# Reog

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Indonesian traditional dance

Reog Reog dance performance in Ponorogo, Eastern Java Instrument Gamelan Origin East Java (Ponorogo), Indonesia

Reog Ponorogo performing art UNESCO Intangible Cultural Heritage Country Indonesia Reference 01969 Region Asia and the Pacific Inscription history Inscription 2024 (19th session) List Need of Urgent Safeguarding

Reog Part of a series on Dance-drama of Southeast Asia Topography of Southeast Asia. Burma Peacock dance Yama Zatdaw Cambodia Royal Ballet of Cambodia Khmer Shadow Theatre Lakhon Mohory Lakhon Khol Lakhon Pol Srey Yike Indonesia Arja Bajidor Kahot Baksa kembang Bambangan Cakil Bangsawan Baris Barong Bedhaya Cakalele Cendrawasih Condong Didong Gambuh Gambyong Gandrung Gendang Beleq Gending Sriwijaya Hudoq Indang Jaipong Janger Joged Joget Jurit ampil kridha warastra Kabasaran Kancet Papatai Kebagh Kebyar Duduk Kecak Ketoprak Komedie Stamboel Kuda Lumping Legong Lengger Lengger lanang Lenong Lilin Ludruk Makyong Melinting Merak Oleg Ondel-ondel Pajoge Panyembrama Payung Pendet Piring Poco-poco Ramayana Ballet Randai Rejang Reog Rodat Ronggeng Saman Sandiwara Sanghyang Sigale Gale Singo Ulung Sisingaan Srimpi Tandok Tanggai Tebe Toneel Topeng Topeng Banjar Topeng Betawi Topeng Cirebon Topeng Ireng Tor-tor Wayang Wong Yapong Zapin Zapin Api Laos Classical dance and theatre Malaysia Adai-adai Asyik Balai Bangsawan Boria Branyo Ceracap Inai Cinta Sayang Dabus Daling-daling Dikir Barat Dondang Sayang Inai Indang Jikey Joget Joget Gamelan Kuda Kepang Labi-labi Mak Inang Mek Mulung Mak yong Menora Ngajat Payung Piring Rambong Randai Rodat Saba Sewang Sumazau Ulek Mayang Zapin Philippines Binasuan Cariñosa Itik-itik Jota Kuntaw Maglalatik Pandanggo Pangalay Sagayan Singkil Subli Tinikling Singapore Dikir Barat Singapura Thailand Lakhon Khon Fon Hun krabok Lakhon Nai Lakhon Chatri Lakhon Nok Likay Manora Ma yong Mor lam Ram wong Ram Thai Rabam Kingkara Vietnam Nhã nhạc v t e

***Reog*** or ***Réyog*** ([Javanese](/source/Javanese_language): ꦫꦺꦪꦺꦴꦒ꧀) is a traditional [Indonesian dance](/source/Indonesian_dance) in an open arena that serves as folk entertainment and contains some magical elements. The main dancer is a lion-headed person with a peacock feather decoration, accompanied by several masked dancers and [Kuda Lumping](/source/Kuda_Lumping). Reog is one of the performing arts from the northwestern region of [East Java](/source/East_Java) and [Ponorogo](/source/Ponorogo) is the region where Reog originated. The city gate of Ponorogo is decorated with warok and [gemblak](/source/Gemblak), two [characters](/source/Character_dance) who were present at the time when Reog is performed. Reog is one of Indonesia culture that is still very strong with mystical elements and mysticism.

