# Rachel Howard > Mediated Wiki article. Canonical URL: https://mediated.wiki/source/Rachel_Howard > Markdown URL: https://mediated.wiki/source/Rachel_Howard.md > Source: https://en.wikipedia.org/wiki/Rachel_Howard > Source revision: 1356474956 > License: Creative Commons Attribution-ShareAlike 4.0 International (https://creativecommons.org/licenses/by-sa/4.0/) {{Short description|British artist (born 1969)}} {{About|the artist|the New Zealand international footballer|Rachel Howard (footballer)}} {{use British English|date=January 2020}} {{use dmy dates|date=January 2020}} {{Infobox artist | image = rachelhoward.jpg | name = Rachel Howard | caption = | birth_date = {{Birth year and age|1969}} | birth_place = [Easington, County Durham](/source/Easington%2C_County_Durham), [England](/source/England) | field = [Painting](/source/Painting) | movement = }} '''Rachel Howard''' (born 1969) is a British contemporary [artist](/source/artist) and painter, who has exhibited nationally and internationally and whose works are held in several private and public collections. ==Early life and career== Rachel Howard grew up on a farm in [Easington, County Durham](/source/Easington%2C_County_Durham). She attended [The Mount School, York](/source/The_Mount_School%2C_York){{Cite web|url=https://www.mountschoolyork.co.uk/life-at-the-mount-school/alumnae/|title = Alumnae}} a Quaker school from the age of sixteen and the stories, concerns and questions raised by religion have had an effect on her work throughout her career.Hubbard, Sue "Towards Meaning: The Abstract Paintings of Rachel Howard" in ''Rachel Howard -New Paintings'' Pulchritude Press, 2007
I went to a Quaker school and it had such a powerful effect on my life that I've carried it with me ever since. I'm an atheist now but Quakerism was the first time as a child I came across a religious structure that made some sense … the silence, contemplation, the acknowledgement of our responsibilities not just to each other but also to nature, they are pacifists. I was quite unruly as a child — Quakerism makes you take responsibility for your own actions without being heavy-handed, it's subtle and beautiful. The Quakers believe in celebrating the light within, it'll come as no surprise that [James Turrell](/source/James_Turrell) is a Quaker, for example.{{Cite web|url=https://www.twocoatsofpaint.com/2019/09/howard.html|title=Rachel Howard: A fascination with madness|last=Butler|first=Sharon|date=5 September 2019|website=Two Coats of Paint|archive-url=|archive-date=|access-date=7 February 2020}}
Howard graduated from Goldsmiths College, London, in 1991. In 1992, Howard was awarded the Prince's Trust Award to support her art practice. In 2004 was shortlisted for the Jerwood Drawing Prize and she received the British Council Award in 2008.Artnet [http://www.artnet.com/artists/rachel-howard/biography-links "Rachel Howard"] Late one night in 1988, the 19-year-old Rachel Howard was waiting for a bus outside London’s Goldsmiths College with a stack of her paintings, having spent the evening in the student union bar, when she was approached by two scruffy characters offering to carry the canvases back to her digs. One of which was [Damien Hirst](/source/Damien_Hirst). They have played an important part in each other’s early careers. “We were mates and he needed someone to paint spots, and I was waitressing and I didn’t want a proper job – so I ended up working for him to earn enough money to make my own work,” she says. “It was a very good symbiotic relationship.”{{cn|date= March 2024}} From 1992-1995 Howard was studio assistant to Hirst. She painted over 300 spot paintings. In 2008, Howard designed the front cover for ''[The Big Issue](/source/The_Big_Issue)'' newspaper.http://www.rachelhoward.co.uk/Rachel_Howard/The_Big_Issue_Review.html Rachel Howard website. Retrieved on 2012-06-20. ==Work== While Howard more recently employs oil paint, from 1995–2008 she primarily used household paint {{blockquote|The fluidity of the paint is so gorgeous I felt like I wanted to conquer it and control it.Howard, Rachel ''Rachel Howard Painting 2001'', co-published by Other Criteria and Anne Faggionato}} Howard allows the paint to separate inside its can so that the pigment and varnish can be used in isolation. The pigment is applied to the edge of the canvas, then diluted and manipulated through the addition of the varnish. Gravity's pull then draws the paint down the canvas. {{blockquote|The first thing that strikes you about [Howard's] pictures, [is] this seamless downpour of paint: a vertical torrent that seems to advance from one painting to another, sometimes fading out before it reaches the bottom of the canvas, only to fall unbidden from the upper edge of another.Dillon, Brian "On Pathos" in ''How to Disappear Completely'', published by Haunch of Venison, 2008}} {{blockquote|Howard's paintings are built architecturally. The terms she uses are those of the builder: construction, reconstruction, building, layering and assembling. Gravity is her brush. Layers of paint accrue built by dripped pathways of paint.}}Of her work, Howard says:
I'm interested in how we each make sense of the world. In paintings such as ''Missive to the Mad'' and ''Missive to the Sad'', I use the grid in varying degrees of degradation and dissolution, building up the ground and then the grid only to knock it back using gravity, turps and gloss varnish, a balance between control and chaos. They are odes to madness and melancholia, the gentle slip and slide of life, what the mind can do and where it can lead you. I think that's why I'm fascinated with religion and human beliefs and what we need to make it all work.
