# Ottakoothar

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12th century Tamil poet

Kavichakravarthi Ottakoothar A portrait of Ottakoothar in the wall of Tiruchengode Sengunthar Nattanmaikarar sabai Born Ponnambala koothar, Koothan Thiruverumbur, Tiruchirapalli Occupation Court poet, Minister Language Tamil Period 12th century CE Notable works Vikrama Cholan Ula Kulottunga Cholan Ula Rajarajan Cholan Ula Uttara Kaandam of Raamaayanam Kulothunga Cholan pillai tamil Takka-yaaka-parani Eeti-elupattu Relatives Sengunthar

**Ottakoothar** (c. 12th century CE) was a [Tamil](/source/Tamil_people) [court poet](/source/Court_poet) and minister to three [Later Chola](/source/Later_Cholas) kings, namely [Vikrama Chola](/source/Vikrama_Chola), [Kulotunga II](/source/Kulothunga_Chola_II) and [Rajaraja II](/source/Rajaraja_Chola_II).[1] He wrote poems in praise of these three kings.[2]

The poet's memorial is believed to be still in a place known as [Darasuram](/source/Darasuram) in [Kumbakonam](/source/Kumbakonam), just opposite the famous [Airavatesvara Temple](/source/Airavatesvara_Temple). According to legend, the [goddess Saraswati](/source/Saraswati) blessed him in [Koothanur](/source/Koothanur), then he became a famous poet.[3]

## Family

According to a legend, there was once a [Chola](/source/Chola) king called [Muchukundan](/source/Muchukunda) who had his capital at [Karur](/source/Karur). He is said to have won the favor of God [Murugan](/source/Murugan) after deep penances and the latter is said to have bestowed upon him his personal bodyguards to aid him in his wars. Muchukundan Chola then married Chitravalli, daughter of the warrior chief and [Murugan](/source/Murugan)'s bodyguard called Virabahu and spawned a new line. The poet Ottakoothar is presented as the scion of the family of this [Sengunthar](/source/Sengunthar) chief in his work *Eeti-elupattu*.[4] It is worth mentioning that this Muchukunda Chola figures in the ancestry of [Rajendra I](/source/Rajendra_Chola_I) as detailed in his Tiruvalangadu copper plates.[5]

## Literary works

Ottakoothar ([Tamil](/source/Tamil_language): ஒட்டக்கூத்தர்) is renowned for his *Ula* poems on the three successive kings, [Vikrama Chola](/source/Vikrama_Chola), [Kulothunga II](/source/Kulothunga_Chola_II) and [Rajaraja II](/source/Rajaraja_Chola_II).[6] The *Ula* poems are generally written in honor of the king and describe the triumphant procession of the king amidst the people and his subjects.[7] He also authored a work dealing with the Kulottunga II's childhood called *Kulottunga Cholan Pillai Tamil*.[8] Ottakoothar wrote [Uttara Kandam](/source/Ramayana#Uttara_Kanda),[9] the seventh (last chapter) kandam of the Tamil epic [Ramayanam](/source/Ramavataram). Ottakoothar's works can be found at the open access Tamil literature repository [Project Madurai](/source/Project_Madurai).[10]

During this period when he was very popular, the [Sengunthar](/source/Sengunthar) community, the one to which he belonged, asked him to compose a work in their honor. He initially refused but then later agreed provided they brought him 1008 heads of their first-born sons. Accordingly, 1008 members of the community sacrificed their lives so that he could write about their history. The poet then wrote *Eeti-elupattu*, a poem consisting of seventy verses in honor of the spear and extolled the glorious past of the [Sengunthar](/source/Sengunthar) chiefs and soldiers. He later wrote another poem called *Elupp-elupattu* in order to bring back the 1008 dead members to life. When he sang it the heads are said to have miraculously attached to their bodies and the dead became alive once again. The poet Koothar thus came to be known as Otta Koothar[11] for he attached the heads to the bodies and revived them.[12]

## Popular culture

In the 1957 Tamil film *[Ambikapathy](/source/Ambikapathy_(1957_film))*, the character of Ottakoothar was portrayed and was performed by [M. N. Nambiar](/source/M._N._Nambiar). The character was also played by [Rajesh](/source/Rajesh_(Tamil_actor)) in [Mahasakthi Mariamman](https://en.wikipedia.org/w/index.php?title=Mahasakthi_Mariamman&action=edit&redlink=1), a 1986 Tamil film.

