# Panning (audio)

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{{Short description|Distribution of an audio signal into a multi-channel sound field}}

'''Panning''' is the distribution of an [audio signal](/source/audio_signal) (either [monaural](/source/monaural) or [stereophonic](/source/stereophonic) pairs) into a new [stereo](/source/stereo) or multi-channel sound field determined by a pan control setting. A typical recording console has a pan control for each incoming source channel. A pan control or '''pan pot''' (shorthand for ''panoramic [potentiometer](/source/potentiometer)''),<ref name="NFI">{{cite web | title=What is Panning? Everything You Need to Know | date=14 May 2022 | url=https://www.nfi.edu/what-is-panning/ }}</ref> is a control with a position indicator that can range continuously from the [7 o'clock](/source/clock_position) when fully left to the [5 o'clock](/source/clock_position) position fully right. [Audio mixing](/source/Audio_mixing_(recorded_music)) software replaces pan pots with on-screen virtual knobs or sliders which function like their physical counterparts.

==Overview==
Pan pots split audio signals into left and right channels via an internal architecture that determines how much of the source signal is sent to the left and right buses.<ref name="Hodgson">Hodgson, Jay (2010). [https://books.google.com/books?id=64otjpfHbNUC ''Understanding Records''], p.162. {{ISBN|978-1-4411-5607-5}}.  "Pan pots split audio signals into left and right channels, each equipped with its own discrete [gain](/source/Gain_(electronics)) ([volume](/source/amplitude)) control."</ref> This signal distribution is often called a taper or [pan law](/source/pan_law).

When centered (at [12 o'clock](/source/clock_position)), the signal is sent equally to each bus.<ref name="Hodgson" /> If the two output buses are later recombined into a monaural signal, then a pan law of −6&nbsp;dB is desirable. If the two output buses are to remain stereo then a law of −3&nbsp;dB is desirable. A law of −4.5&nbsp;dB at center is a compromise between the two. A pan control fully rotated to one side results in the source being sent at full strength (0&nbsp;dB) to one bus (either the left or right channel) and zero strength (−{{math|∞}} dB) to the other. Regardless of the pan setting, the overall [sound power level](/source/sound_power_level) remains approximately constant.  Because of the [phantom center](/source/phantom_center) phenomenon, sound panned to the center position is perceived as coming from ''between'' the left and right speakers.

Panning in audio borrows its name from [panning](/source/panning_(camera)) action in moving image technology; the term ''panning'' is derived from ''[panorama](/source/panorama)''. An audio pan pot can be used in a mix to create the impression that a source is moving from one side of the [soundstage](/source/Soundstage) to the other, although ideally there would be timing (including phase and [Doppler effect](/source/Doppler_effect)s), filtering and reverberation differences present for a more complete picture of apparent movement within a defined space. Simple analog pan controls only change relative level; they don't add reverb to replace direct signal, phase changes, modify the spectrum, or change delay timing.<ref>Hodgson (2010), p.163.</ref>

Panning can also be used in an audio mixer to reduce or reverse the stereo width of a stereo signal. For instance, the left and right channels of a stereo source can be panned straight up, which is sent equally to both the left output and the right output of the mixer, creating a dual mono signal.<ref name="NFI" />

An early panning process was used in the development of [Fantasound](/source/Fantasound), an early pioneering stereophonic sound reproduction system for ''[Fantasia](/source/Fantasia_(1940_film))'' (1940).

==Stereo-switching==<!--[Stereo-switching](/source/Stereo-switching) redirects directly here-->
Before pan pots were available, "a three-way switch was used to assign the track to the left output, right output, or both (the center)".<ref>Owsinski, Bobby (2006). ''[https://books.google.com/books?id=L8ZAzQEACAAJ The Mixing Engineer's Handbook]'', 2nd Edition, p.20. Cengage. cited in Hodgson (2010), p.161.</ref> Ubiquitous in the Billboard charts throughout the middle and late 1960s, clear examples include the [Beatles](/source/Beatles)'s "[Strawberry Fields Forever](/source/Strawberry_Fields_Forever)" and [Jimi Hendrix](/source/Jimi_Hendrix)'s "[Purple Haze](/source/Purple_Haze)", [Stevie Wonder](/source/Stevie_Wonder)'s "[Living for the City](/source/Living_for_the_City)".<ref>Hodgson (2010), p.161–162.</ref> In the Beatles's "[A Day In The Life](/source/A_Day_In_The_Life)" Lennon's vocals are switched to the extreme right on the first two [strophe](/source/strophe)s, on the third strophe they are switched center then extreme left, and switched left on the final strophe while during the bridge McCartney's vocals are switched extreme right.<ref>Hodgson (2010), p.161.</ref><ref>{{cite web|title=What is Panning|url=http://www.dawsons.co.uk/blog/what-is-panning|website=Dawsons|publisher=Dawsons Music|access-date=17 June 2015|archive-date=22 March 2017|archive-url=https://web.archive.org/web/20170322111429/http://www.dawsons.co.uk/blog/what-is-panning|url-status=dead}}</ref>

==See also==
*[Pan law](/source/Pan_law)
*[Balance](/source/Stereophonic_sound)

==References==

{{reflist}}

==Further reading==
* Rumsey, Francis and McCormick, Tim (2002). ''Sound and Recording: An Introduction''. Focal Press. {{ISBN|978-0-240-51680-6}}

Category:Stereophonic sound
Category:Audio mixing

[ja:パン (撮影技法)](/source/ja%3A%E3%83%91%E3%83%B3_(%E6%92%AE%E5%BD%B1%E6%8A%80%E6%B3%95))

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Adapted from the Wikipedia article [Panning (audio)](https://en.wikipedia.org/wiki/Panning_(audio)) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Panning_(audio)?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.