==''Sin Paintings''== Howard's ''Sin Paintings'' comprise seven monumental canvases, each painted in a range of intensely saturated reds, offset by the use of bright yellow and orange. The paintings were exhibited in a solo exhibition entitled ''Guilty'', at the Bohen Foundation, New York in 2003.Glueck, Grace [https://www.nytimes.com/2003/11/28/arts/art-in-review-rachel-howard-guilty.html?scp=2&sq=rachel+howard&st=nyt "Art in Review: Rachel Howard ''Guilty''"] 28 November 2003 The paintings have a glossy, mirror-shine surface, through which a simple cruciform shape emerges. They do differ from one another; ''Pride'' is an offering of brilliant red down-strokes, with a cross discernible in its centre; the reds of ''Envy'' are more individuated, with yellows breaking through here and there, and the cross far less readable; the hues of ''Anger'' are in a darker, more brooding range. Howard has said that the title 'Guilty' in part refers to the guilty pleasure of painting.Pollack, Barbara [http://rachelhoward.co.uk/Rachel_Howard/Guilty_Review.html "Rachel Howard: Guilty"] ''[Time Out New York](/source/Time_Out_New_York)'', 18 December 2003 – 1 January 2004 ==''Suicide Paintings''== Howard's ''Suicide Paintings'' were first shown at the Bohen Foundation in New York, 2007, and were later exhibited at Haunch of Venison, London, 2008[http://www.newyorker.com/arts/events/art/2007/05/14/070514goar_GOAT_art?currentPage=3 "Goings on about town – Art"] 14 May 2007Hubbard, Sue [https://www.independent.co.uk/arts-entertainment/art/reviews/rachel-howard-how-to-disappear-completely-haunch-of-venison-london-771900.html "A voyage to the dark side"] 21 January 2008 The series evolved after an acquaintance of Howard's committed suicide. He was discovered, not in the imagined drama, 'swinging from the rafters', but kneeling in a pose almost of prayer. It was this particular detail that Howard found most disturbing, and which led her to create the series, coupled with the fact that for her, suicide is one of the last taboos.Howard, Rachel "In Conversation with Adam E. Mendelsohn" in ''Fiction/Fear/Fact'' published by Other Criteria, 2007 The source material for the paintings came from trawling through forensic magazines and internet sites for pictures of suicides.Jones, Laura K. [http://www.artnet.com/magazineus/reviews/jones/jones2-20-08.asp "London Dispatch"] 20 February 2008 These were then abstracted from their contexts within Howard's rapidly executed line drawings, forming the basis of the paintings. The series ultimately offers an investigation into the aesthetics of suicide.Husni-Bey, Adelita [http://rachelhoward.co.uk/Rachel_Howard/Flash_Art_Review.html "Rachel Howard – Haunch of Venison"] March/April 2008 Possible instruments of death are depicted – a pair of scissors, a ladder, as well as the symbolic, lone ''Black Dog'' (a common metaphor for depression, coined by 18th Century writer [Samuel Johnson](/source/Samuel_Johnson){{Cite web|url=https://www.noted.co.nz/health/health-psychology/black-dog-where-depression-metaphor-comes-from|title=This is where the black dog metaphor for depression comes from|last=Noted|website=www.noted.co.nz|language=en|access-date=2020-02-07}}). Then there are the faceless figures; many hang from ropes, while the body of a woman lying across a bed recalls the psychosexual claustrophobia of [Walter Sickert](/source/Walter_Sickert). {{blockquote|Howard's figures are on the verge of disappearing completely, dangerously close to ceasing to exist even as an image, slipping away from the canvas's representation: all that remains is the macabre trace of a body, almost as immaterial as a shadow cast upon an empty room.