause."

— Taylor on his role in *Little Shop of Horrors*.[7]

Taylor, a "barrel-chested bass-baritone",[3] had an extensive career in musical theater. Upon graduating from the American Academy of Dramatic Arts, Taylor was unable to read [sheet music](/source/Sheet_music) and could "barely" play the piano, but found work as a singer.[3] In 1977 he played the [Cowardly Lion](/source/Cowardly_Lion) in a national touring production of *[The Wiz](/source/The_Wiz)*.[1][3][6] Taylor subsequently played Great Big Baby in the 1978 Broadway production *[Eubie!](/source/Eubie!)* and [Caiaphas](/source/Caiaphas) in a performance of *[Jesus Christ Superstar](/source/Jesus_Christ_Superstar)*.[7]

He voiced Audrey II, the "street-smart, funky, conniving" talking killer plant which is an "anthropomorphic cross between a Venus flytrap and an avocado", in the original [off-Broadway](/source/Off-Broadway) production of [Howard Ashman](/source/Howard_Ashman) and [Alan Menken](/source/Alan_Menken)'s "black-comedy musical" *[Little Shop of Horrors](/source/Little_Shop_of_Horrors_(musical))* from 1982.[1][7][8][9] Audrey II was played by four increasingly large puppets, operated by [Martin P. Robinson](/source/Martin_P._Robinson), while Taylor sat in a box at the back of the stage to voice the role, standing to perform his musical numbers.[3][7] The two kept in close proximity to ensure "that voice and action are always synchronized" and "developed a rapport" which was "the only thing that allow[ed] the character to really bloom."[7] Taylor disliked sitting in the box as it left him feeling disconnected from the audience.[7] The part was his break and was described by Jesse McKinley of *[The New York Times](/source/The_New_York_Times)* as "a role Mr. Taylor's booming voice was made for...[he] soon put his stamp on Audrey's signature line: 'Feed me, feed me!'"[3] Members of the public often used the line when they saw Taylor.[7] *Little Shop of Horrors* was performed over 2000 times before it closed in 1987.[3][10] At the 1983 [Drama Desk Awards](/source/Drama_Desk_Awards), Taylor won the award for Outstanding Special Effects for his performance, which he shared with Robinson.[9][11]

In the 1984 [Broadway](/source/Broadway_theatre) production of *[The Three Musketeers](/source/The_Three_Musketeers_(musical))* at [The Broadway Theatre](/source/The_Broadway_Theatre), Taylor played [Porthos](/source/Porthos), one of the three title characters.[6][12] After fifteen preview performances, the show ran just nine times before closing.[13] [Frank Rich](/source/Frank_Rich) wrote that the musketeers were "professionally played" by Taylor and his co-stars [Brent Spiner](/source/Brent_Spiner) and [Chuck Wagner](/source/Chuck_Wagner) but felt the three had "little dialogue and often seem like interchangeable stand-ins for the [Three Stooges](/source/Three_Stooges)."[12] A similar view was held by William B. Collins of the *[Philadelphia Inquirer](/source/Philadelphia_Inquirer)* who said they "speak as in one voice and behave like comedians who have been stranded without good material."[14]

#### *It Ain't Nothin' But the Blues*

Taylor created and starred in the musical revue *[It Ain't Nothin' But the Blues](/source/It_Ain't_Nothin'_But_the_Blues)*, which charted the history of blues music from its African origin to American success. He conceived the original idea for the show when he played blues musician [Rufus Payne](/source/Rufus_Payne) in a 1987 production of *[Lost Highway](/source/Hank_Williams%3A_Lost_Highway_(musical))*, a play about singer [Hank Williams](/source/Hank_Williams) at the [Denver Center for the Performing Arts](/source/Denver_Center_for_the_Performing_Arts) in [Denver](/source/Denver), Colorado. He proposed the idea to director Randal Myler who eventually accepted it in 1994. Taylor co-wrote the revue with Myler, Lita Gaithers, Charles Bevel and Dan Wheetman,[1][9][15][16] and also served as its associate producer.[17] Taylor was the revue's lead singer and acted as its narrator;[18] his numbers included "[I'm Your Hoochie Coochie Man](/source/I'm_Your_Hoochie_Coochie_Man)", "[The Thrill is Gone](/source/The_Thrill_is_Gone)", "[Blues Man](/source/I'm_a_Blues_Man#Track_listing)" and "[Let the Good Times Roll](/source/Let_the_Good_Times_Roll_(Louis_Jordan_song))".[17] It was initially performed as a 45-minute production at 25 local high schools.[16] Because of their positive reception, the show was expanded to two hours and 50 songs, with three people being added to the original cast of four, and was regularly performed at the Denver Center.[1][6]

