# Muriel Jackson > Mediated Wiki article. Canonical URL: https://mediated.wiki/source/Muriel_Jackson > Markdown URL: https://mediated.wiki/source/Muriel_Jackson.md > Source: https://en.wikipedia.org/wiki/Muriel_Jackson > Source revision: 1352155899 > License: Creative Commons Attribution-ShareAlike 4.0 International (https://creativecommons.org/licenses/by-sa/4.0/) {{Short description|English wood engraver}} {{Use dmy dates|date=March 2022}} {{Infobox artist | honorific_prefix = | name = Muriel Blomfield Jackson | honorific_suffix = | image = | image_size = | alt = | caption = | native_name = | native_name_lang = | birth_name = | birth_date = 9 March 1901 | birth_place = London | death_date = 1977 | death_place = | resting_place = | resting_place_coordinates = | nationality = | education = Hampstead Day School | alma_mater = Central School of Arts and Crafts | known_for = Wood engraving | notable_works = ''Wagon on the Heath'' (1931) | style = | movement = | spouse = Francis Courtenay Mason | children = 2 | parents = | father = [Arthur Blomfield Jackson](/source/Arthur_Blomfield_Jackson) | mother = Ida Mary Phipps | relatives = [Charles J. Phipps](/source/Charles_J._Phipps) (grandfather) | family = | awards = {{awd|Logan Medal of the Arts|1931|Wagon on the Heath}} | elected = Associate of the Society of Wood Engravers }} '''Muriel Blomfield Jackson''' (9 March 1901 – 1977) was an English [wood engraver](/source/wood_engraver) who was active at the beginning of the twentieth century. She was a pupil of [Noel Rooke](/source/Noel_Rooke) at the [Central School of Arts and Crafts](/source/Central_School_of_Arts_and_Crafts) and exhibited regularly with the [Society of Wood Engravers](/source/Society_of_Wood_Engravers).Joanna Selborne, 'The Society of Wood Engravers: the early years' in ''Craft History 1'' (1988), published by Combined Arts. ==Biography== Muriel Jackson was born in London, the daughter of architect Arthur Blomfield Jackson, and was educated at Hampstead Day School.{{cite book|author=Sara Gray|publisher=Dark River|year=2019|title= British Women Artists. A Biographical Dictionary of 1000 Women Artists in the British Decorative Arts |isbn=978-1-911121-63-3}}{{cite book|author=David Buckman|publisher=Art Dictionaries Ltd|year=2006|title=Artists in Britain Since 1945 Vol 1, A to L |isbn=0-953260-95-X}} She studied at the [Central School of Arts and Crafts](/source/Central_School_of_Arts_and_Crafts) in London from 1917 to 1922 under [Noel Rooke](/source/Noel_Rooke) for wood engraving and [F. Ernest Jackson](/source/F._Ernest_Jackson) for tempera painting. From 1920 she specialised in recording gypsy caravans on [Hampstead Heath](/source/Hampstead_Heath), and in 1922 she designed a poster ''Happy days at the zoo'' for [London County Council Tramways](/source/London_County_Council_Tramways).{{cite web|url= https://www.ltmuseumshop.co.uk/happy-days-at-the-zoo-small|title= A poster designed by Jackson for London County Council Tramways}} She was a finalist in the [British Prix de Rome](/source/British_Prix_de_Rome) scholarship competition in 1925 and in 1931 received the [Logan Medal of the Arts](/source/Logan_Medal_of_the_Arts) at the International Exhibition of Lithography and Wood Engraving in Chicago, for her print ''Wagon on the Heath''. In 1928 she married Francis Courtenay Mason (1891–1953), a surgeon of [Harley Street](/source/Harley_Street). They had two children, a son and a daughter.{{cite web|title=Mason, Francis Courtenay (1891–1953)|url=http://livesonline.rcseng.ac.uk/biogs/E005143b.htm|website=Plarr's Lives of the Fellows Online|publisher=Royal College of Surgeons|accessdate=27 May 2017}} ==Wood engravings== Jackson exhibited with the Society of Wood Engravers from 1923 to 1940, when the society ceased arranging exhibitions until it was revived by [Margaret Pilkington](/source/Margaret_Pilkington) in 1949. She was elected an associate of the society in 1925. She was never commissioned to illustrate any books, but her work was reproduced sporadically in ''[Drawing and Design](/source/Drawing_and_Design)'' and the [''Studio''](/source/Studio_Magazine). Her wood engraving ''Motor bike'' was reproduced in the August 1924 number of ''Drawing and Design'', and ''The Fencers'' in the March 1930 number of the ''Studio'', which also reproduced ''Balaam's Ass'' in the June 1951 number. Malcolm C. Salaman reproduces ''Harvesters, Italy'' in his 1930 review published by the ''Studio''Malcolm C. Salaman, ''The New Woodcut'' (London, [Studio](/source/The_Studio_(magazine)), 1930. and grants her the terse comment: '"There is a splendid pictorial rhythm in Miss Muriel Jackson's "Harvesters, Italy"." Jackson also exhibited works with the [New English Art Club](/source/New_English_Art_Club) and, between 1927 and 1966, at the [Royal Academy](/source/Royal_Academy) in London. During her career, Jackson completed a number of public commissions for murals, notably for St Peter's Church at [Limehouse](/source/Limehouse) in east London. She was a member of the [Red Rose Guild](/source/Red_Rose_Guild).{{cite book |date=1977 |title=Who's Who in Art: Biographies of leading men and women in the world of art today 18th Edition |publisher=Art Trade Press |location=Havant |page=231 |isbn= 9780900083075}} Her work is represented in the collection of the [Art Institute of Chicago](/source/Art_Institute_of_Chicago). ==References== {{reflist}} ==External links== *{{Art UK bio}} {{Authority control}} {{DEFAULTSORT:Jackson, Muriel}} Category:1901 births Category:1978 deaths Category:20th-century English women artists Category:Alumni of the Central School of Art and Design Category:Engravers from London Category:English wood engravers Category:20th-century English engravers Category:Member of Red Rose Guild Category:20th-century English illustrators --- Adapted from the Wikipedia article [Muriel Jackson](https://en.wikipedia.org/wiki/Muriel_Jackson) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Muriel_Jackson?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.