In 2013, Reog [Ponorogo](/source/Ponorogo) tradition is recognized as [National Intangible Cultural Heritage of Indonesia](/source/National_Intangible_Cultural_Heritage_of_Indonesia) by the [Indonesia Ministry of Education and Culture](/source/Ministry_of_Education_and_Culture_(Indonesia)).[1]

On 3 December 2024, Reog Ponorogo performing art is inscribed on the [UNESCO](/source/UNESCO) list of [Intangible cultural heritage](/source/Intangible_cultural_heritage) in need of urgent safeguarding.[2][3]

## Etymology

In the book of *"Pedoman Dasar Kesenian Reog Ponorogo dalam Pentas Budaya Bangsa"* published by the [Ponorogo](/source/Ponorogo) Regional Government in 1993, it is stated that the words **reog** or **reyog** is [Javanese](/source/Javanese_language) in origin. It comes from the [Javanese](/source/Javanese_language) ***riyeg*** or ***riyet*** means '**noisy or crowded'**.[4]

## History

Reog dancers performance in [Ponorogo](/source/Ponorogo), [Dutch East Indies](/source/Dutch_East_Indies), ca. 1920.

The dance describe *Klono Sewandono* the king of Ponorogo on his journey to [Kediri](/source/Kediri_(historical_kingdom)) to seek the hand of the Princess Songgo Langit. On his journey he was attacked by a vicious monster called *Singo Barong*, a mythical lion with peacock on its head. Historians trace the origin of Reog Ponorogo as the satire on the incompetence of [Majapahit](/source/Majapahit) rulers during the end of the empire. It describe the innate Ponorogo liberty and its opposition on centralist Majapahit rule. The lion represent the king of Majapahit while the peafowl represent the queen, it was suggested that the king was incompetent and always being controlled by his queen. The beautiful, youthful and almost effeminate [horsemen](/source/Kuda_Lumping) describe the Majapahit cavalry that have lost their [manliness](/source/Manliness).[5][6]

In [society](/source/Society) there is another version of the origin of the Reog. History of Reog Arts began with the revolt of Ki Ageng, a man of Majapahit Kingdom in the 15th century, where at that time the Majapahit Kingdom was under the rule of the King of Kertabhumi Bhre, the last Majapahit Kingdom. Ki Ageng Kutu, who held wrath against the corrupt behavior of his King, saw that the powers of the Majapahit Kingdom soon would end. He left the Kingdom and founded a college of [martial arts](/source/Martial_arts) in hope of raising seeds which can be held as under. Aware that the [army](/source/Army) was not able to compete with the Majapahit army, political messages of Ki Ageng Kutu were submitted through the performances of Reog. Ki Ageng Kutu utilized performance of Reog to build [resistance](https://en.wikipedia.org/w/index.php?title=Resistance_(military)&action=edit&redlink=1) to the Royal Society. In art performances Reog was shown the head of a [lion](/source/Lion)-shaped mask called "Singo Barong", King of the forest that became a symbol of Kertabhumi, and it plugged up to [peacock](/source/Peacock) feathers to resemble a giant fan that symbolises the strong influence of the governing Chinese pronunciation of peers over all. Jathilan, played by a group of dancers a gemblak [horses](/source/Horse)-shaped became a symbol of the power of the Kingdom of Majapahit in contrast with the power of warok. Red clown mask that became the symbol for Ki Ageng Kutu, alone and support the weight of the mask Singo Barong that reaches over 50 kg using only his [teeth](/source/Teeth).[7][8] Ki Ageng Kutu's Reog popularity eventually led to Bhre Kertabhumi taking action and attacking Kutu's college, the rebellion by warok was quickly overcome, and the college is prohibited to continue teaching about warok. But the disciples of Ki Ageng Kutu continue secretly. However, the performance of Reog itself is allowed to stage performances because it has become popular among the people but the storyline having a groove in which the characters of new added folktale of Ponorogo, for example like Klono Sewandono, Dewi Songgolangit, and Sri Genthayu.[6]

Reog dancers performance in [Java](/source/Java), [Dutch East Indies](/source/Dutch_East_Indies), between 1920 and 1930