Taylor described the performance as "very cordial", with the audience close to performers, and that "one show is never the same as the next because of the songs, of what they are. Blues is about how you feel today. One day, you're down; another day is real happy and giddy. We're all laughing. Randy's direction captures that. It's always so personal, bringing the audience into the piece."[6] As well as African music, the revue includes "country, gospel, the old blues, Appalachian music," featuring music by [Patsy Cline](/source/Patsy_Cline), [Brenda Lee](/source/Brenda_Lee), [Mahalia Jackson](/source/Mahalia_Jackson), [Jimmy Rogers](/source/Jimmy_Rogers), [Nina Simone](/source/Nina_Simone) and [Muddy Waters](/source/Muddy_Waters).[6]

In 1995, the revue ran for a month at the [Cleveland Play House](/source/Cleveland_Play_House), in conjunction with the opening of the [Rock and Roll Hall of Fame](/source/Rock_and_Roll_Hall_of_Fame) and Museum,[6] before touring at other regional theaters.[3] It played at the [Crossroads Theatre](/source/Crossroads_Theatre) in [New Jersey](/source/New_Jersey) for seven weeks in November 1998 [16] and opened off-Broadway at New York's [New Victory Theater](/source/New_Victory_Theater) in March 1999,[3] presented by Crossroads Theatre, in association with [San Diego Repertory Theatre](/source/San_Diego_Repertory_Theatre) and [Alabama Shakespeare Festival](/source/Alabama_Shakespeare_Festival).[15] It was met with critical and audience acclaim and the following month moved to Broadway to the [Vivian Beaumont Theater](/source/Vivian_Beaumont_Theater).[16][19] *[New York Times](/source/New_York_Times)* critic Lawrence Van Gelder wrote that the show had a "cornucopia of splendidly interpreted song," and "is a potent blend of visual eloquence and historical sweep that engages the eye and touches the heart while its songs soothe the ear, occasionally work mischief on the funny bone, and always raise the spirits."[15]

A week after opening at the Beaumont, the show received four [Tony Award](/source/Tony_Award) nominations, with Taylor being nominated for [Best Performance by a Featured Actor in a Musical](/source/Tony_Award_for_Best_Performance_by_a_Featured_Actor_in_a_Musical) and [Best Book of a Musical](/source/Tony_Award_for_Best_Book_of_a_Musical).[1][20] The cast's performance on the live Tony Awards show on [CBS](/source/CBS) was bumped due to limited time, sparking controversy, costing the show potential revenue, and damaging its prospects for survival.[16] The cast performed two days later on the CBS talkshow *[Late Show with David Letterman](/source/Late_Show_with_David_Letterman)*,[1] while media attention and radio coverage of the Tony snub boosted the show's takings for the following two weeks.[16] This did not last and did not "build a long-lasting audience like the Tonys could",[16] leading to dwindling attendance. A large word-of-mouth networking campaign to advertise the performance was set up by the producers and the show moved to the [Ambassador Theatre](/source/Ambassador_Theatre_(New_York)), where the box office takes began to break even.[16] The show closed in January 2000 after a total run of eight months on Broadway.[3][19]