}} [Sue Hubbard](/source/Sue_Hubbard) wrote of the series in ''[The Independent](/source/The_Independent)'': {{blockquote|The creation of these ambitious canvases is a psychological and physical battle, which demonstrates that there is still a role for emotionally articulate art that has something important to say about the poignancy and tragedy of the human condition.}} ==''Via Dolorosa''== Between 2005–2009 Howard worked on her first commission, titled ''Repetition is Truth - Via Dolorosa''.Caragliano, Renata [http://ricerca.repubblica.it/repubblica/archivio/repubblica/2011/04/16/rachel-howard.html] ''[La Repubblica](/source/La_Repubblica)'', 18 April 2011 [Via Dolorosa](/source/Via_Dolorosa), Latin for 'Way of Suffering', is the name of a street within the [Old City of Jerusalem](/source/Old_City_of_Jerusalem), believed to be the path that Jesus walked, bearing the cross, towards his [crucifixion](/source/crucifixion). It is also another name for the fourteen [Stations of the Cross](/source/Stations_of_the_Cross), which depict these final hours of his life – [The Passion](/source/Passion_(Christianity)). While Howard's fourteen paintings reference The Passion, the creation of the series was in fact provoked by one of the most shocking photographs to emerge from the [Abu Ghraib prison](/source/Abu_Ghraib_prison) in Iraq. Detainees routinely endured torture and humiliation at the hands of American military personnel, as exposed through the media. The particular image was of a prisoner standing on a box, hooded and wired with electrodes; thus the box becomes the modern day equivalent of the Cross – a tool of humiliation and torment.Esposito, Pasquale [http://rachelhoward.co.uk/Rachel_Howard/IL_Mattino_Review.html] ''[Il Mattino](/source/Il_Mattino)'', 16 April 2011 Thus, the paintings offer a broader commentary on the universality of human rights abuses and people's capability for cruelty towards each other. A publication accompanies the work with texts by art historian and [curator](/source/curator) Joachim Pissarro and [Shami Chakrabarti](/source/Shami_Chakrabarti).''Repetition is Truth - via Dolorosa'', Murderme, 2009 Joachim Pissarro has described the series as "sublime", in accordance with [Immanuel Kant](/source/Immanuel_Kant)'s ''[Critique of Judgement](/source/Critique_of_Judgement)'': {{blockquote|The sublime is to be found in an object even devoid of form, so far as it immediately involves, or else by its presence, provokes, a representation of limitlessness, yet with a super-added thought of its totality.Pissarro, Joachim "Representing Limitlessness:Rachel's Howard's Repetition is Truth – Via Dolorosa" in ''Repetition is Truth - via Dolorosa'', Murderme, 2009}} It is this idea of limitlessness that Howard seeks to engage with, the belief that human suffering is never-ending, hence the name of the work – Repetition is Truth. {{blockquote|One enters a room with fourteen Stations of the Cross by Rachel Howard – her Via Dolorosa. Monumental, quiet, graceful, discrete, luscious, restrained and yet, at the same time, forceful, masterful, deafening – these paintings yield more layers of emotions than one can absorb all at once.