Reog Ponorogo dancers traditionally performed in a [trance](/source/Trance) state. Reog Ponorogo displays the traditional [Kejawen](/source/Kejawen) Javanese spiritual teaching. Next to physical requirement, the dancers—especially the Warok—required to follow strict rules, rituals and exercises, both physical and spiritual. One of the requirement is abstinence, warok is prohibited to indulged and involved in sexual relationship with women, yet having sex with boy age eight to fifteen is allowed. The boy lover is called *[Gemblak](/source/Gemblak)* and usually kept by *Warok* in their household under the agreement and compensation to the boy's family. Warok can be married with a woman as their wife, but they may kept a gemblak too. This led to *Warok-Gemblakan* relationship that similar to [pederastic](/source/Pederastic) tradition of ancient Greece. Anybody who is in touch with the traditional way of life in Ponorogo, knows that there are these older men called warok who, instead of having sex with their wives, have sex with younger boys.[9] What Warok and Gemblak did is [homosexual](/source/Homosexual) act, yet they never identify themself as homosexuals.[10][11]

Many Warok and Gemblak were massacred by Islamic groups during the anti-communist [Indonesian killings of 1965-1966](/source/Indonesian_killings_of_1965-1966), their heads placed on pikes for public display. Today the *Warok-Gemblakan* practice is discouraged by local religious authorities and being shunned through public moral opposition. As the result today Reog Ponorogo performance rarely features Gemblak boys to perform as Jathil horsemen, their position were replaced by girls. Although today this practice might probably still survived and done in discreet manner.[9][10]

Today, Reog Ponorogo is often held on festive special occasions; such as the [Islamic](/source/Islam) holiday of [Eid al-Fitr](/source/Eid_al-Fitr), anniversary of [Ponorogo Regency](/source/Ponorogo_Regency), Independence day carnival on 17 August, to opening ceremony of sporting events. Today, reog troupe performances can be seen in various countries brought by Indonesian workers. Such as in the United States (Singo Lodoyo Washington DC), [South Korea](/source/South_Korea) (Singo Mudho Korea), Taiwan (Singo Barong Taiwan), Australia (Singo Sarjono), [naval expedition Indonesia](/source/KRI_Dewaruci) (Reog Dewaruci), Germany, Japan, Hong Kong, Malaysia (Sardulo Gugah Ponorogo, Sri Wahyuni, Gamalasari).

## Performance

Reog is a traditional dance that became the main identity for [Ponorogo Regency](/source/Ponorogo_Regency). Reog National Festival is held every year along with the anniversary of Ponorogo regency and the Grebeg Suro celebration. Reog dance is also staged nightly on the full moon in Paseban, Ponorogo town square. Reog tells the story about the struggle of a prince who will propose to a beautiful princess.[12] Reog Ponorogo tells the story of a mythical battle between the King of [Ponorogo](/source/Ponorogo) and the magical lion-like creature called *[Singo Barong](/source/Barong_(mythology))*.

### Singo Barong Mask (Dadak Merak)

Singo Barong performance at Festival Reog Nasional in [Ponorogo](/source/Ponorogo), [East Java](/source/East_Java), [Indonesia](/source/Indonesia).

The Reog dance of Ponorogo involves a [lion](/source/Lion) figure known as the **singo barong**. *Singo Barong* is a large mask usually made from a tiger's or leopard's head skin, on the mask is a large fan adorned with real [peafowl](/source/Peafowl) feathers. The Singo Barong mask is notoriously heavy and the dancer of the Singo Barong has to carry the mask of about 30 – 40 kg in weight and is supported by the strength of their teeth.[6]

A single dancer, or **warok**, carries the heavy lion mask by his teeth. He is credited with supernatural abilities and strength. The **warok** may also carry an adolescent boy or girl on its head. When carrying an adolescent boy or girl on his head, the Reog dancer holds weight of up to 100 kilograms in total. Holding the heavy big mask by biting, the *warok* relies on the strength of his jaws, neck and shoulder muscles. The great mask spans over 2.5 meters with genuine tiger skin and real peacock feathers. It has gained international recognition as the world's largest mask.[6]

### Performers

The leading figures in Reog Ponorogo performance includes:[13]

1. *Klono Sewandono*, A man in regal attire wearing a mask with a proud and pompous dance and plays the role as the King of Ponorogo

1. *Bujang Ganong* are rough youthful men wearing red masks, they perform acrobatic dances and sometimes also involve trances.