For the rest of the year, *[It Ain't Nothin' But the Blues](/source/It_Ain't_Nothin'_But_the_Blues)* again toured at regional theaters, running in [Atlanta](/source/Atlanta), [San Diego](/source/San_Diego), and the [John F. Kennedy Center for the Performing Arts](/source/John_F._Kennedy_Center_for_the_Performing_Arts) in Washington, D.C., and returning to New York in August 2000 at the [B.B. King Blues Club and Grill](/source/B.B._King#B.B._King's_Blues_Club) for a month-long run.[18][19] Jim Trageser of *[The Press-Enterprise](/source/The_Press-Enterprise_(California))*, in a review of one of the San Diego performances, praised Taylor, saying he "has the lung power to simply take over any show, especially his own" and "shows surprising grace and athleticism as well as the kind of leonine masculinity that certain big men ([Orson Welles](/source/Orson_Welles), [Babe Ruth](/source/Babe_Ruth)) possess". Trageser also praised the writing, calling it "a superb job not only of selecting the songs, but in choosing arrangements that blow away all the cobwebs history has laid on many of them."[18]

*It Ain't Nothin' But the Blues* was the longest-running show Taylor appeared in, as well as his final Broadway appearance.[3] Taylor planned an [IMAX](/source/IMAX) film version of the production;[21] and nine years after his death, it was revived by the New Harlem Arts Theater at the [Aaron Davis Hall](/source/Aaron_Davis_Hall) on the [City College of New York](/source/City_College_of_New_York) campus.[22]

### Film, television and music

Taylor had numerous television roles. He voiced jazz musician ["Bleeding Gums" Murphy](/source/List_of_recurring_The_Simpsons_characters#Bleeding_Gums_Murphy) on *[The Simpsons](/source/The_Simpsons)*, appearing in the [first season](/source/The_Simpsons_season_1) episode "[Moaning Lisa](/source/Moaning_Lisa_(The_Simpsons))" (1990) and returning for the character's death in the [season six](/source/The_Simpsons_season_6) episode "['Round Springfield](/source/'Round_Springfield)" (1995).[1][23] He was one of the first people to [guest star on the show](/source/List_of_guest_stars_on_The_Simpsons).[24] Taylor was supposed to reprise his role in the [season two](/source/The_Simpsons_season_2) episode "[Dancin' Homer](/source/Dancin'_Homer)", but was in New York and unable to record his part.[10] Keith Phipps of *[The A.V. Club](/source/The_A.V._Club)* said the role gave Taylor "television immortality".[25] He also reprised the role on a recording of [Billie Holiday](/source/Billie_Holiday)'s song "[God Bless the Child](/source/God_Bless_the_Child_(Billie_Holiday_song))" on the 1990 *The Simpsons*' album *[The Simpsons Sing the Blues](/source/The_Simpsons_Sing_the_Blues)*.[26] He appeared as a [Klingon](/source/Klingon) chef in *[Star Trek: Deep Space Nine](/source/Star_Trek%3A_Deep_Space_Nine)*,[6] and played wrestling instructor Coach Wingate in *[Twin Peaks](/source/Twin_Peaks)*.[25] Other television roles included guest spots on *[NYPD Blue](/source/NYPD_Blue)*, *[ER](/source/ER_(TV_series))*, *[Profiler](/source/Profiler_(TV_series))*, *[Family Matters](/source/Family_Matters)*, *[Home Improvement](/source/Home_Improvement_(TV_series))* and *[Ally McBeal](/source/Ally_McBeal)*.[1][3][5][9][10][27] Taylor also had a recurring part in the 2000 series *[City of Angels](/source/City_of_Angels_(2000_TV_series))*,[1] and played a blues singer in a two-part episode of *[Matlock](/source/Matlock_(1986_TV_series))*, a role that was written for him.[10] He also appeared in more than 20 films. These included *[Trading Places](/source/Trading_Places)*, *[Amos & Andrew](/source/Amos_%26_Andrew)*, *[A Rage in Harlem](/source/A_Rage_in_Harlem)* (as Hank),[10] *[The Mighty Quinn](/source/The_Mighty_Quinn_(film))* and *[Rush Hour 2](/source/Rush_Hour_2)*.[1][5][9]