## See also

- [Koothanur Maha Saraswathi Temple](/source/Koothanur_Maha_Saraswathi_Temple)

## References

1. **[^](#cite_ref-1)** ["Packed with information"](https://web.archive.org/web/20041124141404/http://www.hindu.com/fr/2004/08/27/stories/2004082702590600.htm). *[The Hindu](/source/The_Hindu)*. India. 27 August 2004. Archived from [the original](http://www.hindu.com/fr/2004/08/27/stories/2004082702590600.htm) on 24 November 2004.

1. **[^](#cite_ref-2)** ["Ula Ilakkiyam"](http://www.tamilvu.org/courses/degree/c012/c0124/html/c01244ea.htm). Tamil Virtual University. Retrieved 24 January 2012.

1. **[^](#cite_ref-3)** ["Consecration of 1000-yr old Saraswathi Temple on July 6"](http://timesofindia.indiatimes.com/city/Consecration-of-1000-yr-old-Saraswathi-Temple-on-July-6/articleshow/33872.cms). *Times of India*. Chennai, India. 20 June 2003.

1. **[^](#cite_ref-4)** Rajeshwari Ghose. *The Tyāgarāja Cult in Tamilnāḍu: A Study in Conflict and Accommodation*. Motilal Banarsidass, 1996 - Tamil Nadu (India) - 414 pages. pp. 78–79.

1. **[^](#cite_ref-5)** S. R. Balasubrahmanyam. *Early Chola Temples: Parantaka I to Rajaraja I, A.D. 907-985*. Orient Longman, 1971 - Architecture, Chola - 351 pages. p. 194.

1. **[^](#cite_ref-6)** Ramesh Chandra Majumdar; Achut Dattatrya Pusalker; A. K. Majumdar; Dilip Kumar Ghose; Vishvanath Govind Dighe; Bharatiya Vidya Bhavan (2007). [*The History and Culture of the Indian People: The struggle for empire.-2d ed*](https://archive.org/details/britishparamount10bhar). Bharatiya Vidya Bhavan, 1966. p. [364](https://archive.org/details/britishparamount10bhar/page/364).

1. **[^](#cite_ref-7)** A. Ve Cuppiramaṇiyan̲; Shu Hikosaka; G. John Samuel. *Literary genres in Tamil: a supplement to a descriptive catalogue of palm-leaf manuscripts in Tamil*. Institute of Asian Studies, 1993 - Manuscripts, Tamil - 493 pages. pp. 311–313.

1. **[^](#cite_ref-8)** Prema Kasturi; Chithra Madhavan. *South India heritage: an introduction*. East West Books (Madras), 2007 - History - 616 pages. p. 294.

1. **[^](#cite_ref-9)** The seventh kandam (last chapter) [Uttara Kandam](/source/Ramayana#Uttara_Kanda) of the Tamil epic [Ramayanam](/source/Ramavataram) was written by Ottakoothar. [Tamil Ramayana's Uttara Kandam: page 59](https://www.tamilvu.org/slet/l4330/l4330pd1.jsp?bookid=271&pno=59) Tamil Virtual University. Retrieved 26 April 2022.

1. **[^](#cite_ref-10)** ["Project Madurai"](https://www.projectmadurai.org/index.html). projectmadurai.org. Retrieved 27 November 2022.

1. **[^](#cite_ref-11)** In [Tamil language](/source/Tamil_language) Otta (ஒட்ட) means to attach. According to legends, the poet re attached/ made the heads stick to the neck again, the dead were miraculously revived and so his original name Koothar got the prefix Otta and became Otta koothar ([Tamil](/source/Tamil_language): ஒட்டக்கூத்தர்).

1. **[^](#cite_ref-12)** Kallidaikurichi Aiyah Nilakanta Sastri. *The Cōḷas, Volume 2, Issue 1*. University of Madras, 1937 - Chola (Indic people). pp. 522–523.

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