}} ==Selected solo exhibitions== * 1999: 'Rachel Howard: New Paintings', A22 Gallery, London, UK * 2001: 'Painting 2001', Anne Faggionato, London, UK. * 2002: 'Tightrope', Shaheen Modern and Contemporary Art, Ohio, USA. * 2003: 'Can't Breathe Without You', Anne Faggionato, London, UK. * 2003: 'Guilty', Bohen Foundation, New York, USA. * 2007: 'Fiction/Fear/Fact', Bohen Foundation, New York, USA. * 2007: 'Rachel Howard - New Paintings', [Gagosian Gallery](/source/Gagosian_Gallery), Los Angeles CA, USA. * 2008: 'How to Disappear Completely - New Work by Rachel Howard', Haunch of Venison, London, UK. * 2008: 'Rachel Howard: invited by Philippa van Loon', Museum van Loon, Amsterdam, Netherlands. * 2009: 'Der Wald', Haunch of Venison, Zurich, Switzerland. * 2010: 'Human Shrapnel - oil drawings on paper', Other Criteria, New Bond, London, UK. * 2011: 'Folie A Deux', Blain|Southern, 21 Dering Street, London, UK. * 2011: 'Repetition is Truth', Via Dolorosa, Museo Madre, Naples, Italy. * 2011: 'Still Life / Still Here Rachel Howard New Paintings', Sala Pelaires, Palma, Mallorca, Spain. * 2014: 'Northern Echo' Blain|Southern, Hanover Square, London, UK. * 2015: Rachel Howard At Sea 'Jerwood Gallery' Hastings, UK. * 2016: Rachel Howard MACRO Testaccio, Rome, Italy.{{cite web|url=https://www.museomacro.it:443/mostra/rachel-howard-000|title=Rachel Howard - Museo Macro|website=www.museomacro.it}} * 2018: 'Der Kuss' Blain|Southern, Hanover Square, London, UK. * 2018: 'Repetition is Truth - Via Dolorosa' Newport Street Gallery, Vauxhall, London, UK.{{cite web|url=http://theartnewspaper.com/news/damien-hirst-gives-exhibition-to-former-spot-painter-rachel-howard|title=Damien Hirst gives exhibition to former spot painter Rachel Howard|website=theartnewspaper.com|date=20 December 2017 }} * 2018: 'Rachel Howard' MASS MoCA, Massachusetts, US.{{cite web |date=23 February 2018 |title=Reacting to a 'tidal wave' of endless violence |url=https://www.berkshireeagle.com/stories/reacting-to-a-tidal-wave-of-endless-violence,532824 |website=The Berkshire Eagle}} * 2019: L'appel du vide Blain|Southern, New York, US.{{Cite web|url=https://www.blainsouthern.com/exhibitions/rachel-howard-lappel-du-vide|title=Rachel Howard, 'L'appel du vide'|website=Blain Southern|language=en|access-date=2020-02-07}} *2021: 'You have a New Memory', Simon Lee Gallery, London, UK *2024: 'Big Bad Wolf' The Little Institute, Glasgow, Scotland{{Cite web |title=Solo Exhibitions |url=https://www.rachelhoward.studio/solo-exhibitions |access-date=2025-05-05 |website=Rachel Howard |language=en-GB}} ==Collections== *[Ackland Art Museum](/source/Ackland_Art_Museum), North Carolina *Beaconsfield, London, UK *Black Flag Collection, Belgium *Museum van Loon, Amsterdam *David Roberts Foundation, London *Goss-Michael Foundation, Dallas *Murderme collection, London *Hiscox collection, London *Jerwood Collection *Tate Archive *Pio Monte Della Misericordia, Naples, IT *The wareHOUSE, Wieland Collection, Atlanta, US *Olbricht Collection, DE *[Pallant House Gallery](/source/Pallant_House_Gallery), Sussex, UK *Reydan Weiss Collection, Dusseldorf, DE *SMEG Collection, Italy *Tia Collection, USA *Victoria and Albert Museum, London, UK {{Cite web |title=Public Collections |url=https://www.rachelhoward.studio/public-collections |access-date=2025-05-05 |website=Rachel Howard |language=en-GB}} ==Notes and references== {{Reflist}} ==External links== * {{Official website|http://www.rachelhoward.studio}} {{Authority control}} {{DEFAULTSORT:Howard, Rachel}} Category:1969 births Category:Living people Category:20th-century English women artists Category:21st-century English women artists Category:Alumni of Goldsmiths, University of London Category:Artists from County Durham Category:British contemporary painters Category:English contemporary artists Category:English women painters Category:People from Easington, County Durham --- Adapted from the Wikipedia article [Rachel Howard](https://en.wikipedia.org/wiki/Rachel_Howard) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Rachel_Howard?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.