After a 1991 appearance on the series *[L.A. Law](/source/L.A._Law)*, on which he played a singer sacked by a baseball team for "embellish[ing]" his performances of the American national anthem "[The Star-Spangled Banner](/source/The_Star-Spangled_Banner)", Taylor received several invitations to sing it before sports events, although never expected anything to happen when he had taken the part.[10] He sang it before the [Major League Baseball](/source/Major_League_Baseball) game between the [Baltimore Orioles](/source/Baltimore_Orioles) and [Detroit Tigers](/source/Detroit_Tigers) on July 1, 1991. His rendition did not mimic that of his character: "the song is self-explanatory. I'm just going to sing the song straightforwardly and that's that."[10] Taylor received travel and accommodation expenses but no other payment for his performance.[10] He also sang for a [Los Angeles Kings](/source/Los_Angeles_Kings) [National Hockey League](/source/National_Hockey_League) game,[10] and on August 5, 1995, he sang the anthem before the MLB match between the [Cleveland Indians](/source/Cleveland_Indians) and [Chicago White Sox](/source/Chicago_White_Sox).[6]

Taylor was part of the blues group The Nervis Bros and performed across the United States.[1][9] He also sang with [Billy Joel](/source/Billy_Joel), [Bruce Springsteen](/source/Bruce_Springsteen), [Etta James](/source/Etta_James), [Slash](/source/Slash_(musician)) and [Sheila E.](/source/Sheila_E.)[1]

## Personal life

Taylor met DeBorah Sharpe in 1977 during the production of *[The Wiz](/source/The_Wiz)* where she was the understudy for Dorothy.[1] They married in 1980 and had a son, Adamah.[1][6] In his spare time, Taylor often helped teach vulnerable young people through a variety of projects, including at the [George Street Playhouse](/source/George_Street_Playhouse) in New Jersey.[5][9] He noted "things have come out of the air for me...I'm grateful; that's why I work with kids. I've had a blessing in my career, to have gone as far as I've gone."[6] A 1995 piece in *[The Plain Dealer](/source/The_Plain_Dealer)* described Taylor as "A jolly giant of a man, he looks like a natural force – a mountain, perhaps, who can tell great stories."[6] Taylor was a [Christian](/source/Christians).[16]

Taylor suffered a small stroke in 1999; he was able to perform again in *It Ain't Nothin' But the Blues* 73 days later.[16] He died from a heart attack at his home in Los Angeles on January 16, 2002, at the age of 49.[1] His funeral took place on January 28 at the New Christ Memorial Church of God in Christ.[1][9]

## Filmography

### Films

Year Title Role Notes 1983 Trading Places Big Black Guy 1984 The Ice Pirates Pimp Robot Voice; uncredited 1984 Exterminator 2 Dude 1987 Who's That Girl 1st Dock Worker 1988 Astronomy Johnny's Dad Short film 1988 Dead Heat Shoot Out Zombie 1989 The Mighty Quinn Officer McKeon 1989 Collision Course Auto Worker At Bowling Alley #2 1989 Relentless Captain Blakely 1989 Second Sight Carl 1990 Heart Condition Bubba 1990 Downtown Bruce Tucker 1990 Masters of Menace Man At Door 1991 A Rage in Harlem Hank 1991 Rover Dangerfield Mugsy / Bruno Voice 1992 There Goes the Neighborhood Bubble Man 1993 Amos & Andrew Sherman 1993 Deadfall The Baby 2002 Ritual Superintendent Archibald (final film role)