1. *[Jathil](/source/Jathilan)*, the youthful and handsome men riding horses made of weaved bamboo, similar to the [Kuda Lumping](/source/Kuda_Lumping) dance. Today, Jathil is usually performed by female dancers.

1. *Warok*, plays as the Singo Barong, the mythical creature. The one who is allowed to perform this dance is called *warok*. A *warok* is the honorary title of the local hero or strongman of the village who possesses both exceptional spiritual and physical strength. The dance itself is a demonstration of physical strength.

Reog Ponorogo usually consists of three sets of dances; each dance is performed by several dancers:

1. The first dance is the opening dance, performed by *Bujang Ganong*, male dancers who wear black costumes. The costume describes rough men with intimidating moustaches and other masculine symbols.

1. The second dance is the *Jaran Kepang* dance performed by *Jathil*; it is originally performed by a *gemblak*, a handsome and youthful teenage boy wearing colourful costumes. Today female dancers usually play this role.

1. The third dance is the main attraction of the show; it is performed by all the Reog dancers. The warok as the main male dancer, wearing the large and heavy lion mask, dances in the centre of the stage while the other dancers dance around him. To demonstrate the warok's extraordinary strength, the *Jathil* rides on top of the lion mask and is carried around.

		- Singo Barong

		- Klono Sewandono

		- Bujang Ganong

		- Jathil

		- Warok

## Controversy

Malaysian Barongan is similar to Reog Ponorogo but with an [Islamic](/source/Islamic) element injected into it.[14] The controversy arose because the Singo Barong mask on the official website of [Ministry of Tourism, Arts and Culture of Malaysia](/source/Ministry_of_Tourism%2C_Arts_and_Culture_(Malaysia)) contained the words "Malaysia" on it and recognized as a legacy of Muslim [Javanese](/source/Javanese_people) communities in [Malaysia](/source/Malaysia) especially in the district of [Muar](/source/Muar_District), [Johor](/source/Johor).[15] The origins and cultural ownership of the Reog dance have been the subject of a dispute and controversy between the neighboring countries of [Indonesia](/source/Indonesia) and Malaysia, whose ethnic, cultural and religious histories overlap and share many similarities. Mostly because there is numerous descendants of Javanese immigrants in Malaysia, some who have been serving with [Sultan of Malacca](/source/Sultan_of_Malacca),[16] before moving together with the Sultan, especially in [Johor](/source/Johor) state to form [Johor-Riau Sultanate](/source/Johor_Sultanate#Golden_Age). And some of the immigrants brought many Javanese-origin artforms such as Barongan, [Wayang Kulit Jawa](/source/Wayang),[17] and [Kuda Lumping](/source/Kuda_Lumping). Thousands of Reog artist had a demonstration at the Malaysian Embassy in Jakarta.[18] To avoid further controversy with Indonesia, all promotional revival on Barongan have been discontinued by the government of Malaysia, which contributing to further decline of Barongan in Malaysia.[19] However, the Malaysian government continue to promote other ethnic cultures like the Portuguese-Eurasian festival of San Pedro.[20]

## See also

- [Indonesia portal](https://en.wikipedia.org/wiki/Portal:Indonesia)

- [Barong (mythology)](/source/Barong_(mythology))

- [Kuda lumping](/source/Kuda_lumping)

- [Sisingaan](/source/Sisingaan)

- [Javanese dance](/source/Javanese_dance)

## References

1. **[^](#cite_ref-1)** ["Warisan Budaya Takbenda, Penetapan"](https://warisanbudaya.kemdikbud.go.id/?newdetail&detailTetap=28). *Cultural Heritage, Ministry of Education and Culture of Indonesia*. Retrieved 28 January 2021.

