# Prima donna

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{{Short description|Leading female singer in an opera company}}
{{About|the female opera singer|other uses|Prima Donna (disambiguation)}}
{{Redirect|Prima donnas|the Philippine television drama series|Prima Donnas{{!}}''Prima Donnas''}}

[[File:PRIMA DONNA (Ship) (c112-02-14).jpg|thumb|Prima donna [clipper ship](/source/Clipper) card]]
In [opera](/source/opera) or ''[commedia dell'arte](/source/commedia_dell'arte)'', a '''prima donna''' ({{IPA|it|ˈpriːma ˈdɔnna|lang}}; [Italian](/source/Italian_language) for 'first woman'; {{plural form}}: ''prime donne'') is the leading [female](/source/female) singer in the company, the person to whom the ''prime'' roles would be given. 

''Prime donne'' often had grand off-stage personalities and were seen as demanding of their colleagues. Because of this, the term has spread in contemporary usage, from its original usage in opera to referring to anyone behaving in a demanding or temperamental fashion or having an inflated view of oneself.

The prima donna in opera was normally, but not necessarily, a [soprano](/source/soprano). The corresponding term for the male lead (usually a [castrato](/source/castrato) in the 17th and 18th centuries, later a [tenor](/source/tenor)) is '''''primo uomo'''''.<ref name="dictionary">H. Rosenthal, H. and J. Warrack, ''The Concise Oxford Dictionary of Opera'', 2nd Edition, Oxford University Press, 1979. p. 398. {{ISBN|0-19-311321-X}}</ref>.

==Opera==
[[File:Nita Carritte, Musical Courier, 27 July 1895.png|thumb|[Nita Carritte](/source/Nita_Carritte), prima donna, [Carl Rosa Opera Company](/source/Carl_Rosa_Opera_Company), 1895]]
In 19th century Italy, the leading woman in an [opera](/source/opera) or ''[commedia dell'arte](/source/commedia_dell'arte)'' company was known as the prima donna, literally the "first lady". This woman, usually the principal soprano of the company, would typically perform leading roles and generally sing more music than other women in the company.<ref name="dictionary" /> Famous opera ''prime donne'' have often caused opera enthusiasts to divide into opposing "clubs", supporting one singer over another. The rivalry between the fans of [Maria Callas](/source/Maria_Callas) and [Renata Tebaldi](/source/Renata_Tebaldi), for example, was one of the most famous, despite the friendship of the two singers.<ref>See for example, George Jellinek, [https://books.google.com/books?id=AARY5QG7U3EC ''Callas: Portrait of a Prima Donna''], Dover, 1986, p. 96 and ''passim''. {{ISBN|0486250474}}.</ref>

The designation ''prima donna assoluta'' ({{literally|absolute first lady}}) is occasionally applied to a prima donna of outstanding excellence.<ref>''[Oxford English Dictionary](/source/Oxford_English_Dictionary)'' (Draft revision 2009).</ref> It has also been used to describe the creators of heroic [coloratura](/source/coloratura) roles in the first half of the 19th century.<ref>Riggs, Geoffrey (2003). [https://books.google.com/books?id=GhXggJliLF8C&pg=PA1 ''The Assoluta Voice in Opera, 1797–1847''], p. 1. McFarland. {{ISBN|0786414014}}.</ref>

The woman who sang the second major part in an opera was, correspondingly, referred to as the ''seconda donna''; by the late 18th century, this role was sometimes called the ''altra prima donna''.<ref>[https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-5000007439?rskey=V6THe9 Seconda donna]. [Oxford Music Online](/source/Oxford_Music_Online), 2002.</ref>

==Personality==
At times, these ''prime donne'' had grand off-stage personalities and strict demands of fellow troupe members, musicians, set and wardrobe designers, producers, and other staff. However, they were deferentially tolerated because of their consummate talent and their draw at the box office. From this experience, the term ''prima donna'' has come into common usage in any field, denoting someone who behaves in a demanding, often temperamental fashion, revealing an inflated view of themselves, their talent, and their importance.<ref>Susan Rutherford, [https://books.google.com/books?id=s1j6Jl2LOfgC&q=Prima+donna ''The Prima Donna and Opera, 1815–1930''], Cambridge University Press, 2006. {{ISBN|0-521-85167-X}}.</ref> Due to this association, the contemporary meaning of the word has taken on the negative connotation of a [vain](/source/vanity), undisciplined, [egotistical](/source/Egotism), obnoxious, or temperamental person who finds it difficult to work under direction or as part of a team but whose contributions are essential to the success of the team.<ref>The Oxford Pocket Dictionary of Current English (2009). [http://www.encyclopedia.com/doc/1O999-primadonna.html "prima donna"]. Encyclopedia.com. 12 Sep. 2010.</ref><ref>[Merriam-Webster](/source/Merriam-Webster). [http://www.merriam-webster.com/dictionary/prima+donna "prima donna"]. Merriam-Webster.com.</ref>

==See also==
{{Wiktionary-inline}}
* ''[Convenienze](/source/Convenienze)''
* [Diva](/source/Diva)
* [Entitlement](/source/Entitlement_(psychology))
* [Prima ballerina](/source/Prima_ballerina)

==References==
{{Reflist}}

==Further reading==
* [Rupert Christiansen](/source/Rupert_Christiansen). ''Prima Donna: A History'', London: The Bodley Head, 1984. {{ISBN|0-370-30550-7}}; New York: Viking, 1985. {{ISBN|0-670-80482-7}}.
* Richard Somerset-Ward. ''Angels and Monsters: Male and Female Sopranos in the Story of Opera, 1600-1900'', Yale University Press, 2004. {{ISBN|0-300-09968-1}}.

{{Opera terms}}
{{Authority control}}

Category:Italian opera terminology
Category:Commedia dell'arte
Category:Women singers
Category:Female stock characters

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Adapted from the Wikipedia article [Prima donna](https://en.wikipedia.org/wiki/Prima_donna) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Prima_donna?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.