### Television

Year Title Role Notes 1984 Robert Klein: Child of the 50s, Man of the 80s Irving Television special 1984 My Little Pony: Rescue at Midnight Castle Scorpan Television special; voice 1984 Miami Vice Linus Oliver Episode: "Calderone's Return: The Hit List (Part 1)" 1984 3-2-1 Contact Pawn Shop Owner Episode: "Space: Living There" 1988 Night Court Attendant Cal Episode: "Fire" 1989 Wiseguy Monroe Blue 2 episodes 1989-1990 Matlock Deacon Holmes / Tyler Mullins 4 episodes 1990 China Beach Mess Sergeant Episode: "Warriors" 1990 Quantum Leap Papa David Harper Episode: "Black And White On Fire" 1990-1993 Family Matters Darnell Coleman / Pastor Peebles 3 episodes 1990–1991 Twin Peaks Coach Wingate 2 episodes 1990–1995 The Simpsons "Bleeding Gums" Murphy (voice) Episodes: "Moaning Lisa" and "'Round Springfield" 1991 Amen "String Bean" Episode: "Ernie and the Sublimes" 1991 L.A. Law Elliot "The Wompman" Miller Episode: "On the Toad Again" 1991 Fever Merton Television film 1991 Home Improvement Kyle Episode: "Nothing More Than Feelings" 1992 Vinnie & Bobby Stanley 3 episodes 1992 Batman: The Animated Series Orderly (voice) Episode: "Dreams in Darkness"; voice 1993 Lush Life The Clerk Television film 1993 A Cool Like That Christmas Reverend 1993-1997 NYPD Blue Prisoner #1 / Bus Driver 2 episodes 1993–1994 Star Trek: Deep Space Nine Klingon Chef Episodes: "Melora" and "Playing God" 1994 In the Line of Duty: The Price of Vengeance Reddick Television film 1994 The George Carlin Show Norman Episode: "George Goes on a Date: Part 1" 1994 ER Bob Episode: "Hit and Run" 1998 Profiler "Fat Cat" Episode: "Ties That Bind" 1999 Ally McBeal Singer In Bar Episode: "Saving Santa" 2000 City of Angels Lester Bell 3 episodes

## References

1. ^ [***a***](#cite_ref-la_1-0) [***b***](#cite_ref-la_1-1) [***c***](#cite_ref-la_1-2) [***d***](#cite_ref-la_1-3) [***e***](#cite_ref-la_1-4) [***f***](#cite_ref-la_1-5) [***g***](#cite_ref-la_1-6) [***h***](#cite_ref-la_1-7) [***i***](#cite_ref-la_1-8) [***j***](#cite_ref-la_1-9) [***k***](#cite_ref-la_1-10) [***l***](#cite_ref-la_1-11) [***m***](#cite_ref-la_1-12) [***n***](#cite_ref-la_1-13) [***o***](#cite_ref-la_1-14) [***p***](#cite_ref-la_1-15) [***q***](#cite_ref-la_1-16) [***r***](#cite_ref-la_1-17) [***s***](#cite_ref-la_1-18) McLellan, Dennis (January 25, 2002). ["Ron Taylor, 49; Versatile Singer and Actor"](https://web.archive.org/web/20210725071009/https://www.latimes.com/archives/la-xpm-2002-jan-25-me-taylor25-story.html). *[Los Angeles Times](/source/Los_Angeles_Times)*. Archived from [the original](https://www.latimes.com/archives/la-xpm-2002-jan-25-me-taylor25-story.html) on July 25, 2021. Retrieved August 6, 2011.

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1. ^ [***a***](#cite_ref-plant_7-0) [***b***](#cite_ref-plant_7-1) [***c***](#cite_ref-plant_7-2) [***d***](#cite_ref-plant_7-3) [***e***](#cite_ref-plant_7-4) [***f***](#cite_ref-plant_7-5) [***g***](#cite_ref-plant_7-6) Crossette, Barbara (October 8, 1982). ["Making A Plant Grow: A Hidden Art On Stage"](https://theater.nytimes.com/mem/theater/treview.html?pagewanted=print&res=9D0CE5DA163BF93BA35753C1A964948260&scp=8&sq=Making%20of%20Jesus%20Christ%20Superstar&st=Search). *[The New York Times](/source/The_New_York_Times)*. Retrieved August 16, 2011.

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## External links

- [Ron Taylor](https://www.imdb.com/name/nm0853103/) at [IMDb](/source/IMDb_(identifier))

- [Ron Taylor](https://www.ibdb.com/broadway-cast-staff/8469) at the [Internet Broadway Database](/source/Internet_Broadway_Database)

- [Ron Taylor](http://broadwayworld.com/bwidb/people/Ron_Taylor/)[*[permanent dead link](https://en.wikipedia.org/wiki/Wikipedia:Link_rot)*] at the BroadwayWorld International Database

Authority control databases International VIAF WorldCat National United States France BnF data Artists MusicBrainz

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Adapted from the Wikipedia article [Ron Taylor (actor)](https://en.wikipedia.org/wiki/Ron_Taylor_(actor)) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Ron_Taylor_(actor)?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.