1. **[^](#cite_ref-2)** ["UNESCO - Reog Ponorogo performing art"](https://ich.unesco.org/en/USL/reog-ponorogo-performing-art-01969). *ich.unesco.org*. Retrieved 2024-12-06.

1. **[^](#cite_ref-3)** antaranews.com (2024-12-04). ["Reog Ponorogo ditetapkan sebagai warisan budaya takbenda UNESCO"](https://www.antaranews.com/berita/4510309/reog-ponorogo-ditetapkan-sebagai-warisan-budaya-takbenda-unesco). *Antara News* (in Indonesian). Retrieved 2024-12-06.

1. **[^](#cite_ref-Golek_Pawarto_4-0)** ["Antara Reyog Dan Reog Ponorogo"](https://www.golekpawarto.com/antara-reyog-dan-reog-ponorogo/). *Kang Ahmadie*. Retrieved 28 January 2021.

1. **[^](#cite_ref-versi-reog_5-0)** ["Pesan Sakral di Balik Reog Ponorogo"](https://www.liputan6.com/regional/read/3912923/pesan-sakral-di-balik-reog-ponorogo). *Liputan6.com* (in Indonesian). 2019-03-10. [Archived](https://web.archive.org/web/20200304151429/https://www.liputan6.com/regional/read/3912923/pesan-sakral-di-balik-reog-ponorogo) from the original on 2020-03-04. Retrieved 2020-03-04.

1. ^ [***a***](#cite_ref-singo-barong_6-0) [***b***](#cite_ref-singo-barong_6-1) [***c***](#cite_ref-singo-barong_6-2) [***d***](#cite_ref-singo-barong_6-3) ["Reog, Pesona Singa Barong dari Tanah Ponorogo"](https://nasional.kompas.com/read/2008/01/10/16393649/reog.pesona.singa.barong.dari.tanah.ponorogo?page=all). *Kompas.com* (in Indonesian). 2008-01-10. [Archived](https://web.archive.org/web/20200304151426/https://nasional.kompas.com/read/2008/01/10/16393649/reog.pesona.singa.barong.dari.tanah.ponorogo?page=all) from the original on 2020-03-04. Retrieved 2020-03-04.

1. **[^](#cite_ref-FOOTNOTEBalai_Kajian_Sejarah_dan_Nilai_Tradisional_Yogyakarta19971-59_7-0)** [Balai Kajian Sejarah dan Nilai Tradisional Yogyakarta 1997](#CITEREFBalai_Kajian_Sejarah_dan_Nilai_Tradisional_Yogyakarta1997), p. 1-59.

1. **[^](#cite_ref-8)** Video tape No. 24, 14 July 1991, Josko Petkovic's archive.

1. ^ [***a***](#cite_ref-intersections_9-0) [***b***](#cite_ref-intersections_9-1) ["Talks on Reyog Ponorogo - Intersections : gender, history and culture in the Asian context"](http://intersections.anu.edu.au/issue2/Oetomo.html). *intersections.anu.edu.au*. Perth, W.A: Murdoch University, School of Asian Studies. 1999-05-02. [Archived](https://web.archive.org/web/20200304151451/http://intersections.anu.edu.au/issue2/Oetomo.html) from the original on 2020-03-04. Retrieved 2020-03-04.

1. ^ [***a***](#cite_ref-vice_10-0) [***b***](#cite_ref-vice_10-1) Muhammad Ishomuddin (2019-04-25). ["The 'Reog' Dance Proves Homosexuality Is an Ancient Tradition in Indonesia"](https://www.vice.com/en/article/the-reog-dance-proves-homosexuality-is-an-ancient-tradition-in-indonesia/). *vice.com*. VICE. Retrieved 2020-03-04.

