# Meir Sternberg

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{{Short description|Israeli literary critic and biblical scholar}}
{{for|the Israeli judge|Meir Shamgar}}

{{Infobox academic
| name = Meir Sternberg
| native_name = מאיר שטרנברג
| native_name_lang = he
| birth_date = {{Birth date|1944|10|3|df=y}}
| occupation = Literary critic, Biblical scholar
| title = Artzt Professor of Poetics and Comparative Literature
| notable_works = {{unbulleted list |''Expositional Modes and Temporal Ordering in Fiction'' |''The Poetics of Biblical Narrative''}}
| awards = {{unbulleted list |[Israel Prize](/source/Israel_Prize) (1996)}}
}}

'''Meir Sternberg''' ({{Langx|he|מאיר שטרנברג}}; born October 3, 1944) is an Israeli literary critic and biblical scholar. He is Artzt Professor of Poetics and Comparative Literature at [Tel Aviv University](/source/Tel_Aviv_University). Along with [Robert Alter](/source/Robert_Alter) and [Adele Berlin](/source/Adele_Berlin), Sternberg is one of the most prominent practitioners of a literary approach to the Bible.<ref>{{cite book|last=Crenshaw|first=James L.|author-link=James L. Crenshaw|title=The Psalms In Israel's Worship|chapter=Foreword|year=2004|page=?...|publisher=[Eerdmans](/source/Eerdmans)|isbn=9780802828163 |chapter-url=https://books.google.com/books?id=MdCMDhJJTTMC&pg=PR30}}</ref>

==Work==
Sternberg made an important contribution to narrative theory in his book ''Expositional Modes and Temporal Ordering in Fiction'', first published in [Johns Hopkins University Press](/source/Johns_Hopkins_University_Press) (1978) and later in [Indiana University Press](/source/Indiana_University_Press) (1993). In his book Sternberg systematically explores how the order of information offered by the literary text creates for readers effects such as curiosity, suspense and surprise by analyzing examples that range from Homer's Odyssey to selected modern novels. Sternberg's contribution in this book to  [Narratology](/source/Narratology), with its emphasis on the effects of the literary texts on readers, can be seen as part of [Reader-response criticism](/source/Reader-response_criticism).<ref>{{cite book|last1=Ann|first1=Moor|title=Untitled|date=1979|page=426-428|jstor=1770307 |url=https://www.jstor.org/stable/1770307}}</ref><ref>{{cite book|last1=Bleich|first1=David|author-link=J. David Bleich|last2=L. Sammons|first2=Jeffrey|last3=Watson|first3=George|author-link3=George Watson (scholar)|last4=Black|first4=Edwin |author-link4=Edwin Black|last5=Empson|first5=William|author-link5=William Empson|last6=Norris|first6=C. C.|last7=Watkins|first7=Evan|title=Untitled|date=1980|page=237-244|jstor=514193 |url=https://www.jstor.org/stable/514193}}</ref>

Sternberg is best known for his 1985 book ''The Poetics of Biblical Narrative''. Sternberg argues that the Bible is a "foolproof composition": any reader who reads the Bible in "good faith" will get the point of what is written.<ref>{{cite book|last1=Berlin|first1=Adele|author-link=Adele Berlin|title=The Hebrew Bible: New Insights and Scholarship|chapter=Literary approaches to biblical literature|date=2008|publisher=[NYU Press](/source/NYU_Press)|page=54|isbn=9780814731888 |chapter-url=https://books.google.com/books?id=Z0wawEnu0UkC&pg=PA54|accessdate=5 October 2014}}</ref><ref>{{cite book|last1=Freedman|first1=Amelia Devin|title=God as an Absent Character in Biblical Hebrew Narrative|date=2005|page=17|publisher=Peter Lang |isbn=9780820478289 |url=https://books.google.com/books?id=Unulf7EEcDwC&pg=PA17|accessdate=5 October 2014}}</ref><ref>R. Christopher Heard, "[https://web.archive.org/web/20060819222824/http://www.acu.edu/sponsored/restoration_quarterly/archives/1990s/vol_38_no_1_contents/heard.html Narrative Criticism and the Hebrew Scriptures]," ''[Restoration Quarterly](/source/Restoration_Quarterly)'' 38.1 (1996), 33.</ref> He believes the Bible is written by an [omniscient narrator](/source/Omniscient_point-of-view), who has had things [revealed](/source/Revelation) to him by an [omniscient](/source/Omniscience) God. Sternberg also makes much of "gaps" in narration, in which the narrator withholds truth in order to generate ambiguity. Finally, he argues that the biblical authors were concerned with three central elements in their narratives: aesthetics, history, and ideology.<ref>J. Daniel Hays, "An Evangelical Approach to Old Testament Narrative Criticism," ''[Bibliotheca Sacra](/source/Bibliotheca_Sacra)'' 166 (2009), 7.</ref> Jeffrey Staley suggests that, along with Robert Alter, Adele Berlin, and [Shimon Bar-Efrat](/source/Shimon_Bar-Efrat), Sternberg is a master of "leading the reader through the sudden twists and sharp turns, the steep ridges and dizzying drop-offs that make up the art of ancient Hebrew characterization."<ref>{{cite book|last1=Staley|first1=Jeffrey|title=Reading with a Passion: Rhetoric, Autobiography, and the American West in the Gospel of John|date=2002|publisher=[A&C Black](/source/A%26C_Black)|page=31|isbn=9780826414328 |url=https://books.google.com/books?id=VEL7b1nFrbkC&pg=PA31|accessdate=3 April 2016}}</ref>

Sternberg was the editor of the academic journal ''[Poetics Today](/source/Poetics_Today)'' from 1994 to 2016. He was awarded the [Israel Prize](/source/Israel_Prize) in 1996, for his contributions to literary theory.

==References==
{{reflist}}

{{Authority control}}

{{DEFAULTSORT:Sternberg, Meir}}
Category:Living people
Category:Israel Prize in literature recipients
Category:Israeli literary critics
Category:Israeli biblical scholars
Category:Old Testament scholars
Category:Academic staff of Tel Aviv University
Category:Academic journal editors
Category:1944 births

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Adapted from the Wikipedia article [Meir Sternberg](https://en.wikipedia.org/wiki/Meir_Sternberg) by Wikipedia contributors ([contributor history](https://en.wikipedia.org/wiki/Meir_Sternberg?action=history)). Available under [Creative Commons Attribution-ShareAlike 4.0 International](https://creativecommons.org/licenses/by-sa/4.0/). Changes may have been made.