1. **[^](#cite_ref-warok_11-0)** Dewanto Samodro (2019-08-30). ["Warok sebagai karakter masyarakat Ponorogo"](https://www.antaranews.com/berita/1036722/reog-ponorogo-3-habis-warok-sebagai-karakter-masyarakat-ponorogo). *ANTARA News* (in Indonesian). [Archived](https://web.archive.org/web/20200304151523/https://www.antaranews.com/berita/1036722/reog-ponorogo-3-habis-warok-sebagai-karakter-masyarakat-ponorogo) from the original on 2020-03-04. Retrieved 2020-03-04.

1. **[^](#cite_ref-12)** ["Reog Ponorogo : The Main Identity Of Ponorogo Regency, East Java, Indonesia"](https://www.eastjava.com/tourism/ponorogo/culture.html). *EastJava.com*. Retrieved 2020-03-11.

1. **[^](#cite_ref-13)** ditindb (2015-12-17). ["Reog Ponorogo"](http://kebudayaan.kemdikbud.go.id/ditwdb/reog-ponorogo/). *Direktorat Warisan dan Diplomasi Budaya* (in Indonesian). [Ministry of Education and Culture of the Republic of Indonesia](/source/Ministry_of_Education_and_Culture_(Indonesia)). [Archived](https://web.archive.org/web/20200304151504/https://kebudayaan.kemdikbud.go.id/ditwdb/reog-ponorogo/) from the original on 2020-03-04. Retrieved 2020-03-04.

1. **[^](#cite_ref-14)** Ismoko Widjaja (2007-11-29). ["Tarian Barongan Malaysia atau Reog Ponorogo?"](https://news.okezone.com/read/2007/11/29/1/64543/tarian-barongan-malaysia-atau-reog-ponorogo). *Okezone News* (in Indonesian). [Archived](https://web.archive.org/web/20200304152050/https://news.okezone.com/read/2007/11/29/1/64543/tarian-barongan-malaysia-atau-reog-ponorogo) from the original on 2020-03-04. Retrieved 2020-03-04.

1. **[^](#cite_ref-15)** ["Reog Diduga Dijiplak Malaysia, Warga Ponorogo Protes"](https://web.archive.org/web/20210824172610/https://news.detik.com/berita/d-855701/reog-diduga-dijiplak-malaysia-warga-ponorogo-protes-). *detikNews* (in Indonesian). 2007-11-21. Archived from [the original](https://news.detik.com/berita/d-855701/reog-diduga-dijiplak-malaysia-warga-ponorogo-protes-) on 2021-08-24. Retrieved 2020-03-11.

1. **[^](#cite_ref-16)** Talib, Abdul Latip (2007). [*Setelah roboh kota Melaka*](https://books.google.com/books?id=DImOAwMXafYC&q=orang+Jawa+dan+turki) (in Malay). PTS Litera Utama. [ISBN](/source/ISBN_(identifier)) [9789831921043](https://en.wikipedia.org/wiki/Special:BookSources/9789831921043).

1. **[^](#cite_ref-17)** Matusky, Patricia Ann; Tan, Sooi Beng (2004). [*The music of Malaysia : the classical, folk, and syncretic traditions*](https://books.google.com/books?id=x06nBdEkAOMC&q=%22wayang+kulit%22+malaysia&pg=PA16). Aldershot, Hants, England: Ashgate. [ISBN](/source/ISBN_(identifier)) [9780754608318](https://en.wikipedia.org/wiki/Special:BookSources/9780754608318). [OCLC](/source/OCLC_(identifier)) [50676641](https://search.worldcat.org/oclc/50676641).

1. **[^](#cite_ref-18)** ["Ribuan Seniman Reog Demo di Kedutaan Malaysia"](https://web.archive.org/web/20080603200338/http://www.metrotvnews.com/berita.asp?id=49824). *Metrotvnews* (in Indonesian). 29 November 2007. Archived from [the original](http://www.metrotvnews.com/berita.asp?id=49824) on 2008-06-03. Retrieved 2020-03-04.

1. **[^](#cite_ref-19)** ["Malaysia Bantah Mengklaim Reog"](https://web.archive.org/web/20080502142804/http://www.sinarharapan.co.id/berita/0711/29/lua03.html). *Sinar Harapan* (in Indonesian). 2007-11-29. Archived from [the original](http://www.sinarharapan.co.id/berita/0711/29/lua03.html) on 2008-05-02. Retrieved 2020-03-04.

1. **[^](#cite_ref-20)** ["Hari San Pedro"](http://pmr.penerangan.gov.my/index.php/component/content/article/109-16-september). *pmr.penerangan.gov.my* (in Malay).

**Bibliography**

- Timur, Sunarto (1978), [*Reog di Jawa Timur*](https://onesearch.id/Record/IOS4151.JABAR-01090000015008) (in Indonesian), Jakarta: Proyek Sasana Budaya Depdikbud

- Balai Kajian Sejarah dan Nilai Tradisional Yogyakarta (1997), "Drama Tradisional Reog: Suatu Kajian Sistem Pengetahuan Dan Religi", *Laporan Penelitian Jarahnitra* (in Indonesian), Yogyakarta: Departemen Pendidikan Dan Kebudayaan, pp. 1–59, [ISSN](/source/ISSN_(identifier)) [0854-3178](https://search.worldcat.org/issn/0854-3178)

## Further reading

- Rahimsyah, M. B.; Tasrif, Mahmudi; Hidayat, Kidh (1990), *Asal-usul Reog Ponorogo* (in Indonesian), Surabaya: Karya Anda, [OCLC](/source/OCLC_(identifier)) [464303655](https://search.worldcat.org/oclc/464303655)

- Asmoro, Achmad (2013), [*Pasang Surut Dominasi Islam terhadap Kesenian Reog Ponorogo*](http://garuda.ristekdikti.go.id/documents/detail/149675) (in Indonesian), Universitas Islam Negeri Raden Intan Lampung

## External links

- Media related to [Reog](https://commons.wikimedia.org/wiki/Category:Reog) at Wikimedia Commons

- [Video of Reog at Festival Nasional Reog Ponorogo](https://www.youtube.com/watch?v=b7ZPrQbWgVM)

v t e Dance in Indonesia (list) Balinese dance • Javanese dance • Sundanese dance Acehnese Likok Pulo Rodat Saman Balinese Arja Baris Barong Cendrawasih Condong Gambuh Janger Joged Kebyar duduk Kecak Legong Oleg Panyembrama Pendet Rejang Sanghyang Topeng Banjarese Baksa kembang Topeng Banjar Batak Sigale Gale Tandok Tor-tor Betawi Ondel-ondel Ronggeng Topeng Topeng Betawi Yapong Buginese and Makassarese Pajoge Paraga Pepe-Pepeka ri Makka Cirebonese Topeng Topeng Cirebon Dayak Hudoq Kancet Papatai Javanese Bambangan Cakil Bedhaya Gambyong Gandrung Jurit ampil kridha warastra Kuda Lumping Lengger Lengger lanang Reog Ronggeng Singo Ulung Srimpi Topeng Ireng Topeng Malang Wayang wong Wayang gedog Lampung Melinting Malay Bangsawan Joget Makyong Zapin Zapin Api Minangkabau Indang Lilin Pasambahan Payung Piring Randai Minahasan Kabasaran Palembangese Gending Sriwijaya Kebagh Tanggai Sasak Gendang Beleq Rudat Sundanese Bajidor Kahot Jaipongan Sandiwara Sisingaan Timorese Tebe Moluccan and Papuan Cakalele Poco-poco

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